Music Trade Review

Issue: 1900 Vol. 30 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
York. The gamblers and thugs at present
flaunt their glittering attractions in a less
attractive way, but every sensible man
knows that the reformation does not go
very far below the surface. It is only a
thin veneer which for the present serves as
a shield to remove from public gaze the
festering spots of corruption which exist
within our city, the removal of which de-
pends upon how high up we go in political
affairs to reach the right men who control
the necessary influence. We are, however,
not blinded by the mock reformation, for
we know the moment the investigation is
withdrawn the dives and brothels will
again be in full blast. The trade roaster
when in immediate danger will undergo a
mock reformation. Men, however, will
not be misled by it.
Just now when it is extremely probable
that there will be definite action taken by
the Association towards removing unclean
trade journalism from its sphere of influ-
ence, there is a scramble on the part of the
Roaster to convince the members of that
organization that he has only been indulg-
ing in the quiet, innocent pastime of criti-
cism. Honest criticism at that. He is
even writing letters to his own paper to
prove that he has the right to criticise the
Association, just in a playful, modest man-
ner. Of course he has only been toying
gently with Association members, but the
singular part is that all of these members
are non-advertisers, men who have with-
drawn, undoubtedly for good reasons, from
his publication.
Awfully funny—is it not?—how criticism
should invariably descend upon the unpro-
tected heads of non-advertisers. There
will come ultimate good out of this last at-
tack, and all of the little attempts to hedge,
to turn from the real issue, to win sym-
pathy, will fail utterly, because there will
soon be delivered a number of clever
thrusts which will penetrate even the pachy-
dermic covering of the Royal Roaster.
WHY NOT A TESTING STATION ?
X H E peculiarities of the varnish ques-
tion as presented by recent editorials
in The Review have occasioned much com-
ment over the country. We have been in
receipt of a number of letters referring to
this rather interesting condition which ex-
ists in one of our kindred industries
Piano manufacturers have admitted that
the system of bribing varnish foremen ob-
tains to an alarming extent, yet they see
no way in which to remove this corrupting
influence.
Why not a central testing station for
varnish, a point where all varnishes could
be subjected to an impartial test? There
would be some mighty interesting develop-
ments if this test question were adopted.
Why not introduce a little varnish discus-
sion at the Convention in Chicago? Surely
we would not be punning when we would
say that this varnish discussion would
brighten matters up a bit at the Chicago
meeting.
WORTH FIGHTING FOR,
A LL of the Chicago piano factories are
now teeming with industrial life.
Months of idleness have been replaced by
days and nights of hustling activity and it
would seem as if this condition of affairs
would long continue.
Chicago manufacturers made a long,
gallant and expensive fight for the main-
tenance of a principle, and as one manu-
facturer recently remarked to The Review
while discussing this matter: "That prin-
ciple alone was worth fighting for, and
what is more we won. No matter what
the cost to us, we are now free agents, and
we can reward individual workmen, take
on and discharge help without the fear of
a strike being precipitated."
The labor troubles in Chicago have, too,
developed a fraternal feeling among the
piano manufacturers of that city, one of
the most prominent of whom recently re-
marked to The Review: " T h e strike has
brought us all closer together and I have
a higher regard for my fellow members of
our local industry than ever before, because
I was not acquainted with them. I knew
so and so slightly, but nothing of his per-
sonality. To-day it is a pleasure to meet
the men who compose our local industry,
and who have stood shoulder to shoulder
for the maintenance of those principles for
which America stands."
It is noticeable what a spirit of cama-
raderie has developed among the Chicago
men during the past few months. They
have discovered that in union there is an
element of strength which the single iso-
lated institution does not possess either to
promote trade interest or to ward off im-
pending danger.
nected with the institution. It reflects
that the store is conducted on progressive
and up-to-date lines, that it is not one
of those dreamy standstill establishments
which exist in spite of themselves and
their unenterprising proprietors.
Next to the artistic interior comes the
value of the window as a business reflec-
tor. It is the mirror which opens to pub-
lic view the entire store and the instru-
ments displayed therein. Being such an
important adjunct to progressive store
keeping the window should come in for a
good portion of one's attention.
In this connection it is indeed a pleasure
to note the care taken in this trade by such
establishments as the Weber-Wheelock Co.,
the ^Eolian Co., Sohmer & Co., Estey &
Saxe, the Tway Piano Co., the Needham
Piano & Organ Co., Wm. Knabe & Co.,
Hardman, Peck & Co., and others. These
establishments pay not only particular at-
tention to interior attractiveness but one is
convinced they are up-to-date stores be-.
cause the windows always present an up-
to-date appearance. Changes of instru-
ments are frequent and there is no evi-
dence to lead one to believe that this matter
of window display is neglected. As is the
window so is the store; that's the logical
conclusion at which the public arrives.
Too much stress cannot be laid on the
value of interior decoration in connection
with piano display. Such houses as Stein-
way and Knabe have recognized the im-
portance of having special art rooms for the
display of special instruments. The same
spirit must prevail in a simple way in the
decoration of warerooms generally. This
is an age where the aesthetic sensibilities
are keenly sensitive to decorative influ-
ences if they are conceived in a proper and
consistent manner. The wareroom of W.
F. Tway & Co., for instance, is a magnifi-
cent example of good taste in colorings
and other essentials in the way-of well
balanced equipment. It is a model to
pattern after.
LET THERE BE DISCUSSION.
H Y all means let there be good, healthy,
WAREROOM DECORATION.
honest, impartial discussion of the
D I A N O dealers are steadily recognizing
the value of artistically decorated ware- relative value of the several trade papers.
rooms as a desirable environment for the The blackmailer and roaster should be re-
instruments which they handle. It is only legated to an unhappy past. Together
necessary to note the improvements made with him should be the house organ, the
in the piano emporiums of this city, or in man who draws his sustenance from two
fact any of the leading cities of the coun<- or three concerns—the man who makes no
try, to demonstrate this. It is a grati- effort to produce a newspaper which re-
fying sign and reflects much. It reflects flects trade sentiment or trade thought,
the managerial policy of the firm. It re- but simply pads and cribs from his harder
flects the condition and class of the mer- working contemporaries—and side by side
chandise dealt in. It reflects the alertness with him will go the non-progressive
or backwardness of the individuals con- journalist who is still wondering why he
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
isn't receiving a portion of trade patronage
simply because he's good.
The industry can well dispense with all
of these, and by concentrating appropria-
tions upon deserving newspaper institu-
tions which have shown by years of faith-
ful adherence to trade rights that they are
not only worthy of patronage, but are
entitled to it by the equivalents which
they return in the way of circulation,
trade respect and esteem. Yes, let there
be a good May cleaning.
THE MEETING IN MAY,
T H E R E is every reason to believe that
the Piano Manufacturers' Convention
which occurs in Chicago in May will be a
notable one in many respects; that it will
result in bringing the industry closer to-
gether is acknowledged. The steady aug-
mentation in membership has proved, too,
that many of those who have remained
outside are now being steadily attracted
towards the association. The addition of
many new members will be the logical out-
come of the meeting in Chicago. The in-
creased interest points that way. The
Great Northern Hotel has been considered
by members of the local trade the most
suitable for Convention and banquet
purposes. All arrangements have been
made so that that popular hostelry will be-
come trade headquarters during conven-
tion week.
FACTORY AUGMENTATION.
"T^HERE is hardly a piano manufacturing
institution in the West that is not
planning extensive additions to factory
facilities. It is hardly necessary to enu-
merate each one in detail, but in the ag-
gregate all the extsnsions now being erected
and contemplated will result in a great
increase in output for the year. Such work
shows the confidence which manufacturers
have in the future of the industry. The
over-production theory does not obtain
and should not for the absorptive power of
America as far as pianos are concerned,
will not have been reached for many years.
When that time does arrive there is then
the whole world for enlarged markets.
Ludwig Sails.
John Ludwig, of Ludwig & Co., left for
Europe on Wednesday to supervise the
Ludwig piano exhibit at the Paris Exposi-
tion. He was a passenger on the "Teu-
tonic." The exhibits were shipped from
the factory on Tuesday.
Peerless Sales.
Five Peerless Piano Players were sold
within ten days recently by the Keiselhorst
Piano Co. of St. Louis. A number of
prospective sales are also in view.
Profits and Prices Discussed:
A LEADING MANUFACTURER TALKS WITH THE
REVIEW ON THE SUBJECT SOME
CONVINCING ARGUMENTS.
"With much interest and pleasure I read
the editorial in last week's issue of your
paper headed 'Profits and Prices,' said a
prominent manufacturer to The Review
this week. "It covered the situation com-
prehensively. In some quarters to-day
there is a most deplorable failure to realize
the necessity of making the absolutely nec-
essary advance in the selling price of pi-
anos, and the same may be said of organs.
I assume that no manufacturer is so blind
to his own legitimate interests as to feel
that he should refrain from making the
profit involved in selling the instruments
he now has in stock at prices based upon the
present, and not upon the past cost of pro-
duction. But even if there be some so phil-
.anthropically disposed as to refuse to make
a fair profit out of a fortuitous change in
the market conditions, they must consider
whether or not they will find it as easy to
advance the price of their goods at a future
time, as it is to make such an advance now
when the prices of all manufactures are
being advanced. Such a manufacturer—
if there exists one so placed after the de-
mand for pianos last year—will probably
find that it will be exceedingly difficult to
advance prices at some future time when
he practically stands alone in making the
advance, even though he had not previous-
ly advanced when his competitors did.
"At the present figures for labor and ma-
terials, there has been, speaking moderate-
ly, an increase in the cost of producing
goods of more than twenty-five per cent.
This increased cost, however, has been
very much greater than twenty-five per
cent, on some of the cheaper and lower
grades of instruments in which the cost of
the materials is relatively a larger part of
the total cost than is the case in the better
grades of instruments.
" The increases that have thus far been
made by manufacturers have not been
sufficient to cover the augmented cost of
their products, if the cost be computed on
the basis of the present figures that must
be paid for labor, materials and supplies.
A most obvious duty, therefore, confronts
us all. We must get a price for our in-
struments commensurate with the cost of
manufacture and arguments must be pre-
sented to the dealers to this end. They
have business foresight and judgment
enough to arrange, whereby they will re-
ceive a just and fair increase of prices from
the public whose purchasing power has
been greatly increased through a large
volume of employment and the good times
which we have enjoyed for the past eigh-
teen months. Dealers should avail them-
selves of the opportunity afforded them by
present conditions, to put upon a proper
price basis, the goods which have been sold
at such ridiculously inadequate prices dur-
ing the past few years.
"It also behooves every manufacturer
to carefully revise his cost formula dur-
ing the present year. I am confident
that many manufacturers who are not in the
habit of making exact and careful cost
computations would be startled to know
just how much more it costs them to make
instruments now than it did say twelve or
eighteen months ago. If my confreres are
alive to their own interests they will avail
themselves of the present opportunity to
adjust prices, to reform certain evils in
sales practice, and fortify themselves as
much as possible against the time of re-
action and of comparative depression
which experience teaches us may be ex-
pected after the present prosperous era.
We can all do much individually toward
putting our business on a better basis, but
large and important reforms can be ef-
fected only by the co-operation of the ma-
jority of manufacturers whereby measures
can be adopted tending to the betterment
of the trade on a broad scale.
"In this respect I am a great believer in
association work. It tends to sink preju-
dices and jealousies, and enables one and
all to realize that manufacturers' interests
are mutual and not antagonistic. A given
amount of work and effort extended on
lines of co-operation cannot fail to be most
effective in eradicating many evils which
are prevalent in the trade to-day, and
which can be removed by common action
through such an organization as will meet
in Chicago next month."
OBITUARY.
Mrs. Qebhardt.
Mrs. Gebhardt, the mother of N. L.
Gebhardt, the A. B. Chase road repre-
sentative, died last week at her late home
in Ottumwa, la., at the good round age of
eighty. Mr. Gebhardt, who was on a trip
East, was advised of his mother's illness
and reached her bedside some time before
her death. She was a woman of many
admirable traits of character, highly
esteemed and her death is widely re-
gretted.
De Witt C. Everest.
The death is announced of DeWitt C.
Everest the well-known banjoist and vio-
linist, of Philadelphia, and founder of the
Banjo Club of that city, which occurred
at the German Hospital last week from a
complication of diseases.
George Styles.
George Styles, for many years a resident
of Greenpoint, Brooklyn Borough, was
buried on Tuesday from the residence of
his sister in Williamsburg. Mr. Styles
was about sixty-nine years of age. He
was formerly in the piano business in
Greenpoint.
firs. Schehl.
The funeral of Mrs. Schehl, mother of
Val. Schehl, maker of calf and sheep heads
for drums, banjos and tambourines, Siegel
street, Brooklyn, took place on Monday.
The factory was closed on that date.
Lyman W. Redington, the author of
the much talked about Redington Piano
Stencil Bill, filed a petition in bankruptcy
on Tuesday. He is a well-known lawyer
and was formerly a member of the Assem-
bly.

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