Music Trade Review

Issue: 1897 Vol. 25 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Henry B. Fischer on Association Topics.
TRADE CREDITS A VITAL ISSUE'—HOW THE REMEDY CAN BE EFFECTED A CENTRAL BUREAU-
WHAT HAS BEEN GAINED BY ASSOCIATION PIANO STYLES—FALL PROS-
PECTS TRADE ADVERTISING
THE TRADE JOURNALS.
No list of prominent piano manufactur-
ers in the United States would be com-
plete without the names of Henry B. and
Adolph H. Fischer. The firm of J. & C.
Fischer is well known and highly respected
in every branch of the trade, for several
good reasons. To give each of those
reasons in detail is not necessary. They
have long been public property. One,
however—and an excellent one—is their
evident desire to do all in their power to
assist in maintaining the good name and
prestige of the piano making industry in
this country. This desire they have ex-
pressed in many ways. As an evidence of
good faith they now take and always have
taken an active interest in the work of the
American Piano Manufacturers' Associa-
tion.
In view of the fact that an early date
has been set for the next meeting of the
association—an event likely to be memo-
rable in the history of the trade^—The
Review, in the course of this week's busi-
ness visits, took occasion to talk with Henry
B. Fischer on association topics. Other
subjects were briefly discussed, but the
probable action of the parent organization
at this or subsequent meetings, along
certain lines, was considered first of all.
"In the discussion of current topics of
interest to the trade, at future meetings of
the association, Mr. Fischer," said The
Review, "which, in your opinion, should
receive the earliest consideration?"
Without a moment's hesitation, Mr.
Fischer replied: "The question of trade
credits, undoubtedly. It is a vital issue,
and no time should be lost in dealing with
it."
"The present system, or lack of system
in this connection, is generally acknowl-
edged to be highly detrimental to the best
interests of manufacturers and their cus
tomers, Mr. Fischer. What do you think
would be a suitable and effective remedy ?''
"On the booksof nearly all the manufac-
turers to-day are names of certain undesira-
ble people. They are 'N. G.' in every sense
of the phrase and they ought to be gotten rid
of. As matters stand at present, manufac-
turers are compelled to go through more or
less experience with these people, some-
times paying very dearly for it. No direct
information can be secured in the majority
of instances. As soon as one manufacturer
tires of a man or firm having bad credits
or no credit at all, he 'dumps' him and that
process is continued all along the line.
"The remedy is simple. The association,
now consisting of a few, comparatively,
should include all. The petty jealousies
which have never ceased to exist between
manufacturers—no one could ever explain
the reason for their existence—should be
thrown to the winds. A broad, liberal,
vigorous policy should be inaugurated and
supported, for policy's sake, if for no better
reason. By working shoulder to shoulder,
the lines could be clos"ely drawn around the
pests who have neither capital nor con-
science. The association would make it so
hot for them that they would be compelled
to quit. And have they any claim to re-
main in the trade? I maintain they have
no claim whatever."
"If the question of credits comes up in
the near future, then, you will be an ear-
nest advocate of reform ? "
"Most decidedly. The question will
come up, and very soon. It is bound to
take a prominent place among subjects for
discussion, because the financial interests
of all are involved."
"Have you in mind any practical plan
for stamping out the evil, Mr. Fischer—
taking it for granted that the manufactur-
ers will realize before long the wisdom of
getting together for mutual protection ? "
"Yes. A central bureau of credits, deal-
ing only with the interests of piano manu-
facturers, could be established say in New
York. Its business would be chiefly to
advise manufacturers as to the commercial
standing within the trade of persons
and firms desiring credit, and to call for
information along that line for the benefit of
such members of the association as might
desire it."
"Do the objects of the association, as
stated in its charter, cover, in your opinion,
every point of business advantage, or do
you think its scope might be extended
with benefit to the members?"
"I do not see that there is much room
for expansion, provided the leading idea
of the association is carried out. That
idea is to secure protection of business
interests in a manner otherwise impossible.
So long as independent action alone is
relied on, many advantages must be lost or
forfeited."
"So far as you have observed during
your years of membership, Mr. Fischer,
what has already been gained to the indus-
try by the joining of forces in the associa-
tion ?"
"The greatest good yet accomplished has
been the gradual elimination of the unex-
plainable petty jealousies I referred to just
now. Only manufacturers who have kept
closely in touch with the association can
realize fully how much real benefit has
been wrought in this way. I do hope that
all manufacturers who have so far held
aloof will, in the near future, see the wis-
dom of practical support. What can be
achieved for mutual advantage in carry-
ing on legitimate trade under such desir-
able conditions is only limited by the re-
sources available."
"Can the work of the association be ac-
complished more satisfactorily, do you
think, as an independent organization, or
would amalgamation of all similar organiza-
tions within the trade be advisable? "
"In my opinion, all persons and firms
having these identical interests—the man-
ufacture of pianos—should be united.
Other branches of the music trades, or as-
sociations including other branches, would
only find themselves 'at sea' if included. If
piano manufacturers are members of sim-
ilar societies in other branches, they would
reap a direct benefit, it seemsto me, by also
belonging to the association."
"To refer briefly to your own business,
Mr. Fischer, The Review will ask a ques-
tion or two under important headings.
First, as to styles. The Fischer styles in
grands and uprights have always received
hearty commendation. Do you make a
specialty of new designs, and if so, do you
employ experts in preparing them?"
' 'The preparation of new styles has always ~
been a subject of special study with us—in
fact, as you indicate in your question, it
has been and now is one of the reasons for
whatever prominence in the trade we may
enjoy. We have constantly in our employ
several experts, part of whose duty it is to
submit, at certain regular periods and to
order, new designs for grands and uprights.
We have at this moment a number already
drawn, ready for use when required."
"Do you anticipate a brisk fall trade—
more than you looked forward to a year
ago. If so, why?"
"We expect a good fall business, but
not brisk. It is a little early for that yet.
There are good reasons for our expectation.
Comparison of sales made in June and
July, 1896, with those recorded for June
and July, 1897, shows an increase this year
of fully twenty per cent. Then the general
indications are full of promise. Outside
of the tariff settlement, it is easy to note
other never-failing signs, such as good
crops, low rates of interest for money,
particularly in the West, and a dozen other
indications, all pointing to prosperity."
"A word or two about advertising. The
Fischer products are largely and systemati-
cally advertised in the music trade journals
and other channels. Have you ever had
reason to regret your expenditures in this
direction? "
"No, we have not."
"Do you think such results as may fairly
be attributed to advertising could have
been attained by any other means? "
"I do not."
"Now to come nearer home, The Review
would be glad to know your opinion as to
the utility of trade journals. It has been
said very recently by a well-known piano
manufacturer that there is room for im-
provement in the conduct of music trade
journals. Do you agree with him, and if
so, along what lines, in your opinion,
should the improvement be made? "
"I do agree with the view that there is
room for improvement. My opinion is
that a trade journal is a business enter-
prise, and should be considered as such.
Its business is, I take it, to give the news
and to deal in facts, with such editorial
comment as may be pertinent to the live
issues of the day, so far as they affect the
piano and kindred trades. It is not part
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
IO
of the business or province of a trade
journal, from my point of view, to indulge
in personalities, toexploit fads and fancies,
or to become the vehicle for exhibiting
petty spite and malice. These points
occur to me as I talk. There are others.
"Trade journals do much good and help
the trade they represent when they are
properly conducted. They should be above
suspicion, everything being plain and
distinctly understandable without looking
beneath the surface for explanations.
Some such errors of judgment as I men-
tion have crept into the service, and they
should, in my opinion, be promptly
corrected."
Another Artistic 4 'Weber" Design-
Marvin is rioving.
[Special to The Review.]
Detroit, Mich., July 27, 1897.
Marvin, the piano dealer, is moving
again. It is well known that he spent a
great deal of money in decorating and
fitting up his elegant piano parlors in the
Leonard furniture building, about a year
ago, when he moved from the Woodward
avenue store, and there is naturally some
criticism on the move he has just now an-
nounced.
Commenting on this, Mr. Marvin said:
" I have had my eye on the Hull corner
ever since Mr. Fisher held his Kimball
piano sale there a year ago. Without dis-
cussing the methods he employed, there is
no doubt that he sold a lot of pianos there,
and I have always believed that the pro-
minence of the store and its splendid
advertising facilities had more to do with
his success than anything else.
"This corner is, without doubt, one of
the busiest in the city, being the transfer
station for the thousands who daily patron-
ize the Detroit Railway, and is also passed
by the many who are attracted by Hud-
son's store and the public library.
"Every piano dealer gets a certain
amount of trade through his own per-
sonality, and the personality of his own
particular pianos, but what I am after now
is what may be called the • transient' trade.
" I don't believe in resigning one's self
to unsatisfactory conditions simply because
they exist, and if I don't find my new loca-
tion up to my expectations, or if I see an-
other chance to better myself, I'll move
again."
Looking for a Factory Plant.
[Special to The Review.]
Port Huron, Mich., July 26, 1897.
George Pedler, a practical organ and
piano maker from Chicago, is conferring
with members of the Chamber of Com-
merce, relative to building a factory in this
city. Mr. Pedler has a new organ which
is a radical departure^ from anything now
manufactured. He says the proposed in-
dustry will require a three-story building,
50x100 feet, and furnish employment for
100
men.
The Mehlin piano will be handled hence-
forth in Worcester, Mass., and vicinity by
S. R. Leland & Son.
STYLE
It is a historic fact that the Weber up-
right pianos have always maintained a
distinctly individualistic place in the
trade and musical world. This reputation,
covering the matter of tone, design and
finish, is freely admitted by artists, musi-
cians and the public. It is a great pleasure
for The Review to say that the manufac-
turers are to-day working along the same
lines. The oldtime reputation is not
merely sustained but enhanced and it is
plainly evinced in the latest Weber designs.
The first of the new Weber creations,
style 18, a cut of which appeared in The
Review of July 17, has been most favor-
ably commented on. We now present an
illustration of style 22, an exceptionally
handsome piano, notable for its artistic
and graceful lines. It cannot fail to meet
with that hearty reception it fully merits
from dealers and admirers of the Weber
pianos.
There is a quiet beauty about this design
Latest Regina Novelty.
22.
that is convincing. It is in marked con-
trast to the superfluity of adornment now
so much associated with instruments of a
lower grade. It is " a Weber case" and
that explains everything.
This style is made in fancy walnut and
mahogany and all the standard fancy
woods. It is four feet seven inches high;
four feet eleven and a half inches wide;
and two feet two and a half inches deep.
Of the tonal quality of this piano it is
hardly necessary to speak. It is all that
the most exacting pianists could desire and
virtually sings the praises of its makers.
With styles 18 and 22 and reinforced by
others as ornate and substantial still to
come, the Weber-Wheelock Co. will have
a line of instruments for fall that must
command recognition and appreciation.
The new styles are a credit to the house;
they combine all those distinctive features
that have given the Weber such a pro-
minent place among the leading makes.
The instrument is cabinet in shape, hand-
somely carved and beautifully polished. It
The Regina Music Box Co., of Rahway, is not easily gotten out of order and prom-
N. J., has just patented a new music box ises to become a general favorite.
which in many respects excels all others
While this instrument is considered
heretofore put upon the market.
something extraordinary in its particular
The latest piece of ingenuity works auto- line, yet the company will, ere long, place
matically, and plays twenty different pieces upon the musical world an instrument even
of music, and by refilling will play a thou- more wonderful.
sand or more. By simply dropping a nickel
in the slot, one of the twenty different tune
David H. Schmidt's Report.
sheets in the box falls into its proper posi-
tion, and at the same instant the intricate
Business with David H. Schmidt, piano
mechanism starts to work. There are twen- hammer coverer, East 163d street, between
ty small push buttons on the side of the Brook and Melrose avenues, is reported as
box, each bearing across its face the name better than during the summer seasons of
of one of the twenty tune sheets within. 1895 and 1896. When The Review called
Should a person desire to hear any particu- on Wednesday there were numerous
lar one of the selections all that is necessary visible indications of prosperity. Mr.
for him to do is, at the same time he drops Schmidt, who has gained an enviable repu-
a nickel in the slot, to press the button tation for careful and exact work, is receiv-
bearing the name of the particular tune, ing encouraging support from a number of
when, lo! the tune sheet, no matter whether the leading manufacturers. He thinks the
it be top or bottom, falls into place and the outlook is healthy and is making every
wish is gratified.
preparation for a busy fall and winter.

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