Music Trade Review

Issue: 1898 Vol. 27 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
fried" will be sung on Tuesday, Jan. 19
The performance will begin at 7 and con-
clude at 11.50. The afternoon perform-
ance will commence at 1 o'clock and con-
clude at 5.50. " Gotterdammerung " will
commence at the evening performance
on Jan. 24 at 6.45, and end at 11.45. It
will be sung on Thursday afternoon, Feb.
16. The curtain will rise at 12.45 a n d fall
for the last time at 5.45. New scenery
and costumes are promised, with the best
Wagnerian singers in the company.
*
A VERY interesting piano and song re-
**• cital was given recently at Middletown,
N. Y., by Mr. Harvey Wickham and Mr. Ion
Jackson. Dr. Jackson has won himself an
enviable position among native tenors, and
Mr. Wickham, who at one time figured as
organist and pianist, is now wise enough
to devote himself entirely to the piano.
Mr. Wickham also conducted a very siic-
cessful performance of Dudley Buck's can-
tata, " T h e Coming of the King," at Mid-
dletown, on the evening of Nov. 19. The
audience was a crowded one, taxing the
seating capacity of the building.
*
T H E announcement of Mme. Patti's en-
*
gagement to Baron Cederstrom, a
Swedish gentleman, has been a much dis-
cussed topic of interest in the musical and
newspaper world for the past couple of
weeks. Twice she has been betrothed by
rumor within the past two months, once to
an Irish musician, the second time to a
Danish Count. The papers are teeming
with stories about how very happy Mme.
Patti is over her approaching marriage.
Were she contemplating a visit to this
country we would almost be inclined to
think the press agent was a factor in the
publication of some of the silly " g u s h "
which is appearing daily.
*
H A U L KALISCH, the tenor, whose mar-
*
riage to Lilli Lehmann when the prima
donna was at the height of her fame here
some years ago created a sensation, may
accompany his wife when she comes to sing
at the Metropolitan. Manager Grau wants
him to sing a few times, and he is trying
to obtain permission from the Cologne
Opera House, where he is now engaged.
*
T H E following curiosity or rather parody
*
of analytical programs, written in
1854 by the western humorist, John
Phoenix, has been unearthed by Philip
Hale.
The composition is entitled The
Plains: Ode—Symphonic par Jabez Tar-
box:
The symphonie opens upon the wide
and boundless plains in longitude 115 de-
grees west, latitude 35 degrees, 21 minutes,
03 seconds north, and about sixty miles
from the west banks of Pitt River. These
data are beautifully and clearly expressed
by a long (topographically) drawn note
from a B-flat clarinet. The sandy nature
of the soil, sparsely dotted with bunches
of cactus and artemisia, the extended
view, flat and unbroken to the horizon save
by the rising smoke in the extreme verge,
denoting the vicinity of a Pi Utah village,
are represented by the bass drum. A few
notes on the piccolo call the attention to a
solitary antelope picking up mescal beans
in the foreground. The sun, having an
altitude of 36 degrees 27 minutes, blazes
down upon the scene in indescribable
majesty.
' ' Gradually the sounds roll forth
in a song " of rejoicing to the God of Day:
Of thy intensity,
And great immensity
Now then we sing,
Beholding in gratitude
Thee in this latitude,
Curious thing.
which swells into "Hey Jim along, Jim
along Josey," then decrescendo, mas o
menos, pocopocita, dies away and dries up.
*
JGNACE PADEREWSKI is said to have
1 changed his mind about the produc-
tion of his opera "Stanislaus," in Dres-
den. It was due there early this month,
December, but the report now is that after
the rehearsals were well under way the
tor, organizer and manager. Among the
recent honors which have fallen to the lot
of Colonel De Frece was his election last
week as one of the trustees of the New
York Press Club.
*
T H E New York papers may crack all the
*• jokes they want to at the expense of
Boston's municipal band and municipal ad-
vocacy and support of good music, but the
fact stands nevertheless that the " H u b "
is showing an example of what can be ac-
complished in every city were the proper
men in charge of municipal affairs.
We must admit it would be an anom-
aly were our city fathers to take any step
whereby the masses of the people could
enjoy good music at a small cash out-
lay, or free of charge, or take action to
regulate and refine public music. They
would be more in their element at the race
course or in beer-selling. Hence it is re-
freshing to read once in a while that there
is a city where the interests of the people
are taken into consideration, therefore we
doff our hat to Boston.
The action of the Boston Music Com-
mission last week in making a personal
examination of the piano-organs played in
that city, is a commendable one. The
aims of the body of examiners and licens-
ers is thus set forth by the Hon. J. Thomas
Baldwin, of the Music Commission.
The idea of having these instruments
tuned by direction of the city of Boston
may strike a good part of the public as
laughable and, perhaps, absurd. But, as
a matter of fact, there's no nonsense in the
proposition. When people become accus-
tomed to an instrument out of tune they
usually prefer it to one in tune. Now, the
Commission proposes that all street musi-
cal instruments which are licensed shall be
in tune; and the tuner or tuners must have
the approval of the Commission, must be
licensed. If people could come to know
when an instrument is in tune they would
COL. A. B. DE FRECE.
protest against street pianos and other
things out of tune; they would prefer to
pianist decided to postpone the perform-
hear a classic piece of music in tune than
ance, as his engagements in Russia pre- a rollicking melody out of tune.
vented him from attending the rehearsals,
The great trouble nowadays with many
a condition on which he made the perform- of our public writers is that a worthy cause
ance depend.
is apt to be satirized and buffooned while
the grossest public abuses are glossed
L. A. B. D F FRECE who is widely over.
known and exceedingly popular in
journalistic and social circles, is also a
YMILLY
BURMEISTER, the violinist,
composer of many meritorious musical
arrived from Europe the earl)'- days
compositions which bid fair to win no little
of the week and is scheduled to make his
popularity.
Some of his most recent
first appearance in Boston to-day with the
works, published by Wm. A. Pond & Co.,
Boston Symphony Orchestra and at Carne-
of this city, are the " Eulalia Waltz,"
gie Hall this city on Dec. 14, with the same
" Edith Quickstep " (dedicated to Mrs. Geo.
organization.
J. Gould), "Our Own Waltz " (dedicated to
*
Chauncey M. Depcw), "Bow of Orange
ONUMENTS to Caesar Franck,Chopin
Ribbon Waltz" and " Electra Patrol"
and Gounod are to be erected soon
(dedicated to Commodore Elbridge T.
Gerry.)
These numbers arc exceedingly in Paris. Doubtless Caesar Franck would
captivating in melody and admirably ar- have preferred an occasional performance
of one of his works while he lived to any
ranged. They afford substantial proof of
the genial Colonel's versatility in the field number of monuments after death. Near-
ly all the prominent musicians of Paris—
of musical composition.
Col. De Frece has always been a warm including Massenet, Dubois, Reyer and
supporter of matters musical, and his Widor—have become members of the com-
counsel and aid have been solicited on mittee. Saint-Saens alone declined. He
many occasions in public affairs where he acknowledges that Franck was certainly
has demonstrated his ability as an origina- an artist, but considers that his influence
M
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JO
THE MUSIC TRADE REVIEW
was too fatal to the French school to allow
him to take part in the proceedings. A
subscription is to be opened in October.
The Municipal Council of Paris gives the
ground and 500 francs, and a grand con-
cert is to be given to increase the funds.
*
A BOOK of great interest and of practi-
^ * cal value to the American composer has
just been issued by the John Church Co. of
Cincinnati and New York, entitled "Laurel
Winners." It contains portraits, biogra-
phies and a list of works of the leading
American composers. The book is aimed
at bringing to the notice of the American
musical public the sterling qualities of the
compositions of our native writers.
Unfortunately we, as a people, have
been too prone to see nothing but merit
in everything coming to us from for-
eign shores, and too indifferent to the
compositions of American composers.
This is largely due to the fact that up to
the present time an American publisher has
not adopted any definite means of bringing
to public notice, in a thorough manner, the
especial claims which the American com-
poser has on the executant whether it be
in the vocal or instrumental field.
There can be no question as to the
growth of musical culture in this nation,
and this gratifying tendency can be helped
along materially by such action as the
John Church Co. have taken.
Getting
together a catalogue of works by American
writers and making them known to the
public in such a dignified manner entitles
them to the especial praise and thanks of
every one interested in the musical ad-
vancement of this Nation.
*
\ / I C T O R THRANE, the well-known
*
manager of this city, has engaged
Eugene Ysaye, the famous violinist, and
Jean Gerardy, the celebrated 'cellist, for a
concert tour around the world to begin
next spring.
*
C E R D I N A N D and Hermann Card, di-
A
rectors of the New York Institute for
violin, piano and vocal culture, gave their
first concert of this season at Chickering
Hall on the evening of Nov. 10th. They
were assisted by Messrs. Carl Schoner,
David Pasternack, violinists, and W. J.
vSee, 'cellist. The ' principal numbers on
the program were Herman Carri's quin-
tet, A Minor, Op. 32—a musicianly work
which fully displayed the composer's cul-
ture and ability—and Schumann's quartet,
E flat Major, Opus 47. Other numbers
were Ernst's fantasie, "Othello," for vio-
lin, which was played artistically by Fer-
dinand Carri, and three songs by Herman
PIP
Carri, arranged as a transcription for the
violin by Ferdinand Carri, and played by
that clever artist.
Miss Annie Worm,
soprano, sang nvimbers by Rode and
Herold very acceptably.
Notwithstand-
the inclemency of the evening, there was
a large and appreciative audience.
T H E success of American singers abroad
*
is always worthy of record, hence the
following from the Musical Standard anent
Miss Blauvelt's reception in London will
be read with much interest and pleasure by
her many friends on this side of the water:
"Miss Lillian Blauvelt, the young Amer-
ican soprano of whom everyone is now
talking, made her bow to a London audi-
already reached the ear of the public, for
she drew one of the largest and most en-
thusiastic audiences that have hitherto at-
tended those concerts."
*
IN view of the tendency toward " expan-
^ sion " now so rife in the political field,
it is satisfying to learn that our soon-to-be
fellow citizens, the Philippines, are quite
musical. Indeed if Dr. Paul Goldmann,
correspondent of the Frankfurter Zeitung,
may be believed, they are the most musi-
cal of all nations, for he says that ' ' there
is scarcely one who does not play some in-
strument." They supply the Asiatic demand
tor bands. In the Public Garden at Shang-
hai, for instance, there is a band of Philip-
pine Malayans. They were trained by a
German, but now get on without a leader.
Their programme is printed every morn-
ing n\ the North China Daily News. They
have got as far as Schumann, and it is ex-
pected they will soon make a move on
Wagner.
Sousa will then follow, as a
matter of course.
*
USICAL London is perturbed by the
decision of the County Council that
the Sunday concerts of the highest class,
now being carried on in the Queen's
Hall, must cease. The fact that admission
is charged makes the concerts illegal. Cyn-
ics note that no such obstacle is placed in
the way of the roaring trade which the
public houses and gin palaces do during
the greater part of Sunday. This is a re-
trogressive movement on the part of the
legislators of a portion of England's greatest
municipality.
*
THHE Second Symphony concert by the
*
Paur Orchestra will take place at Car-
negie Music Hall this evening. The program
consists of compositions of a romantic or d ra-
matic orchestration. The solid number is
Berlioz's Third Symphony (G major) "Har-
old in Italy,"the viola obligata of which will
be played by Mr. Nahan Franko. The other
numbers are Liszt's piano concerto "Path-
etique," played by Mr. Richard Burmei-
ster; a symphonic poem, "Russ ; a," by
Bala Kirew (first time), and Smetana's
" 3artered Bride" overture.
*
P R A U Anna Claud Saar, of Nice, be-
*
lieves that she has discovered a way
of doing away with flats and sharps in mu-
sical notation. Instead of five lines she
M
MISS LILLIAN ULAUVELT.
ence at the first of Mr. Newman's Satur-
day Symphony concerts. A few of us had
certainly heard rumors of her talents, but
to most she was totally unknown. That
made her instant success all the more
piquant; her singing was at once a pleas-
ure and a surprise. It is certainly satis-
factory to find that an audience can so
quickly appreciate uncommon merit, and
the instantaneous success must have been
all the more gratifying to the singer, since,
having only just arrived in town after a
long journey, she appeared under circum-
stances which did not make for complete
ease. At the last Queen's Hall Sunday
concert it was evident that her fame had
Casb, jejxbange, iRentefc, also
Slfc on J£asp payments
Grand, Square and Upright
PIANOFORTES
ce.
These instruments have been before the pub-
lic for fifty years, and upon their excellence
alone have attained an
Unpurchased
. 3ST. "ST.
All otir instruments contain the full iron frame and
patent tuning pin. The greatest invention in the history
of piano making. Any radical changes in the climate, heat
or dampness, cannot affect the standing in tone of our in-
struments, and therefore challenge the world that
Trill excel any other.
Pre-Eminence.
Which establishes them as U N E Q U A L E D
in Tone, Touch, Workmanship and
Durability.
Every Piano Fully Warranted for Five Years
WM. KNABE & CO.
No. 19 East 14th Street,
NEW YORK.
WAREROOMS
48 5th Ave., near 20th St., New York
82 & 34 E. Baltimore St., Baltimore

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