Music Trade Review

Issue: 1898 Vol. 26 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
MUSIC STUDY'S TRAGIC SIDE.
SCHOOL FOR ORCHESTRAL MUSIC.
The truth is mighty uncomfortable reading
The scheme that is now on foot for forming
at times, but nevertheless it is refreshing a permanent orchestra in New York encour-
when there is a purpose behind it. Some time ages me to speak of an idea that has been in
since L. Liebling made the following tren- my mind for some years—namely, the forma-
chant remarks in a German paper anent the tion of a school for orchestral music and or-
army of people who journey abroad to Euro- chestral playing.
pean shores for a "mifsical atmosphere," at
Every gallery of pictures in the world is to
the same time expecting to win fame and for- some extent a nursery for young artists—the
tune. "Superficial writers," he says, "and guardians of these places encourage art.
those concerned, do not see the tragedy which Why should it not be so with an orchestra,
is constantly being enacted before our very especially an official one? New York has a
eyes, here in Berlin, by the legion of foreign great opportunity. There is not in the
students, who come here each autumn, remain world as yet, to my knowledge, an institution
a year or two, cast a glance into the wonder- devoted first and last to the development of
ful world of music, strive frantically to become orchestral music.
inhabitants of the enchanted sphere, realize
At the Royal Academy of Music in London,
its inaccessibility, sigh from the depths of a where I spent my student days, the orchestra
sickened heart, sink helplessly into the quag- was looked upon as a sort of harmless neces-
mire of disappointment and mediocrity, and sary, just as certain long-eared animals are
fade from out of the throng that stumbles on by farmers. And certainly any student who
blindly, only to meet a similar fate in the end. talked seriously of devoting his life to orches-
The poor blinded moths flicker about the tral playing was considered little better than
light until they are burned. What youth, such creatures. Solo playing was then, and,
energy, health, enthusiasm, love, hope and— as far as I can see, is now, the end and aim
money, are wasted each year in the never- of every executive student. On the other
ceasing, gigantic struggle!
hand, what does the world say? What does
"We thousands are all working to reach an the composer say? What does the art critic
eminence, on which only three or four can say? Take all else, but leave us the orches-
stand, on which not more than a dozen have tra; for the sake of that we have endured all
stood, since music first became an art. Dot- things, even the musical star, his long hair
ing mothers, fond fathers, loving brothers and and his everlasting egotism.
sisters, are left behind and half-forgotten, in
Yes, New York now has the opportunity to
order to gratify an ambition which, in most form a school of music in which the orches-
cases, amounts to nothing more than the tra shall not be last and lowest, but first and
mere selfish desire to shine forth from the highest—a school of music wherein orches-
rank and file of our fellow-creatures, to taste tral music from both the composer's and per-
the seductive notoriety. Few of us feel the former's point of view shall be developed
heat of the sacred flame, burning into and to its utmost; a school which to the lover of
destroying our peace of mind, when we do music shall be as the art gallery is to the
not play, or sing, or compose.
lover of painting. By this I mean that it is
"Those who feel no such inner spur, commit not to be a place where one or two exciting,
a crime against their family and themselves, expensive and little understood concerts are
when they devote their life to following a pro- heard during the year, but a place where
fession which can offer them nothing but the good music may be enjoyed every day; where
leavings of others, of greater ones than they. all the masters' worthy works may be heard
Let them become good wives and intelligent truthfully, unostentatiously and systemati-
mothers; striving merchants and sensible cit- cally performed, and a score hired to follow
izens. Why follow a pursuit in which there them with; a place where the young com-
is hardly any money to be gained, and which poser who proves himself worthy may hear
demands nothing but sacrifices, without re- his studies in the as yet little known art of
turning any benefits? Some of us are not fit orchestration given a fair trial; where young
to do anything but bask in the sunshine and performers may receive a thorough training
dream. The possession of those characteris- before going forth to form other orchestras
tics does not always denote that we are ge- elsewhere.
niuses. -They denote that either of our pa-
This scheme would need a building for its
rents, or we ourselves, deserve severe and effective trial, also a staff of professors. But
constant whippings."
it would be able to look to students' fees as

©
well as door money as a help to its support,
The success which has attended the season and, further, it would relieve the manage-
of grand opera just closed at the Metropoli- ment from the heavy burden of paying every
tan Opera House is said to have been a sur- member of the orchestra.
I have here sketched out the scheme
prise even to the managers. They knew that
they had not a band of singers who would in roughly and hurriedly, but I think any lover
any way compare with the noble army of last of music must see it is worthy of serious con-
year. They also knew that this town is very sideration. New York is a great commercial
fastidious in the matter of its music, being center in a great and growing country; the
willing to pay high for the best, but insisting need for good orchestral players is growing
on the very best. Yet in spite of everything great and rapidly all over this great country.
the series has been very remunerative. Un- Let New York take time by the forelock and
doubtedly this goes to show that the opera is show the world that it means to cater to the
needed as a feature of the gay season. It is artistic as well as the material needs of the
an opportunity that is required by fashiona- nation, and by this novel, bold and neces-
sary work prove itself to be in truth a great
ble society.
musical center that even European musicians
must look to as containing something besides
the dollars.
Alfred Walker.
©
THEODORE THOMAS IN NEW YORK.
On the programs of the various concerts to
be given here by Mr. Thomas, there are a
number of compositions the performance of
which will possess special degrees of interest.
Such works as Richard Strauss' " D o n
Juan," his " Thus Spake Zarathustra," Gla-
zonnow's " Ballet Suite," Rimsky-Korsakow's
"Scheherazade," Cesar Franck's " Les
Eolides" and his " Le Chasseur Maudit"
represent the highest expression of modern
music. Some of them have never been played
here; others so recently that the unavoidable
test of comparison will add zest to their per-
formance.
There is a possibility that a symphony by
Mr. Harry Rowe Shelley will be played by
Mr. Thomas. This is to be desired not only
in recognition of Mr. Shelley's standing as a
composer, but in rebuke of the apathy shown
toward home composers by local orchestras.
Of the extra concerts announced, one is to
be devoted to French music, and Raoul
Pugno, the pianist, and Alexandre Guilmant,
the organist, are to be the soloists. Cesar
Franck's "Variations Symphonique" for
piano and orchestra and Saint-Saens' Fifth
Concerto will be introduced to the American
public by Mr. Pugno, and Mr. Guilmant will
be heard in three of his organ and orchestra
compositions.
©
Paderewski has been suffering from an at-
tack of influenza, and this has delayed the
completion of the long-expected Polish opera.
He is, however, now better, and, although
his projected tours through Scandinavia and
Spain have been abandoned, he will play soon
at the Gewandhaus concert, Leipsic, under
the conductorship of M. Nikisch. He will
re-visit England in May, and his British agent,
Mr. W. Adlington, has then arranged a pro-
vincial tour for him.
Casb, Eycbanoe, IRentefc, also
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No. 19 East 14th Street,
NEW YORK.
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i
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
PROF. nULLER'S NEW BOOK.
Professor F. Max Miiller, the greatest of
modern philologists, and, though German
born, one of the few living masters of Eng-
lish style, has prepared a book of auto-
biographical reminiscences under the title of
"Auld Lang Syne," which Charles Scribner's
Sons have just published.
The book is divided into three main parts
—"Musical Recollections," "Literary Recol-
lections" and "Recollections of Royalties."
All are full of entertaining gossip, not only
because of the eminence of the names they
include, but also on account of the spirit and
point with which the stories are told.
The book abounds in anecdotes of musical
matters and of famous people. Prof. Miiller
records that music has often helped his pil-
grimage through life. "Both in Paris and
later on in London many a house was open to
me which would have remained closed to a
mere scholar. Musicians also always took an
interest in the son of the poet, Wilhelm Miil-
ler, whose songs had been set to music not
only by Schubert, but by many other popular
composers. I well remember, when telling
Jenny Lind whose son I was, how she held up
her hands and said: 'What? The son of the
poet of the Miillerlieder! Now, sit down,'
she said, 'and let me sing you the "Schone
Miillerin."' And she began to sing, and
sang all the principal songs of that sad idyl,
just moving her head and hands a little, but
really acting the whole story as no actress on
the stage could have acted it."
0
JOSEF HOFriANN.
The Chicago orches-
tra gave the first of its
six concerts at the
Metropolitan O p e r a
House on last Tuesday
evening, March 1, un-
der the baton of Theo-
dore Thomas. The
soloist was Josef Hof-
mann, the young pian-
ist whose visit here ten
years ago as a child
prodigy evoked extra-
ordinary enthusiasm.
Since that time he has
been an assiduous stu-
dent, spending two and
a half years with Rub-
instein, and studying
the theory of musical
composition with Prof.
Urban. This was his
first appearance in this
country. He played
the Rubinstein D Min-
or Concerto and a
piano solo, and won his
way at once into favor.
Hofmann is a pianist
of mature judgment,
and a technician of ex-
traordinary skill.
Although a great artist
Beethoven's Fifth Symphony, the "Don Juan"
to-day, years will still further mature his mar-
velous gift of artistic expression. The or-
chestra was in splendid form, and played
tone poem of Richard Strauss and the "Lohen-
grin " prelude. Hofmann will be heard later
in recitals.
ible; hence, 'Thus spake Zarathustra.' Could
a sparkling operetta be written after a year's
stay at a German boarding-house ? Do soups,
macaroni, cheese of Parma, salads, the native
oils and wines go for naught in the formation
or inheritance of a golden Italian voice ?
" T o o many of our local composers are
passionately addicted to beans and the favor-
ite drink of the late John Phoenix, which was
thus prepared according to his own recipe:
'Three parts water gruel, two of root beer;
thicken with a little soft squash and strain
through a cane-bottomed chair.' "
This is hard on our friends in the "city
of culture."
Wednesday evening at Chickering Hall.
Few men have worked harder for the promo-
tion of all that pertains to art and music
in New York than Mr. Agramonte, and we
should never forget him.
JOSEF HOFMANN.
C0HP0SIT10N AND DIET.
" I am inclined to think that our local mu-
sicians do not pay enough attention to diet
when they are in the throes of composition,"
says Philip Hale, the Boston critic. "Hoff-
mann,musician, critic,rhapsodist, caricaturist,
speculated as to the effect of wines on him
that meditates an immortal work. And he
recommended Rhine wine to him that would
fain write a mass, Burgundy to the composer
of a grand opera, champagne to the writer of
a comic opera, some fiery Italian wine to the
author of passionate canzonets, and arrack
punch to him that would rival " D o n Gio-
vanni." Fuseli ate raw pork late at night
that he might dream frightful dreams which,
awake, he would put on canvas. Listen to
Bayes in " The Rehearsal." " When I write
familiar things, as sonnets to Armida, and
the like, I make use of stew'd prunes only;
but when I have a grand design in hand, I
ever take physic, and let blood; for when
you would have pure swiftness of thought,
and fiery flights of fancy, you must have a
care of the pensive part: in fine, you must
purge the stomach."
" The German composer and the German
singer subsist mainly on pork, veal, cabbage
and beer. Occasionally some bold fellow ex-
periments, as did Anton Fils, a celebrated
violinist at the court of Mannheim; he died
in 1768 from immoderate indulgence in raw
spiders, which, as he imagined, tasted re-
markably like fresh strawberries. Wagner,
it is true, preached vegetarianism to his dis-
ciples, but he condemned the eating of flesh
in his books; in daily life he enjoyed meat.
The diet of your average German is indigest-
©
The musical world of London is already
agitated over the Nibelung performances,
which will be given next May under Mr.
Seidl's direction, and with a cast that is, as
the Daily News justly remarks, " t h e
strongest that Wagner's tetralogy has ever
yet been accorded." In addition to the De
Reszk€s and Seidl, the list of interpreters in-
cludes Ternina, Brema, Nordica, Schumann-
Heink, Gadsky, and Emma Eames, Van
Dyck, von Rooy, Feinhals, Wittikopf, and
Lieban.
The Rhine daughters will come
from Bayreuth, and so will the stage-mana-
ger, Herr Kranach, who is expected to do
for the scenic side what Mr. Seidl will do for
the orchestra and the general command.
Special attention is, indeed, to be paid to the
pictorial side of Wagner's art work.
0
Emelio Agramonte, the clever musician,
and distinguished teacher, was tendered a tes-
timonial concert by a host of friends last
©
Mr. Harvey Wickham, assisted by Mr.
Frederick Downs, solo tenor of the Church
of the Pilgrims, Brooklyn, gave the second of
his present series of organ recitals at Grace
Church, Middletown, N. Y., on the evening
of Washington's birthday. The program
was brilliantly rendered before a large audi-
ence, and included Bach's Prelude in E Flat
and Guilmant's Second Sonata.
©
M. Gerardy, the celebrated 'cellist, occu-
pies the place of honor on our cover page
this month. This clever young artist has
won the praise of leading critics in all parts
of the country, who unanimously admit that
he has made rapid headway in his profession.
From the prodigy of a few years ago he has
developed into a mature artist, whose playing
is noted for all these finer attributes that are
only found in the great virtuoso.
O
UTICA CONSERVATORY OF MUSIC.
The Utica (N. Y.) Conservatory of Music,
which Louis Lombard founded, has just
passed into the hands of Geo. S. Beechwood,
a well-known organist and choirmaster, who
studied long under some noted masters in
Europe and this country. He is sole owner,
and will assume the directorship.
Mrs.
Wheeler, the former director, will continue
to be connected with the institution,

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