Music Trade Review

Issue: 1899 Vol. 28 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Mr. Sauer. " It is better than Berlin even,
because Berlin is blase.
There the audi-
ence has ceased to enjoy—it criticises only.
New York is Berlin, Paris, and Vienna in
one.
" After a while, when the ocean trip can
be made in two or three days, and great
artists can come here as easily as they now
pass from Vienna to Paris and to Berlin,
the New York audience will get blase, too.
But you have perhaps twenty years yet of
keen appreciation, and will be for that time
the source of inspiration to all great artists
of the world.
"Piano playing," he said, referring to
the present condition of that art, "is at its
culmination.
The highest skill and per-
fection were reached by Rubinstein and
Liszt; but in this generation there are four
or five who, in powers of technique, expres-
sion, and interpretation, are their peers."
Herr Sauer said that it is his plan to
spend the summer at his home in Dresden.
He will not play again, he said, until Janu-
ary next, when he expects to make a short
tour in Vienna, Paris, Berlin, and London.
He does not expect to visit this country
again. (?)
*
fected by the citizens' committee, which is
fully organized and has been at work for
some weeks planning what shall be done
during the four days of the convention.
One of the principal features of the con-
vention will be the open air concert with a
chorus of one thousand trained voices,
which will render patriotic airs. The pro-
ject originated among the members of the
German musical societies of the city.
Washington park will probably be the place
selected for the concert, and Wednesday,
June 28th, has been suggested for the date.
The German singing societies will contri-
bute all their strength and several hundred
more vocalists will probably be secured
from the visiting and local members of
the association.
*
IN-an article in Pearson's magazine Austin
*• .-Fryers refutes the generally accepted
idea that clever children seldom re-
tain their special talents when they
reach the age of maturity. " Many of
the greatest celebrities in history gave
very early evidence of the ability for
which they afterwards became world-fam-
ous.
Indeed, it is almost safe to say that
every celebrity has had a clever childhood,
T H E Manuscript Society has decided to for where we meet an instance of a re-
*
broaden its organization so as to make puted dunce, it is nearly always the case
it harmonize with its development into a that someone has been able to discern the
national society. It has adopted a new latent talent struggling to find expression.
title, The Society of American Musicians Michael Angelo was an infant prodigy who
and Composers, and it has amended its by- attracted crowds to see the works he exe-
laws governing qualifications for member- cuted when but seven years of age. Mor-
ship and admission of compositions to the land exhibited sketches at the Society of
society's concerts. The new officers elected Arts when he was but five; Sir Thomas
consist of President, Edward A. McDowell; Lawrence was in great request as a por-
First Vice-President, Reginald De Koven; trait painter when he was but ten years
Second Vice-President, Homer N. Bart- old; and Gainsborough v was famous at
lett; Corresponding Secretary and Treas- eleven. Among musicians, Weber, Mo-
urer, Lucien G. Chaffin; Recording Secre- zart, and Schumann head the list of in-
tary, Louis R. Dressier, and Librarian, fant prodigies. Weber wrote his first
opera before he was eleven; Mozart
Peter A. Schnecker.
- :
v
toured Europe as a pianist when he
*
was but six; and Schumann published
T H E latest musical contribution from the compositions at the same age. The imita-
*
pen of Col. A. B. De Frece adds con- tive arts seem to lend themselves more
siderably to his fame as a composer^ and is, naturally to instinctive effort, but the in-
perhaps, his happiest effort. It is a ballad, tellectual giants of literature also afford a
entitled, "My Dearest Love " the'words vgry representative gathering of ' infant
and music of which are, written by the prodigies.' Macau-lay at eight wrote a com-
composer, and bears the imprint of the pendium of universal history; Goethe's
well-known firm of Wm. A. Pond & Co., efforts attracted attention before he was
124 Fifth Avenue.
The composition is six; Victor Hugo wrote a novel before he
highly meritorious. The words, delightful was eleven, which was worthy even of his
in sentiment, are wedded to a melody later reputation; Pope and Byron both
which is unusually pleasing while the scor- wrote good verse when mere boys; Eliza-
ing is most effective. In fact '' My Dearest beth Barrett Browning read Greek at eight,
Love" possesses all those elements which and some of her lasting work was com-
should make it a great favorite in recitals posed before she was fifteen. Women who
in parlor or concert.
have become famous have, in very many
The occasional contributions made by instances, given considerable promise of
Col. De Frece to contemporary music con- their fuller talents in their childhood, and
vey not only an idea of his versatility, among them is the notable instance of
which is so widely acknowledged in journal- Charlotte Bronte, who wrote poems, plays,
istic and social circles, but they furnish a and eight novels before she was thirteen."
key to the artistic and aesthetic side of his
character which makes the genial Colonel
such a wide favorite.
'T'HE story (since contradicted) comes
T H E plans for the eleventh annual con-
vention of the New York State Music
Teachers' Association which meets in Al-
bany June 26, 27, 28 and 29, are being per-
*
from Paris that Paderewski, the pi-
anist, was secretly married last December
to Mine. Elena Gorski, the divorced wife of
Ladislas Gorski, a well-known violinist,
formerly a member of the Lamoureux Or-
chestra. It is said as soon as a dispensa
tion is received from the Pope an ecclesi-
astical marriage will follow.
Time and time again it has been reported
that Paderewski was about to marry, but his
friends said it would never occiir, that the
memory of his dead wife, to whom he was
passionately devoted, was always with him.
Speaking of this famous pianist brings to
mind that there is only one Paderewski.
An illustration of the extraordinary effect
which the great Pole's playing has on ordi-
nary people is furnished in the following
extract from a letter to a London paper:
"Men call him Paderewski, this sad-faced
messenger of the gods. His name does not
matter; where he is, he is not. Beeth-
oven and Chopin are.. Their spirits may
rest, for they have found a voice. * * * I
breathed rare mountain air for days. The
spell was upon me. I had walked with
the gods. I felt I could be my ideal self.
I could be, do, suffer anything. I could
go to the stake for any cause if Paderewski
would play my funeral march. * * * Mr.
Wood thought he was conducting that or-
chestra, I suppose. He was not. Pader-
ewski held it in the hollow of his hand.
He fixed his eye upon it and the men
played as they had never played be-
fore in all their lives.
He magnetized
it.
In playing with him it was great-
er than itself.
He was the soul of it.
It bore him up on the wings of an orchestra
inspired. It sank into silence with him
and died away in pianissimos that came in
far echoes from over the hills of silence.
Great Beethoven faded, and Chopin spoke
to us with his own voice. We listened,
breathless, to the end when the strange
spirit whispered to us in one mighty pas-
sage after another. Gigantic passages they
were, yet no one thought 'how clever,'
each one felt 'how great,' as the spirit
came along in its last glorious march, up-
borne by the inspired orchestra. It was
like the march of some white war-horse of
the gods. It passed on to victory, out of
sight, and deafening cheers brought the
vision to an end, and I went out into the
night walking in a land of ghosts."
*
C V E N Constantinople is a more musical
~
city than Boston, acccording to a writer
in the Evening Post. While our pharisai-
cal, pretentious Hub was unable to appre-
ciate Wagner, Gounod, and Mozart, as pre-
sented by the finest opera company ever
assembled anywhere, Constantinople has
got as far as Wagner's "Parsifal," which
not long ago was produced there in concert
form by local musicians under Prof. Paul
Lange, and evoked great enthusiasm. The
Sultan alone is, it is to be feared, Boston-
ian; that is, he pretends to like music, but
doesn't care for it in his heart of hearts.
He has a habit of having famous soloists
play for him, and then sending an adjutant
with a bag of gold ($500), which must be
placed before the artist and picked up by
him to make sure that he got it. Then he
inquires how much the artist would ask for
a permanent engagement—but whatever
the answer, nothing more is ever heard of
him. The latest virtuoso to submit to this
process was M. Cesar Thompson. He got
his bag of gold, and when he was asked
what his terms would be, he answered $4,-
000 a month—which, by the way, would be
about $8,000 a year more than the Grand
Vizier receives.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TT is reported that Manager Gran has
*• made an offer to Miss Lillian Blauvelt
for next winter's Metropolitan Opera-
House season. Miss Blauvelt, whose Euro-
pean appearances have been very success-
ful, has taken the offer tinder considera-
tion.
*
A USTRALIA is developing- a singer who
**• gives fair promise to be a successor to
Mme. Melba. Her name is Amy Castles,
and although only sixteen years old, she
has a remarkable voice and rare musical ap-
preciation. She will be sent to Europe for
the best musical training that can be ob-
tained.
*
I ITTLE BESSIE SILBERFELD, who
*—' achieved such a success as piano soloist
at the series of concerts in connection with
the Musical Festival given in the promin-
ent cities of Maine, under the direction of
William R. Chapman the early part of the
month, left for Europe on Saturday with
her sister Mamie, who also possesses un-
usual musical talent, being accompanied
by their mother and brother. They will
probably remain in Berlin for a few years
where they will further pursue their mu-
sical studies.
The proficiency already attained by both
girls is remarkable. Since their earliest
years they have been under the personal
care and instruction of Prof. Wm. M. Sem-
nacher, head of the National Institute of Mu-
sic, 179 East Sixty-fourth street. He has
watched over them with as much solicitude
as a gardener over a favorite flower. Noth-
ing has been spared to give them a sound
musical foimdation tipon which could be
erected a great musical structure as artists
of the first rank.
The recent success of Bessie the oldest
of the two children is something of which
Mr. Semnacher has good reason to feel
proud.
Her wonderful technique and
mature musical comprehension, aside from
her conceded natural talents, is unquestion-
ably due to the thorough training received
at Mr. Semnacher's hands. His work in
this connection is the more creditable be-
cause it has been entirely a labor of love.
Long ago he recognized the '' divine spark "
not only in Bessie but in her sister and he
has nursed and cultivated their musical
aspirations up to the present day when they
give such great promise musically.
Seldom indeed does it fall to the lot of a
child of fourteen to receive such com-
mendatory notices as Bessie Silberfeld did
during her recent tour under Mr. Chap-
man's direction. The following excerpt
from the Daily Star of Rockland. Me.,
is a sample of the many criticisms which
have reached this office:
Miss Bessie SilberfeUl is as dainty and talented a
little Miss of fourteen years as the world has ever
seen. She has the touch of a giant in those slender
arms, too, .and the wonderful tones of the Everett
grand rang out last night in a way that would have
done credit to Carrenoor Rive-King. Her three long
numbers—including the very difficult Liszt " Rigo-
letto"—were a test of endurance as well as ability
that the young artiste met with apparent ease and
pleasure.
The Kennebec Journal terms Bessie
Silberfeld " a wonder," and says " H e r
breadth and technique are simply marvel-
ous." The Eastern Argus of Portland,
Me., considers her " a musical prodigy of
the rarest promise," and says " H e r left
hand work with a strength of wrist, its de-
cision and force are even more remarka-
ble than the crisp and pearly runs and
trills of her right, while the whole was
performed with artistic appreciation and
intelligence."
" A genius and wonder" is what the
Bangor Daily Whig and Courier terms Bes-
sie Silberfeld, and says: " H e r pianoforte
playing would do credit to many of the
soloists of more years of experience and
acknowledged ability."
The Portland Daily Press says Bessie
Silberfeld is " A musical phenomenon.
With surprising technique and with ad-
mirable refinement she masters the gems
of Liszt and Chopin and other composers."
These are only a few of the many com-
plimentary things which have been said
regarding this clever little artist, all of
WM. M. SEMNACHER.
which must be pleasing to Prof. Semnacher.
for in many instances his name has been
linked with hers.
Prof. Semnacher has the greatest affec-
tion for the Silberfeld children, a feeling
which is entirely reciprocated. While
abroad they will be under his guidance as
far as their musical career is concerned.
Wherever they go they will reflect credit
on their capable teacher.
*
A GREAT deal is being said about the
** largeness of the rewards of the little
group of sweet singers who make possible
the splendid productions of opera in the
cities of America and Europe. But is not
the fact just the reverse?
Consider the great demand for great
singing. Consider how many millions of
human beings in America and Europe can
sing. Consider how many thousands sing
well and strive for years upon years to
perfect their voices so that they may make
a creditable public performance. Then
consider that out of all these thousands
less than a score are found who are able to
sustain the great parts in the grand operas.
In no other art is there the opportunity
and the encouragement that there is in the
singing art. Yet in no other art do so few
survive in proportion to the number who
have talent—so very, very few achieve
great reputation. Why?
*
DADEREWSKI'S success during his
*
tour of Great Britain just closed has
been unprecedented.
In London the
receipts at his last concert were over $6,000
and in Glasgow he had an audience of over
4,000 people.
In Paris he broke all
records by filling a house with receipts of
14,800 francs.
Paderewski will spend his summer vaca-
tion at his home in Switzerland, and will
sail for this country in October. His •
forthcoming tour is exciting much interest,
and already tickets are in demand for his
several recitals in New York.
*
T H E appointment of Clarence Eddy as
1
official organist to represent the
United States at the Paris Exposition, is
an admirable one. He is making extensive
plans whereby the world will be given an
opportunity to note the advance America
has made in the art of music. In the
course of a talk before his recent departure
for Europe he said: "Put briefly, my
idea is that there ought to be at the Paris
Exposition a thorough expression of the
best in musical art, as well as an exhibition
of the music trade. For example, we should
send our best orchestra there, our best
singers and our best artists in every branch.
I believe that the Chicago Orchestra
should go, as Theodore Thomas is the
representative orchestra leader in this
country. There are many names in the
profession here that easily stand in the
front rank, such as Earaes and Nordica,
and why should not such as they be per-
mitted to give expression to our musical
art? It depends entirely upon the expo-
sition* authorities whether this is done or
not. I have talked the matter over with
Mr. Peck and the plan meets with his ap-
proval, "and I do not believe the Paris offi-
cials will have any objection to make.
The idea is simply to show Europe that
America is fast assuming an important po-
sition in musical art and • its advancement.
The idea is large and will take a great
deal of labor to work it out. I believe,
however, that there would be little diffi-
culty in getting the consent of our best
artists. I have talked with some of them
and have everywhere met with encourage-
ment. When I return home in September
I hope to have the matter well along to-
ward accomplishment."
*
T H E extraordinary rapidity with which
* Handel composed his oratorio " T h e
Messiah" has always excited wonder. Ac-
cording to his autograph score he com-
menced it "August 22, 1741"; the first
part was completed "August 28"; the sec-
ond part, " September 6" ; the third part,
"September 1 2 " ; the instrumentation
(such as it is) filled in "September 14"—"
in all, only twenty-four days!
This has excited comment for the last
half a century, and Dr. Crotch among a
number of others, considered that Handel
was the king of plagiarists. Crotch says:

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