Music Trade Review

Issue: 1897 Vol. 25 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
ists make all sorts of impossible conditions
as to hours of labor, but also they have a
strong objection to the use of labor-sav-
ing machinery. The American workman
works ten hours a day, and is an expert
in the use of machinery, so that he
is said to get through a much larger
amount of work and to do it quite as well
as, if not better than, his English trade
unionist colleague."
*
*
* *
Eugen D'Albert, the celebrated pianist,
is using the Steinway grand in his tour-
nee through Europe with immense suc-
cess. He recently appeared in Moscow,
when artist and instrument were compli-
mented in the highest terms by the lead-
ing critics.
Steinway & Sons received a cablegram
Thursday that D'Albert was recalled to the
stage several times by repeated encores.
*
*
* *
What charming art creations Steinway
& Sons are producing these days ! This
week I had the pleasure of examining one
of their latest. It is a superb grand, fin-
ished after the Marie Antoinette style, and
is decorated with beautifully painted
panels. There is a special art department
in the Steinway & Sons factory now ex-
clusively devoted to the production of
these special chefs d'ceuvre.
*
*
* *
The music trade of this country has had
such a surfeit of the cheap piano for the
past few years, that we must sympathize
with our friends across the water who
consider that there is a downward grade in
prices in the music trade field in Great
Britain.
Our esteemed contemporary,
the Piano, Organ and Music Trades Jour-
nal, in its last issue says: "The tendency
of the day seems to be in the direction of
cheapness; it would be idle to prophesy
to what extent prices will be different, in
another ten years, from what they are now,
but there is undoubtedly a downward
grade at work." Thank goodness, the ten-
dency is now the other way in this fair
land of ours.
*
*
* *
At the very delightful musical morning
given at the Astoria on Monday, by Albert
Morris Bagby, at which the charming mu-
sical drama "Adelaide" was presented
5ELP-C0NTR0LLINq
-
-
-
SELF-OPERATINU
Perfection Has at Last Been Reached.
THE "AUTONO"
PIANO ATTACHMENT
is the only practical and reliable self-playing at-
tachment on the market which can be applied to
a piano without disfiguring it. Musical results are
marvelous. Considered by experts to be the
KINO OF ATTACH/1ENT5.
Can be placed in an instrument in twenty-four
hours by auy tuner. Built to last and give satis-
faction. We invite investigation and correspond-
ence. This attachment should not be contused
with any devices hitherto sold to the trade as
piano attachments. It is unique—unequaled.
WEBER, GOOLriAN & CO.,
Manufacturers of the " Autono " Self-playing
Attachment.
•7 Wast 14th Street,
New York.
with Mr. Bispham and Miss Julie Opp in
the cast, the piano loaned by Mr. Morris
Steinert attracted much attention.
This particular piano loaned by Mr.
Steinert, is one of the most valued in his
rare collection of old musical instruments.
On the sounding-board is the following
inscription: "Nanette Streicher nee Stein,
Wien, 1816."
Mme. Streicher was the daughter of the
celebrated piano-maker, John Andreas
Stein of Augsburg, the builder of the in-
strument. She was a warm personal friend
of Beethoven, and it is said that the in-
strument was loaned by her to the great
composer during his stay in his summer
retreat in Baden.
*
*
* *
From Silver, Burdett & Co. we have re-
ceived one of their recent publications, en-
titled " Polyhymnia," a collection of quar-
tets and choruses for male voices compiled
and arranged by John W. Tufts. The
book has been prepared in answer to
numerous requests from teachers, educa-
tors and directors, who have felt the need
of a choice collection of part songs espe-
cially adapted to male voices, for boys,
grammar and high schools, male quartets,
glee clubs, etc. It contains an unusually
large number of the finest representative
selections from the works of famous com-
posers, and thus forms an introduction to
the best musical literature of the world.
The compiler's mastery of the subject in
general is so well known that anything
prepared by him must command attention
at once. His rare talent as a composer,
his long and successful experience as a
teacher and the deep interest which he
has always felt in the educational side of
the subject combine to give Mr. Tufts
unusual fitness and ability for the prepara
tion of musical works for the young.
*
*
*
*
Union heard and protested. Attention
was directed to the rule that none but
union musicians might play in bands.
While the musical bakers were union
bakers they were not union musicians.
From the standpoint of the unions they
were ' ' scabs" and therefore could not
furnish music for a labor parade. • What
the outcome of the contention might be on
a final appeal to the general trade assembly
cannot be known, as the peaceable bakers
silenced their band and marched with-
out music.
*
*
* *
" A great Piano House and Musical De-
partment Store," is the title of an exhaust-
ive article, copiously illustrated, treating
of the two great establishments of C. J.
Heppe & Co.. which appeared in the
Philadelphia Press of Dec. 1st. The ex-
tensive equipment of this well-known firm
is written up quite cleverly. The illustra-
tions show the interior and exterior of the
Heppe building on Chestnut street, also on
Sixth and Thompson streets. Special illus-
trations are devoted to the ^5olian, piano
and music box departments. The Heppes
are evidently believers in intelligent pub-
licity; they find it pays.
*
*
* *
The "Second Battalion March," an
immensely meritorious composition, by
Frank R. Gillis, now with J. C. Fischer at
the Union Square warerooms, andreferred
to in The Review on a previous occasion as
being in the hands of the publishers, was
issued a few days ago, and has already
made a hit with the militia organizations.
Mr. Gillis has done good work of this
character on several occasions, and is likely
to follow up his latest success with others
equally worthy of commendation.
Sarasate has given all the jewels pre-
sented to him during his career by royal
and other distinguished persons,and valued
at $20,000, to his native town, Pampeluna.
The new Astoria Hotel promises to be-
come the fad of the season in musical and
society circles. Morning, afternoon and
The New York Times records the follow-
evening concerts galore are announced. ing judgment:
As long as we cannot have grand opera, it
Burchard, Charles L., and Charles H.
looks as if the Astoria will be patronized Moses—Charles C. Nadal, $1,247.
by the elite exclusively this season. Of
Since the recent death of the wife of
course this is an incentive to artists to ap-
Verdi,
the great Italian composer has been
pear there. It gives them the society
seriously
ill.
stamp of approval, as it were, and that ap-
parently counts for much in this great
democratic country of ours.
THE-
GIBSON
PIANO.
The height of absurdity of some of the
regulations and restrictions of the labor
unions has been reached in St. Paul. A
bakers' union in that city, composed large-
ly of Germans, has many amateur musi-
cians among its members. These musical
members organized a street band, largely The Best Piano for the Money
for their own entertainment, and with no
in the Market.
intention of competing with the profes-
sional players. Other members of the i\o*. 2O7-2O9 E. 49TH STREET.
union thought it would be quite a feature
NEW YORK CITY.
to have their own band lead them in a
recent labor parade, and preparations were
made accordingly. But the Musicians'
A Standard Article.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
New Everett Concert Grand!
A REMARKABLE PRODUCT WHICH IS DESTINED TO MAKE A SENSATION IN SCALE, TONAL
VOLUME, QUALITY AND PURITY IT IS UNIQUE MUSICIANS AND VIRTUOSI PAY
TRIBUTE—STANDS AS THE STRONGEST EVIDENCE OF THE ARTISTIC AIMS
OF THE EVERETT PIANO CO.
It has well been said that the manufac-
ture of a grand piano is always the su-
preme test of a manufacturer's ability,
skill and experience. No matter what ef-
forts are made to develop the tonal volume
of the upright by increased sounding board
surface or length of string, it never attracts
the musician when he desires to express his
musical thoughts—at least publicly. There
is but one medium of expression—the con-
cert grand. When a firm reach this, the
highest phase of their constructive career,
and create an instrument which may
truly be said to mark a distinct develop-
ment in the matter of tone, they at once
attain a new artistic status in the musical
world.
The Everest Piano Co. can now claim
that proud position. They have just pro-
duced a concert grand, now on exhibition
at the local warerooms, which is unques-
tionably a wonderfully fine instrument—
one, in our opinion, that marks an epoch in
grand piano production in the United
States.
AN INDIVIDUAL CREATION.
To those who have kept in touch with
the laudable ambition and unswerving
determination of the personalities back of
the Everett products, to raise the standard
of their wares—so well exemplified in
those admirable instruments, the Everett
new scale uprights—their launching of a
great concert grand might be expected.
Unostentatiously, tirelessly,deliberately,
patiently and intelligently have the Ever-
ett force of experts labored for the past
twenty months to this end. Slowly but
surely the path toward perfection has been
traversed.
Certain requisites in tonal
volume, quality—in the scale, in a word—
were desired. The instrument was to be
one of which the most critical could say,
" This is unusual, out of the run, particu-
larly excellent." No expense was spared.
No restrictions put on effort. A special
department was inaugurated in the Everett
factory in charge of experts where the al-
most insuperable obstacles, which always
come to the surface when an epoch-making
grand is desired, were mastered. The
necessary equipment to permit of the full-
est scientific tests in the matter of strings,
iron frame and sounding board construc-
tion, the fundamentals of a grand piano,
were procured. In scaling and acoustics
some new departures were planned and
achieved, as an examination of the in-
strument now on exhibition will reveal.
The new concert grand was to be dis-
tinctively an Everett product—an individ-
ual creation.
In the evolution of this great art indus-
try all the leading firms have reached a
" grand " stage at one point in their career.
Those who have "survived," to use the
Darwinian figure, have conceived on origi-
nal lines, hence their products possess an
individuality.
With these thoughts in mind, born of
experience, the makers of the new Everett
grand have worked.
The Review was better able to adequately
comprehend why the Everett grand is be-
ing so enthusiastically admired and
praised by musicians. The tone is dis-
tinctly orchestral in volume and inten-
sity.
It can stand extreme forcing and
yet there is not a tone of unpleasant
quality.
It is veritably lionic as far as
sonority is concerned,meanwhile the slight-
est caress of the keys shows the same
tonal quality in a tenderer mood. In vi-
tality of tone, which a sustained finger
touch prolongs with remarkable intensity,
the Everett grand is especially notable.
This prolongation, so earnestly sought for
by piano and tonal experts, extends even
into the higher treble, where it is rarely
found. There is also a sympathetic qual-
ity in the tone throughout which charms
the ear untiringly. The treble section is,
perhaps, the most unique feature of the
Everett grand. As a general thing, grand
piano makers have to seek for tone in the
upper treble, but in the Everett it has had
to be curtailed.
The tone abounds in
color, and it only needs the musical tem-
perament of the expert musician to dis-
play it in its varied shades.
CORRECT ARCHITECTURAL LINES.
That the Everett Piano Co. had the
necessary capital, brains and experience
necessary to the successful building of a
grand for musicians and music lovers was
well known, but nevertheless the knowl-
edge did not prepare one for the mag-
nificent creation just produced, shown and
unanimously admired by quite a number
of musicians and virtuosi at the Everett
warerooms this week.
The Review was afforded the pleasure of
examining the new Everett grand on Wed-
nesday last. In architecture it is impres-
sive, the case being admirably propor-
PERFECTION OF ACTION riECHANISH.
tioned. The finish both in exterior and
The action used in the Everett grand is
interior is, down to the minutest detail,
a splendid specimen of good workmanship
absolutely above criticism. In mechanical
and careful and correct adjustment. Its
construction the scale is a splendid ex-
repeating qualities are so excellent that
ample of clever draughting. No sections
stand a chance here of being smothered in the action throughout is supporting and
overtone and harmonics, for it is based on helpful to the player. The action is most
the correct scientific principles underlying powerful, but at the same time the utmost
this important department of piano- delicacy of touch is possible. It is such
responsiveness added to the perfect scale
making.
and acoustic equipment of the instrument
REMARKABLE flUSICAL ATTRIBUTES.
that has resulted in such absolute complete-
Now let us pass on from the mechanical ness.
properties to an analysis of the musical
EVERETT GRAND SPEAKS FOR ITSELF.
attributes of the Everett grand. We will
When The Review asked Mr. A. M.
start with middle C. Strike it. Note
Wright
his personal opinion of the new
the duration, the purity, the richness, the
Everett
grand
he very firmly but politely
volume of the tone. Pass to the lower or
declined
to
express
his views. "This
upper registers, strike each note lightly or
piano,"
said
Mr.
Wright,
"stands as an ex-
with tremendous force. Observe the won-
ample
of
what
the
Everett
Piano Co. are
derful sonority of the bass, the flute-like
middle register and clear, full bell-like accomplishing as well as an evidence of
upper treble. The greater the test the their aims and purposes. It is the result of
more the tonal quality is emphasized. But much labor and great expense. How
where is the "break ? "—that bite noir of seriously the Everett Piano Co. have gone
the scale draughtsman. It can't be found. into this matter can be judged when I say
It exists naturally in the mechanical con- that they opened a new department in the
struction of the scale. It does not live factory for the purpose of developing their
in tonality. Now if we try a delicate instruments on scientific lines.
" I do not say this is a great piano, that
legato or staccato chromatic, from extreme
bass to extreme treble the uniformity of it is as good as others, that it is greater than
tonal quality in all registers is made still any on the market. It is here to speak for
itself. We do not seek compliments, we
more apparent.
Truly the Everett scale is a remarkable only invite critical inspection.
"Many distinguished musicians and ex-
one.
perts have examined the instrument dur-
TONE DISTINCTLY ORCHESTRAL.
ing the week, and many ' came to scoff,
At the request of The Review, Mr. A. but remained to pray,' They have been
M. Wright, the New York manager, court- most flattering in their opinion of its con-
eously acceded to a desire expressed to struction and tone, and that is about all I
hear a distinguished pianist test this in- care to say."
strument so that the tone might be heard
CONGRATULATIONS.
at a distance.
When the grand volume of tone com-
Congratulations are certainly in order to
menced to radiate from the vitals of the the Everett Piano Co. for this fine creation
piano at the artist's will, it was then that in grand piano making.

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