Music Trade Review

Issue: 1897 Vol. 25 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Vocal studies are declared of no use; sci-
ence has been replaced by charlatanism.
Nothing remains for us save to pray for
the coming of a new musical Messiah.
©
Hamilton S. Gordon, 139 Fifth avenue,
has just issued a number of Christmas
carols which are above the average in
merit. Three especially, by G. Frederic
Steil, should be in the hands of every choir
master. They are entitled "Sweet Christ-
mas Bells," the words by the composer;
"Tell the Christmas Story," and "Wake,
'Tis Merry Christmas Tide," words of both
by Geo. Cooper. The Gordon house are
carrying a large number of anthems and
carols suitable for choirs at Christmas
time, apart from a full line of miscellane-
ous publications, and their catalogue is
well worthy of investigation,
o
John Philip Sousa will figure as librettist
as well as composer of his latest opera,
"The Bride Elect," which will be produced
in Boston in January. In this connection it is
not well known that nearly all the lyrics of
"El Capitan" were written by its composer,
including the famous "Typical Tune of
Zanzibar," which was written years before
the opera. Two weeks before "El Capitan"
was produced it was found necessary to
have a new song for the third act, and
Sousa bethought him of his old jingle,
o
Frank Daniels has scored a great success
with Herbert and Smith's comic opera
" T h e Idol's E y e " and crowded houses
nightly at the Broadway Theatre are the
result. The music will not add to Mr.
Herbert's fame, and it is plain he never
intended it should. Both music and book
were written to fit Mr. Daniels with a con-
genial role. That the "fit" is a perfect one
is quite evident, for laughter is king,
o
Over in Paris the new Prefect of Police
has issued an order to his subordinates
to see that women in theatre audi-
ences do not wear high hats. Any kind of
bonnet may be worn in the boxes, but no
tall hats will be allowed in the ordinary
seats. What a godsend this must be to the
theatre-goers in the French capital. How
would it be if Chief McCullagh, of the
local force, inaugurated some such rule in
the theatres of Greater New York.
0
Ethelbert Nevin, whose charming little
compositions have made him widely
known, has returned to New York after a
prolonged absence in Europe. He an.
nounces that he will make his home here-
after in this city but first expects to
make a concert tour abroad. His own
compositions will be extensively pro-
gramed.
0
Geo. Liebling, the composer and royal
pianist, who left Germany because he was
sentenced to a fortnight's imprisonment for
striking a critic, is at present giving some
concerts in London. He will soon arrive
in this country. We have not heard of any
of the critics of the local papers relinquish-
ing their positions.
MISS CHARLOTTE MACONDA.
Miss Charlotte Maconda, whose counter-
feit presentment appears above, hardly
needs an introduction to our musical read-
ers. She has won fame and honors in con-
cert, opera and oratorio in all parts of the
country—from the Atlantic to the Pacific.
Miss Maconda possess a pure, rich, beauti-
" T h e Magic Flute " he was paid just 100
ducats, and yet the manager of the theatre
at which the opera was first produced
made a fortune out of it. No wonder
Mozart had to be laid in a pauper's grave,
the very site of which is unknown to this
day ! Schubert fared even worse. Some
of his magnificent songs sold for less than
25 cents and at his decease it
was difficult to raise enough
money to bury him. Haydn's
income would to-day be deem-
ed small by a player in the the
atre orchestra, and his "estate"
was almost a minus quantity.
Weber, who died seventy-one
years ago, received less than
$4,000 in all for his " Frei-
schiitz," one of the most popu-
lar operas ever written; while
from his five other operas he
made only $8,000 altogether.
By "The Bohemian Girl," Balfe
gained less than $7,500, al-
though the "Marble Halls"
ballad in that very popular
work put some $15,000 into the
pockets of the publishers.
0
Leon Marx, a pupil of Jo-
achim, will appear in concert
at the Metropolitan Opera
House under the baton of Mr.
Seidl
early
in December.
Mr. Marx's
ful soprano voice, of strength and volume,
debut
in
this
country
will
be
of especial
considerable compass and good technique,
interest.
He
is
an
American
and was
and sings with excellent method, charming
born
in
Chicago.
ease, expression and grace of manner.
Miss Maconda is adding to her reputation
every season. She is booked for many
prominent affairs this winter. This con-
scientious young artist deserves success.
0
noNEY AND nusic.
Handel, had it not been for his oratorios
and his operatic speculations, would have
lived and died as poor as the proverbial
church mouse. Walsh, his publisher, paid
him pitiful prices for his operas. For
eleven of these works he received no more
than $125 each; and the largest sum he was
ever paid was only $525, which he got for
MEDICATED
"Alexander's Feast." It must not be
ARSENIC
thought from these small prices that the
(&MPlEXIOIi$OAP
composer's works did not sell; on the con-
The constant use of FOULD'S MEDICATED ARSENIC
trary, they always found a ready market, COMPLKXION
hOAH realises the KAIKEST CO *f-
It is admirably adapted to preserve the health
and proved a great source of profit to the of PLEXION.
the SKIN and NCALP of INFA>TS and < I1IIJ>KEN
to prevent minor blemishes or inherited skin diseases
publisher. From the proceeds of his first and
becoming chronic. As a shaving soap it is far superior to
now on the market.
opera, ' ' Rinaldo," Walsh netted a profit of any
FOULD>S MEDICATED ARSENIC SOAP purifies and
invigorates the pores of the skin and imparts activity to the
over $7,500, whereupon Handel jocularly oil
glands and tubes, thus furnishing an outlet for unwhole-
matter, which, if retained, would create PIMPLES,
remarked to the music seller: "Well, you some
BLAl KHEA D •*, RASHKW, and other complexional blem-
The gentle and continuous action on these natural
shall compose the next opera, and I will ishes.
lubricators of the skin keeps the latter Tit ANSPARENT.
FLEXIBLE and HKAI/THY, and cures or pre-
publish it." Handel, as everybody knows, SOFT,
vents KOUI-H, CRACKED, or SCALY SKIN, and
lessens TAN, SUNBURN, PIMPLE*-, FRECK-
lost a fortune in trying to establish Italian speedily
LES, MOTH, LIVER SPOTS, RfcDINESS, and all
blemishes known to science, whether on the FACE, NECK,
opera in London; and, although he subse- ARMS,
or BODY.
quently more than recouped himself by his
THERE
IS
NO OTHER SOAP LIKE IT ON EARTH FOR
oratorios, it was not the publisher, but the
A LIKE PURPOSE.
public, who put it in his power to do this. TRY IT AND BE CONVINCED OF ITS WONDER-
FUL ME KITS.
WE GUARANTEE EVKRY CAKE WE SELL. TO
Even when we come down to the time GIVE
ENTIRE SATISFACTION OK REFUND THE
of Mozart, we do not find that the claim of MONEY.
FOULD'S MEDICATED ARSENIC COMPLEXION
SOAP is sold by druggists in every city in the world. We
the brain worker to a fair wage had been also
send it by mail securely sealed on receipt of price, 50c.
recognized. It almost staggers one to re- When ordering by mail address
call the fact that " Don Giovanni " brought
to its composer no more than $100. For
H. B. FOULD,
Room 3.
2M 6th A v c , NEW YORK.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE OLD SPINET.
It is slim and trim and spare
Like the slender Lady Claire
In the gowns they used to wear,
Long ago;
And it stands there in the gloom
Of the gabled attic room,
Like a ghost whose vacant tomb
None may know.
I can see the lady's hands,
White as lilies, as she stands
Strumming fragments of Durand's
On the keys;
And I hear the thin, sweet strain
Of the Plymouth hymns again,
Like the sob of windless rain
In the trees.
She would play the minuet
For the stately stepping set,
While the ardent dancers met,
Hands and hearts;
Did the old-time spinet care
If Dan Cupid unaware
Pricked the breast of brave and fair
With his darts ?
Now the spiders with their floss
.Up and down the keyboard cross.
And the strings are dull as dross,
Once so bright;
No one cares to touch the keys—
Stained old yellow ivories—
Save the ghosts some dreamer sees
In the night.
James Buchanan.
©
TORONTA ON OPERA IN AHERICA.
Mile. Toronta, one of the stars of the
Damrosch Opera Co. and who has been en-
gaged to act as Mme. Melba's understudy
as well as to take the part of Marguerite
and other leading roles, has some interest-
ing ideas about grand opera in America.
She said recently:
' 'It is not true that the people of America
are not profound admirers of good opera.
There is a strong impression among the
people of Europe that Americans are deter-
mined to spend 364 days every year to the
earning of money and perhaps begrudg-
ingly give the remaining day of the year
to grand opera, and they cite the failure of
grand opera in America as proof of their
statement that the people do not want it.
"The condition of things here is due to
the fact that the production of opera in
America is not handled as it ought to be
and as it is handled in European countries.
"Every one knows how easy it is for a
girl in France to secure a great musical
education if she possesses the natural quali-
fications, for the Government sets aside a
large sum annually to pay for the educa-
tion of just such people. In this way there
is always a good supply of material in
France for the production of grand opera.
The Government goes one step further and
subsidizes a number of opera houses, so
that the admission fee places patronage of
all the operatic productions within the
reach of every music-loving person, no
matter how poor he or she may be. I have
often heard in Paris for 25 cents a singer
that I could not hear anywhere in America
for less than $5.
" T h e conditions prevailing in France
are exactly similar to those in Italy and
Germany, so that it is a matter of no won-
der that grand opera has not succeeded in
America, where the Government has never
extended an assisting hand.
"Good music makes good souls and good
souls make good citizens, so that the
Government of the United States would be
doing itself only justice if it were to estab-
lish a national conservatory for the pro-
duction of grand opera at a cost to the
people of no more than a vaudeville per-
formance, which does the people infinitely
less good.
"There are entirely too many universi-
ties in America at the present time for the
turning out of useless lawyers and doctors.
These institutions are fully ten times more
numerous in proportion to the inhabitants
than they are in Germany or in France, so
that if our philanthropically disposed mil-
lionaires really desire to educate the peo-
ple they would do much better to endow
some large university of music, which is so
badly needed, than to throw away money
in swelling the number of the already too
numerous universities of law, medicine and
other liberal arts."
Mile. Toronta is a pupil of Marchesi, who
S1L0TI, THE RUSSIAN
PIANIST.
Alexander Siloti is
considered by his com-
patriots one of the
best of modern pian-
ists. He was born in
Charkow, and studied
under Seweroff, Nich-
olas, Rubinstein and
Tschaikowsky, a n d
from 1883 to 1886 was
Liszt's favorite pupil.
Beauty of tone, ele-
gance of style, and
poetic feeling are the
salient qualities which
place Siloti among the
first of his profession.
He has played at con-
certs of the Imperial
Musical Society of St.
Petersburg, Russia,
and achieved a great
success in England.
Siloti will arrive in
this country early in
January. He is under
the management of
Henry Wolfsohn, and
will play with the
large orchestral asso-
ciations. He will also
give a number of re-
citals.
predicts for her a phenomenal career. She
was born in Toronto and bears the name of
her city in a feminine form. She is the
daughter of a piano manufacturer, now de-
ceased, who atone time occupied a leading
position in the industry in Canada. Her
voice attracted the attention of a wealthy
woman in Toronto, who has spent over
thirty thousand dollars on her musical edu-
cation. During Mr. Damrosch's recent
visit to Paris he heard her sing, and at
once engaged her for his company. It is
quite an interesting coincidence that an-
other great American singer, Mme. Al-
bani, although bearing the name of an
American city, was nevertheless born of
Canadian parents and educated in a Cana-
dian town.
©
JAPANESE THEATRES.
A theatrical performance lasting more
than eight hours is now prohibited by the
Japanese laws. This is interesting if not
startling news. The plays in the first-
class theatres begin at ten or eleven, and
are not ended until after sunset. There
are intervals, of course, for refreshment,
and a recent innovation is a theatre-yard
for exercise, lined with eating-booths and
fancy stalls. Boxes are secured three or
four days beforehand from a neighboring
tea-house, where arrangements are made
for attendance and refreshments during
the day. Full dress is never worn.
The following articles, unless other-
wise ordered, are brought to each patron:
A program, a cushion, a tobacco fire-
(Continued on page 16).

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