Music Trade Review

Issue: 1898 Vol. 26 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
[Prepared especially for The Review.]
Pianoforte Action. Luther A. Barber,
Buffalo, N. Y. Patent No. 604,136, dated
May 17th, 1898.
The object of this invention is to pro-
duce a novel action applicable to either
upright, square or grand piano.
It comprises a novel mechanism for ad-
justing and taking up the lost motion in
an action by means of a key-lever jack so
mounted as to be raised or lowered by ad-
justment and to be at all times maintained
in parallelism with the key-lever without
rocking.
It further comprises a novel adjustable
connection between the pedal-rail and the
buffer-rail where the auxiliary levers are
connected to and swing upon the pedal-
rail, and also where the auxiliary levers
are mounted and swing upon the key-lever
jacks. In either case this connection is
operative as a part of the soft-pedal move-
ment, the buffer-rail being directly con-
nected to the soft-pedal mechanism.
It further comprises a novel mechanism
for operating the jack-lever by the direct
engagement of the key with the auxiliary
jack-lever, interposing the push-rod or
sticker between the two levers and con-
necting it to both of them, a novel mech-
anism for adjusting the relation of the
key to the key-lever jack, a novel mount-
ing of the pedal-rail in alinement or sub-
stantially in alinement with the keys, and
mounting the auxiliary jack-levers upon
this rail to engage with the key or upon
the key to be engaged by the rail when the
soft-pedal is operated.
Cithern. Chas. T. Menze, St. Louis,
Mo.
Patent No. 603,699, dated May 10,
1898.
This invention relates to citherns, and
it Consists of the novel construction, com-
bination and arrangements of parts for
which the following claim is made :
The combination with a cithern having
an offset formed in the top side of its front
end, of a block slidingly mounted in said
' offset, which block is provided with keys
for sounding the strings of the cithern.
Reed Organ. Wm. S. Moses. Tracy,
Minn.
Patent No. 604,070, dated May
17, 1898.
This invention relates to reed organs,
and is an improvement upon the patent
granted the inventor Nov. 29, 1895, in
which a movable, supplemental keyboard
is employed for transposing music into
different keys.
The present invention is designed to ac-
complish the same purpose by the peculiar
construction and arrangement of the parts,
whereby the tone mechanism can be
shifted either to the right or the left with
relation to the regular key-board, which
contemplates simplifying the mechanism
of the organ and obviating the use of the
supplemental key-board.
The invention consists in the improved
construction of the tone mechanism and in
the manner of shifting the same with re-
spect to the regular key-board. It fur-
ther consists in combining with the two in-
dependent sets of reeds certain mechanism
by which one set can be thrown out of
operative engagement, with the tracker-
pins of the key-board, and in improved
mechanism for operating the coupler-
boards and in the mechanism for tilting
the supporting-frame of the key-board to
regulate the depression of the tracker-pins.
Ludwig & Co.
THE SUCCESS OF THEIR UNDERTAKING IN PHIL-
ADELPHIA TWELVE MONTHS' TRIAL DEM-
ONSTRATES THE WISDOM OF THE MOVE.
In the course of conversation with Mr.
John Liidwig, of Ludwig & Co., this week
the Philadelphia branch store was referred
to, concerning which he said:
"On discontinuing our relation with
the Estey house, who handled our pianos
for several years, we decided to open re-
tail stores at Philadelphia, Pa., having
been influenced by the request of quite a
number of friends of our pianos, whose
support promised a fair share of sticcess,
we further considered that, a market hav-
ing been created there for our goods, (the
Esteys having bought for the Philadelphia
house about two hundred and fifty pianos
during the last year) we were justified in
working the territory ourselves, as the
houses applying for our agency carried
already large lines of other makes and we
could not expect that either one would
push our pianos to the extent, which we
should have considered as doing justice to
us under the circumstances.
"What looked at first a formidable un-
dertaking, has proven a genuine success.
This will be seen from the fact of our hav-
ing sold during twelve months 301 pianos
in addition to some second-hand pianos,
organs, and a fair renting trade.
" We operate two stores at Philadelphia,
under the management of Messrs. Jos. F.
Allen and H. C. Schoeppy respectively, to
whose faithful work the success of the new
venture is due to no small extent; in addi-
tion we have a branch store at Wilming-
ton, Del., where the firm of George Dear-
born had been handling our pianos for six
years previous.
" O u r new ' Octave Duplex Piano ' has
been very favorably received by the musi-
cians at Philadelphia, who commented in
very complimentary terms upon its tone
qualities, and we have sold quite a num-
ber of them already."
Albert Krell, Jr., of the Krell Piano Co.,
reached the city on Thursday and left
yesterday for Boston.
S. Hubbard, secretary of the Weber-
Wheelock Co., has been called to active
shore war service as Inspector of Ordinance
at the Brooklyn Navy Yard.
Fischer Facts.
In a recent announcement concerning the
merits of the Fischer uprights, some very
good points are made under the headings
"Individuality ", " Integrity " and " Repu-
tation ". They are well worth quoting—
the more so,because every point is well
taken:—
Individuality—the Crystallization of En-
deavor.—Every Fischer Piano possesses a
charming individuality. It is different in
many ways from a piano of any other make.
It is unmistakably a Fischer Piano,—new,
or after a life-time of service, it proclaims
it at every turn, at every feature. Fischer
Pianos are built upon fixed principles, and
every instrument is judged by an unswerv-
ing standard before it leaves the factories.
Integrity—for over half a century.—An
article of merchandise that has not tran-
scendent merit cannot live and prosper
from generation to generation. It must be
honest clear through.
Every claim put
forth must be founded upon absolute truth.
The Fischer Piano was never in as great
demand as to-day—after over half a century
of public test and trial.
Reputation—a source of satisfaction.—
When a piano is not being played upon it
is in use nevertheless. If you doubt this
statement attempt to completely ftirnish
your parlor without a piano, and note the
result. Then every acquaintance naturally
associates you with your piano. Let it be
one that you may well be proud of. If it
is a Fischer Piano, you can feel that it is
beyond criticism—its reputation is more
than local—the Fischer is known north,
south, east and west, and in every land.
The Waldorf Piano.
Brief reference was made in the last is-
sue of The Review to the merits of the
Waldorf piano, a product of the Waldorf
Piano Co., 552 West Twenty-ninth Street.
This instrument proves beyond all ques-
tion, the possibility and entire practica-
bility of producing a reliable and durable
instrument, attractive in style and of good
tone, at a price placing it within the reach
of persons who are not at liberty to ex-
pend a large amount in the purchase of a
piano. The Waldorf has already won an
excellent reputation in the trade.
The re-decorating of the Wilcox & White
warerooms at 146 Fifth Avenue, has just
been completed.
The general effect is
highly artistic, reflecting great credit on
Mr. Keeley, under whose orders and
supervision the work has been carried out.
Visitors at the warerooms are frequent and
orders numerous.
The Kranich & Bach report this week is
satisfactory.
Mr. O'Brien, one of the
firm's most active traveling representa-
tives, is at Bay City, Mich., enjoying a
brief rest.
Joseph Shoninger made a brief visit
to New Haven this week. He is expected
back to-day.
Fred T. Steinway and Nahum Stetson
spent the early days of the week in Chicago.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
What is the Remedy?
THE QUESTION RAISED BY THE REVIEW HAS CREATED WIDE-SPREAD INTEREST CAN WE IM-
PROVE THE TRADE CONDITIONS AND IF A BETTERMENT CAN BE ACCOMPLISHED IN
WHAT WAY CAN IT BE DONE? WHAT SOME DEALERS SAY KEEP UP THE
WORK AND DO NOT LET THE INTEREST FLAG WHAT SAY YOU?
We have received many communications from leading dealers in all parts of Amer-
ica anent the possibility of making- certain trade reformations which shall be conduc-
ive to trade good.
The Review has unequivocally declared that the piano business as a whole to-day
is conducted on too close margins. Through The Review, the dealers of America are
willing to discuss the possibilities of the betterment of trade conditions.
If the business is not conducted on proper lines to-day can we make it so ?
What is the remedy ?
The views of the many prominent dealers which appeared during the last three
weeks were most interesting. This week's symposium is still another valuable
expression of opinion. The discussion will be continued in our next issue.
C. F. GROBMANN, Milwaukee, Wis.
Talking from my own standpoint of
twenty-seven years of experience, and con-
sidering the piano business from a profit
standpoint, I hold the solid opinion that
the business is as profitable as ever it was,
with these exceptions: there are more
dealers than formerly, consequently the
profits, though just as good, are not so nu-
merous.
From a business standpoint, pianos can
sell and are selling as much as at any time
in this trade, but the purchasing power is
not so much in evidence, and, in conse-
quence, the profits instead of going to the
once few dealers who made it their special
and only business, is now distributed
among the mass of sewing machine agents,
bicyle dealers, auctioneers and department
stores.
Formerly a purchaser bought his piano
from a regular piano dealer, but now he or
she buys it from any of the above "ped-
dlers."
Where is the root of the evil?
First, the supply house. Anyone can
go there and buy all the parts necessary
for a piano, put them together, label it
with a name of their own choice, go to a
bicycle dealer, sewing machine agent, or
pump peddler and say:
" Here is a $500 monoply price piano,
which I will sell you for $88," and the
peddler grabs for it like a trout for a
winny, and he certainly sells it to some-
body.
Second, this transaction puts the legiti-
mate manufacturer to thinking, and he
goes to work and builds a competing
piano, goes to the regular dealer and says:
" We have got just the piano you want for
$90. If I can't sell you my legitimate
goods, let me sell you this." Not suc-
ceeding in planting a dealer with his $90
piano, he will hunt the town high and low for
some peddler who will buy it and does buy
it. Now what can the dealer do? If those
boxes were out of existence it is questiona-
ble whether a "peddler " would dare invest
in the price of a first-class piano for fear of
not being able to get his profit in selling
it. True, some of the dealers have been
compelled to handle some of these boxes
and even gone so far as to advertise them:
A $350 piano for $160, with $5 down
and $5 per month. Now what in all crea-
tion can the .poor public do? So long as
cheap boxes are in the market so long will
there be a mass of cheap peddlers. This
cheapness has led many dealers to believe
and say the piano trade is getting to be
commercial instead of artistic, as was
formerly. This is a mistake. The busi-
ness has always been, and will continue to
be commercial so long as a manufacturer
or dealer makes his living out of it.
But there is a vast difference between
high-grade commercialism and stencil
commercialism.
The piano business is just what the
manufacturers and dealers make it.
W. A. DEAN CO., Sioux City, la.
The retail piano business as it is carried
on is a good deal like loaning money, as
the most of it has to be done on the in-
stallment plan. There are many objec-
tionable features. Many dealers set pianos
out on trial and sell them a good deal like
the cheap auctioneers do their business.
The first legitimate bid above cost takes
them.
Dealers who do business this way have
about as many prices as customers, and
have to keep continually changing their
instruments, or else their location. We
do not believe in delivering any piano un-
less price, terms and details are settled
before the instrument leaves the store.
Many manufacturers try to get an agency
in almost every county, and do not seem
to take into consideration that if a dealer
does any business that amounts to any-
thing, that they must have pianos of sev-
eral makes or compete on same make, and
if either sells, the one that cuts the lowest
makes the sale.
We have in mind a certain person who
was in the store to-day from a small town
about forty miles from here, who says he
was offered a piano of a certain make at a
price that we know is not more than $20
in excess of what the piano costs at the
factory.
This dealer in the small town does not
sell more than one or two pianos in a year.
In an adjoining town same thing occurred
about six months ago; neither of the par-
ties have sold yet, but that particular piano
is virtually killed in those towns, as far as
money maker is concerned. As a rule it is
impossible for any dealer to handle any
make of piano successfully where the man-
facturer insists upon having the agencies
too close together. Where agencies are
too close, a dealer scarcely knows what
piano to recommend when a customer
comes in his place of business. Again,
many dealers, whether in city or country
towns, if a purchaser comes into their
store from some distance, and wishes to
buy for cash, will sell him at almost cost
rather than miss the sale.
We do not see any way to remedy it,
except for the manufacturer and dealer to
work nearer hand in hand. The manu-
facturer should take the success of the
dealer into consideration. No dealer can
afford to tie to any manufacturer if he
cannot make money on their goods.
No dealer can make a complete success
with any instrtiment unless he has control
of the retail prices within his territory.
After taking everything into consider-
ation, the piano business same as any
other to be successful must have some
one back of it who understands the details
of the business, and who is capable of
managing it successfully on business
principles.
ROBERT WEBSTER, Brooklyn.
Is there a Remedy? May it not be the
condition of the purchasing public from
which the piano trade is suffering? It is
well enough for the dealer to tell what
terms ought to be made in piano sales, but
the purchaser's ability to pay must govern
the terms.
Any plan for improving the conditions
of trade, which does not include the im-
provement of the purchaser's ability to
pay must necessarily fail. The Dingley
tariff having failed to give us good busi-
ness, good wages, and high prices all hope
for improved ability to pay seems to be
lost, and the only remedy left for impaired
profits seems to be that some, and several,
of the piano manufacturers must quit.
A. A. TAYLER & CO., Tacoma, Wash.
As to whether the 'music dealers of
America are selling goods on too close a
margin we are unable to express an
opinion from lack of information. We
believe the same eternal rules apply to the
piano as to other lines of business. The
competent man succeeds when circum-
stances are favorable and he sometimes
succeeds against unfavorable ones. The
incompetent fails. It has never been our
impression that the piano man sells on too
small a margin of profit. Rather it is the
other way and this tempts him into extrav-
agances of expense in conducting his
business and into the foolishness of
sacrificing all profit on a sale in order to
beat a competitor expecting that a sub-
sequent safe will keep his average of profit
high. This is one way of conducting the
business that is not on a " proper" line.
On the whole however the business is con-
ducted as it should be. Large combina-
tions of capital will continue and increase,
either by the growth of houses already
existing or by the coalition of smaller ones
into a larger concern. The tendency of
the times is that way.
A remedy for some evils would be that

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