Music Trade Review

Issue: 1899 Vol. 28 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE NEW YORK
PUBLIC LIBRARY
LENOX »N0
V O L . XXVIII. N o . 2 1 . Published Every Saturday by Edward Lyman Bill at 3 East Fourteenth Street. New York, May 27,1899.
$2.00 PER YEAR*
SINGLE COPIES ro CENTS
he replied, "in disseminating a knowl-
edge of his music. As it is now, hundreds
of
meritorious compositions cannot get a
THE GREAT VIRTUOSO PLEASED AND SURPRISED AT THE WORK OF THE AGE-END PIANO-PLAYER
hearing,
consequently no one knows any-
PLAYS HIS WALTZ ON THE ^OLIAN COMPANY'S RECORDING MACHINE—PREDICTS A
FUTURE FOR THE PIANOLA AND SAYS IT IS THE FIRST MUSICAL INVENTION
thing about them. Some of these pieces
HE EVER SAW WHICH HAS A RAISON D'ETRE ITS USEFULNESS
get one hearing. But that is not enough.
TO THE VIRTUOSO AND TO THE COMPOSER.
Real music to be appreciated must be
heard
again and again."
On Saturday, May 20th, Mr. Sauer vis- the. Pianola has a musical future, I am
Before
leaving, Mr. Sauer expressed his
ited the artistic warerooms of the ^Eolian talking about something I really be-
appreciation
again, congratulating the Com-
Company, on West Twenty-third street to lieve in.
pany
for
having
produced the first success-
"It plays 'La Campanella ' of Liszt and
hear the Pianola. He was accompanied by
ful
musical
invention
and added humorous-
Mr. Ernest Knabe, Mr. William Knabe other pieces which call primarily for
ly,
"You
American
inventors
will kill our
and Mr. Victor Thrane. In common with technical evenness in really good style and
profession.
The
artists
of
the
future will
nearly every one who hears the instrument with a technique fairly astonishing. No
have
a
hard
time
of
it.
In
ten
years
there
for the first time, Mr. Sauer was as com- pianist could approach it.
will
be
no
more
virtuosi.
No
player
can
"Of course in romantic or sentimental
pletely taken aback as he was delighted at
do
what
that
instrument
has
just
done.
the revelation. Where he had anticipated music, in what I should call erotic music,
hearing a toy, he found a real musical in- it must be less satisfactory, as the person- It is not possible."
On Sunday afternoon a representative of
strument which gave him pleasure to ality or individuality of the player counts
The
^Eolian Company played a long list
for so much more in music of this class.
listen to.
for
Mr.
Sauer in his rooms at the Hotel
Mr. Sauer was first shown to the Recdfct- As I say, it will have a musical future. I
Savoy
and
strengthened the impressions
ing Piano, and played with verve and bril- want you to send one to my home in
of
the
previous
day.
liancy his Valse de Concert. All the time Dresden. Here is a card which gives my
f
STATEMENT
OF EMIL SAUER.
he was playing, magnets and punches were address, Hahnelstrasse 8, Dresden, Ger-
"
I
have
examined
all of this article
busy registering a sort of photograph of many. As soon as it arrives, I shall give
with
care.
With
some
alterations in the
the performance upon a moving sheet of a reception to all the best musical people.
order
of
the
statements,
it
agrees with my
paper. For every depression of a key, a No musician can help admiring it."
recollection
of
the
interview.
At any rate,
perforation appeared in the paper corres-
"Do you think there is anything to be said
it
expresses
my
views
with
accuracy."
ponding in length and form to the time the about its usefulness to musicians and com-
(Signed) Emil Sauer.
key was held down. Every note even posers and for musical performances gen-
New
York,
May
23d, 1899.
down to the minutest sub-division of a erally?"
turn or trill was recorded by little electric
"I certainly do think there is a great
punches moving with inconceivable velo- deal to be said. Why it will be of practical
To Tax Department Stores.
city. The paper was then spooled and service to me, and I fully intend to employ
THE ftrOTnCIPAI, ASSEMBLY OF THIS CITY HAVE
placed in the roll sockets of the Pianola it in that way. You see I often have to
A PROPOSED ORDINANCE UNDER CONSID-
aad the performance reproduced.
practice a piece for two weeks and get it
ERATION, AND WILL GIVE A PUBLIC
HEARING ON JUNE 2D.
Peculiarities of touch, such as variations well under my hands before I can tell
of strength in successive blows were absent, whether or not I can create an effect with
The Municipal Assembly of this city has
but the phrasing—the intellectual part,— it. Sometimes I find that no satisfactory taken up the matter of department stores.-
was there, so that one familiar with Mr. effect can be produced and so lose my time On June 2d, a committee of the Council
Sauer's style might have recognized his and labor, for it is labor. Now the Piano- will give a public hearing on a proposed
playing. A number of pieces followed, la would tell me this in two minutes." ordinance to tax department stores $500
among them two compositions by Mr. Mr. Sauer was much pleased with the for each department. Councilman Sulzer
Sauer himself, "Aspen Leaves " and **At rendition of his Am Bache. He complained who is pressing the matter does not like the
that the "Espenlaub" could not be played ordinance in its present form. His idea is
the Brook."
rapidly
enough. It was then tried on to tax the department stores according to
The following is an accurate report of
another
instrument with a faster motor the size of the building they occupy with-
Mr. Sauer's conversation:
and
played
at the correct tempo. "I wish out regard to the amount of business done
" It is really wonderful. I can freely
say that the Pianola gives me more plea- you would cut for me 'Murmures de Vent,' " or capital invested. Some of the more
sure than I have had from thousands of so- added Mr. Sauer, "and also my 'Galop de radical members of the Assembly are anx-
Concert.' They ought to be just the things ious ty increase the fee of $500 for each
called treats of pianistic effort.
to
be effective. You also ought to have department so that no store could afford
"I have heard a great many musical in-
Balakirew's
Oriental Fantasie called 'Islam- to handle more than one line of goods. It
ventions, but the Pianola is the first which
ei.'
It
is
a
horribly difficult work, but is not expected that the pending ordinance
has a reason for existing.
the
-Pianola
would
play it beautifully." will ever become a law.
"It is sure to have a future. This is my
Mr.
Sauer
was
asked
what he thought
candid opinion. You know an artist often
The Henry F. Miller Concert Grand is
has to assist a struggling brother with about the usefulness of the instrument to
words of praise a little exaggerated, but in composers. " I can see how your instru- being used prominently in concert this
this case it is different. When I say that ment must aid the cause of the composer," season.
. . . EMIL SAUER AND THE PIANOLA . . .
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
It is extremely doubtful, however, if the
patronage given will be sufficient to keep
the institution on the " special " line much
longer.
If many of our manufacturers would toss
away some of their old illustrations, and
• EDWARD LYIVIAN BILL.
spend a little more money for the wash
Editor and Proprietor
tone drawings, which give to a reader an
PUBLISHED EVERY SATURDAY
accurate idea of the instrument, they would
3 East 14th St., New York
obtain much better results than at present.
SUBSCRIPTION (including postage), United States,
Good cuts cost considerable money, and
Mexico and Canada, $2.00 per year ; all other countries,
$J-oo.
the
wash tone process is expensive when
ADVERTISEnENTS, $2.00 per inch, single column, per
insertion. On quarterly or yearly contracts a special dis-
count is allowed. Advertising Pages $50.00, opposite read-
compared with the ordinary half tones,
ing matter $75.00.
, REMITTANCES, in other than currency form, should
but it is infinitely superior.to the old style
be made payable to Edward Lyman Bill.
wood cut, which is now almost obsolete.
Entered at the New York Post Office as Secrmd Clast Matter.
It pays to get out good printing matter.
NEW YORK, MAY 27, 1899.
In fact all advertising matter which ema-
TELEPHONE NUMBER, 1745-EIQHTEENTH STREET.
nates from a house which is catering to a
THE KEYNOTE.
cultured taste, should be as good as the
The first week of each month, The Review wil)
typographical art will permit.
contain a supplement embodying the literary
and .musical features which have heretofore
There is no concern in this or aliied
appeared in The Keynote. This amalgamation
will be effected without in any way trespassing
trade which has produced such perfect
on our regular news service. The Review will
work as the ^Eolian Company, New York.
continue to remain, as before, essentially a
trade paper.
All of their printed matter, including cata-
ADVERTISING AVENUES-
logues, brochures and circulars, has been
TT HE great secret in advertising is not to executed in the highest possible art form.
waste money. In other words, to No expense has been spared in the produc-
steer clear of advertising that is unproduc- tion of this matter, and to their superb sys-
tive. The difficulty, a peculiar one, is to tem of advertising the ^Eolian Co. can trace
find what kind of advertising produces re- much of their distinguished success. Peo-
sults and what kind does not.
ple are interested in that which is attrac-
At the present time the small booklets tive and appeals to their better sense.
are in great favor. They are produced in
By their system of superb literature the
the most original styles, lavish use being ^olian Company have been carrying on a
made of cuts, half-tones, new kinds of vast deal of educational work which has
type headings and all other accessories to broken down the barriers which formerly
good printing.
existed in the public mind against auto-
The mere fact that so many are produced matic or self-playing instruments. With
at so high a cost is proof that this form of this concern it has not been one exquisitely
advertising pays. A number of our piano prepared catalogue, but the entire series
manufacturers have found it is a very ef- for years has been a continuous and end-
fective and useful method of advertising. less story of superb musical literature.
They have prepared these little brochures
so that they can be easily inserted in an or- DRIFTING CONSOLIDATIONWARD.
T^HERE has been considerable specula-
dinary envelope.
tion rife in the trade anent a recent
People nowadays are rather inclined to
pay closer attention to brief, concise state- gathering in Boston, called for the pur-
ments than to wade through long drawn pose of consultation regarding a proposed
out descriptive verbiage, which is at the consolidation of trade interests.
There are many manufacturers in this
best dry reading. They are impressed by
good paper, dainty type and other printing industry who are inclined to look upon
accessories which appeal to an aesthetic every move of consolidation with disfavor,
shall we say, and not with suspicion, al-
taste.
Manufacturers in this trade have become though one man remarked recently while
rather tired of the special schemes pre- chatting upon this topic that it would be
sented to them. They realize that money very hard for the insincerity which exists
pays better in regular editions than in the in some quarters of the piano trade to be
"specials" where the individuality of a corralled into one corporative body.
There is, too, a strong argument brought
concern is lost among the many. Most of
to
bear by others who have been ap-
the publishers have recognized the disin-
clination of the manufacturers to patronize proached, and that, that while it is a com-
the special editions. There is we believe paratively easy matter to control prices of
but one trade paper that still solicits for staple articles the entire production of
special patronage on frequent occasions. which is similar in every respect, an ef-
fort to control in a like manner the output
of a number of factories making a variety
of products widely diverse in their char-
acter and value, is an entirely different
proposition, and one by no means calcu-
lated to meet with the same degree of
success.
They reason, too, that while consolida-
tions have been made in almost every other
line of industry, save the textile and fur-
niture lines, it would be impossible for
any corporation to control a market wherein
a man with a few dollars can become at
once a competitor. They figure that there
would be a vast number of isolated com-
petitors who would carry on a guerilla war-
fare which would in time seriously cripple,
if not entirely destroy, the control of the
national market by a number of manufac-
turers banded together. They figure that
the unit system of manufacture is quite the
proper one.
It is true that an organization would not
be effective unless it included some of the
oldest and best known names associated
with the industry. The men who are de-
sirous for union realize that, hence their
anxiety to include one at least of the old
names.
THE DYING STRUGGLES.
T H E riotous exuberance displayed by
our once formidable, now attenuated,
contemporary upon stencil matters and
association workings might be amazing to
those who were not familiar with the inner
workings of that establishment.
To the uninitiated it would seem as if
our contemporary were rent with anguish
and filled with sore indignation at the pecu-
liar position in which it finds itself through
contact with a cold and unappreciative
world.
But let us divest these conditions of all
superfluities and clothe our language with
that nudity which is at once the charm of
truth, and we find that it is the same old
leopard, without change of spots, which
has gnashed its teeth in impotent rage
over trade unwillingness to bend to its dic-
tation as in years agone. The sixteen
years of alleged hostility to the stencil
compasses sixteen years of hypocrisy and
insincerity. Everyone is aware of that,
but neither the braggart claims, the silly
innuendoes, or dictatorial pronunciamen-
toes, will deter those who have at heart the
business interests of the trade from carry-
ing out their intended work. No false
lights shall lure them from their straight
course.
But it is interesting, and ludicrous as
well, to note the farce now played by our
onge formidable contemporary in its blatant

Download Page 7: PDF File | Image

Download Page 8 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.