Music Trade Review

Issue: 1899 Vol. 29 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
that there is a great saving by abolishing
our varnish system and using the French
polish instead. They don't need our var-
nish and the only man I saw in Germany
to whom I thought it would be beneficial
was the Kaiser Wilhelm. If he would
only use a little on his mustache he could
then hold it up in shape clear up to the top
of his ears. I was going to propose this
to him, but I could not find the proper man
to introduce me. Should I succeed in
this later, I shall charge the varnish man
a round commission, on a contract for ten
years.
*
*
* *
There is nothing surreptitious about my
moves, but I am very careful to obscure
most of my transactions, unless as in the
case of the department store, when I de-
manded a couple of thou' from one firm,
they wilted and the matter became public.
Little things, however, like that are only
incidents in my checkered career. But I
want to say that in Europe there is no
ethical force like my paper. In order to
purify the music trades of Europe they
need an ethical force such as I and my
paper constitute.
They don't care a rap about stencil pianos
in Europe. In fact about seven-tenths of
the business is carried on in stencil pianos.
There is no odium attached to stencilling
in Europe, nor will there be unless I can
succeed in roasting some European manu-
facturers. I gently suggested to one manu-
facturer the necessity of his doing about as
I said, and hinted at what I had done in
the States. He looked at me in supreme
amazement, and as he walked towards the
door I walked a trifle ahead of him, enough,
however, to escape his boot when I stepped
hurriedly over the threshold. If some
American manufacturers had tried this
upon me I assure you that they would have
seen such demonstrations of physical agil-
ity on my part as no one has ever dreamt of
my possessing. The only time that I have
been really scared was when Swick came
into my office and flourished a pistol. I
hid behind a desk and a couple of my men
quicker than Russell Sage did when Bomb-
thrower Norcross came into his premises.
*
*
* *
I tried to impress my importance upon
those in charge of the Paris Exposition,
but somehow they seemed to size me up
intuitively. What intuition some men
have! Without any desire to supererogate
I wish to say that I know intuitively when
Brooks' Suggestion [[Adopted.
a man intends to throw me out. It did not
Dr. Wilson, director general of the Na-
require many minutes on my part before I
tional
Export Exposition, Philadelphfa,
became convinced that those men did not
has
acted
favorably on the suggestion
desire any particular advice from me re-
made
by
A.
J. Brooks, of the Sterling Co.,
garding Exposition affairs. I was terribly
as
representing
his fellow piano exhibitors,
sorry to learn this, and when I left the
in
the
letter
herewith:
room my heart was thumping at such a
Dear Sir—Having had by my constant
rate that it threatened to break through,
attendance since the opening of our Ex-
and I had to go down and purchase a steel position opportunities for observing more
corset in order to hold it in place. I have or less closely the effects of certain of the
such a large, generous heart, you know, rules now in operation, it has occurred to
that it is mighty dangerous when it gets to me that in one respect a change might be
thumping, and if it should break through made which would be of benefit to exhibi-
tors, visitors and our great Exposition
and fall out on the street there is no telling generally. I have reference to the time
what might become of it.
allotted to the entertainments given in the
I have noticed that the
Director-General Peck knows what he is Auditorium.
about. I am afraid he is dead on to my greater number of our visitors arrive just
in time for entertainment, both after-
game, but before I finish with him he will noon and evening, go straight to the Audi-
learn that I have a card or two in reserve torium and there remain until its conclu-
sion, two hours later. It is then nearly
as yet.
time for most of them to return to town,
*
*
* *
Somehow I cannot enthuse so much over and if they view the exhibits at all
it is hurriedly and without much thought
Association affairs. They seem to be get- of their great significance. As I under-
ting along very comfortably without me, stand it, the entertainments are given for
and that fact alone is causing me infinite the purpose of attracting people to view
pain. How in the world any body of men the exhibits, and as such they seem to me
can exist without me is beyond my under- to fall short of their object. I would sug-
gest that the entertainments begin at the
standing, and I may affirm without super- usual hour, both afternoon and evening,
erogation that I can understand a powerful continue for one hour; then, instead of the
lot. No man understands better how to present ten minutes' intermission, have an
work this trade than I do. History proves intermission of one hour, then finish the
that, and, as I say, you can't go back on latter half of the program. It seems to
me this would give a much better oppor-
hi>tory.
tunity than at present exists for the people
I am of the impression that the export to become familiar with the exhibits, ex-
racket, as I propose to deal it out in allo- hibitors and, not least, the object for which
pathic doses, will be quite a thing for me we are striving.
Respectfully yours,
to work, for a while at least. I shall give
A. J. Brooks.
a partial plan in the paper. Any who
The
wisdom
of
Mr.
Brooks'
suggestion
desire a complete plan of the net which I
shall proceed to spread should call at my is already evident since the order was put
office and particulars will be given—for a into execution, for the different piano
booths have been crowded with visitors
price.
P. S. My hat is not a stencil hat. It is during the intermission. The direct results
the latest London style. A manufacturer's which must accrue from this investigation
of the instruments on exhibition is appar-
guarantee accompanied it.
ent.
C. A. Wessell.
Charles A. Wessell, the well-known
string-maker, who recently started as a
piano manufacturer under favorable au-
spices, with factory and offices in the old
Haines building, told The Review on Wed-
nesday that he expected to have all plans
worked out within two weeks for the pro-
duction, of high-grade pianos. He is now
busy with preliminary arrangements, in-
cluding fixing of new plant, etc.
Spies Co.'s Export Trade.
The Spies Piano Co., as a result of pa-
tient, well-directed effort extending over
a lengthy period, have built up an import-
ant export piano business and are rapidly
extending it in several directions. They
have found that foreign dealers are quick
to recognize merit and fair prices.. Such
a combination commands success at all
times.
Gain Knowledge
Of the "innards" of a piano by a little reading. Yon may hai«
been a dealer for many years, you may nave been a tuner for a
like period, you may have played a little—maybe more; bnt is
it not well to get a little more practical knowledge?
Some-
thing to bank on—an authority on all matters relating to tun-
ing, repairing, toning and regulating, scientific instructions—
everything? "Written by that eminent authority, Daniel Spillane.
The cost is only a trifle-a dollar.
The booli is illustrated,
cloth bound, over a hundred pages- It is called " The Piano."
LYMAN BILL, Publi5her, 3 East 14th Street, New York
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Hugo Sohmer on Current Topics.
HEAD OF THE FIRM OF SOHMER & CO. TALKS ON EXISTING TRADE EVILS WHY PIANOS MADE
ALONG ARTISTIC LINES COST MORE TO BUILD—DOES NOT BELIEVE IN CENTRALIZING
REPRESENTATION HOPES FOR REMEDIAL LEGISLATION TO RESTRICT PRICE-
CUTTING AND OTHER QUESTIONABLE METHODS OF SELLING PIANOS.
Hugo Sohmer, head of the firm of Soh- people with the fact that whereas the
mer & Co., courteously yielded a few makers of low-priced pianos buy their lum-
minutes of his valuable time to The Re- ber to-day and use it to-morrow, those who
view on Tuesday when asked for his opin- take a pride in their instruments keep their
ion on several of the most interesting- cur- lumber three, four and five years before
rent topics of interest in the trade.
preparing it for factory purposes. This
"The music trade industry," said The keeping of lumber means capital invested
Review, "doubtless has its quota of exist- and interest to be paid.
ing evils, or, at any rate, there are certain
"Then, too, the mechanic who makes
first-class pianos is paid twice, sometimes
thrice as much as he who merely throws
his work together in a purely mechanical
haphazard fashion. Not only that, but
the finer work takes twice or three times as
long to complete. There is nothing new
about all this, but one cannot help feeling
that purchasers are much slower to recog-
nize actual conditions in the piano trade
than in many others."
Mr. Sohmer was asked if he considers
the piano industry to-day in this country as
on a broad, permanent and healthy basis,
and answered affirmatively, qualifying his
statement however by saying that it is true
only, in his opinion, in so far as high-
grade pianos are concerned. Changing
the current of conversation, The Review
broached several other topics of deep in-
terest to many manufacturers.
"Concerning out-of-town representa-
tion, Mr. Sohmer, do you consider the
system of locking up large areas of terri-
tory in the hands of a limited number of
agents preferable to having a greater num-
ber of representatives with less extended
responsibilities?"
"It has always been our policy, and
HUGO SOHMER.
events have justified this course, to avoid
conditions that require adjustment and centralization as much as possible and thus
amelioration. What strikes you to-day as increase representation, at the same time se-
being a vital subject for discussion relative curing a maximum of efficiency and a much
to the betterment and solidification of the more satisfactory control from headquar-
industry? "
ters. As a rule, we prefer not to place
"One of the most alarming evils, to my the representation of any State in the hands
mind, now existing in the trade," Mr. of a single individual or firm."
Sohmer replied, "is the growing tendency
"What do you think of the indulgence
among manufacturers and their agents to by some retail firms in price-cutting and
belittle, by direct condemnation—or by other questionable methods of selling pia-
damning with faint praise—the products nos?" was then asked.
of their competitors. This is not right.
"That is another evil in this trade and it
It is not proper. There is no legitimate is growing. The practice has spread in all
excuse for it. To my mind, it is a mean, directions and reputable manufacturers are
contemptible practice. No words can con- powerless to stop it, or even check it. In
demn it too strongly. It is a rule of our various European countries, notably Ger-
house never to speak ill, or even slight- many and England, merchants and manu-
ingly, of any competing manufacturer. facturers are protected by the law against
Apart from the question of trade ethics, it the same kind of rascality that prevails
is bad policy, and should be discounte- under this heading in all large cities of the
nanced by all in authority.
United States. We are absolutely helpless,
"Another grievance, if I may call it and the end of it will be, I hope, remedial
such, is the apparent failure on the part of legislation forbidding the use of a manu-
retail piano purchasers to realize that there facturer's name in such a fashion without
are excellent reasons why a manufacturer his knowledge or consent."
of pianos—artistic creations—made con-
scientiously to sound well, to look well and
From the statistics recently gathered, it
to wear well, should and must charge more is learned that twenty-two combinations or
for his products than the maker of inferior trusts in this country employ nearly three
instruments. There ought to be some million men, which is computed to be about
easily-acquired method of impressing these one-third of the American working men.
Exports Largest in History.
INCREASE FOR THE EIGHT MONTHS ENDING
WITH AUGUST $ 1 2 , 0 0 0 , 0 0 0 OVER
LAST YEAR.
Washington, D. C, Oct. 16, 1899.
Present indications warrant the belief
that the exports of the calendar year 1899
will be the largest in our history. The
total for the eight months ending with
August showed an excess of $12,000,000
over the corresponding months of 1898,
which was the largest calendar year in
our exporting history, and the September
statement of breadstuffs, provisions, cot-
tons and mineral oils just issued by the
Treasury Bureau of Statistics shows for
those four classes alone an excess of $12,-
000,000 over September of last year. When
to this is added the fact that the exports of
manufactures are now much larger than
at this time last year, and that even in the
re-exportation of foreign goods the figures
of this year exceed those of last, it seems
probable that the calendar year 1899 will
show a larger total of exports than that of
any preceding year.
The increase in exportations shown by
the figures of the eight completed months
is chiefly in manufactures. While the ex-
portation of agricultural products is heavy,
it is naturally and almost necessarily below
that of the corresponding months of 1898,
when the shortage in .crops abroad gave
unusually high prices as well as an unusual
demand.
Illustrating the growth in the exporta-
tion of articles other than agricultural prod-
ucts, the table which has been published
by the Bureau of Statistics shows an in-
crease in almost every line of manufac-
tures from musical instruments, with a
gain of $236,827 for the eight months, up
to iron and steel, which shows a gain of
some $16,000,000 for the same period. The
exports of musical instruments for the
eight months of 1898 was $946,3- 6, and in
the similar period of 1899, $ I i l8 3> I 43-
This percentage of increase seems to pre-
vail in mostly every industry culminating
in the grand total referred to at the open-
ing of these remarks.
Does Not Nullify Purchase.
[Special to The Review.]
San Francisco, Cal., Oct. 14, 1899.
G. O. Heine, a piano dealer of this city,
who sued Harry Nordman for the price of
a piano, has been given judgment by Judge
Murasky. Mrs. Nordman testified that
the men who delivered the piano scratched
it badly and otherwise injured it. Judge
Murasky ruled that for the damage to it
an offset should life allowed, but the
amount of the damage not having been
stated in dollars he could not make the
deduction. As the instrument was bought
by the Nordmans the injury done by
Heine's men when delivering it would not
nullify the purchase.
What is good enough for Dewey should
satisfy ordinary mortals. The great Ad-
miral wears a souvenir made from historic
metal. An opportunity to secure a fac-
simile of the watch which Dewey wears is
now afforded. Full particulars on page 16.

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