Music Trade Review

Issue: 1899 Vol. 29 N. 19

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56 PAGES,
With which is incorporated THE KEYNOTE.
V O L . XXIX. No. 19.
Published Every Saturday by Edward Lyman Bill at 3 East Fourteenth Street. New York, Nov. 4,1899.
T^HAT the study of music in the public
1 schools of this country is becoming a
serious matter is apparent from the admir-
able policy outlined and now being de-
veloped by the gentleman in charge of
these departments.
For example, in Nashua, N. H., at the
beginning of the school year, Musical
Director Hood advocated that the study of
music should be made optional with the
pupils of the High School, inasmuch as
it is compulsory in all the grades below
the High School. The Board of Edu-
cation granted the request, with the re-
sult that out of about 180 pupils, 126
have elected the singing class. The choral
works to be studied during the ensuing
year are Mendelssohn's oratorio, "St.
Paul," and Greger's cantata, "Spring."
In addition to this Mr. Hood has intro-
duced an extra course for the two upper
classes for the study of history and theory
of music, musical forms and biography.
In conjunction with this course the develop-
ment and forms of music will be exempli-
fied before the class by competent inter-
preters. A class of twenty-five has elected
this course. The text books to be used
are "How Music Developed," by H. J.
Henderson; Hunt's "Student's History of
Music," Pauer's "Musical Forms" and
Grove's "Dictionary of Music and Musi-
cians."
Mr. Hood is also making arrangements
for a series of educational lecture recitals
to be given by some of the best talent of
New England, as a part of this course of
study. The pupils who elect music have
the privilege of this course of lecture re-
citals; these will also be opened for the
general public.
*
T is interesting, in view of the foregoing
facts, to note the remarks of Arthur
Peppin, director of Clifton College, Eng-
land, on this subject of music study in the
schools. He holds that, whether a pupil is
musically gifted or not, a conscientious
and intelligent training in the art is of
great value in the training of his mind and
character, yet such musical training ought
not to be carried out at the expense of his
general preparation for the business of
life, and his physical development. The
atmosphere of the public schools reflect
pretty faithfully the atmosphere of the
community at large, which as a rule is not
I
an artistic atmosphere; moreover, boys are
sent to a public school to be fitted primarily
for the business of life, and therefore in
these days of high pressure such subjects
as music should in the vast majority of
cases take a very secondary place.
*
\ / I S I T O R S to Europe during the past
summer have since their return been
speaking enthusiastically of Rose Ettinger,
who is now making a sort of triumphal
tour of France and Germany. Miss Et-
ROSE ETTINGER.
tinger, who is an American by the way,
will arrive here in December, and begin-
ning in New York will make a cemplete
tour of the country under C. L. Young's
management. She has a soprano voice
which by all accounts is marvelous in its
purity and its range. One hesitates to
quote critics who write calmly that her
high F is as perfect as the high C of other
sopranos. We shall know all about that
later, but we have the most satisfactory
assurances from the critical columns of the
European press that she is an accomplished
singer and a genuine artist.
Miss Ettinger is a native of Oregon, 111.,
where she was born close on twenty-two
years ago. In '95 she journeyed to Paris
where she spent some years with Mme.
Marchesi. She later went to Berlin where she
remained a year. Leipsic was the scene of
$2.00 PER YEAR.
SINGLE COPIES 10 CENTS.
her debut, where she achieved an instanta-
neous success.
During the past year her reputation has
been steadily growing and she comes to
her native country to win a substantiation
of the good opinion held of her talents by
the European public.
A CCORDING to the London Truth,
**• Prof. Parker of Yale, whose " Hora
Novissima " was sung at the recent Wor-
cester festival, proved himself personally
very popular—so much so that the choir,
learning that he was just about to cele-
brate his thirty-six birthday, voluntarily
subscribed sixpence each, and to the great
astonishment and delight of the American
musician, presented him with a vase of
Worcester ware. " But if the ' Hora Novis-
sima ' had been written by an English-
man," the same critic adds, " I doubt
whether it would have stood much chance
of a festival hearing." It is also reported
that Prof. Parker complimented the choir
on having sung his cantata better than it
had ever been done in America, which led
another critic to reflect that American
choruses must be pretty poor. What a
pleasant world this would be if there were
no critics in it!
*
C R N E S T VAN DYCK, the Belgian
•*—' tenor, who arrived in New York on
Saturday last, and who makes his appear-
ance in Lohengrin in St. Louis this even-
ing with the Grau Company, says that
salaries are going up in Europe. "In
Vienna," he said, "the direction offered me
$500 a performance for one hundred per-
formances which was unprecedented there,
showing the competition necessary to keep
all the singers from coming to this coun-
try. New York still continues to get the
best in the world, however."
Van Dyck will appear in two new roles
this season. He will sing Tristan with
Mile. Ternina, and will later sing Flores-
tan in "Fidelio" for the first time.
*
T H E Madrigal Singers, under the direc-
* tion of Frank Taft, were among the
attractions secured for the opening series
of concerts at the Brooklyn Institute.
Their concert on Oct. 18, was an unequiv-
ocal success, and their magnificent ensem-
ble singing excited as much enthusiasm as
it did last year at Chickering Hall.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TELEPHONE
NUMBER.
1745.--EIOHTEENTH
STREET.
The musical supplement to The Review is
published on the first Saturday of each month.
C O M E suggestions in a London paper
^
regarding Winter concerts for the
people bring to mind that it would be an
excellent plan were some such provision
made by our city council for indoor con-
certs on the same plan as those given in the
parks during the summer months. The
city armories could, no doubt, be utilized
for this purpose, and the total cost of
hiring musicians would make but an in-
significant addition to city expenditures.
If necessary a small fee could be charged
to meet expenses, but we incline to the
belief that a system worked out on the
same lines as the free lecture course
established some years since by the city,
would be preferable.
The beneficent and refining influence of
music on the masses is too well known
to need any detailed argument. Winter
concerts for the people would lead toward
higher aspirations and would unquestion-
ably be a step in the right direction to-
ward inculcating a love for music—and
that implies a love for law and order, in
other words, good government. Of course
we have considerable politics in our muni-
cipal administration—too much, perhaps;
nevertheless we feel confident that a great
movement of this kind, which is designed
for the enjoyment and uplifting of the
people, would meet with a favorable re-
ception at the hands of the Council and
Aldermanic Boards were the matter pre-
sented in proper form.
*
T H E splendid work accomplished by
* Frank Damrosch in stimulating the ap-
preciation of good music, through the aid of
the Peoples' Singing classes, affords an
idea of the possibilities and wide scope of
influence resulting from the inauguration
of winter concerts for the people on the
plan outlined. A prominent writer well
says that it is doubtful if there is any fac-
tor so effectual in elevating the morals and
contributing to the spiritual good of so
many persons as are these singing classes
under his care. "It is not only that those
who attend them are taught to appreciate
the precious gift of a good voice, and are
trained to use it properly, but they are
given a taste for music that goes a long
way to win them from coarse and hurtful
amusements, and they find in it a delight-
ful occupation for hours that would other-
wise be spent in idleness or in questionable
company and pleasures. And, then, too,
the music is of the highest character, and
cannot fail to cultivate the taste for what is
purest and best."
And this just as aptly and as forcefully
shows the strong influence for good which
would be exercised through the medium-
ship of municipal winter concerts.
The writer just referred to also utters
these sensible words: "If what Lorenzo
says of ' the man who hath no music in
himself ' be true, then the converse of the
proposition must be equally so, and ex-
perience goes to prove that one who really
loves good music has in his heart a
great safeguard against evil. It is not
at all probable that he who is ' moved
with concord of sweet sounds,' especially
if he be capable of producing them
himself, will be found in the list of
criminals and law breakers or be addicted
to low vices. It is true that we have
known cases of persons whose musical tal-
lents appeared to have been the cause of
their ruin. But for one who has been led
astray by his love of music, because it
brought him into contact with harmful
companions, hundreds have found it to be
a saving grace that led them away from
temptation and changed all their ideas re-
garding the sources whence true pleasure
may be derived."
*
TT is now known that Mr. Grau has de-
cided to make a radical departure from
tradition in the selection of his opening
opera at the Metropolitan. It is not to be
" Romeo and Juliet." This decision must
have staggered the genial manager, for he
immediately made an amende honorable to
established custom by selecting "Faust."
So we are to have Calve, Alvarez and
Edouard de Reszke in Gounod's opera,
and with the advantage of an early start
this work may beat all records at which
has been called wittily the "Faust Spiel -
haus."
That some of the recently announced
"novelties" will not materialize during the
season is safe to assume. Already the pro-
posed revival of Verdi's opera, "Falstaff,"
has been given up, although there is still a
promise that Nikolai's version of the
Shakespeare play will certainly be given.
The striking incident of the year will un-
doubtedly be the performance of "II Flauto
Magico" with the wonderful collection of
famous singers. But "Le Nozzede Figaro"
will certainly offer as fine a production
when the three female roles are%ung by
Mmes. Sembrich, Calve and Eames. It is
not probable that any of these great com-
binations of singers will be revealed to the
public outside of New York, although
Boston and Chicago usually enjoy the lux-
ury of one or two so-called all-star pro-
grammes. The financial prospects of the
tour seem good enough. The expense in-
volved is tremendous, and the difficulty of
carrying such a company about the country
is greater than most people realize. Al-
ready there are assurances of profitable
returns in most of the cities.
*
U 7 H A T E V E R may be said of the lack
* * of musical culture on this side of the
water, there is at least one case to which
the musical community here can point
with pride as an instance of critical acumen
in advance of that shown in Europe. Amer-
ica may be said to have discovered Pader-
ewski. For it was not until his first appear-
ance in this country that his right to a
place in the very front rank of living
musicians was recognized. The enthusi-
asm he awakened here communicated itself
to the rest of the world: and from being
one of an army of pianists, to each of
whom concert-goers listened with equal in-
terest, he became the central figure in a
group of a half-dozen or so whom all men
accord the homage due to genius. Natu-
rally the American public's interest in one
who might almost be called their protege
has been only intensified by his triumphs
elsewhere; and his return to our shores
this coming winter will no doubt be the
signal for demonstrations even greater
than those that attended his previous visits.
At least such are the indications.
Paderewski will give four recitals at the
Carnegie Hall, the first on Tuesday after-
noon, Dec. 12th, and the others on Dec.
16th, Jan. 6th and 20th, besides playing
here probably with the Boston Symphony
and Philharmonic Orchestras. His tour of
the country will carry him to the coast, in-
cluding in the itinerary most of the large
cities of the United States. The net re-
sults of Paderewski's last season in Ameri-
ca (that of 1895-96) were something over
$220,000, and there is a likelihood that even
these tremendous takings will be exceeded
this year.
*
T H E events of the past eighteen months
* have involved greater changes in the
American spirit than any other events since
the time of Lincoln, but despite the mo-
mentous quality of these changing con-
ditions our poets have been silent, and it
is wholly proper to ask why. Can it be
that there is none among them who ap-
proves? asks Literature. We can not be-
lieve that the brotherhood of poets is
unanimottsly unappreciative of the great
national stride forward that has been made
by the American people. The small cot-
erie of Boston statistical sonneteers surely
do not voice the sentiments of the whole
mass of American poets—yet they are as
still as the voice of conscience at a meet-
ing of Tammany braves; as unproductive
as though they had been ordered out on
strike by a grand-master poet representing
Pegasus Union No. 66.
Our poets are evidently thinking not of
what they shall say, for that lies close at
hand, but of how they shall say it, and
meanwhile the tide which leads on to fortune
and fame is beginning to ebb, and the op-
portunity is slipping away.
It is either this or one other possible ex-
planation that is the true one. In a period
of technic and obscurity as the prevailing
notes of our current poetry, if the technical
care of the poets is not responsible for the
oversight of which we have spoken, it
may be that it is obscurity that seems to
place our poets in an unfavorable light.
It is quite possible that some one has
written a great poem of commemoration of
these momentous days, but has expressed
himself so vaguely, after the prevailing
habit, that the reader has mistaken his
lines for a poem on spring, hope, immor-
tality, or some other popular abstraction.
If this be true, it is to be hoped that the

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