Music Trade Review

Issue: 1898 Vol. 27 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
to success, in the affairs of every day life
as much as in the movements of an army.
In the prize ring, he who can, other things
being equal, strike the quickest blow gets
there and gets there very quickly, because
the quick blow is the unexpected one.
Ample resources and well directed skill
may avail but little unless speed is called
to their aid. The most startling achieve-
ments of the magician's art depend very
largely on celerity of action. Rob it of
this and the feats of skill so hard to be
detected become at once patent to the keen
eye of the wondering beholder. And in
the realm of thought, too, the rapid thinker
is enabled to seize the flying opportunity.
The nimble mind is as valuable as the
nimble nickel. It is the quick, ready
wit that is adapted to the adjustment of
the small every-day problems of life. The
game is r wary and there is often no time to
draw the bead fine, one must shoot off-
hand. As in social life, so in business, the
small talk passes current most rapidly and
effectively, rapidity of thought and celerity
of speech and of action win the day, while
the man whose thoughts are so weighty
that they must be collected is handicapped
and does not win a place in the race.
And in the mass of business that is done
every day on change, or over the counter,
it is an axiom '' that quick sales and small
profits" lead in the end to larger gains.
It is true of money as it is of the mind,
that it pays better to wear it out than to
rust it out. The shilling that passes from
hand to hand is kept bright by use just as
is the mind, and both bring the largest
profits to those that use them most freely.
Rapid action, gentlemen. Rapid action
if you propose to keep up with the business
procession next fall.
Rapid action—a regular 71st New York,
Roosevelt's Rough
Riders, Admiral
Dewey, Commodore Schley action rolled
in one.

Rapid action.
T H E wave of indignation which swept
over the trade upon the publication
of the obscene and profane poetry in the
Courier Annex of the 16th inst., has been
succeeded by a feeling of resentment.
Men who have been passive and seemingly
indifferent to the pernicious influence at
work in this trade are now outspoken and
emphatic in the condemnation of a paper
which so far prostitutes public morals as
to be a vendor of filth.
Search the annals of journalism and no
similar case can be brought to light, when
an editor, seeking to calumniate a contem-
porary, has insulted his readers by such a
mixture of obscenity and filth. Some
years ago the Mail and Express printed an
acrostic which was atrociously vulgar.
Col. Shepard, the, editor, himself a clean
man, was horrified and immediately or-
dered the edition bought up, paying as
high as a dollar a copy for papers con-
taining the obnoxious poetry. It is said
that no less than twenty Mail and Express
employees lost their position as a result of
the publication of that poetry.
The editor of the Courier Annex can not
plead ignorance in the publication of the
filthy poetry. It was written and illus-
trated under the direction and sanction of
the Annex editor. Let him deny it if he
dare. Who else will father that mass of
putridity?
If he could imitate Col. Shepard, in so
far as to buy up the edition containing
the affront to decency, even paying as
high as a dollar a copy, it would be the
wisest move that he could make, because
as long as copy of that issue remains he is
branded with the ineffaceable brand of
shame—a brand that will burn so deep
with popular indignation that it will leave
a scar forever.
Let him travel where he will, from Chi-
cago to Cathay, his reputation will be
close behind him. One only has to bring
out the Annex of July 16th, and point to
page four, third column. If the stream is
so filthy, what must the source be.
PERSISTENT ADVERTISING.
PERSISTENCY in advertising is the
mainspring of business success. To
secure results from advertising a man
must have the nerve to make liberal ex-
penditures. It is not the spasmodic ad-
vertiser who succeeds. Just as continual
dropping wears away the stone, so will
continual advertising wear- away the
granite of indifference and ignorance re-
garding any products. Advertising in
these close of the century days is a science,
and expert advertisers or ad-smiths are
always in demand. Their compensation,
too, in many cases is extremely liberal, as
men of advanced ideas realize that ability
of a high order is necessary to attract the
purchasing public.
Of course, trade advertising forms a
special field by itself, but the same prin-
ciples are operative in trade advertising as
in that class of advertising which appeals
to the general public.
A great deal, too, is in the arrangement
of an advertisement. . People who devote
no special time to the study of the science
of advertising, and who have no particular
taste in that direction, are apt, as a rule,
to crowd too much into the space which
they purchase. People do not stop to
read a voluminous statement in an adver-
tisement now-a-days.
Advertisements
which are catchy and brief are the ones
which attract the eye, whether in trade
papers or in papers which appeal to a gen-
eral class of readers.
JOHN PHILIP SOUSA will become
musical director of the Sixth Army
Corps attached to General Wilson's staff.
Although supposed only to drill the
regimental bands, Mr. Sousa says that if
his duties as staff officer should call him
to the front he will gladly go.
The war is supposed by many, after the
fall of Santiago, to be practically closed.
Mr. Sousa's patriotism has just now found
proper vent, and while he shows his will-
ingness to accept a commission and #11 the
advertising which may result, he has one
request to make of the Government and
that: That he shall give his services without
remuneration and be permitted to come
back to fill his engagements in the fall and
winter.
Sousa may be credited with greater
shrewdness than patriotism. Pat Gilmore,
who stood closer to the hearts of the Ameri-
can people than any bandmaster that we
have ever had, did not wait until the war
was over before he offered his services to
the Union.
]~"\O you prefer to give your support to
an institution which for years has
been distinguished for cowardly, black-
mailing attacks upon reputable members
of this trade? Do you prefer to give your
support to an institution which attacks to-
day the house of Estey ? Do you prefer
to give your support to an institution that
dares insult the decency of men by publish-
ing filthy poetry ? Do you prefer to sup-
port an institution that steals the title of
another paper and then boasts of the theft?
Do you believe that Wrong should triumph
over Right ? Think the matter over, gen-
tlemen of the trade.
The Knabe in Concert.
Emil Sauer's manager, R. E. Johnson,
is inaugurating an active advertising cam-
paign. Already large posters have been
placed in front of the Metropolitan Opera
House informing the public that the great
pianist will give his initial concert at that
place early in January, followed by the
customary announcement that "the Knabe
piano will be used."
Among other distinguished pianists who
will use the Knabe piano in concert during
the season of 1898-9 are Wm. H. Sher-
wood, Leopold Godowsky and Constantin
von Sternberg. Truly, a good showing.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Augmentation of "G. & K." Fame.
HOW C. B. GARR1TSON HAS ADDED TO THE PIANOS PRESTIGE
THE DEALERS KNOW THAT
ADVANCE IS THE ORDER OF THE DAY AT THE KROEGER FACTORY
SOME NEW STYLES
THAT ARE SPLENDID EXAMPLES OF THE PI A N O - M A K E R ' S
Bryce or some other distinguished
writer has stated somewhere that in no
line of endeavor in this great country of
ours is American character and American
genius so splendidly exemplified as in
the field of manufacturing.
The truth of this remark came to mind
recently while visiting the spacious and
well-equipped factory plant of the Kroeger
Piano Co., makers of the Gildemeester &
Kroeger piano at i32d street and Alexan-
der avenue, this city. It came to mind
because the achievements of this institu-
tion within a comparatively short period
are characteristically American.
By the possession of "character and
genius" and through persistent and tire-
less effort, which was never relaxed even
when the clouds in the trade skies were
dark-hued, they have not only built up a
large and profitable business, but better
than all that, added immeasurably to the
value and potency of the Gildemeester &
Kroeger name in all parts of the country.
This has been accomplished without undue
"horn-blowing " or the use of flamboyant
statements—for " deeds, not words " is the
motto of President Garritson and his con-
freres.
They have worked to raise the standard
of the products which they manufacture.
How successful they have been is best
proven by an examination of the styles
which they are placing on the market to-
day as well as by their popularity in all
sections,
"Whatever you do, do well " is an old
saw that has been sharpened for use in
every department of the Kroeger factory.
It is to this thoroughness and constant
striving after results that the Kroeger Co.
owe so much—indeed it is this commenda-
ble spirit of go-aheaditiveness and progres-
sivencss that particularly impresses one in
regard to this institution.
Only a comparatively short time ago
they purchased the Gildemeester &
Kroeger name, goodwill, scales, etc., and
commenced to manufacture these instru-
ments. As is well known, pianos bearing
this name have held a deservedly wide
reputation for excellence as high grade
products.
But mark you, the Kroeger Co. did not
merely rely on this well-earned reputation
to maintain their standing. They labored
to accentuate it.
How?
By improving the piano in many im-
portant essentials.
Have they succeeded? do you ask.
Well, one and all who have seen and
tested the new styles of ' G. & K.'s " now
being prepared for the Fall trade, are
unanimous in the opinion that they have.
The new styles, illustrations of some of
ART.
which appear in this issue of The Review,
are beautiful in design, perfect in finish
and delightfully satisfying in tone and
touch—they unequivocally merit the
highest encomiums. In the building of
these pianos expert workmen have been
employed, the best materials utilized and
every point considered to insure the pro-
duction of instruments that would compel
critical praise and support.
We prognosticate an enthusiastic recep-
tion of those new style " G. & K.'s" by the
trade. Dealers appreciate the best of
values at a fair price and on this ground
will take into consideration the high stand-
ing of the Gildemeester & Kroeger name
and the superior merits of the pianos upon
which it is inscribed.
the entire export. After England comes
Australia, with 16,587 dozen, or 15.5 per
cent.
For many German firms the English
market is an actual condition of their ex-
istence, and this has led to a " Union of
German Piano Manufacturers " to repre-
sent the interests of their trade in nego-
tiations with the taxing authorities.
Brambach vs. Case Factory.
Since last winter the proprietor of the
Brambach factory has been working to
either sell the factory or close it. The
Case Co. were lessees and did not make
any move to seek other quarters. Finally
it went into a receiver's hands, and has
since been hired from month to month.
The Souder episode has opened up the
sore anew, and legal proceedings have
been instituted to oust them.—Dolgeville
Republican.
What is said of the •• Majestic."
A piano salesman not a hundred miles
from Fifth Avenue, who has been looking
up a quiet spot where he could spend a
couple of weeks vacation, forgetting pianos
and piano selling for the time being, has
given out the following letter which he
received in answer to enquiries:
Deare Sir, we think we kin sute you
with room and board if you preefer to be
where there is musick, I play the fiddel,
my wife the orgin, my dotter Jule the
akordion, my other dotter the bango, my
son Hen the gittar, my son Jim the floote
and korunet, an' my son Clem the base
drum, while all of us sing gospell hims in
which we would be glad to have you take
part both vocal or instrumental if you
play on anything. We play by ear an'
when we all git started there is real musick
in the air. Let us know if you want to
come here to bord.
It certainly will not be the fault of
Henry Spies and his colleagues if 1898
does not prove to be a record-breaking
year for the "Majestic." The examples
of new styles for the fall, now on exhibi-
tion', are calculated to win friends where-
ever they are introduced,
"We have no hesitation in saying," ex-
claimed a member of the firm recently,
" that our ' Majestic ' for this fall, like its
predecessor of 1897, will be a big success in
every way. We have aimed from the start
to give the dealer the best possible value
at a reasonable price, and our efforts are
being highly appreciated.
" Those who are handling the ' Majestic '
tell us that they have never held the
agency for a piano that sells more readily,
gives greater satisfaction, and brings more
after-benefits in the shape of customers
who have seen and heard one of our in-
struments and want to duplicate it for
their own use."
Preparing for the Fall.
Gone to Washington.
Looking for a Quiet Spot.
The new Lindeman factory and ware-
rooms are now in full running order, with
a place for everything and everything in
its place. The new warerooms contain a
number of Lindeman 1S98 styles, all ad-
mirable examples of art and good work-
manship.
When The Review called on Tuesday,
Mr. Norris said that there is every pros-
pect of a busy time, beginning with the
early fall. Everything points that way,
he says, and the firm are busy preparing
for it.
German Piano Statistics.
The piano manufacture of Germany
shows an increase in 1897 compared with
former years. In this year, 106,797 dozen
pianos, of the value of ,£1,198,195, were
exported, compared with 96,040 dozen of
the value of ,£1,077,519, in the year before.
The principal market is England, which
received 46,024 dozen, or 43.1 per cent, of
[Special to The Review.]
***£''
Portland, Oregon, July 12.
Colonel L. V. Moore, who for a great
many years has had charge of the large
interests of the Kimball Piano Company,
of Chicago, in the Pacific Northwest, has
decided to make Washington City his
future home. Mrs. Moore, accompanied
by her mother and her sister, left last
Saturday for the national capital. Colonel
Moore himself will be detained here a few
days longer in the work of settling up the
affairs of the Kimball people, who, in the
future, will handle their goods in this
territory through some strongly establish-
ed local house. Colonel Moore, since he
has come to Portland, has occupied a
prominent place among the representative
progressive business men of the city. He
will carry away from here with him the
confidence of the business community and
the best wishes for himself and family of
a large circle of acquaintances.

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