Music Trade Review

Issue: 1898 Vol. 27 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Will Remove to Ht. Vernon.
n
sit before the instrument and revel in its
beautiful tones than they become wildly
enthusiastic.
The public cannot understand too soon
that the Everett grand piano represents
the best in piano making. These words,
significant as they are, would have no
force, however, were it not that their veri-
fication can be found in a personal exami-
nation of the instrument.
*
*
*
*
A CCORDING to Hannah Smith who has
** recently written a work entitled
"Music: How it Came to be What it is,"
the modern pianoforte, as the readers of
"Evelyn Innes" will remember, has de-
stroyed the acute fineness of the ear in
Christendom. The principle upon which
this instrument is tuned makes exact har-
rnony almost impossible and refuses to
take any note of differences less than a
semi-tone. But the ancient Greeks carried
their refinement into third and quarter
tones, as many peoples do now in countries
strange to us. The melodies which the
negroes sing when not trammeled by the
white man's music take account of many
intervals which to us sound savage and
harsh, and this is true of the modern Chin-
ese, Japanese, Turks and all of the rest,
as it was doubtless true of our own ances-
tors not very far back. Since it is a mat-
ter of scientific demonstration that these
folks do produce finer harmonies than ours,
and chords which are scientifically more
correct than our own, it comes with an ill
"•grace, all this contemptuous criticism.
Just as we laugh at the stage convention
of Shakespeare's time, which permitted a
board to be hung up on a bare background
announcing "This is the Forest of Arden,"
so will the coming generation shrug their
shoulders over some of the things we now
call exquisitely melodious. It is training
and not abstract accuracy which makes all
things pleasing to us, and chief among
these our music.
*
*
*
*
T H O S . A. EDISON is not the possessor
* of a reputation as a humorist, but he
told a good story to a Philadelphia audi-
ence through the medium of a phono-
graph cylinder solicited from the electrical
inventor by the lecture. This was the
message the cylinder sent contained:
"Dear Marks: You ask me to send you a
phonographic cylinder for your lecture
this evening and to say a few words to the
audience. I do not think the audience
would take any interest in dry scientific
subjects, but perhaps they might be inter-
ested in a little story that a man sent me
on a phonographic cylinder the other day
The headquarters of .the Aluminum
Musical Instrument Co. will be moved
this week to Mount Vernon, N. Y., where
the factory is located. Mr. Tyson, secre-
retary of the firm, in a brief talk with The
Review yesterday, said that the- attach-
ment recently issued was entirely the re-
sult of a misunderstanding. The matter,
he said, has been adjusted, and business
will be carried on actively at the Mount T H E R E is now on view at the Everett
Vernon establishment.
* warerooms two Everett concert grand
pianos, used recently at the Maine Musical
Festival, which are unquestionably among
New Music Store.
the great musical creations of the century.
New music publishing warerooms, under
We have frequently expressed our admi-
the firm name of S. Brainard Sons Co., ration for this remarkable instrument—the
are shortly to be opened at 20 East Seven- Everett concert grand—founded on its
teenth St. It is understood that the busi- unique and individual musical attributes.
ness and stock will include all interests of During a visit to the Everett warerooms
S. Brainard Sons Co., of Chicago, now on Thursday, our admiration was intensi-
said to be controlled by Mr. and Mrs. fied after hearing the instruments referred
Sidwell, under an agreement whereby to carefully tested and artistically displayed
the latter became entitled to all rights and by Mr. Emil Levy, by visiting musicians,
privileges, including stock, good will, etc. and after a personal examination.
The tonal resources of the Everett
Recent Publications.
grand are simply stupendous. The ad-
mirable and flawless scale used insures
OLIVER DITSON CO., Boston, Mass.
not only quantity but an abundance of
Instrumental.
quality—a quality that must delight every-
Miller, Chas. " Gambol of the Pigmies" . . . $ .40
The tone and
Phelps, E. S. " Roguish Smile "
40 body musically gifted.
Smith, H. C. " Admiral Dewey's March"..
.75 action regulating is superb. The action
Macy, J. C. " Danse Joyeuse " ..
40
Manney, Chas. F. " In Springtime "
50 adjustment is so perfect that the most
Manney, Chas. F. " In Fancy Free"
50 charming color effects are possible, and it
Songs.
only needs the musical temperament of the
Farwell, Arthur. " Silenced are my Songs"
.40 expert musician to display it in its varied
Shackford, Chas. " Somebody Else"
40
shades.
Stevenson, Frederick. " Incline Your Ear,"
(sacred)
40
Indeed one is prone to eulogy when
Loud, A. F. " Faith's Triumph," (sacred). .
.50
speaking
of this instrument, for it is
WHITE-SMITH MUS. PUB. CO., Boston, Mass.
well
merited.
The Everett grand piano,
Instrumental.
representing
as
it does cumulative ex-
O'Connor, Lawrence B. " Hibernia March"
.50
perience of skilled men, of genius in
Songs.
Gardner, Wm. H. " W a s Ever a Maid So
improvement, of experts in musical tone,
Fair "
50
Rice, Minnie L. " Reflection "
40 is a missionary for the development of an
appreciation for the best that a piano can
Walsh, J. Frank. "De Hot-Time Barbecue"
.50
offer, noted as it is for its perfect work-
OLIVER DITSON & CO., Boston, flass.
Instrumental.
manship and superior qualities of tone.
Hoist, Eduard "The Last Charge"
50
The most notable thing in regard to the
Hoist, Eduard "March of the Goblins"
40
Wilson, G. D.
"Night March"
50
Everett concert grand is the fact that it has
HAMILTON S. GORDON, New York.
won a big army of admirers and supporters
Songs,
absolutely on its merits. It needs no elo-
Moulton, Maud Evelyn ' 'Oh, Me! Oh, My!"
.50
quence
to glorify its charms, it speaks to
Davis, Gussie L. "My Creole Sue"
50
the
musician,
who converses with it through
THOS. GOQQAN & BRO., Galveston, Tex.
Songs.
the medium of the keyboard, in such a
Reynolds, Mamie A. "Here's to the Noble
convincing and entertaining manner that
Rough Riders"
50
he
never fails to become a loyal adherent
Hall, Frank A. "Return the Flag"
50
and
an Everett disciple.
FORT WORTH MUSIC CO., Fort Worth, Tex.
It is a common occurrance day after day
Song.
Parnum, E. M. "Columbia Britannia"
50 to find musicians eminent in their profes-
sion, calling at the Everett warerooms,
The Angelus Orchestral, of the Wilcox who are skeptical regarding the merits of
& White Co., is making a splendid record. the Everett grand, but no sooner do they
Its production has already proved to be
one of the firm's greatest triumphs. The
general business of the Wilcox & White
Co. is reported this week as still active.
Among the callers this week at the Ma-
Manufacturers of All Kinds of Piano
son & Hamlin warerooms were James F.
Gill, of Meriden, Conn., and Peder Olsen,
of Perth Amboy, N. J., both M. & H.
representatives. They left good orders.
Albert T. Strauch, of Strauch Bros., is
now making an extended business trip in
Offices and Warerooms, 5$ Reade St 7 New York, | Mjll§ at Glenville and Seymour, Conn,
the interest of the firm.
Tingue, House & Co.,
FELTS
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
\2
from San Francisco. In the year 1873 a legion of customers and friends, who are
man from Massaclmsetts came to Cali- making it evident that they are going to
fornia with chronic liver complaint. He keep him in mind this fall.
*
*
*
*
searched all over the coast for a mineral
spring to cure the disease, and finally
A MONG the recent publications of No-
. found down in the San Joaquin valley a * * vello, Ewer & Co., this city, is a new
spring-, the waters of which almost in- and revised edition of " T h e Child Voice
stantly cured him. He thereupon started in Singing," by Francis E. Howard, su-
a sanitarium, and people all over the world pervisor of music in the public schools and
came and were quickly cured. Last year choir-master of St. John's 'and Trinity
this man died, and so powerful had been Churches, Bridgeport, Conn.
In this
the action of the waters that they had to work, the child voice is treated from a
take his liver out and kill it with a club. physiological and a practical standpoint.
Yours truly, Edison."
It is ably written, copiously illustrated and
•$
*K
*t*
covers the ground in a thorough manner,
•"THERE are few more interesting con- and is especially valuable for instruction
* versationalists in the trade than Wm. in the schools or in connection with boy
F. Tway, of the W. F. Tway Piano Co., choirs. [138 pages, 75 cents.]
*
*
*
*
who represent the Hallet & Davis piano in
this city. He is not only thoroughly TTHE Progress Club, of this city, are to
posted on piano matters, but his literary
* have a gala night on January 14th,
tastes are so catholic, that it matters little they having engaged Sauer for his second
what topic is treated of he is certain to dis- American appearance. A repetition of
play his erudition—always from a broad that notable event, which will take place
gauge standpoint.
at the Metropolitan Opera House on Janu-
A casual chat with Mr. Tway is usually ary 10th, and which will be the American
enjoyed because it is educating and stimu- debut of Sauer, will be given—even the
lating. In his delightfully furnished ware- same program will be adhered to as near
rooms this week he spoke optimistically as possible. The Knabe piano will, of
about present and prospective business course, be used.
conditions. There is an excellent demand
*
#
*
•*
for the Hallet & Davis pianos, sales are TT is one of the phenomena of musical
growing in number and callers are becom- * history that, while orchestral, operatic
ing pleasingly frequent.
and other branches of music were in their
During his connection with the trade of infancy in Bach's day, and have developed
this city, Mr. Tway has built up a loyal since then, Bach brought organ music to
T*
its climax, says Alexandre Guilmant, the
celebrated French organist and composer.
He was not the small source whence flowed
a rivulet which in time was to expand into
a small stream; he was the broad stream
itself. The word "Bach," in German,
means a brook, which led a famous Ger-
man composer to say punningly that this
great master was not a Bach, but an
ocean.
*
*
*
*
DADEREWSKI is said to have at last
1
completed his Polish opera, says the
Evening Post. His fingers are all right,
and he can still do more with the two he
was reported to have lost than most other
pianists can with their ten. It is the brain
that does it. Otherwise, too, the great
pianist is said to be in excellent health.
*
*
*
*
T H E purpose of an invention which has
lately been patented in England is to
impart a soft, full tone to zithers, which is
purported to be attained by the use of
glass rods as frets for these musical in-
struments. These glass rods may possess
any desired thickness, and the strings are
stretched over them in the usual manner.
The musical effect attained with such a
zither is said to be quite astonishing.
*
*
*
*
Retail and wholesale business with the
Everett Piano Co. in this city continues to
be exceedingly active. There is at pres-
ent quite a call for grands; at the factory
in Boston, the grand department is being
rushed to fill the demand.
for three-quarters of a Century
The Lindeman Piano has been before the public, growing in reputation
and merit with the years. To-day it stands as a splendid example
of all that is latest and best in correct
piano building. Whether viewed from
the standpoints of tone, design, finish or
method of manufacture, dealers will find
THK
Cindeman Piano of '0$
a trade maker and a money maker—
just the instrument to satisfy purchas-
ers and augment reputation. There
STYLE 27.
can be no experiment with the Linde-
man. Its status is defined and assured. Prices will be found right.
Correspondence is invited.
Lindeman & 5 o n s Piano Co., 548=50 West 23d St., New York,
1

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