Music Trade Review

Issue: 1898 Vol. 27 N. 1

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THE NEW \QRK
PUBLIC LIBRARY
48 PAGES.
146534
VOL. XXVII.
No. 1.
Published Every Saturday at 3 East Fourteenth Street. New York, July 2,1898.
Twentieth Annual Convention
OF THE MUSIC TEACHERS' NATIONAL ASSOCIATION, HELD AT THE WALDORF-ASTORIA.
T H E Twentieth Annual Convention of
* the Music Teachers' National Asso-
ciation occurred last week at the Hotel
Waldorf, lasting from Thursday, June
23d, until the following Monday. The
Association has added to its member-
ship until it is composed, it is said, of
nearly two thousand members. About
two hundred delegates were present at the
Convention of which the following is the
program:
THURSDAY.
10:30 A. M.—Inaugural meeting. Ad-
dress by the Mayor of New York, and the
president of the association, Herbert Wil-
ber Greene.
2 P. M.—Concert, string quartette.
4 p. M.—Symposium on general culture
in music; address by Prof. George B.
Penny, dean in University of Kansas; Dr.
Henry M. Leipsiger, Mr. W. D. McCrack-
an, Miss Mabel Muirhead, New York,
and other prominent educators and writers.
8 p. M.—Grand reception in the Colonial
Room tendered to the. musical profession
of America by the local organization com-
mittee of New York City.
9 p* M.—Grand concert in the Audito-
rium. Chev. Giuseppe Ferrata, pianist;
short miscellaneous program; ending with
Liza Lehman's new song cycle, " I n a
Persian Garden," rendered by prominent
metropolitan artists.
FRIDAY.
10 A. M.—Symposium on vocal culture,
opened by an address by F. W. Wodell of
Boston, subject, " Some Aspects of Vocal
Teaching" in America; " Arnold W. Meyer-
Teeg, •" The Psychological Method of
Voice^ Culture." Other eminent speakers
followed and the symposium was closed
with a paper by Dr. Frank Miller of New
York, on his new discovery which was
of great interest to vocalists.
11:30 A. M.—Symposium on sight-sing-
ing in and out of the Public Schools: Ad-
dresses, W. A. Hodgdon of St. Louis, Mo.,
" Rote Singing, and Its Proper Place in
the Public Schools; " Miss Mary F. Burt,
of New York, "The Galin-Paris-Cheve
Method of Sight-Singing; " Eva B. Dem-
by Bruno Oscar Klein; J. C. Dempsey,
basso cantante; Mrs. Shannah Cummings,
soprano.
SUNDAY.
Special song services by five of the
most
noted choirs of the city—two boy
ing, of Philadelphia, '" Sight-Singing as
choirs,
two quartets and one chorus choir.
the Foundation of Musical Education;"
11
A.
M.—Marble Collegiate Church,
John Tagg, of Newark, N. J., " T h e Tonic
Fifth
Avenue
and Twenty-ninth Street,
Sol-Fa Method;" Miss Fletcher, "The
Richard
T.
Percy,
organist and choir-
Fletcher Simplex and Musical Kind-ergar-
master.
Quartet
choir.
ten System."
3.30 p. M.—Church of the Ascension,
2 p. M.—Concert: Miss Florence Ter-
Fifth
Avenue and Tenth Street, Charles
rell, pianist; Miss Louise Westerwelt, so-
Heinroth,
organist and choirmaster;
prano ; Miss Flavie Van den Hende, 'cel-
chorus
choir.
list; Win. H. Rieger, tenor; Allen G.
4.15 P. M.—St. James Church, Madison
Waterous, baritone; New York Trio Club,
Avenue
and Seventy-first Street. Walter
Miss Bertha Bucklin, violiniste.
H.
Hall,
organist and choirmaster; boy
4 P. M.—Symposium on church music:
choir.
Addresses by Cecil P. Poole, Thomas
8 P. M.—Calvary Church, Fourth Avenue
Whitney Surette, Walter Henry Hall,
and
Twenty-first Street, Clement R. Gale,
George Edward Stubbs, C. Whitney
Coombs, Richard Henry Warren, and organist and choirmaster; boy choir.
8 P. M.—St. Mark's Church, Second
others; illustrations by boy and mixed
Avenue and Tenth Street, William Edward
choir.
' 8 p. M.—Grand orchestral concert: Over- Mulligan, organist and choirmaster;
ture, Horatio W. Parker; dances, Bruno quartet choir.
MONDAY.
Oscar Klein; violin concerto, Homer N.
10 A.M.—Symposium on Harmony;
Bartlett, which was to have been played
last year; the Raff concerto, solo by Wm. short papers by Ferdinand Dunkley, Dr.
H. Sherwood, of Chicago; symphony in H. R. Palmer, Dr. Hugh Clark and
C, W. W. Gilchrist.
others.
SATURDAY.
11 A. M.—Business meeting of the as-
10 A. M.—Symposium on the conserva- sociation, when all matters under discus-
tory system: Chas. H. Morse, of Brook- sion in the council of delegates were then
lyn, Miss Amy Fay, of New York, Rich- presented to the convention for final vote.
ard Zeckwer, of Philadelphia, and others.
In the afternoon there followed a series
Discussion.
of interesting programs; papers on special
11 A. M.—Lecture recital by H. E. Kreh- subjects with illustrations; piano recitals;
;biel, of New York.
chamber music, and miscellaneous special
2 p. M.—Composers' concert: At which musical features.
An educational recital was given by
some of America's most popular songwrit-
ers appeared as accompanists; their own Mrs. A. K. Virgil, illustrating new meth-
compositions were rendered by favorite art- ods as to class and private instruction.
8 P.M.—The Oratorio of "St. Paul,"
ists. Arthur Foote, Clayton Johns, Chas. B.
Hawley, Harry Rowe Shelley, Dr. Gerrit with orchestra, chorus and solo artists;
Smith, W. W. Gilchrist, Henry Holden Walter Henry Hall, director.
A number of exceptional features
Huss, Homer N. Bartlett, C. Whitney
formed part of the program, among them
Coombs, and others.
3.30 P. M.—Concert: Brooklyn Cantata a recital by Max Heinrich, baritone; lec-
Club, Albert Gerard-Thiers, director; Miss ture on the orchestra by W. J. Henderson,
Elsa von Grave, pianiste; C. S. Cornell, the Franko Orchestra furnishing illustra-
tions; pianoforte recital by Xaver Schar-
baritone.
4.30 P. M.—Recital by Wm. H. Sher- wenka; recital by the New York Ladies'
Trio Club, composed of Dora Valesca
wood, pianist.
8 P. M.—Concert: The famous Lieder- Becker, violin; Mabel Phipps, piano;
kranz Society of New York; new quintette Flavie van den Hende, 'cello.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TELEPHONE NUMBER.
1745.--EK3HTEENTH
STREET.
The musical supplement to The Review is
published on the first Saturday of each month.
T H E presidency of Herbert Wilber
*
Greene of the Music Teachers' Na-
tional Association, 1897-98, has been
marked by a distinct improvement, and
the association has largely benefited by the
suggestions made by him. He has brought
to bear, in his term of office, ideas which
are logical and which have been produc-
tive of marked success, as evidenced at
the late convention held in this city at the
Waldorf-Astoria.
The business meetings of the associa-
tion were held in the famous Colonial
room of that celebrated hostelry, while all
of the conferences, concerts and recitals
were in the ballroom.
As will be seen by consulting the pro-
gram appearing in another portion of this
paper, there was almost a continuous ses-
sion of the convention every day from ten
in the morning until ten at night. The
meetings were marked by exceeding har-
mony, and the dignity of the association
meetings has been a marked feature dur-
ing the convention of 1898.
*
YK7M. H. SHERWOOD played Raff's
* *
Concerto in C minor for pianoforte
at the convention with splendid dash, bril-
liancy and power.
*
V\7M. EDWARD MULLIGAN, organ-
* *
ist and choirmaster of St. Mark's,
is a musician whose work is invariably
characterized by the display of lofty senti-
ment and artistic judgment, which is as
rare as it is admirable. There is an im-
pressiveness about Mr. Mulligan's inter-
pretations which lends to them a distinct
charm.
Mr. Mulligan has been in charge of
some of the most noteworthy choirs known
to musical New York. From 1879 to '83
he was at the head of the celebrated choir
of St. Stephen's Church, which has a con-
tinent-wide reputation. From '83 to '91
he had charge of the famous choir of St.
Leo's, after which he accepted his present
position at St. Mark's.
Mr. Mxilligan,
aside from being one of the best known
organists of the day, enjoys the unusual
distinction of being a skillful pianist as
well. As chairman of the program com-
mittee of the M. T. N. A., his genius con-
tributed much to the success of the recent
convention at the Waldorf-Astoria.
*
P R E S I D E N T of the Council, Randolph
Guggenheimer, opened the M. T. N.
A. Convention at the Waldorf-Astoria,
with an address welcoming the delegates
to the city.
He said: "Your convention is repre-
sentative of all that is strong, sp:r:tua
and beautiful in the music of our country.
In the name, therefore, of the people of
New York, I wish to assure you that we
appreciate the honor you have conferred
upon our city in again selecting it as the
meeting place of your annual convention.
It is hardly necessary for me on this oc-
casion to say to those who are assembled
in this room, because I know you are all
aware of the truth of my assertion, that
every year the American people are devot-
ing increased attention to the cultivation
of the fine arts; and I am glad to observe
that while in literature, sculpture and
painting we are keeping pace with the rest
of the world, in music a school of compo-
sers is now being created, whose technique
is perfect and whose dreamy enchantments
are strong enough to lead the soul of the
hearer far away from the clamorous con-
flicts of business and the stern realities of
life into those mystic places that are built
of human imaginings, ' to the light that
never was on land or sea, the consecration
and the poet's dream.'
" T h e credit of this is due to such or-
ganizations as yours, and I believe that
your convention in this city will give a
lasting stimulus to musical education and
foster its cultivation in our land. The
members of your convention who are resi-
dents of New York, are aware of the fact
that the musical population of this city has
always demanded that America shall be
conspicuous, not merely for its material
prosperity, but also for its development
of that high artistic temperament which
alone can give an adequate interpretation
of life.
The city of
New York has enlarged,
not only its area, but
also its veneration of
music, the queen of all
arts, the universal spirit
of harmony which in-
spires us in the days of
peace and is not silent
amid the roll of the
battle drums, which
teaches us the wordless
meanings of life, the
true
' Lieder
ohne
Worte,' and promises
eternally to the young
the joy of passion, the
grace of moonlight and
song and the prophecy
of the world's triumph
over every form of pain
and injustice.
" I congratulate your
association, therefore,
because it has been or-
ganized for the purpose
of fostering the most
democratic of all arts.
The opportunities for
success in painting and
sculpture depend, to a
large extent, upon the
caprices of the rich.
Music is not only the
queen, but also the ser-
vant of all.
It is no
respecter of persons.
WM EDWARD
but reigns and ministers in the palaces of
the rich, and in the simple homes of the
men and women who are thepride and sup-
port of our democratic institutions.
"But, ladies and gentlemen, I cannot
discharge my full duties to you, and to
the people of New York without paying,
before I conclude, a tribute of mingled
sorrow and admiration to the memory and
abilities of a great musician, who has
passed away into the eternal silence.
Anton Seidl is no more. But we still re-
member the genius of the man under
whose inspiration the music of the orches-
tra was as soft and low as the sighing of
the breath that hardly stirs the slightest
leaf in a profound forest, and which,never-
theless, could stream ,to its conclusion in a
very storm of tumultuous harmonies.
Anton Seidl has just left us; and this
morning we lay a breath of song and re-
membrance by the grave of the true friend
and great musician whose genius can
charm us no more."
*
T H E Patriotic Concert of the Worcester
^
Festival Chorus given for the benefit of
the Volunteer Aid Association on June 16,
was a great success in every way. Mr.
Kennedy's new song, "Union and Liberty "
written for the occasion, made a hit and
was splendidly sung by Mrs. Dorothy Mc-
Taggart-Miller.
A LBERT GERARD-THIERS is stead-
/ v ily adding to his already enviable
fame. Mr. Gerard-Thiers is a factor to be
reckoned with in the artistic life of the
metropolis, and America for that matter.
U L'GA.V, Chai in- n P.o;,'r;im Com. M. T. N A.

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