Music Trade Review

Issue: 1899 Vol. 28 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JO
would not have been held, and you gentle-
men, would not be in business to-day.
You are doing something which may be
called the supplying of the spiritual wants
of men. I do not use the word ''spiritual"
in any pietistic sense but as meaning the
highest side of human character and human
elements.
It is always a pleasure to meet face to
face the men engaged in any branch of in-
dustry whether they are the proprietors,
the great projectors of industry, or the
men who are working with their skill and
hands; for they are the men that meet the
spiritual want of the age. And this is
above the line of the iron law of wages.
The demand of labor to-day is not for that.
The demand of labor everywhere is not for
mere subsistence. Once the conflict was
THE MUSIC TRADE REVIEW
Tissot, know the inspiration which has
guided his mind and his hand. And thus
the highest aesthetic side of human elements
is supplied.
And you, gentlemen, are in this very busi-
ness. Your prosperity is due to the fact
that men have grown to make this demand
for something higher, something beyond
their mere physical wants. As I have
said, if industry were directed simply to
supplying those wants your great trade
could not exist. You are the exemplifica-
tion, the personification, the manifestation
of this very spiritual side of human nature.
(Applause.) You may call it what you
please; you may apply to it philosophical
terms, ethical terms, religious terms—I do
not care what; the fact remains that the
great want of the age is the wise supply
which such industries as this can give.
Capital finds in the furnishing of this sup-
ply something more than the commercial
spirit. As has been said here to-night,—
and there was never a truer word than that
uttered by the gentleman from Chicago
and emphasized by Governor Long—senti-
ment has its value as well as mere commer-
cial profit. Take out of this town if you
please the Congressional Library and the
Corcoran Art Gallery; take out of Boston
the Public Library and the Art Museum;
take out of any of our great cities the
results of this spirit; and you have depre-
ciated the commercial values of those com-
munities. (Applause.)
Yet you have
taken out something that cannot be sup-
plied by mere physical industry.
The material side of life is essential;
but industry has supplied that; and it has
done something more; otherwise it would
simply be the cheap illustration of hard,
sordid work. Such organizations as yours
come forward and lift industry above that
plane, exhibiting the spirit expressed in
the sentiment I have quoted from your
CALVIN WHITNEY—A. B. Chase Co.
menu—the constant striving after the ideal.
for existence—which man should . live. And I may say that this sums up the whole
Then came the conflict for subsistence, and philosophical basis of the labor problem.
that was under the iron law that I have How shall this struggle for the ideal—
stated. To day the demand is a higher which you may resolve into another expres-
one; it is a demand for those things which sion, the struggle for a higher standard of
shall supply this spiritual nature of the living—be secured? You are helping to
human race. So industry for its prosperi- secure it by helping to make men and
ty to-day depends upon the wisdom of that women everywhere cleaner in their lives,
supply. This demand is ten or fifteen per better in their hearts and truer in their
cent, above the subsistence line; and the homes. (Applause.) It is this that makes
me an optimist in considering industry,
margin is constantly increasing.
And here you find a demand which because underlying it all, at the very bot-
must be met. Education comes in. We tom of it, there is what you may call the
are training our people to want more than soul of the work. That which gives the
subsistence, more than food, raiment and highest occupation to the human mind and
shelter. We have taught our men and hand is the best; and it is only when peo-
our women in our schools that there is a ple are engaged in the higher qualities of
higher side. . President Eliot has well labor that they are the truest citizens and
expressed it when he said that the whole the besl. members of the community. It
result of education is to fit a man for social is through such influences that we reach
serviceableness. And social serviceable- the true end of education—"social service-
ness cannot be attained without afield for ableness"—when a man recognizes that he
our higher nature. So if you look about secures more from the community than he
over the industries of the country, you will can possibly render to it. It is what the
find that more than half of them are man draws from his associations that stim-
prosecuted to supply this very want. ulates him and gives him the modern idea
Music—all the arts—education—literature of what Drutnmond has called "other-self-
—these are the things which the common ishness "—the selfishness that looks after
man to day wants; and human ingenuity is the welfare of your neighbor as well as
to supply them. Millet paints his great your own. (Applause.) We call it phil-
pi:ture the Angel us, and appeals to the o s o p h i c a l altruism, but Drummond's
very highest aesthetic sentiments. Former- designation is the better one after all,—
ly, only the few could look upon his work; "other-selfishness."
but to-day the whole mass of humanity can,
Now if we can find in the elements that
through invention and human ingenuity, belong to industry the things that stimulate
look upon the Angelus and enjoy its spirit- to this higher ethical character of men, is
ual meaning by means of the many artistic there not something which can give us all
reproductions. Now we have Tissot, who hope for the future, never minding the
is giving us the new idea of life—the struggles that may come? It is the conflict
Christ. But only the few can look upon always that brings the purification. It is
the originals as they come from his hand. the storm that clears the sky. And the
The many, however, can purchase the troubles that accompany all these industrial
ten-cent magazine and know the genius of developments are only the accompaniments
of intelligence and not of an increasing
ignorance. These accompaniments mean
that the men who are engaged in the con-
flicts are simply struggling for this higher
side of industrial life—that side which shall
feed their souls, which shall feed the spirit-
ual nature, which after all comes through
an exalted industry. (Applause.)
I think, if I occupied a pulpit, I should
always preach about the spiritual side of
industry, because I find in its study more
that belongs to the development of human
character than I find in studying philosophy
itself. Somebody has said, as you will re-
member, that when philosophy settles a
point there is no more philosophy; and
hence philosophers do not care to reach any
conclusive point. But industry, on the
other hand, is constantly reaching points
and conclusions—constantly developing to
the minds of men that in it are to be found
the great resources of ethics.
In the late war with Spain this very
element found its embodiment. A nation
not given to the use of inventions can never
overcome a nation that is given to the use
of inventions. (Applause.) A non-machine-
using country can never prevail over a
machine-using country. Hence the Amer-
ican people—the Anglo-Saxon everywhere
—will in time prevail over the nations that
seek to attack them. It may take time;
but the skill of our American mechanics
has had as much to do with the victories of
the navy of the United States as any other
one element (applause); because the use of
inventions involves intelligence. We used
to speak, during the Civil War, of men
with brains behind the guns. You must
shoot with brains as well as do other things
with brains. You remember the artist
who, when someone asked him how he
mixed his colors, said that he mixed them
with brains. It is so with industry. And
when I consider the men who are conduct-
ing great industrial enterprises to-day, I
ROBT. PRODDOW—Estey Piano Co.
look upon them as the saviors of the Amer-
ican Republic, (applause) as the men who
are bringing to bear that magnificent ex-
ecutive quality which enables them to
marshal great forces and conduct great
enterprises; and when you have that class
of men being developed everywhere in our
land and among Anglo-Saxon peoples—
allied to the intelligence and the skill of
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
to take up your time now. I am going to
take a whole year in preparing to say
something at Chicago. (Laughter and ap-
plause. )
But although I had expected to say some-
thing to you to-night, 1 did not expect to
talk about hoofs and horns and tails—mat-
ters which I am perfectly willing to leave
to representatives of "the woolly West."
Nor could I hope to say the brilliant and
witty things that have been said by our
friend from Philadelphia. It used to be
said that Philadelphians took the funeral
marches of other localities, and made them
into quicksteps for the Philadelphia mar-
ket. (Laughter.)
Last year we had a surprise in the re-
marks of Mr. Ramsdell. We found that
there really was a man down in Philadel-
phia who could talk. He talked well; and
we have not gotten over it yet. They
wanted him to talk again; and that is the
reason they sent him here to represent the
Philadelphia association.
Now, instead of talking about hoofs and
horns and such things, we are going to talk
about feathers. We find that they are
growing on the shoulders of gentlemen of
the West; and next year I hope that, in-
stead of any thought about hoofs or horns
or tails, these feathers will blossom into
wings, and that next year we shall receive
at the hands of the "woolly West" such a
reception as will make us wish to go no
higher with our wings than Chicago.
(Laughter and applause.)
I want to th^nk you, gentlemen, for the
honor you have conferred upon me. I feel
that I shall not be able to fill the position
as successfully as Mr. Miller has done; but
I will do the very best I can. And while
I fully believe in sentiment—that there
should be sentiment in the piano trade as
well as in every other branch of trade or
industry or art, yet we must not forget that
it must not be all sentiment. We must
have some little work to make the sentiment
practical. And in our association, which
has been formed for mutual benefit and
JOHN EVANS—Newby & Evans.
protection, we must use this sentiment to
give this manifestation of what I know is promote that end—to elevate and ennoble
our trade. Mr. President and gentlemen
your sentiment.
The question being put the vote of of the Association, and invited guests, I
thank you heartily for the cordial reception
thanks was unanimously given.
you have given me. (Applause.)
PRESIDENT MILLER: Gentlemen, I had
PRESIDENT MILLER: Gentlemen, I believe
expected to hand over to-night to my suc-
that
we should,put upon our records one
cessor the reins which I have undertaken
more
vote of thanks. Our dinner com-
to hold as President of this Association.
Matters have, however, decided the ques- mittee has certainly provided for us in a
tion otherwise; and, therefore, a part of most elegant manner in every particular;
the speech which I had planned for this and I submit to this meeting the proposi-
occasion must be omitted. Yet, I think tion for a vote of thanks to that committee.
The vote of thanks was unanimously
you should not leave this banquet table
without having presented to you our in- given.
PRESIDENT MILLER: And, now, gentle-
coming President, Mr. A. H. Fischer, of
men, we will say good night.
New- York.
(Amid the singing of "America" by the
ADOLPHO H. FISCHER'S SPEECH.
company, the meeting, with many mani-
MR. FISCHER:—Mr. Chairman and Gentle- festations of cordiality and good feeling,
men : This is not my picnic; that I expect
to come one year from to-day. We have came to a close).
had something of a picnic this afternoon;
we may have a little more to-morrow; but
the real picnic will take place one year from
to-day.
I had expected to make to-night, so far
as I might be able, a speech; but I find
that what I had intended to say has been
already said by several gentlemen who
preceded me. Our friend, Mr. Conway,
has taken out of my mouth some of the
words which I intended to utter. So, too,
our guest, Mr. Ramsdell, has said some
things of which I had intended to speak.
Whatever I might say, I could speak only
in " trade dialect," as Governor Long has
happily expressed it. But I am not going
the artisan, who is gradually becoming in
all his work the artist—there is no such
thing as defeat, and no such word as
failure. (Loud and prolonged applause).
Three cheers were proposed for " Hon.
Carroll D. Wright, the champion of indus-
try," and were given with enthusiasm.
PRESIDENT MILLER: Gentlemen, we have
all been more than pleased with the very
cordial hospitality which has been extended
to us by the local piano dealers in this city.
I think that before we separate to night
you will be glad to place upon our records
a vote of thanks to these gentlemen. I,
therefore, propose that by your vote you
At the Convention and Banqutt.
Among the members of the association and
guests present were: Handel Pond and Geo.
A. Gibson, of Ivers & Pond Piano Co.,
Boston; Robert Proddow, Jas. N. Muller,
G. Wright Nichols and Percy S. Foster, the
Estey Piano Co, New York; Harry L.
Mason, of Mason & Hamlin Co., Boston;
Henry Behr, of Behr Bros. & Co., New
York; Chas. H. Parsons, of Needham Co.,
New York; Fred. P. Stieff and Chas. J.
Gross, of Chas. M. Steiff, Baltimore, Md. ;
E. S. Conway, of W. W. Kimball Co., Chi-
cago; N. L. Gebhardt, of A. B. Chase Co.,
Norwalk, (). ; W. Heinekemp, Jr., of
R. Lertz & Son, Baltimore; G. A. Ander-
son, of Anderson & Newton Piano Co.,
Van Wert, O. ; R. A. Widenmann, of
Strich & Zeidler, New York; Wm. J.
ROBT. A. WIDENnANN-Strich & Zeidler.
Gray, of Boardman & Gray, Albany, N.
Y. ; F. H. Owen, G. F. Kranz and Col. L.
V. Moore, of A. M. McPhail Piano Co.,
Boston; A. M. Haines, of Haines Bros.,
New York; F. Bauer, C. Bauer and A. V.
Grimes, of Stultz & Bauer, New York; J.
R. Mason, of Sterling Piano Co., Derby,
Conn. ; W. H. Poole, of Poole Piano Co.,
Boston; Carl A. Droop and Edward H.
Droop, of E. F. Droop & Sons, Washing-
ton, D. C. ; W. C. Burgess, of Wegman
Piano Co., Auburn, N. Y.; A. V. Grimes,
Washington, D. C. ; Henry F. Miller
and Jas. C. Miller, of H. F. Miller &
Sons Piano Co., Boston; Robert C. Kam-
merer, of Geo. Steck & Co., New York;
A. H. Fischer, L. A. Bertolette and
Chas. H. Fischer, of J. & C. Fischer, New
York; T. Tasso Fischer, of Franklin Piano
Co., New York; Fred. Kranich, of Kra-
nich & Bach, New York; Alexander Stein -
ert, of M. Steinert & Sons Co., Boston;
Chas. H. Steinway, N. Stetson and Albert
Sturcke, Steinway & Sons, New York;
Frank Fechteler, of Palm, Fechteler & Co.,
New York; Leopold Peck, W. Dalliba
Dutton and F. P. Anderson, Hardman,
Peck & Co., New York; Malcolm Love, of
Waterloo Organ Co., Waterloo, N. Y. ;
Myron A. Decker and D. S. Marsh,
Decker & Son, New York; F. G. Smith,
Sr., of F. G. Smith, Brooklyn; F. G.
Smith, Jr., of Webster Piano Co., Brook-

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