Music Trade Review

Issue: 1898 Vol. 26 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Hockett-Puntenney Co. Affairs.
THE CHICAGO COTTAGE ORGAN CO. IN THE
SADDLE RABENSTFIN APPLIES FOR A
RECEIVER.
The daily papers of Cincinnati have of
late been giving considerable prominence
to the affairs of the Hockett-Puntenney Co.
It seems that last week there was an entire
change in the management of the con-
cern, the Chicago Cottage Organ Co. as-
suming entire control. Their swinging
into the saddle means that the line of in-
struments manufactured by them will, of
course, be pushed to the exclusion of other
makes, which have been heretofore handled
in conjunction with them in the Hockett-
Puntenney warerooms. The A. B. Chase
and Schubert pianos will necessarily have
to find new representation in Cincinnati.
Oliver M. Williams, who was secretary
and manager, has been succeeded by H. T.
Hanmer, a gentleman of extensive experi-
ence in music trade affairs.
It seems that on Jan. 8th, Wm. C.
Rabenstein, Vice President of the Hockett-
Puntenney Co., asked that a receiver be ap-
pointed for the concern. Of all the ac-
counts from Cincinnati, the subjoined from
the Times-Star appears to be the most
condensed:
Suit was filed yesterday by Wm. C. Rabenstein
against Hockett-Puntenney Co., the Fourth street
piano firm, for a receiver for the firm. Plaintiff
holds 256 shares of the capital stock. The firm
was formed in 1889, the incorporation with $100,-
000 capital stock being in March, 1896. The offi-
cers were Silas S. Hockett, president; Geo. W.
Watkins, vice-president; O. W. Williams, secre-
tary, and James H. Puntenney, treasurer. Plain-
tiff alleges a conspiracy by the Chicago Cottage
Organ Co. to force the firm to receive and handle
its pianos.
The officers were forced, it is claimed, to trans-
fer to President Cable, of the Chicago company,
200 shares of stock, to be reconveyed when the ex-
isting debts were paid, notes and bills receivable
to the value of $27,500 being transferred to the
Jatter company. It is alleged that an effort was
made to compel all members to transfer their
holdings of stock and to allow President Cable
to appoint the officers and directors, he as a
result holding 636 shares. It is alleged that
certain directors were given one share each
to make them eligible as directors. It is charged
that all this was to wreck the company, deprive
plaintiff of an inspection of books and control the
business. The assets on June 30, 1897, it is
claimed, were $193,897.05, and the liabilities
$157,670.69, leaving net assets of $39,226.36, the
good will being fixed at $8,580.16. Under bills of
sale aggregating $15,500 the defendants, it is
claimed, possessed themselves of $20,000 of the
stock. On November 6th, last, at a meeting, it
was stated that the company had further declined
to assist, and all the balance of stock was to be
transferred to them. It is alleged the company is
insolvent by reason of a $75,000 debt to the Chicago
company, and a receiver should be appointed. He
is the only stockholder in Ohio who has over one
share, and his stock is about to be rendered value-
less by the action of defendants this month. An
injunction is asked against disposing of the stock
as well as for a receiver.
doubtedly considered it to their business
advantage to assume control of the Hockett-
Puntenney business. It is believed that
the sensational allegations made by Mr.
Rabenstein will be disproved, and that the
appointment of a receiver will be refused.
It is one of those matters to which much
publicity is given on account of the promi-
nence of the concern holding the control-
ling interests in it, and were it not for that
we should not give extended space to the
subject, because it seems to us to be really
a matter more of private concern to the
Chicago Cottage Organ Co. than of public
interest.
flyron A. Decker.
PASSES THE THIRD QUARTER OF A CENTURY
MARK. HALE AND HEARTY. Z
American Piano Manufacturers'
Association.
OFFICERS ELECTED FOR THE ENSUING YEAR—
CHANGE OF NAME SUGGESTED.
The annual meeting of the American
Piano Manufacturers' Association was held
on Tuesday in the Union Square Hotel.
The following officers were elected:—
President, Samuel Hazelton; 1st Vice-
president, Nahum Stetson; 2d Vice-pres-
ident, Robert C. Kammerer; Treasurer,
John Evans; Secretary, H. Paul Mehlin;
Executive Committee, A. H. Fischer,
Chas. H. Steinway, Louis P. Bach, Robert
A. Widenmann; Nominating Committee
for the year, A. H. Fischer, Chas. H.
Parsons and Robert Proddow.
Myron A. Decker, one of the veterans
among piano manufacturers and as lively
and clear-headed to-day as many of the
rising generation, celebrated his seventy-
fifth birthday on Jan. 26, receiving hearty
congratulations from a small army of
relatives, friends, patrons and admirers.
In his apprenticeship days men who
aspired to prominence in the piano busi-
ness were expected to understand the con-
struction of every part of an instrument so
well that they could construct or take to
pieces, or repair promptly an upright or
grand, without assistance if necessary.
The knowledge thus gained has been put
to good practical use in his case. The
firm name is in excellent standing and the
outlook for an indefinite extension of
good business is very bright.
Recovers $5,000.
By a decision of the Supreme Court
rendered this week, $5,000 damages has
been awarded to the family of Chas. Rup-
pert, a cartman in the employ *ofjfthe
Weber-Wheelock Co., who was killed on
Feb. 23, by being thrown from his wagon
in a collision with a Metropolitan Co.'s
cable car. His skull was fractured and he
died within three days. Mr. Charles Law-
son, of the Weber-Wheelock firm, took an
active interest in the matter of securing
compensation for the deceased employee,
and as administrator, entered suit and
won the case.
Kroeger Activity.
The report this week at the Kroeger
factory was very satisfactory. The ware-
rooms and factory have been entirely
cleared of Kroeger and Gildemeester &
Kroeger instruments several times of late
to satisfy imperative out-of-town orders.
Mr. Couch is sending in some excellent
reports and big orders. Mr. Garritson is
making occasional short trips.
. PRESIDENT SAMUEL HAZELTON.
No nominations were made for the office
of 3rd Vice-president. This office was
created to give non-resident members fair
representation. As it is contemplated to
amend the by-laws with reference to non-
resident members, owing to their absorp-
tion, practically, within the jurisdiction
of the National Piano Manufacturers' As-
sociation, the necessity for such an officer
is obviated.
The only important business transacted,
apart from the election of officers, was the
appointment of a committee to revise the
bylaws referring to non-resident mem-
bers, along the lines above referred to, and
to suggest a change of name for the asso-
ciation. At present, the members think,
the similarity in title between the "Ameri-
can Piano Manufacturers' Association" and
the "National Piano Manufacturers' Asso-
ciation of America" is confusing to many
in the trade.
flay Increase Capital Stock.
The suit of the Everett Piano Co., of
It is said that Mr. Rabenstein was de-
sirous of selling his stock to the company,
A meeting of the directors of the Weaver Boston, against Mary D. Fife, of Manches-
and because the company would not pur- Organ Co. will be held Jan. 27, at York, ter, N. H., was heard in the Kennard court
chase it filed a bill asking that a receiver be Pa., for the purpose of deciding for or room Tuesday before Judge Charles W.
appointed.
against an increase of the capital stock Hoitt, of that city, referee. The firm
The Chicago Cottage Organ Co. un- of the company by the sum of $90,000. claims $1,500 due,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
IO
What Eminent German Critics Say oif Franz Rummel,
on his forthcom=
ing
American Tour,
opening at
Chickering Hall,
Feb. 1.
who will play the
Celebrated
GHIGKERING
PIANO
FRANZ RUMMEL.
Program and Notices of Concert given in Dessau, December 2d, 1897, in recognition of the 25th Anniversary of the Artistic
Debut of the World famous Piano Virtuoso, Franz Rummel.
AIR ET VARIATIONS.
Blacksmith)
SON ATE, Op. 101
(The Harmonious
Geo. Fr. Handel
Ludiv. v. Beethoven
I. a) Etwas lebhaft und mit derinnigsten
Empfindung.
a) Allegretto ma non troppo.
II.
b) Lebhaft.
Marschmassig.
b) Vivace alia Marcia.
III.
VARIATIONEN iiber ein Thema von Schumann,
Johannes Brahms
SONATE, Op. 58
Frederic Chopin
PRES DU RUISSEAU. I Miniatures, Op. 93,
SERENADE,
I. Allegro maestoso.
II.
CHAK.AKTERSTUCK, Op. 7, No. 7, )
LIED OHNE WORTE, Op. 53. No. 4. \
F. Mendelssohn-Bartholdy
A. Rubinstein
SCHERZO. Molto vivace. .
III.
Largo.
IV.
FINALE.
c) Langsam und sehnsuchtsvoll. Gesch-
wind, doch nicht zu sehr und mit
Entschlossenheit.
VALSE, "Man lebt nur einmal," Op. 167,
Strauss- Tausig
Presto non tanto.
NOCTURNE, Op. 17
Louis Brassin
RHAPSODIE HONGROISE Nr. 2.Franz
Liszt
c) Adagio, ma non troppo, con affetto.
Allegro.
RUMMEL CONCERT.
CONCERT BY PROF. FRANZ RUMMEL.
The "piano evening " given by Professor Franz Rummel yester-
day evening in the hall of the Fridericianum formed a worthy close to
an artistic career of twenty-five years rich in honor and success, and at
the same time a worthy opening of a second quarter-century. He who
undertakes to interpret such a program as that of yesterday, has the
true artistic ambition, and he who is able to perform it in a perfect
manner must be recognized unreservedly as a genuine artist.
We found on the program the names of Handel, Beethoven,
Schumann, Brahms, Chopin, Mendelssohn, Rubinstein, Brassin and
Liszt, all masters of the instrument over which our home-artist has
such an extraordinary command.
Beginning with the simple majesty of Handel's great composi-
tions, the interest of the audience manifested itself, and from number
to number the applause increased, reaching the climax after the mag-
nificent, masterly-played Sonata of Chopin. This is a composition
which deserves to be played oftener, and we hesitate which part to
give the preference to. The first part (Allegro maestoso) introduces,
in the Funeral March, a tuneful theme. The Largo is wonderful; and
the Tutti in the Finale is fiery and powerful. The technical difficulty
of the last Beethoven Sonata is well known; to overcome it was but
play for Prof. Rummel; and in the slower portions he imparted a
special tone-feeling. A very interesting composition is Brahms' Vari-
ations on a Theme by Schumann. This symbolizes great pain, and
Brahms has developed this thought of the great Romanticist without
ever allowing another idea to appear. We consider this composition—
one of Brahms, youthful pieces—as his most valuable creation. Prof.
Rummel here achieved the climax of his art. Later he showed, in
the compositions of Mendelssohn ard Rubinstein, in the Strauss-
Tausig waltzes, and in the Nocturne of his teacher Brassin, that he is
equal to the highest demands in every branch of piano literature.
The closing piece of the evening was Liszt's Hungarian Rhapsody,
which we never before heard played with such perfect technique and
with such warmth of perception. Many of the nobility were present
at the concert and expressed their highest appreciation of Prof.
Rummel's performance. The latter was also honored with many ele-
gant wreaths and bouquets. We hope that the next twenty-five years
may bring further deserved honors and success, and that he may cele-
brate his golden jubilee with the same vigor as he has just celebrated
his silver one.—Anhaltische Landeszeitung, Dec. j ,
The hall of the Fridericianum was not quite so well filled last
night as at last year's Rummel Concert; nevertheless a numerous
gathering of the admirers of the great artist came to listen once more
to his playing before he, following the" procession towards the West, '
starts on his American tour. And Herr Rummel, by yesterday's
performance, makes his farewell still harder for us. Little new can
be said about his ripe and intelligent artistic ability. He unites the
most perfect technique with a depth of perception which stamps him
as a thorough artist. His finely educated musical taste enables him
to interpret the thoughts of the composer in a congenial manner and
to reproduce them adequately; and having reached this eminence in
interpretation he may well feel called upon to clothe with new life the
greatest and deepest musical creations. It is given to him to present
the spirit of the composer so directly to our souls that we entirely
forget the intermediation of the pianist. In thissense Herr Rummel's
may be called a special art, since it never shines expressly for itself,
but only to make contact between the soul of the composer and that
of the hearer. This is the highest praise one can give to a pianist;
and Franz Rummel showed himself well worthy of it, especially
in the first and second parts of the program, which opened grandly
with Handel's "Air et Variations,'* and continued in the same classi-
cal style with the Beethoven Sonata, Op. ior, until the first intermis-
sion. This opus—the first of the last five Piano-Sonatas—is no child's
play; nevertheless transparently clear rendition of its fine figurative
working out makes it thoroughly enjoyable. Always interesting is the
Variations on a Schumann Theme, by Brahms, the peculiar harmonics
of which charms one; the thematic development in the second half
is somewhat broad. Herr Rummel plays Chopin delightfully, whose
Sonata, Op. 58, was on the program. The ability to interpret correct-
ly the characteristics of the various composers is one of Herr Rummel's
particularly strong points: and the third part gave a striking oppor-
tunity for showing this. Two pieces by Mendelssohn were followed
by two by Rubinstein, a Waltz by Strauss-Tausig, then a Nocturne by
Brassin (who was at one time a teacher of our artist), and the closing
piece was Liszt's Rhapsodie, played with unequaled bravoura. After
every piece—after every line, indeed—the audience broke into applause
and a large number of wreaths were passed to the artist. At the end
of the performance Herr Rummel conversed with the highest nobility
present.—Anhaltischer Staats Anzeiger, Dessau, Dec. 3, '97.

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