Music Trade Review

Issue: 1899 Vol. 29 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Hardman, Peck & Co.
Wm. Knabe's Automobile.
RETAIL AND WHOLESALE TRADE EMINENTLY
SATISFACTORY WITH THIS HOUSE.
% '
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William Knabe, of the firm of William
Knabe & Co., who lives at his country place
on Edmondson avenue, near Catonsville,
started to the city yesterday with his new
automobile, says the Baltimore Herald.
He had not gone outside the gate of his
country place before the automobile was
turned upside down, with Mr. Knabe under
it. He purchased the automobile on Satur-
day, and had a successful spin on the roads
aftout Catonsville on Sunday. The auto-
mobile became unmanageable while going
down a slight grade and
crashed into a tree.
The
vehicle was slightly damaged
and Mr. Knabe escaped with a
few bruises.
At the beginning of the present season
The Review noted the issue by Hardman,
Peck & Co. of a cleverly-edited, tastefully
designed and original creation in book-
making in red and black, setting forth the
claims of the Hardman piano to the patron-
age of the music-loving public. This book-
let has served its purpose admirably, and
has been made the subject of much favor-
able comment.
Busy at Lehr's.
THE HARDMAN FACTORY.
It has also been the means of adding
considerably to the already imposing vol-
ume of retail business done by this enter-
prising firm, and has helped to justify the
extension of space now available for ex-
hibition of Hardman grands and uprights.
The retail trade of Hardman, Peck & Co.
has reached astonishing proportions. The
several salesmen at the Fifth Avenue es-
tablishment are kept busy
throughout each day, a large
percentage of visitors prov-
ing to be purchasers.
The Hardman factories at
Eleventh and Twelfth Ave-
nues, Forty-eighth
and
Forty-ninth streets, are the
scene of phenomenal activ-
ity, a big force of workmen
in every department being
kept busy from daylight
to dark on actual orders for
wholesale and retail pur-
poses. All available space
for bench work and storage
is being fully utilized.
The current output of
Hardman grands is large,
including the famous Hard-
man Baby Grand, Style X,
and the Semi-Grand, Style
Y. The favorite woods . are
rosewood and d a r k ma-
hogany.
The favorite Hardman up-
rights include the new style F—an illus-
tration of which is given on this page—
Style G, and Style H, the two latter being
cabinet grands. Each style is original in
design and perfect in finish.
Big values. That is what everyone is
looking for in these close-of-the-century
days. Turn to page 16. Information will
be found there concerning the largest offer
ever made by a publication. Read it care-
fully and then act.
At the factory of H. Lehr
& Co. at Easton, Pa., the
greatest activity prevails now-
adays.
Their seven octave
piano-cased organs are finding
a large market while their
recent departure into piano
making gives promise of being
a very successful move. Their
new factory additions, which
will soon be completed, will give them long
desired facilities to handle all the trade
that comes their way.
Horace Lehr has been much gratified at
the reception accorded him during his re-
cent trip to the West and South, while
their Mr. Nutze, who has also been mak-
ing an extensive tour in their interests,
booked a surprisingly large number of
THE HARDMAN STYLE F.
orders for pianos and organs. Both gen-
tlemen made many valuable connections
which will be of advantage in advancing
the interests of the Lehr institution.
The Lehr advance has not perhaps been
made at as rapid a gait as some concerns,
but it has been on safe and sure lines. The
marked appreciation of their instruments
to-day demonstrates this.
E. H. Reynolds Rochelle, 111., was in
town this week.
11
WHAT THE PIANO
BROKER SAYS.
New York, Oct. 16, 1899.
I am glad to be back in America once
more. I may as well state the truth,
although at times it pains me to do so,
but there is no use in disguising the fact
that no country on earth affords the field
for intrigue that America does. The man-
ufacturers of this country have a more res-
ponsive touch than those of Europe, and
"I may claim without supererogation" that
I know how to touch them in pretty good
shape. History proves that, and you can't
go back of history.
I am glad to be home again, stored with
new ideas, a grip full of European schemes,
a few musicians to barter with manufac-
turers, and the slickest scheme of export
trade yet evolved.
I cooled down a bit since I wrote my ul-
timatum from Geneva. Contact with the
glaciers cooled me somewhat, and you
know that a study of the glaciers will show
a prevailing tendency on their part to re-
treat. In other words, to move a lesser
distance down the valley.
That's precisely what I am going to do,
retreat. In fact I have been retreating
ever since the Association brought its. guns
to bear upon me.
*
*
*
*
Speaking of glaciers. The larger glacier
movements can be explained only by varia-
tions in the quantity of snow received, and
in the rate of melting caused by climatic
fluctuations. In other words, glaciers are
subject to rapid variations in volume. So
am I, and that's precisely where the marked
resemblance between glaciers and myself
comes in. They are "all retreating, but
there is abundant evidence to show that
the glaciers of Alaska are generally re-
treating. The great Muin glacier has re-
treated about a mile in the decade ending
1890, but it wouldn't require ten years for
me to retreat a mile. When I struck the
Association glacier I thought I could melt
it. I could not, and perhaps the less I say
about it, the better it will be.
One of my choicest bon mots is the ex-
port trade, and if I do not succeed in carry-
ing on my usual campaign of pelf on these
lines, then my tongue shall have forgotten
i s cunning, and it is now only able to re-
late vulgar stories, like the one I wrote
about Lincoln a couple of weeks ago.
I may claim without being accused of
supererogation that I do love vulgarity.
It seems natural to me, but here I am
getting away from my subject.
There is the finest opportunity abroad
for American manufacturers, provided
they will permit me to engineer the deals
for them. This I know thoroughly how to
do, and for certain work my charge would
not exceed ten per cent., the rate which I
usually charge for placing salesmen. I
mean to tell you something about how
things go there, but I don't wish to tell
you too much without charging you for it,
because that would not be according to my
schedule form.
Any practical piano man can calculate
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
that there is a great saving by abolishing
our varnish system and using the French
polish instead. They don't need our var-
nish and the only man I saw in Germany
to whom I thought it would be beneficial
was the Kaiser Wilhelm. If he would
only use a little on his mustache he could
then hold it up in shape clear up to the top
of his ears. I was going to propose this
to him, but I could not find the proper man
to introduce me. Should I succeed in
this later, I shall charge the varnish man
a round commission, on a contract for ten
years.
*
*
* *
There is nothing surreptitious about my
moves, but I am very careful to obscure
most of my transactions, unless as in the
case of the department store, when I de-
manded a couple of thou' from one firm,
they wilted and the matter became public.
Little things, however, like that are only
incidents in my checkered career. But I
want to say that in Europe there is no
ethical force like my paper. In order to
purify the music trades of Europe they
need an ethical force such as I and my
paper constitute.
They don't care a rap about stencil pianos
in Europe. In fact about seven-tenths of
the business is carried on in stencil pianos.
There is no odium attached to stencilling
in Europe, nor will there be unless I can
succeed in roasting some European manu-
facturers. I gently suggested to one manu-
facturer the necessity of his doing about as
I said, and hinted at what I had done in
the States. He looked at me in supreme
amazement, and as he walked towards the
door I walked a trifle ahead of him, enough,
however, to escape his boot when I stepped
hurriedly over the threshold. If some
American manufacturers had tried this
upon me I assure you that they would have
seen such demonstrations of physical agil-
ity on my part as no one has ever dreamt of
my possessing. The only time that I have
been really scared was when Swick came
into my office and flourished a pistol. I
hid behind a desk and a couple of my men
quicker than Russell Sage did when Bomb-
thrower Norcross came into his premises.
*
*
* *
I tried to impress my importance upon
those in charge of the Paris Exposition,
but somehow they seemed to size me up
intuitively. What intuition some men
have! Without any desire to supererogate
I wish to say that I know intuitively when
Brooks' Suggestion [[Adopted.
a man intends to throw me out. It did not
Dr. Wilson, director general of the Na-
require many minutes on my part before I
tional
Export Exposition, Philadelphfa,
became convinced that those men did not
has
acted
favorably on the suggestion
desire any particular advice from me re-
made
by
A.
J. Brooks, of the Sterling Co.,
garding Exposition affairs. I was terribly
as
representing
his fellow piano exhibitors,
sorry to learn this, and when I left the
in
the
letter
herewith:
room my heart was thumping at such a
Dear Sir—Having had by my constant
rate that it threatened to break through,
attendance since the opening of our Ex-
and I had to go down and purchase a steel position opportunities for observing more
corset in order to hold it in place. I have or less closely the effects of certain of the
such a large, generous heart, you know, rules now in operation, it has occurred to
that it is mighty dangerous when it gets to me that in one respect a change might be
thumping, and if it should break through made which would be of benefit to exhibi-
tors, visitors and our great Exposition
and fall out on the street there is no telling generally. I have reference to the time
what might become of it.
allotted to the entertainments given in the
I have noticed that the
Director-General Peck knows what he is Auditorium.
about. I am afraid he is dead on to my greater number of our visitors arrive just
in time for entertainment, both after-
game, but before I finish with him he will noon and evening, go straight to the Audi-
learn that I have a card or two in reserve torium and there remain until its conclu-
sion, two hours later. It is then nearly
as yet.
time for most of them to return to town,
*
*
* *
Somehow I cannot enthuse so much over and if they view the exhibits at all
it is hurriedly and without much thought
Association affairs. They seem to be get- of their great significance. As I under-
ting along very comfortably without me, stand it, the entertainments are given for
and that fact alone is causing me infinite the purpose of attracting people to view
pain. How in the world any body of men the exhibits, and as such they seem to me
can exist without me is beyond my under- to fall short of their object. I would sug-
gest that the entertainments begin at the
standing, and I may affirm without super- usual hour, both afternoon and evening,
erogation that I can understand a powerful continue for one hour; then, instead of the
lot. No man understands better how to present ten minutes' intermission, have an
work this trade than I do. History proves intermission of one hour, then finish the
that, and, as I say, you can't go back on latter half of the program. It seems to
me this would give a much better oppor-
hi>tory.
tunity than at present exists for the people
I am of the impression that the export to become familiar with the exhibits, ex-
racket, as I propose to deal it out in allo- hibitors and, not least, the object for which
pathic doses, will be quite a thing for me we are striving.
Respectfully yours,
to work, for a while at least. I shall give
A. J. Brooks.
a partial plan in the paper. Any who
The
wisdom
of
Mr.
Brooks'
suggestion
desire a complete plan of the net which I
shall proceed to spread should call at my is already evident since the order was put
office and particulars will be given—for a into execution, for the different piano
booths have been crowded with visitors
price.
P. S. My hat is not a stencil hat. It is during the intermission. The direct results
the latest London style. A manufacturer's which must accrue from this investigation
of the instruments on exhibition is appar-
guarantee accompanied it.
ent.
C. A. Wessell.
Charles A. Wessell, the well-known
string-maker, who recently started as a
piano manufacturer under favorable au-
spices, with factory and offices in the old
Haines building, told The Review on Wed-
nesday that he expected to have all plans
worked out within two weeks for the pro-
duction, of high-grade pianos. He is now
busy with preliminary arrangements, in-
cluding fixing of new plant, etc.
Spies Co.'s Export Trade.
The Spies Piano Co., as a result of pa-
tient, well-directed effort extending over
a lengthy period, have built up an import-
ant export piano business and are rapidly
extending it in several directions. They
have found that foreign dealers are quick
to recognize merit and fair prices.. Such
a combination commands success at all
times.
Gain Knowledge
Of the "innards" of a piano by a little reading. Yon may hai«
been a dealer for many years, you may nave been a tuner for a
like period, you may have played a little—maybe more; bnt is
it not well to get a little more practical knowledge?
Some-
thing to bank on—an authority on all matters relating to tun-
ing, repairing, toning and regulating, scientific instructions—
everything? "Written by that eminent authority, Daniel Spillane.
The cost is only a trifle-a dollar.
The booli is illustrated,
cloth bound, over a hundred pages- It is called " The Piano."
LYMAN BILL, Publi5her, 3 East 14th Street, New York

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