Music Trade Review

Issue: 1897 Vol. 25 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
say that all popular music is vulgar; just
as absurd for instance as to say that all
vulgar music is popular. But the public
does not want the vulgar variety and it is
high time that an effort were made to
educate the masses at these open air con-
certs of the summer.
"Americans, as a class, have a fine ap-
preciation of music. Their aptitude for
discerning the essential charm of the high-
er music is remarkable and should^be culti-
vated with the greatest solicitude. They
like the better class of music when they
are permitted to hear it."
These remarks are very pertinent. The
programs for the Parks should be catholic,
popular if you will, but music hall concoc-
tions should not be served up week
after week to a long suffering public. The
aim should be to educate, to elevate. With
a few exceptions it is a pleasure for The
Review to state that bandmasters are pay-
ing closer attention than ever before to the
compiling of programs, and with good
results. During a recent visit to the Park
the writer was gratified to notice that a
classical number not commonly programed
was enthusiastically applauded.
The
masses can appreciate a "good thing,"
whether it is written by a Wagner, a
Beethoven, a Sousa or a Herbert, and
they don't stop to inquire who wrote it.
Hence "choice bits" of the classics that
can be enjoyed by all who love music
should be heard oftener in our public con-
certs, whether they be held in Mulberry
Bend or Central Park.
MUSICAL "CONFECTIONERS."
What a mistake is that we make of call-
ing all men composers that put notes to
paper! We do not allow that a man is an
artist on the strength of a vain endeavor to
paint a blue cow on a red tile, or a novelist
because he has contributed a wooden-
legged sketch of incident to The Yellow
Book; we even refuse the title poet to lib-
rettists and the gentlemen who write lyrics
for music; yet the persons who set the
lyrics and the librettos are ^composers one
and all.
We ourselves would divide them that
destroy the market value of clean music
paper into three classes: composers, mathe-
maticians and confectioners, says the Sat-
urday Review. The first is held by some
writers to be extinct, and though we do
not take that extreme view, we admit that
specimens are scarce enough; the second
infests our teaching institutions; the last,
the makers of sweet-stuff, threaten soon to
outnumber the public for which they cater.
If the young men and maidens who, am-
bitious of the composer's laurel crown, rush
faster every day into print with drawing-
room ballads, knew the only crown that
may be grasped that way, they might be
persuaded to leave off. And if cash and
not glory is what they seek, how can they
hope to compete with the old hands who
know every trick of the trade, and whose
factories are furnished with the latest ma-
chines and the best raw material?
MME. BELLE COLE.
Few if any of the noted
artists who are expected to
visit these shores next fall
will receive a warmer wel-
come than Mme. Belle Cole,
the distinguished vocalist,
who returns for a tour of
her native land under Mr.
Wolfsohn's direction, after
a residence of many years
in London. Mme. Cole has
appeared with phenomenal
success at all the important
musical festivals and prin-
cipal concerts in Great
Britain, and only last year
made a tour through Aus-
tralia, Tasmania and New
Zealand. Since that time
she has appeared at more
than one hundred concerts.
In fact Mme. Cole is one of
London's greatest favorites
and has had the honor of
having been "commanded"
by the Queen to appear be-
fore the German Emperor
at Albert Hall.
Mme. Belle Cole was born
in Chautauqua, N. Y., and
studied in this city, where
she later became soloist at
a prominent Fifth avenue
church. Her advancement
under local teachers was so rapid and se-
cure as to render for educational purposes
a visit to Europe for the time necessary.
In 1883 she accepted an engagement as
leading contralto with Theo. Thomas'
Grand Festival Tour. Previous to that
time she had been in the habit of singing
soprano parts, her voice being of so wide a
range as to enable her to reach F in alt, but
experience brought conviction that its full
powers, as well as its full beauty, lay chiefly
in the middle and lower registers, and it
DONIZETTI'S CENTENARY.
Donizetti's centenary is to be celebrated
at his birthplace, Bergamo, next month.
There will be a musical festival under the
direction of Signor Pizzi, the newly
appointed director of the conservatory of
music at Milan; and Mme. Melba and Mme.
Blauvelt, among other singers, are expected
to appear. The celebration recalls to mind,
and especially to the memory of old time
New Yorkers, a composer snatches from
whose operas could be heard in every
drawing room twenty-five years ago, and
whose pleasing melodies filled Castle Gar-
den and the old Academy of Music, when
"The Daughter of the Regiment," "Fa-
vorita," "Don Pasquale," "Linda di Cha-
mounix," "Lucia di Lammermoor" and
other operas bearing the imprint of Doni-
zetti's genius were given.
Who has not even to-day listened to
Patti's rendering of the mad scene from
"Lucia?" What drawing-room musical
education is complete which does not in-
clude among: its accomplishments some
pieces from Donizetti's operas? And the
is in music written for the mezzo-soprano
or the contralto that she has obtained her
great popularity. Mme. Cole attained
high distinction by her singing at the lead-
ing festivals and concerts in various parts
of the United States and Canada. In 1888
she resolved upon seeking the favor of the
English public, and at her first engage-
ment in "Elijah" at Eton College under
Sir Joseph Barnby she scored an instan-
taneous success. Mme. Cole's art may
now be said to be in its maturity.
memory of the man who has thrilled so
many hearts is to be duly honored by
celebrated artists from all over the globe
in the little town that gave him birth.
©
Maurice Grau, who "managed" during
the last season for the Covent Garden
Theatre in London, has been re-engaged
for the next four consecutive opera seasons.
o
THE NATIONAL MARCH.
Pretty big place—this country—hills an' valleys
an' plains:
Thanks be to God for the sunshine an' the fine an'
freshnin' rains!
An' the seed in the soil, an' the singin' of birds in
the meadows an' dells,
An' the ringin'—the liberty ringin' of the bells—of
the liberty bells!
It's " Forward march!" an' the music stirs like the
roll of a drum !
It's "Forward march!" an' the answer rings from
the skies: " We come ! "
An' we're marchin' on together, an' the goal—
thank God!—is in view
Three cheers for this great old country, an' the
red an' the white an' the blue!
—ATLANTA CONSTITUTION.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
hoped the conservatory may soon be the "Star Spangled Banner," should have to
able to show its friends and the public become the inmate of a Baltimore chari-
substantial results in operatic perform- table institution. Are there not enough
admirers of "Old Glory," and the man who
ances.
added to its fame in verse, to prevent the ex-
o
This is truly the age of centralization in istence of such a scandal? A monument
every department of human energy. Fol- to Key is to be unveiled next year; in prop-
Anton Seidl scored a tremendous success lowing the example set by the syndicate of erly honoring the dead it seems meet that
at the Bayreuth Festival of Wagnerian managers of the legitimate drama it is now the living should not be forgotten,
o
opera recently closed. The musical critics said that the managers of vaudeville are
Next month Frank Damrosch will assume
of Germany and the Continent unite in arranging a combination bearing many of
praise for his leadership and give him most the outward aspects of a sordid and odious the position of director of music in the
of the credit for the ideal performance of trust. Is it not about time for the musicians public schools in this city to which he was
"Parsifal" on the opening night. They to do something? Apropos the dramatic appointed previous to his European vaca-
generally admit that Herr Seidl's accelera- trust a disgruntled theatregoer recently tion. We can now look forward to a
tion of the tempi is considered an improve- remarked that something might be done in thoroughly systematized course of musical
ment over the slow time of Felix Mottl and that line in the way of resistance if all the instruction that must be prolific in splendid
other followers of ths Bayreuth tradition, playwrights in the United States would results before many years. Mr. Damrosch
under whose guidance these performances combine their efforts and produce one has no easy task before him, he must in-
augurate a complete course of procedure,
became notorious for their length. Con- really good play.
so as to bring order out of chaos. He
cerning the solo singers the opinions of
o
the critics differ. Fault was found in
Eureka! here is a "tip" for the United should receive the heartiest support from
particular with Herr Perron's Amfortas States Treasury officials. The Hunga- all having the interest of music and the
and with the performance of Herr Griining. rian government has authorized the State public schools at heart in order that his
0
banks at Budapest to engrave on 1,000 efforts may be successful,
o
Musicians are a force in public affairs in florin notes portraits of the most noted
The
members,
officers
and ex-officers
France, although we cannot say the same singers and actresses of Hungary. The
of
the
Music
Teachers'
National
Associa-
for this fair land of ours. And mark you, actual amount paid for this unique and up-
tion
should
at
once
set
to
work
to
kill the
their requests are honored too. Here is a to-date style of advertising is not stated.
germs
of
sectionalism
which
are
menacing
case in point: The Society of Musical It is safe to prognosticate that if the United
Composers, Paris, recently addressed to States authorities tried this plan of raising the rehabilitation of that organization.
M. Picard, commissary-general of the ex- revenue as well as ornamenting it, an enor- There should be no East, West, North or
position of 1900, a letter asking that a mous sum could be secured. It would throw South in the Association and there will
large hall be constructed of sufficient size the tariff bill "in the shade" as a revenue not be if the intelligence and common sense
for concerts, to be given on a grand scale, producer.
Imagine the competition! of those feeling "sore" are appealed to.
stating that there is no hall in Paris which Consider the price that would be paid for an The men in power should, not forget that
those who preceded them did effective
has the requisite acoustic properties. M. artist's portrait on a greenback!
work in spite of what seemed unsurmount-
Picard, without hesitation, formally prom-
0
able
obstacles, and all efforts to ignore or
ised that the artists shall have their hall at
What a lot of silly "rot" has been in_
the exposition, and when the time arrives dulged in by some of our contemporaries belittle should not be countenanced direct-
the Society of Composers shall be consulted regarding Jean de Reszke's age and the ly or indirectly.
©
as to the interior arrangements of the correct spelling of his name. It really
During
her
remarkable
reign Queen Vic-
structure.
matters little whether his age is twenty-
toria
has
conferred
the
honor
of knight-
0
five or fifty, or whether his name isspelled
hood
on
nineteen
musicians.
Their
names
A refreshing change has taken place in Risky, Reschke or Reszke: one fact, how-
are:
Henry
Bishop,
Jules
Benedict,
Mi-
the practice of singers in the matter of ever, must be admitted, he possesses ability
chael
Costa,
Sterndale
Bennett,
W.
G.
their names. It is no longer their habit to as a singer of no common order and he
Macfarren,
George
Elvey,
Robert
Stewart,
follow the example of the John Cooper of believes in selling his talent in the mar-
the seventeenth century who appeared in ket that pays the highest price. The very John Goss, Herbert Oakeley, George Grove,
public as Coperario. After 250 years' writers who criticise his age, appearance, Arthur Sullivan, Walter Parratt, Joseph
domination the Italian influence has been et al. would do the same thing—that is, if Barnby, William G. Cusins, John Stainer,
on the decline for some years, says The Sun they possessed one half of de Reszke's A. C. Mackenzie, Charles Halle, George
Martin and John Bridge. The honors were
that "shines for all," with the result that it ability.
declined by W. T. Best, August Manns
Q
is no longer the fashion for American and
A musician with a weakness for mathe- and H. Weist.
English singers to give a Latin twist to
0
their names. With the rise of the cult of matics—a strange combination by the way
A
curious
suit
against
the Court Theatre at
Bayreuth came the other tendency. Ger- —states that forty English Handel festi-
Mannheim
was
recently
decided in favor of
man opera is popular, and as a consequence vals have been attended by over 1,000,-
Alvary,
the
great
tenor,
who it was hoped
the need of euphonious surnames for sing- 000 people. Leaving the preliminary cel-
would
come
to
this
city
next season, but
ers is at an end. It is cause for congratula- ebration of 1857 out of the count, the
who
cannot
do
so.
It
appears
the singer
smallest attendance was in 1865, with 59,-
tion.
slipped
on
the
stage
some
time
ago and
434, while the highest on record was 87,-
o
was
injured,
so
that
he
was
incapable
of
784,
in
1883.
On
eight
occasions
an
attend-
The National Conservatory of Music in
singing
for
some
time.
He
brought
suit
ance
of
80,000
persons
has
been
exceeded.
this city, through Mrs. Jeanette M. Thur-
for damages and won, and the city, which
0
ber, has secured the services of Gustav
owns
the playhouse, will have to foot the
It
is
a
reflection
on
the
generosity
of
Hinrichs and of Victor Capoul for its
bill.
This case is curious as involving an
Americans
and
the
government
that
the
operatic department. Herr Heinrichs, who,
unusual
instance of liability.
daughter
of
Francis
Scott
Key,
author
of
it will be recalled, acted as right hand to
Mr. Thomas in Mrs. Thurber's praise-
worthy attempt to found a national opera
some years ago, will teach orchestra-
Over 4,000 vacancies—several times as many vacancies as members. Must have more members. Several plans ; two
tion and all that goes with it, while M.
plans give free registration ; one plan GUARANTEES positions. 10 cents pays for book, containing plans and a $500.00
Capoul will give the necessary dramatic love story of College days. No charge to employers for recommending teachers.
TEACHERS' BUREAU.
1 Rev Dr. O. M. S u t t o n A.M. t
BUTTON TEACHERS' BUREAU.
instruction to fit singers for the stage. SOUTHERN
S. W. Cor. Main & 3d Sts., Louisville, Ky. f
PRESIDENT AND MANAGER
1 69-71 Dearborn Street, Chicago, 111.
Northern
vacancies
Chicago
Office.
Southern
vacancies
Louisville
Office.
One fee registers in both offices.
With two such artists co-operating, it is
TEACHERS WANTED!

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