Music Trade Review

Issue: 1897 Vol. 25 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
LYMAN BILL
Editor and Proprietor.
PUBLISHED
EVERY
SATURDAY
3 East 14th St., New York
SUBSCRIPTION (Including postage) United States and
Canada, $3-00 per year; Foreign Countries, $4.00.
ADVERTISEMENTS, $2.30 per inch, single column, per
'a»©rtion. On quarterly or yearly contracts a special dis-
count is allowed.
REMITTANCES, to other than currency form, should
to wade payable to Edward Lyman BilL
tintirid at iht Nnu Ytrk Jbsf Office as Second-Class Mmttm.
NEW YORK, OCTOBER 9, 1897.
TELEPHONE NUHBER, 1745.—EIGHTEENTH STREET.
THE KEYNOTE.
The first week of each month, The Review
will contain a supplement embodying the liter*
ary and musical features which have heretofore
appeared in The Keynote. This amalgamation
will be effected without in any way trespassing
on our regular news service. The Review will
continue to remain, as before, essentially a trade
paper.
THE TRADE DIRECTORY.
The Trade Directory, which is a feature of
The Review each month, is complete. In it ap-
pear the names and addresse* of all firms en-
gaged in the manufacture of musical instruments
and the allied trades. The Review is sent to
the United States Consulates throughout the
world, and is on file in the reading rooms of the
principal hotels in America.
SELL IT AT ITS PROPER PRICE.
OW that we have recovered from the
dark days of business depression and
find undoubted evidence of a return of
something like better times, dealers should
adopt a new policy in connection with the
sale of the "cheap" piano. They should
make it a point to sell it in its class, and
at its real value.
The cheap piano has held sway for some
time, owing to the public demand for
"cheap things," and the "demand" has
been "nursed," so to speak, by no small
number of dealers who found it a profitable
undertaking.
We have now entered upon a new era
when the public at large can afford to pay a
fair price fora fair instrument, and dealers
—that is, the dealers "Who make a specialty
of the very "cheap" piano, and who in
pushing it have presumed to some extent
on the ignorance of the pnblic-^-should be
honest, should sell the piano at a fair profit;
no more.
There is a principle about honesty in a
matter like this. It should obtain with
every dealer desirous of being fair to his
customers, and fair to the manufacturers
of other instruments handled by him.
That there is a change for the better is
N
already evident in the increasing de-
mand for the higher grade of commercial
pianos. This is due as much to the fact
that the public, "its cousins and its aunts,"
have been "taken in" so frequently by
paying three times the value for the cheap
rattle-boxes, that they are demanding and
are willing to pay better prices for reliable
makes of pianos. This, in a measure, will
force the dealer to carry a line of instru-
ments of some standing and reputation.
But there should be no forcing in the
matter, and there will be no need of
forcing if the cheap pianos are sold in
their class, if exaggeration and misstate-
ments are dispensed with.
Cheap pianos will be sold as a matter of
course, but if they are sold simply as
cheap pianos, the dealer is doing his duty
to his conscience and to the trade.
Dealers should not wait to be forced to a
higher standard by the public, they should
take the initiative, they should be the
leaders in stimulating a desire to purchase
higher priced pianos, for such sales help
to make others, and in this way their busi-
ness is augmented. The cheap piano on
the contrary, owing to the use of misstate-
ments which are almost necessary in order
to secure a cetain price, means a customer
lost, for the instrument never satisfies.
This is an important subject which is
well worthy the attention of the trade. We
are now starting on a busy fall season, and
dealers should place themselves on record
as determined to keep the cheap piano in
its proper place, to sell it in its class, to
sell it at its proper price.
#
#
THE BUSINESS REVIVAL.
The reports from the leading financial
agencies anent commercial conditions con-
tinue to be most favorable and gratifying
in the extreme. We learn that not only
does the volume of legitimate business con-
tinue a little larger than the same months
of 1892, but that the commercial failures for
the third quarter of 1897 are lower than
any quarter for twenty-three years. "The
amount of defaulted liabilities," say R.
G. Dun & Co. in their latest weekly review,
" i s the smallest of any quarter for five
years, and in fifteen years only six quarters
have shown smaller liabilities."
These evidences of reviving prosperity
are the more important because prices for
most manufactured products have advanced
but moderately, and are much below the
level of '92, while the speculative markets
are all declining with curious unanimity.
In the music trade industry there are
abundant proofs of a business revival that
is perhaps unparalleled. It is evident at
the factories, we hear it from the men who
have been and are on the road. It is not
a mere indulgence in optimism, but is a
solid convincing reality.
The orders which are being placed with
manufacturers East and West are such as
to compel the assistance of a full force of
workmen and in many cases night work is
being resorted to in order to supply the
demand.
At no time, however, were manufac-
turers so well prepared for this agreeable
condition of things, and there should be
little delay in supplying all orders placed.
The Review has made it a point to visit
weekly the different factories, and from
" talks" with the various manufacturers in
all lines which have appeared in these
columns, it is clearly evident that the
music-trade industry is getting back to its
old-time form.
If there are any who doubt it, they must
be classed among those fossils who have
failed to keep in touch with the chang-
ing conditions of the trade in practical
and business departments. For there are
some people who seem to think that we are
living in the past, and that business will
come to them without seeking it. These
firms—and we are pleased to say they are
getting fewer all the time—may have
reason to complain, but to the wide-awake
and enterprising manufacturer who has
properly equipped himself for the battle
and donned the requisite armor, success is
bound to and will inevitably rest on his
banner.
#
#
THE ASSOCIATION IDEA.
Referring recently to the association idea
in the different industries, Jacob Furth,
president of the Jacob Furth Co., St.
Louis, made the following remarks, which
are exceedingly pertinent to the situation
of affairs in the music trade:
Associations of business men are grow-
ing in number and strength, simply be-
cause the conditions demand harmonious
relations between, as well as concerted ac-
tion.
Experience is teaching us that many of
the things we have regarded as the ameni-
ties of commerce are, in fact, essential at-
tributes of advanced trade methods. Per-
sonal likes and dislikes should no more be
allowed to affect us in our business policies
than should animosity be allowed to color
or control competition. The points to be
gained by concentrating our strength are
of no more importance than the points we
will gain by getting better acquainted.
There are so many interests that are
identical in every branch of trade that even
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
the merchants who are naturally pugna-
cious see the advisability of concentrated
strength. It is what the association mem-
ber agrees not to do as well as what he
pledges himself to do that counts in the
end. Much of the unwise and unprofitable
competition that now obtains could not ex-
ist if we understood each other better and
trusted each other more fully. And it is
only through association work that we can
reach the point where such understanding
and trust can be made possible.
#
#
It takes many long years of arduous
labor and the expenditure of considerable
money to build up the business of a firm
to where its name and its product attain a
distinct value in the trade and musical
world.
That the position thus won can be
assailed and damaged by designing per-
sons desirous of trading on this reputation
and virtually stealing what is most dear to
every house, its patronymic, is apparent
from recent developments.
In various cities this nefarious business
is carried on and pianos are palmed off as
the products of noted makers to a credu-
lous and ignorant public. This should not
be allowed. It is a matter that calls for
some action on the part of the National
Manufacturers' Association, and every
manufacturer who values his name and
reputation.
Unfortunately the legal statutes are not
always effective in covering a matter of
this kind. There is a remedy, however,
we have referred to it in previous issues,
and it can be enforced by the manufactur-
ers themselves.
Bothner Moves.
JOINS THE BIG ROSTER OF HARLEM FACTORIES.
Geo. Bothner is moving his action fac-
tory from 135 and 137 Chrystie street,
where it has been located since 1883,to the
old Roosevelt building, 131st street and
Park avenue. The move is now in pro-
gress and everything will be in position
at the new quarters on or before Oct 15.
Work has not been stopped, nor will it be
suspended except for a few hours at the
most. The Chrystie street building, which
belonged to the Bothners, has been dis-
posed of. The new quarters have been
leased. Mr. Bothner is evidently deter-
mined to carry out a progressive policy
and is certain to have the hearty support
of the trade in his enterprise. He told The
Review on Thursday that he will be quite
ready to see his friends at the Park avenue
factory on and after the 15th inst.
Big Fire in Detroit.
VAUGHN & TANNER'S ESTABLISHMENT
THE OPERA HOUSE DESTROYED.
The '97 Fischer Catalogue.
AND
[Special to The Review.]
Detroit, Mich., Oct. 7, 1897.
Vaughn & Tanner's music store, the
Opera House of which C. J. Whitney is
lessee and manager, and a number of other
buildings with their contents, situated in
that central and busy quarter of the city
bounded by Campus, Martius, Woodward,
Gratiot, and Monroe avenues, were de-
stroyed by fire this morning. The total
loss is estimated at close on $700,000.
The fire started in the Opera House at
one o'clock and it was 5:30 before it was
fully under control. The orgin is un-
known.
Vaughn & Tanner's stock is irreparably
damaged, if not totally destroyed. The
loss will approximate $45,000. Partly in-
sured. The early hour and the rapid sweep
of the fire prevented the saving of any of
the stock. C. J. Whitney loses about
$20,000. He carried a small insurance. *
I understand that Vaughn & Tanner
11 secure new quarters im mediately.
Stultz & Bauer News.
At the Stultz & Bauer warerooms, yester-
day, The Review met Mr. Bauer, who re-
ported business good, and Mr. Golden, who
returned on Wednesday after an absence
on tour extending over nearly three
months. The latter reported that he has
succeeded in establishing several desirable
new agencies, and orders, he found, with
his fall program, to be readily secured.
On invitation, The Review inspected a
Stultz & Bauer new style 7, and the firm's
new style 5^2. The style 7, in Circassian
walnut and mahogany—a cut of the instru-
ment will appear in The Review at an
early date—is a product of which any piano
manufacturer might well be proud. A
splendid record is being made with it, also
with style 5 ^ . The outlook is reported to
be excellent.
Best Traditions of the Steinway
House.
F.
C. SMITH
SAYS CHAS. STEINWAY AND
NAHUM STETSON WILL UPHOLD THEM.
During a business talk on Wednesday
afternoon with a prominent piano manu-
facturer, not more than a thousand miles
from the Harlem river, The Review was
pleased to note the entrance of Freeborn
G. Smith, who extended one of his charac-
teristically cordial greetings to all pres-
ent. A delightful half-hour was spent in
listening to the veteran's reminiscences of
the days when he worked at the bench as
an apprentice with the Steinways,the head
of the house of Decker, and other men of
mark. He paid a warm tribute to the
sterling merits of William Steinway and
expressed his opinion that Charles Stein-
way and Nahum Stetson, working together,
would
uphold the best traditions of the
The Mark Ament Music Co. was incor-
Steinway
house and increase its already
porated at Peoria last Saturday with a
great
reputation.
capital stock of $50,000.
A KEAOTIFUL PRODUCTION, UNIQUE IN C O N -
CEPTION AND EFFECTIVE IN RESULTS.
On Thursday, a new J. & C. Fischer
catalogue was issued. No pains or expense
have been spared in order to secure effec-
tive results. As a work of art, it is without
fault. The arrangement of text and illus-
trations is admirable. Under the heading,
"Music's Golden Tongue," a few appropri-
ate words are said about the origin and
history of the piano.
This is followed by the history of the
firm, with illustrations showing a section
of Broadway, New York, in 1830, includ-
ing a view of the R. & W. Nunns ware-
room at No. 137, with Grace Church,
Trinity Church and the City Hotel in the
distance. There were trees on Broadway
in those days. Then appears a representa-
tion of a Nunns & Fischer piano made more
than fifty years ago and still in use. On
the succeeding page is given a large pic-
ture of "Parlor Grand Fischer Piano
Number One Hundred Thousand."
On pages 8 to 10 are statements concern-
ing the Columbian Exposition Medal and
Highest Award, with copy of the medal.
A page is devoted to a description of the
Fischer warerooms and the Fischer trade-
mark. Next in their order appear descrip-
tions and pictures, perfectly executed, of
the Fischer orchestral grand, the concert
grand, the small or parlor grand, and the
Fischer upright.
On a double page in the center of the
book is an accurate picture of the Fischer
factory. This, enlarged and liberally dis-
tributed throughout the country, would
give the general piano-buying public a
good idea of the magnitude of the Fischer
business, at the same time illustrating the
enterprise of the Empire City in one branch
of its industries.
Conspicuous on page 18 of the new
catalogue are notes on the leading traits of
the Fischer products:
"INDIVIDUALITY—The crystalization of
endeavor."
"INTEGRITY—For over half a century."
"REPUTATION—A source of satisfaction."
"VALUE—Enormous factories and won-
derful facilities."
There are numerous other interesting
short statements in the book, which is
quite unlike the ordinary dry-as-dust cata-
logue publications. Near the end is an
imposing list of fifty-six celebrated artists,
composers and singers who have used and
indorsed the Fischer piano.
Another Honor for Mr. Conway.
E. S. Conway, of the W. W. KimballCo.,
has been elected vice-president of the
Trans - Mississippi Commission for the
great Omaha Exposition which will be held
next year. The honor is certainly one to
be proud of. It testifies to the prominence
of Mr. Conway in commercial affairs in the
West, to the value of his counsels and the
esteem in which he is held personally.

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