Music Trade Review

Issue: 1897 Vol. 25 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
ASTOR, LENOX AND
TILDEN FOUNDATIONS,
VOL.
XXV.
No. i
Published Every Saturday at 3 East Fourteenth Street. New York, September 25,1897.
Rettberg & Lange.
N. Y. Piano Case Co. Dissolved.
A NEW FIRM OF MUSICAL INSTRUMENT MANU-
FACTURERS.
Judge Russell, of the Supreme Court,
granted an order on Thursday dissolving
the New York Piano Case Co., at 131st
street and the Boulevard, and has made
Arthur Ingraham permanent receiver.
George M. Van Hoesen, referee, reported
that the machinery, fixtures and materials,
nominally valued at $10,000, were sold for
$2,201, and open accounts of $8,348 had
been assigned to the Nassau Bank of Brook-
lyn as security for loans. The direct
liabilities are $22,884, and contingent
$6,071. The company was incorporated
on May 22, 1895, with a capital stock of
Last Wednesday a new firm of musical
instrument manufacturers, known as Rett-
berg & Lange, was formed in this city.
The members have purchased from Josef
Sheina the plant, machinery and stock
formerly owned by J. H. Buckbee, 115-7
East Thirteenth street, New York, and
have placed a force of workmen in the fac-
tory building, where they have begun
the manufacture of banjos, drums, tam-
bourines, etc.
The proprietors are young men who
have had an extensive experience in the
musical instrument business. Wm. P.
Rettberg has been with Frederick Gretsch,
the instrument manufacturer of Brooklyn,
for eight years. Mr. Lange has been asso-
ciated with the well-known firm of C.
Bruno for nine years, and has traveled ex-
tensively for him. Messrs. Rettberg &
Lange are full of pluck and energy, and
without doubt will meet with success in
their businesses they have been thorough-
ly trained in every department.
A $2,500 Steinway Piano.
[Special to The Review.]
Grand Rapids, Mich., Sept. 23, 1897.
The handsomest piano in the city arrived
from New York city, on Saturday, con-
signed to John Byrne, No. 91 South Col-
lege avenue. The instrument is of the
Steinway make and is valued at $2,500.
The case is of an elegant finish, decked with
portraits of the classic composers. In all
the piano is a marvel of beauty, and will
be quite an attraction for curious music
lovers.
Mehlin Colonial Grand.
There is now on exhibition at the Mehlin
warerooms the latest Mehlin product—a
Colonial grand—embracing all the Mehlin
patented special features and several other
improvements. In a future issue of The
Review this new instrument will be treat-
ed of at greater length. It will be known
as style V, and has already won much
favorable comment from those who have
seen and heard it.
A. M. Wright Returns.
A. M. Wright, in charge of the Everett
piano interests in this city, has returned
from his brief outing and is evidently
much improved in health. Judging from
his remarks during a brief chat with The
Review, on Thursday, he intends to par-
ticipate actively in the approaching fall
campaign for business and it will not be
his fault if the already strong hold of the
Everett on public esteem within his ter-
ritory is not strengthened very perceptibly
during the season 1897-8.
Mr. Wright visited the Boston factory
en route. He reports the output in all
branches as large. Representatives of the
Everett piano in every section of the coun-
try are sending in most encouraging re-
ports to headquarters. The demand, both
wholesale and retail, is extensive and
continuous.
The Popular Pease Pianos.
The attention of the trade is especially
directed to the cut of style M, Pease piano,
which appears in another part of this paper.
It is destined to become one of the great
popular favorites with the trade this fall.
Judging from its appearance, and aware of
the satisfaction it affords in the matter of
musical tone, and careful construction, we
feel confident that the present popularity
will be accentuated as the season grows
older. Dealers should write the Pease
Piano Co. for prices, territory, etc. To
handle the popular Pease pianos means in-
creased trade and satisfied customers.
$3.00 PKR YEAR.
SINGLE COPIES, 10 CENTS.
A Charleston Incorporation.
fSpecial to The Review.]
Charleston, S. C , Sept. 22, 1897.
The secretary of state yesterday granted
a commission to A. L. Dustonsmith and
Otto Wittschen as corporators of the
Dustonsmith Piano Co. of Charleston, capi-
tal $10,000. The object of the company is
the manufacture and sale of pianos and
other musical instruments.
The /Eolian Quarterly.
The second issue of the /Eolian Quarter-
ly, a magazine devoted to analyses and
descriptions of the operatic and classical
music published for the /Eolian, is now in
circulation. Its contents are full of in-
terest to all music lovers and the value of
the several critical and explanatory con-
tributions is permanent. Henry T. Finck
explains Wagner's Tannhiiuser. This con-
tribution is followed by a review of Schu-
mann's Traumerei and Romance. Then
H. E. Krehbiel tells how Beethoven's
Fifth Symphony may be played on the
^Eolian. In succession follow explana-
tions of Schumann's Two Grenadiers;
Tschaikowsky's Symphonie Pathetique.
Felix Mendelssohn-Bartholdy's overture,
Scherzo, Nocturne and Wedding March;
Antonin Dvorak's "New World" symphony
and Saint-Saen's Rouet d'Omphale, a
symphonic poem.
The possibilities of the ./Eolian products,
brought to perfection as they have been,
are well illustrated in this program, which
can be executed with flawless accuracy on
these instruments, a feat practically im-
possible to any human instrumentalist.
flessrs. Estey and Proddow
Pleased.
General Julius J. Estey and Robert Prod-
dow, of the Estey companies, were visitors
to Chicago last week for the purpose of
consulting with Manager MacDonald of the
local Estey branch and formulating a plan
of campaign for the fall season. All who
came in contact with Messrs. Estey and
Proddow were impressed with the fact that
they are well pleased with the recent
changes affecting the Western representa-
tion as well as the cheering evidences of
improving business which they are in re-
ceipt of in the shape of substantial orders.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
LYMAN
Editor and Proprietor.
PUBLISHED
EVERY
SATURDAY
3 East 14th St., New York
SUBSCRIPTION (including: postage) United States and
Canada, {3.00 per year; Foreign Countries, $4.00.
ADVERTISEMENTS, $2.00 per inch, single column, per
Insertion. On quarterly or yearly contracts a special dis-
count is allowed.
REMITTANCES, in other than currency form, should
to made payable to Edward Lyman BilL
Bntirtd at tkt Ntw Ytk Post Offict as Second-Class MOtor.
NEW YORK, SEPTEMBER 25, 1897.
TELEPHONE NU/1BER, 1745.--EIOHTEENTM STREET.
THE KEYNOTE.
The first week of each month, The Review
will contain a supplement embodying the liter-
ary and musical features which have heretofore
appeared in The Keynote. This amalgamation
will be effected without in any way trespassing
on our regular news service. The Review will
continue to remain, as before, essentially a trade
paper.
THE TRADE DIRECTORY.
The Trade Directory, which Is a feature of
The Review each month, is complete. In it ap-
pear the names and addresses of all firms en-
gaged in the manufacture of musical instruments
and the allied trades. The Review is sent to
the United States Consulates throughout the
world, and is on file In the reading rooms of the
principal hotels in America.
"NEW YORK" AND THE A. B. CHASE CO.
HE subjoined paragraph appeared in
an article in the Musical Courier
Trade Extra of last week:
"Great country house is A. B. Chase,
although they have a legitimate right to
put New York on the fall board of their
pianos."
An interesting question and one which
vitally affects every piano manufacturer in
this country is evolved from this statement.
According to this publication the A. B.
Chase Co., whose factory is at Norwalk,
Ohio, have a legitimate right to stencil
New York upon the instruments which
they manufacture.
Let us ask, what constitutes a legitimate
right, and do the A. B. Chase Co. really
possess that right?
If so how was it gained, and how main-
tained?
Some years ago, the A. B. Chase Co.,
extending their lines of operation toward
the East, thought it advisable for their busi-
ness extensions to open up a branch in
New York. Accordingly they secured
premises at No. 86 Fifth avenue. This
move, as evidenced by their subsequent
action, presumably entitled them to place
the name New York upon the fall board of
their instruments.
T
Considerable comment was caused by
this move, and this action on their part
was criticised in many quarters. Some al-
leged that they assumed a position which
their factory location in Norwalk, Ohio,
did not entitle them to occupy. Still the
facts were the A. B. Chase Co. maintained
a branch in New York which was con-
ducted under the supervision of the com-
pany's officers.
Had they not deemed that the placing of
New York upon their pianos would give
their instruments a standing in the East,
and in all sections for that matter, in other
words, give the prestige of a New York
nomenclature to their instruments, un-
doubtedly they would have refrained from
adding that to the fall board.
Thus their agents in every part of the
country upon exhibiting the A. B. Chase
pianos to customers, were enabled to allege
if they so desired that the company main-
tained establishments in New York and
Norwalk. It is also well to observe that
the word Ohio did not appear in conjunc-
tion with the word Norwalk, therefore, a
customer might be led to believe that the
factory was at Norwalk, Conn., a suburban
town wherein are located many factories of
New York concerns, while a huge branch
was maintained in the first city of the Un-
ion. Noted firms, such as Chickering,
Knabe, and Mason & Hamlin, have always
preserved the single name of the home
city of manufacture upon their instruments,
while they have for years maintained mag-
nificent branches in that great trade artery
of New York designated as Fifth avenue.
Time rolled on, and evidently the busi-
ness conducted at the New York branch of
the A. B. Chase was not profitable. This
presumption is based upon the fact that at
the expiration of the lease the branch was
discontinued, and the agency of the A. B.
Chase Co. was placed with Geo. W. Her-
bert at No. 10 East Seventeenth street.
It is possible that expenses of the lease
of the building where Mr. Herbert con-
ducts his business may be shared by the A.
B. Chase Co. Even if such be the case,
and we have no knowledge that it is, the
arrangement does not remove the identity
of Mr. Herbert as an agent. He is an old-
time, respected dealer, and his connection
with the A. B. Chase Co. has not, as far as
our observations go, changed his mode of
conducting his business in the remotest
particular. So even if it were true that a
portion of the expenses of conducting the
Herbert business were borne by the A. B.
Chase Co. that would not give the com-
pany the right to class the Herbert estab-
lishment as a branch,
The question arises if the A. B. Chase
Co. had a legitimate right, and that has al-
ways been questioned by some, to place
the name of New York upon their pianos,
while they maintained a branch at this
point, did not they forfeit that right when
they discontinued their branch and placed
their instruments in the hands of a local
agent?
The action of the company in continuing
to stencil New York upon their instruments
has been severely criticised in some quar-
ters, and now when it is declared by a trade
paper that the A. B. Chase Co. have a legit-
imate right to place New York upon their
instruments, we think it is a proper occa-
sion on which to raise the issue and ascer-
tain the sentiment of the trade in this par-
ticular.
And there is really more at stake in a
matter of this kind than appears to those
who give the matter purely a superficial
view. Take such firms as Steinway,
Sohmer, Steck, Hazelton, Fischer, Estey
Gabler, and other great local institu-
tions who maintain extensive factories in
New York and profit by the prestige which
indisputably lies in the name of the second
city of the world. It would be a work of
supererogation on our part to announce that
this city is the very center of the wealth
of the nation and that its name carries a
mercantile and artistic weight. Property
is more valuable here, rents are higher,
expenses are greater than in country locali-
ties, and is it right for firms whose estab-
lishments are in small inland towns, not
even in the State of New York, to give
purchasers the impression by placing the
name of our city upon their instruments
that they are part and parcel of us? Are
they not attempting to profit by the pres-
tige of a name, to the use of which they
are not morally or legally entitled?
Although we have had for many years
the most friendly personal and business
relations with the A. B. Chase Co., yet a
paper has a duty to perform, and must
rise above personal affiliations, and we
unhesitatingly say that in our opinion
whatever right accruing to the A. B. Chase
Co. to place the name New York upon
their pianos by the establishment of a
branch here was forfeited at the time their
interests here were transferred.
We say further, that it is a question in
which every manufacturer in New York
is interested, and in our opinion no one
has a right to profit by the name of New
York unless they possess the rights which
entitle them to the prestige of the name
of our city.
Steger & Co. would have the same right;

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