Music Trade Review

Issue: 1897 Vol. 25 N. 18

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
From the Editor's Note Book.
trade has been noticeably quiet, while in
scores of the lesser towns I have found re-
tail trade surprisingly good, and that status
of things accounts for the activity in the
factories.
The question is, does the dealer in
smaller towns work harder than the one
Association of Credit Men have turned who dwells in the great metropolis?
I think not,but the conditions are much
their attention to fake advertisements, in-
different.
It is always late in the fall
cluding the numerous "damaged goods,"
before
our
city residents have returned to
"bankruptcy" and "fire" sales that are
their
metropolitan
homes and later still
regularly announced, and they hope, by
when
they
get
down
to the purchases of
agitating the matter among credit men, to
home
accessories.
In
my opinion the
check the growing abuse. They have
months
of
busy
trade
in
our
great cities are
issued a circular letter to the different asso-
becoming
more
and
more
concentrated
as
ciations suggesting the expediency of ap-
time
rolls
on.
We
are
unconsciously
pointing a committee for the purpose of
investigating the accuracy of any adver- drifting into certain customs, and the real
tisement appearing in their community cream of the music trade in our great cities
that may be called in question, and the is focused upon three months of the year,
adoption of such measures as will protect the remaining nine months there is a pow-
the general public and legitimate business erful lot of uncertainty concerning the
variable course of the trade currents.
houses.
Again the business in our great trade
There is no doubt that " f a k e " adver-
marts
is more or less influenced by the rise
tisements constitute a very great abuse in
or
decline
in stocks, while in the small
our mercantile life. Fake sales and meth-
towns,
they
move steadily along regard-
ods have never obtained to any appreci-
less
whether
Manhattan has slid off a
able extent in the music trade, although
point
or
two
or Chicago Gas is on the
there are now and then sporadic cases.
jump.
Still, anything which tends to elevate the
Great centers are immediately influenced
methods of marketing wares, by removing
by
the fluctuations of the stock market,
the false and misleading statements, is of
while
in the small towns but little concern
benefit to every trade—it at once becomes
is
manifested.
There Mr. Younghusband's
a matter of vital importance, as this play
purchase
of
a
piano
is not based upon a
upon the confidence of.the masses calls
successful
stock
return;
neither is date of
for severe condemnation, and unless the
purchase
dependent
upon
his return to his
custom is checked it is likely to grow
town
house.
He
is
right
on the ground;
into an abuse of such magnitude as to call
remains
there
the
year
through.
into question the integrity of our entire
*
*
*
*
commercial structure. Of course it is a
difficult matter to control, but the very
The result of the suit of the John Church
agitation will tend to cultivate the idea that Co. against C. F. Goepel & Co. is awaited
the attractive power of an advertisement with much interest. It is possible that it
should be based upon facts, and the ability will come up for trial next month, so Ed-
and intention of the advertiser to do what mund V. Church told me to-day. The ver-
dict reached by this trial will have a far-
his advertisement states.
reaching
effect upon the future of piano
*
*
*
*
attachments
of all kinds.
While the wholesale trade in Chicago is
I met Wm. F. Boothe to-day and he will
in a surprising state of activity, it can not
be truthfully said, at least if my observa- probably reach New York the last of the
tions count for anything, that a like condi- week. During his tarry on the Pacific
tion of affairs prevails in the retail district. Coast he sold the Gibson piano in large
While there is life and bustle in some spe- quantities.
Mr. Barnes, of the Smith & Barnes
cially favored warerooms, yet the retail
trade, taken as a whole, has not been par- Piano Co., will take an outing up in North-
ticularly buoyant during my tarry here. ern Michigan, where it is possible he may
It is oftentimes difficult to trace up the be compelled to slay a few deer in self-de-
cause of occasional periodsof dullness which fense. Mr. Barnes is an enthusiastic lover
strike our great cities. I have, within of Waltonian and Nimrodian. sport. A. F.
the past few weeks, visited the principal Campbell, of the Knight-Campbell Music
towns in New England and West as far as Co., Denver, greeted me in town to-day
this point. In the three great cities, Bos- fresh from the gem of the Rockies.
ton, New York and Chicago, the retail Adolpho H. Fischer, of J. & C. Fischer,
WHAT THE YERKES TELESCOPE WOULD DISCOVER IN THE CHICAGO FACTORIES A BUSY
CONDITION WHILE THE RETAIL TRADE IS INACTIVE THE APPROPRIATION OF CASE
DESIGNS FAKE ADVERTISEMENTS—RETAIL TRADE BETTER IN SMALL TOWNS
THAN IN THE GREAT CITIES —TRADE PERSONALS—GERMAIN OF
SAGINAW USES "NEW YORK*' UPON HIS PIANOS HIS
REASONS—HAS AS MUCH RIGHT AS THE A. B.
CHASE CO.—DASHES HERE AND THERE.
HE powerful lens of the Yerkes
telescope if directed toward
the music trade of Chicago
would fail to discover dull
conditions existing in any of
the factories in that city. The
manufacturers are busy, their wholesale
trade is strong and many are far behind
in their orders. In fact, I can not just
now name a single manufacturer who has
not told me that he was trying to check off
the unfilled orders on his books. This from
the smallest to the great Kimball institu-
tion who have on their books advance or-
ders for seven hundred pianos. That
single statement, seven hundred pianos
behind, tells in unmistakable language of
the magnitude of the Kimball business.
The Chicago Cottage Organ Co. have not
as yet their new factory in complete oper-
ation but they are turning out pianos at the
rate of fifteen a day and later when their
facilities are unchecked will increase that
number considerably.
George P. Bent, alwa) T s progressive in
the matter of piano case architecture, will
shortly have a new style on the market.
Surprising, how case designs are appropri-
ated! One manufacturer will employ a
skilled designer who will work for months
in getting up some unique case design and
no sooner is it placed upon the market and
pronounced by trade consent a success,
than the whole design is appropriated by
some manufacturers who are never dis-
turbed by such trivial things as qualms of
conscience. They know a good thing when
they see it and what is more they propose to
have it, especially so when it costs nothing.
I have seen, on my present trip, two repro-
ductions of one of Mr. Bent's most fam-
ous styles, with some slight alteration, but
the general effect the same. What is worse
for Mr. Bent, they were made up in some
of the very cheapestlines. There is but little
encouragement when such a condition ex-
ists for a manufacturer to devise by means
of brains and capital some striking case
designs, hoping thereby to augment his
fame.
It shows a lamentable lack of originality
on the part of those copying, and it also indi-
cates the possession of moral obtuseness of
a very pronounced order. It is worse than
fake advertising, and heaven knows that is
bad enough. By the way, the National
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW
New York, is also in evidence; likewise
Wm. Knabe, of Wm. Knabe & Co., Balti-
more, Thomas Floyd-Jones and W. Harry
Poole are expected within the gates during
the week.
W. W. Kimball was one of the honorary
bearers at the funeral of the late George
M. Pullman. Mr. Kimball was an intimate
friend of the great inventor, to whom we
are all indebted for removing many of the
unpleasant and tiresome features incident
to long railroad trips.
Chatting with E. S. Conway the other
day about the recent interviews that have
appeared in the Indicator, raising the
question as to the ability and willingness
of the average piano man to elongate the
truth under sales pressure, he said:
" I was not surprised to note as the re-
sult of the interviews that piano men do
not fabricate, but what I was astonished at
was the fact that they should ever be even
suspected of telling an untruth."
I expect to-morrow to start for the
Northwest, and shall be able to send you
an account of business the in purely agri-
cultural portion of America.
*
*
*
*
The other day while touring the Ger-
main piano factory at Saginaw, accom-
panied by Mr. Germain, I was somewhat
surprised to note the words "New York
and Saginaw" stenciled upon the fall-
board of the Germain pianos.
I called Mr. Germain's attention to my
discovery and he replied :
"Well, it is possible that in the near
future we may open up a branch in New
York."
"And don't you think that when such a
time arrives the proper occasion will also
have come when you can legitimately use
the name of our city in connection with
your instruments ?"
"Why, the plates, the material and much
of the pianos are made in New York now,"
he answered.
"True," I said; "but where is your
plant, where is your money required in
the compilation of the piano distributed ?
Where are your main interests, your taxes
paid—in fact, is the Germain piano in any
way a product of industrial New York ?"
I told Mr. Germain frankly that I should
criticise his actions in placing New York
upon his pianos, that in my opinion the
affixing of the name New York upon in-
struments which have no origin there was
an injustice to our own manufacturers. I
said that I always reserved the right of
criticising and condemning, if I thought
the case required, the action of members
of this trade, whether or not it was at the
sacrifice of patronage in the advertising
columns of The Review.
I will say this, Mr. Germain is abroad-
minded man and he took no offense at my
plain talk, on the contrary, he said he re-
spected a man who had an opinion and
was not afraid to assert it. That is the
kind of a man Edward Germain is.
He has virtually as much right as the
1 SG3
A. B. Chase Co. to the use of New York.
The latter firmhave a selling agent there
while the factory and general offices of the
company are at Norwalk, Ohio.
I claim that both concerns are using the
name of New York in an unfair way. Per-
haps legally they cannot be compelled to
remove it. The facts in the case as I view
them are, that there could be no stronger
tribute to the commercial and artistic worth
of our city as a trade mark than to have
outsiders use it. It proves beyond argu-
ment that the name of New York carries
with it a certain guarantee—it gives char-
acter, strength, and to the lay mind proves
that the best of artisans have t been em-
ployed in the construction of certain wares.
Then, on the other hand, the outside man-
ufacturers can claim to the dealer that he
can undersell New York by reason of re-
duced expenses in manufacture, such as
rents, lumber, wages, etc., and still give
him the benefit of the New York brand
upon his goods. It is only fair to say this,
before they opened their branch in New
York, the A. B. Chase Co. never used the
name of New York upon their pianos.
Presumably they never claimed the
right.
Their direct representation has
been discontinued for years, in fact they
ran it but one year.
The question naturally arises, How does
the maintenance of a branch one year give
the right to use the name of New York in
perpetuity? There is Haines & Co., Ro-
chester, N. Y. Their pianos are branded
More than 34 Years Under One Management
1
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Boston Herald.
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EDriUND NEUPERT
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Branch House, 1123 Chestnut Street, PHILADELPHIA.
88 BOYLSTON STREET, BOSTON.

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