Music Trade Review

Issue: 1897 Vol. 25 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
was a fight made for Omaha, but friends
of this city were too strong.
WOMEN'S DEPARTMENT.
There was a good attendance at the
women's meeting, which was held prelimi-
nary to the formation of a Federation of
"Women's Musical Clubs. Mrs. Theodore
Sutro opened the meeting with an address.
The other speakers were Mrs. Charles Vir-
gil, " The Woman's Club as a Factor in
General Music Culture;" Mrs. M. C. Mer-
rick, "Women in Musical Literature;"
Mrs. Bertha von Schroeder Fletcher, of
Minneapolis, "Philanthropic Side of Mu-
sic Club Work;" Miss Mary Burd, "Wo-
man's Relation to Egyptian Music; " Mrs.
Arthur Smith, "Music in India;" Mrs.
Chandler Starr, of Rockford, 111., and Miss
Amy Fay.
Mrs. Russell Dorr presided at the form-
ing of a federation of women's musical
clubs. Fifty clubs were represented from
all over the United States, and circulars
will be sent at once to all other clubs of a
similar nature, asking co-operation in form-
ing the organization and electing perma-
nent officers.
ORATORIO OF
SOUSA "THE MARCH KING."
John Philip Sousa, who has gained for
himself the sobriquet of the "March King"
by the virile military quality which he
puts into his music, has composed a new
march which awakens a spirit of rampant
American enthusiasm wherever it is
heard.
The new march is called "The Stars and
Stripes Forever." Nightly at Manhattan
Beach it brings the audience to their feet
at its close, men cheering and women wav-
ing their handkerchiefs in a delirium of
enthusiastic patriotism.
At the grand climax of the march thir-
teen members of the band with their instru-
ments march to the front of the stage and
play a repetition of the last part, and an
onlooker observing the faces of the audi-
ence instead of watching the men who are
supposed to represent the thirteen original
States, will be struck with the manner in
"ELIJAH."
An immense audience gathered at the
Auditorium in the evening to listen to a
very creditable singing of the oratorio of
" Elijah," under the direction of Walter
Henry Hall. The Oratorio Club of Brook-
lyn, augmented by members of various
New York choruses and by the Allentown
Choral Society, participated, with a full
orchestra and organ. The soloists were
Miss Eleanore Meredith, soprano; Miss
Fielding Roselle, contralto; Theodore Van
York, tenor; Ericsson Bushnell, bass, and
Robert A. Gayler, organist.
During the performance R. Huntington
Woodman, Chairman of the Executive
Committee, made an appeal to the audience
to help the association make up a deficit of
$r,6oo, which represented the excess of ex-
penses over the amount received from
admissions. About $100 was collected
among the audience, and Mr. Woodman,
Louis A. Russell of Newark, and F. H.
Tubbs each subscribed $100. H. S. Perkins
of Chicago, the former Secretary, gave $500
of the amount due him as salary and ex-
penses toward making up the deficit.
So ended the greatest and most success-
ful convention in the history of the
organization.
©
Albert Gerard Thiers, the well-known
teacher, will spend the months of July and
August at Grand Rapids, Mich., where he
will conduct a school for voice culture.
The Metropolitan Permanent Orchestra
is giving a series of really excellent and ad-
mirable concerts at the Madison Square
Roof Garden this summer. The music in-
terpreted is neither too classical nor too
popular—a happy medium being displayed ;
hence this resort has become one of the
most popular in town. Adolph Neuendorff
has evidently a thorough comprehension of
the kind of musical diet the public can di-
gest when old Sol gets excited.
"The best national anthem is undoubt-
edly the French, the Austrian is second in
merit, and the Russian Hymn is a good
third. England comes fourth with its 'God
Save the Queen,'and the rest come trailing
along in the rear. 'God Save the Queen,'
by the way, is the national anthem of
several nations, the melody being used
with special words composed for it.
"A composition in march tempo, which
I .have largely leaned to, must have the
military quality if it is to make a mark; it
must have the absolute military instinct.
That is one reason why so few of the
great composers have written successful
marches. They lived in an atmosphere
of peace, away from the barbaric
splendor of war and the clash of swords.
The roll of the musketry had no meaning
for them, and so that quality is entirely
absent from their work.
"Patriotism is not in the music but
in the feeling it conveys. The military
spirit is necessary. I have lived all my
life in the atmosphere of the army. I
might say that even while a baby I was
near camp, and I understand just the
effect of all the pomp and splendor of war
when it is introduced in a musical com-
position. 'The Stars and Stripes For-
ever' has this quality perhaps in a more
marked degree than my former com-
positions."
O
Dr. Stocks Hammond, organist of St.
James Cathedral in Toronto, who was well
and favorably known to musicians in this
country and Canada, died at his home in
Toronto on June 18th.
JOHN PHILIP SOUSA.
which the feeling of patriotism irradiates
the faces of both the young and the old.
' 'The march was written, "said Mr. Sousa,
"when I was in Europe last summer, and
finished on board ship coming home. One
never feels so patriotic as when under a
foreign flag, you know. I have often
heard people say that when in a foreign
country the sight of the Stars and Stripes
seems the most glorious in the world.
"My idea was to climax the march with
three themes—one representing the North,
a broad, sweeping theme; the South, with
its languorous beauty and romance, and
the West, a strong, pushing melody carry-
ing all before it. These themes were to
blend harmoniously, but were to be used
independently if necessary.
"I am of the opinion that military
music, that which has the drum and the
military swagger in it, is the kind that
wakes patriotism in the soul. You see
that if there were patriotism in music the
'Star-Spangled Banner,' which serves us
for a national song, would possess it. But
that melody was originally a drinking song,
and was written by Samuel Arnold in
1750, to an ode to 'Anacreon in Heaven.'
William H. Sherwood has severed his
connection with the Chicago Conservatory
and has arranged for the opening of a new
institution to be named the Sherwood Piano
School, which will be located at Steinway
Hall, Chicago. Mr. Sherwood has sur-
rounded himself with an able faculty, and
it is the aim of all concerned to make this
school one of the foremost institutions of
its kind in the great West.
French musicians are becoming alarmed
at the increasing number of foreigners
(chiefly Belgians and Italians) who find
places in the Parisian orchestras, and have
organized a protective society to counter-
act this dreadful evil.
Anton Seidl's appearance in London as
conductor of German opera has been 'a
great triumph. The critics without ex-
ception have been most enthusiastic in
praise of his excellent work.
Evan Williams, whose portrait appeared
in this department last month, has been en-
gaged to sing the tenor roles in the "Re-
demption," "Hora Novissima," and the
"Swan and the Skylark" at the Worcester
Festival.
TEACHERS WANTED!
Over 4,000 vacancies—several times as many vacancies as members. Must have more members. Several plans ; two
plans give free registration ; one plan GUARANTEES positions. 10 cents pays for book, containing plans and a Jsoo.co
love story of College days. No charge to employers for recommending teachers.
SOUTHERN TEACHERS' BUREAU.
(Rev. Dr. O. M. Button A.M. I
SUTTON TEACHERS' BUREAU.
S. W. Cor. Main & 3d Sts., Louisville. Ky.
Northern vacancies Chicago Office.
f
PRSSIDINT AND MANAGER
| 69-71 Dearborn Street, Cnicago, III.
Southern vacancies Louisville Office.
One fee registers in both offices.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
8
THE MUSIC TRADE REVIEW
Although we are not to have the Grau
Company of artists at the Metropolitan
Opera House next season, there will be no
dearth of high-priced "stars." Engage-
ments up-to-date indicate the appearance
of a big roster of celebrities in the instru-
mental and vocal field. The United States
After half a century of neglect Paris is is too productive a mine in the way of dol-
preparing to honor the memory of Chopin, lars to be overlooked for any length of
who spent so much of his life in the French time by our European friends. Meanwhile
capita], and who is buried in the Pere la they are all welcome. Our love for art is
Chaise Cemetery. A tablet is to be placed so sincere that we are willing to turn our
on the house in the Place Vendome where pocketbooks inside out—especially when
the great musician died in 1849, and his the artists bear the European "hallmark."
name is to be given to a square, not in-
©
deed in Paris itself, but in the suburb of
Miss Louise ,Byram, of Liberty, Ind.,
Passy. The committee, too, that has been passed through the cily early in the week
formed under the presidency of M. Mas- from Paris, en route to her home. Miss
senet to erect a monument to Chopin has Byram, a pupil of Mme. Foerster of
not been idle. It has chosen a site for the Prague, is a young lady of great promise
monument in the Pare Monceau, and in- in the world of vocal music. Her recitals
trusted its execution to M. Froment-Meu- in European capitals have elicited favora-
rice, who expects to finish his work in a ble comment and it is probable that New
few months.
York critics will have an opportunity of
©
passing judgment on her merits early in
Leoncavallo has determined henceforth the fall.
to write entirely on modern subjects.
0
This step is due to the fate of his Medici
It is noticeable that the songs of the peo-
at Vienna. "We younger men must keep ple which are the most popular have
clear of the great musical epos, that Rich- always in them a strong primitive senti-
ard Wagner has, once for all, taken from ment. They are apt to tell the story of
our hands," said Leoncavallo in a recent love or duty, or sacrifice or heroism, in
talk. "In this direction we could do no simple words which touch the heart and
more than imitate him more or less. That moisten the eyes. Writers who would
none of us can ever reach him, not to say grow rich and famous must reflect not
surpass him, is m) T thorough conviction. upon what people do, but what they would
To this art form he gave its highest per- like to do, and how they think and feel.
fection, and we should only injure our- If they can achieve this melodiously and
selves by slavishly imitating him, instead understandingly the wide, wide world will
of diligently cultivating our own little in- gladly pay for a rare boon.
dividualities." "Trilby" will be Leoncav-
©
allo's first effort on the lines of his recently
It will be interesting to readers of this
expressed ideas.
department to learn that C. G. Conn,of Elk-
o
hart, Ind. , whose fame as a manufacturer of
A musician of this town after playing
band instruments is world wide, is now
over some Beethoven music asked his
about to enter into the manufacture of high
mother if he would ever compose anything
grade violins and other members of that
as good as that. She said that he might
family. He has invented, and has had
in time. But he thought differently, and
prepared exclusively for him, special ma-
went off and took poison. And so a ca-
chinery, whereby he is able to reproduce
pable musician is lost to the community.
exact fac-similes of the famous creations
Commenting on this a local paper says: It is
of the old masters. His instruments will
sad to compare an ambition like this, wed-
appeal largely to orchestral and solo play-
ded to such lofty standards, with the vanity
ers and will not by any means be what may
of some of our little composers who are will-
be termed cheap instruments. With such
ing to go on from year to year serving up
a man as Mr. Conn in this field we can feel
bad imitations of the tenth-rate composi-
assured that the United States will at some
tions of tenth-rate composers, and prosper-
future day be the great manufacturing
ing so far as this world's goods are con-
home of the highest grade of violins.
cerned.
©
o
The complete list of artists who are to
The " Feis," or Irish musical festival,
participate
in the Bayreuth Festival this
held in Dublin last month, was remarkably
summer
has
been issued. It includes the
successful. It was distinctly national in
conductors
Hans
Richter, Felix Mottl, An-
every respect, the program being made up
ton
Seidl
and
Siegfried
Wagner, and the
of compositions by Irishmen, and interpre-
following
singers:
Mmes.
Sucher, Brema,
ted by artists of the same race.
Gulbranson,
Mulder,
MM.
Vogl, Grtining,
The festival has unquestionably given a
Van
Dyck,
Burgstaller,
Perron,
Friedrichs,
marked stimulus to Irish music, and it has
Elmblad,
Wachter,
etc.
moreover placed on record the special
0
place which Irish musicians occupy in the
Musicians the world over were startled
matter of composition and interpretation.
The first musical festival was such a suc- the middle of the month by reading of the
cess that it is proposed to hold a similar serious illness of the great maestro, Verdi.
Later cable dispatches conveyed the glad-
celebration annually.
some news that the report was unfounded,,
and that the grand old man of Italy was still
enjoying perfect health. So many com-
posers of the old school have left us within
a recent period that we can ill afford to lose
any more, particularly the great Verdi.
©
President McKinley has displayed much
wisdom in his selection of foreign repre-
sentatives. It is well for the dignity of
the United States that our representatives
abroad should be able worthily to sustain
the scholarly reputation won for our more
prominent ambassadors by men like Motley
and Lowell with the rest. After all, intel-
lect counts for more than political distinc-
tion in the mainly social duties of our
diplomatists.
Q
The New York State Music Teachers'
Association will hold their annual meeting
from July 6th to 8th. A nu.mber of emi-
nent soloists will participate, and the affair
promises to be one of the most successful
ever held by the Association.
All our instruments contain the full iron frame and
patent tuning pin. The greatest invention in the history
of piano making 1 . Any radical changes in the climate, beat
or dampness, cannot affect the standing in tone of our in-
struments, and therefore challenge the world that oar*
will excel any other
MEDICATED
ARSENIC
(dMPLEXlON$OAP
The constant use of FOULD'S MEDICATED ARSENIC
COMPLKXION SOAP realizes the FAIREST COM-
PLEXION. It is admirably adapted to preserve the health
of the SKIN and SCALP of INFANTS and CHILDREN
and to prevent minor blemishes or inherited skin diseases
becoming chronic. As a shaving soap it is far superior to
any now on the market.
FOULD'S MEDICATED ARSENIC SOAP purifies and
invigorates the pores of the skin and imparts activity to the
oil glands and tubes, thus furnishing an outlet for unwhole-
some matter, which, if retained, would create PIMPLES,
BLACKHEADS, RASHES, and other complexional blem-
ishes. The gentle and continuous action on these natural
lubricators of the skin keeps the latter TRANSPARENT,
SOFT. FLEXIBLE and HEALTHY, and cures or pre-
vents ROUGH, CRACKED, or SCALY SKIN, and
speedily lessens TAN, SUNBURN, PIMPLE**, FRECK-
LES, MOTH, LIVER SPOTS, REDNESS, and all
blemishes known to science, whether on the FACE, NECK,
ARMS, or BODY.
THERE IS NO OTHER SOAP LIKE IT ON EARTH FOR
A LIKE PURPOSE.
TRY IT AND BE CONVINCED OF ITS WONDER-
FUL ME KITS.
WE GUARANTEE EVERY CAKE WE SELL TO
GIVE ENTIRE SATISFACTION OR REFUND THE
MONEY.
FOULD'S MEDICATED ARSENIC COMPLEXION
SOAP is sold by druggists in every city in the world. We
also send it by mail securely sealed on receipt of price, 50c.
When ordering by mail address
H. B. FOULD,
Room 3.
214 6th Avc, NEW YORK.

Download Page 7: PDF File | Image

Download Page 8 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.