Music Trade Review

Issue: 1897 Vol. 25 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE fl T. N. A. CONVENTION.
(Continued from
Page j>.)
Stanley, of Ann Arbor; Prof. George Cole-
man Gow, and others.
In the evening there was a large attend-
ance at the concert. The interest centered
principally in the first production of Harry
Rowe Shelley's symphony in E flat major,
tinder the direction of Arthur Claasen.
Mr. Shelley's composition must be set down
to his credit as showing a distinct develop-
ment of melodic gifts. It is a strong, con-
vincing work, which will unquestionably
add to the reputation of the composer. The
audience was in a sympathetic mood, and a
genial reception was given the symphony.
WOMEN'S DEPARTMENT.
In the afternoon in the auditorium was
held a conference on "Women's Work in
Music," under the direction of Mrs. Theo.
Sutro, president of the Women's Depart-
ment.
Mrs. Sutro delivered an address in which
she said: "Many men, great and little, have
denied the possibility of original musical
composition to women until this came to
be an almost generally accepted axiom.
Prejudice has stood in the way of all pro-
gress. I am glad of the opportunity to
demonstrate what women have already ac-
complished in composition."
Other addresses were made by Miss Fan-
nie Morris Smith on "The Value of Wo-
manhood in the World's Work;" Miss Char-
lotte W. Hawes, on "Science in Music;"
Mrs. Donald McLean,on "Patriotic Music,"
and Mrs. Mary Gregory Murray, on "The
Principles of Expression." An elaborate
musical program was rendered.
THIRD DAY
SATURDAY.
The Conventionjwent bravely to work
to-day with a business session in the con-
cert hall, when Prof. C. G. Gow of Vassar
College read the new constitution as adop-
ted by the Committee on Revision, of
which he was chairman, and after consider-
able discussion it was adopted. One of the
new provisions is that members of the as-
sociation shall consist of representatives
from State and county associations, char-
tered music schools, music faculties of col-
leges and universities, and choral organi-
zations of one hundred members or more;
also of supervisors of music in public
schools and professional men and women
of good standing as teachers and journalists.
Persons not musicians, but who are inter-
ested in music, may be elected associate
members.
After a discussion as to the holding
of the next convention, the following offi-
cers were nominated: Herbert W. Greene,
president; J. F. Keough, secretary, and C.
W. Langdon, treasurer.
At the conclusion of the meeting a piano
recital was given by William H. Sherwood.
The program was an excellent one, and Mr.
vSherwood was enthusiastically received.
An important conference on "Methods
and Results in Music Schools" was held in
the Lyceum, at 11:30 A. M. Chas. H.
Morse presiding. The first paper pre-
sented was on "Music School Study at
Home and Abroad," by Henry Holden
Huss, who began by speaking of the study
of Bach's music. He urged that teachers
should pay more attention to the poetical
side of that composer, and not teach
students to play his works in a mechanical
sort of way. The general assumption that
schools in Europe were better than those
in the United States, he characterized as
false, and declared that it was not too
much to hope that students would be com-
ing to America from Europe within a
decade.
Other papers were read by E. D. Hale
of Boston, Louis C. Elson, Harrison M.
Wild of Chicago, and by the chairman.
In the afternoon a conference on "Musi-
cal Journalism" was held in the concert
hall, presided over by Louis C. Elson of
Boston, who made an opening address in
which he said that American musical
journalism, while still young, had some
things to its advantage over European
writings. It was free from the dullness
of the English musical criticism, free from
the rigidity of the German, and from the
venality of the French and Italian.
Papers were also read by W. J. Hender-
son, Arthur L. Manchester and in behalf
of a number of others who were absent.
In the afternoon, piano recitals were
given by Wm. H. Barber, Leopold Godow-
sky; both artists were assisted by promi-
nent vocalists. In the evening Victor
Herbert and the Twenty-second Regiment
Band entertained the visitors with a popu-
lar concert on the roof garden, assisted by
the Arion Society of Brooklyn.
WOMEN'S DEPARTMENT.
The second session of the Women's De-
partment of the Convention was devoted
chiefly to the scientific side of music, and
it was so interesting that t the salon was
crowded to its utmost capacity for three
hours.
The program was arranged by the Com-
mittee on Methods of Teaching and the
Committee on Musical Lectures, and was
devoted mainly to methods.
Few of these methods have been devised
by women, but, as women outnumber men
so largely as teachers of music, they make
most use of them, and it was therefore
thought entirely appropriate to have them
demonstrated in the women's department.
A few of the most approved ones were
chosen, and fifteen minutes were devoted
to each, an explanatory talk by a teacher
of the system being illustrated by her best
pupil.
Miss Amy Fay, the exponent in this
country of the Dieppe method of teaching,
gave a five minutes' talk on the ethics of
the system.
Miss Fay was largely instrumental in
pushing the method in Germany, and
sketched entertainingly its central idea as
well as the personality of its creator.
Miss Fay, in her address, attacked the
Virgil method, which she claims is only a
new presentation of the Dieppe method.
She said, "Mr. Virgil learned the latter
from me, and I am delighted with the use
he has made of it, but I think he ought to
have acknowledged his indebtedness to
Dieppe."
Later Mrs. Virgil spoke in behalf of the
Virgil method, and alluding to Miss Fay's
remarks said "that there were those in the
room who could testify that the Virgil
method was substantially the same twenty-
five years ago as it is to-day. "
One of the most delightful numbers was
furnished by the children of Primary School
No. 16. Under the direction of Miss Mc-
Caffery they sang the intervals, major and
minor, of the scale with a precision that
was wonderful.
Mrs. Gustav Becker, Mme. Cappiani and
Miss Kate Chittenden talked of various
methods, and some excellent music was
given in illustration.
FOURTH DAY.
This being Sunday, the members of the
Music Teachers' National Association car-
ried their melodious art into the churches
and temples, where special programs had
been prepared and sermons were preached
for their benefit.
FIFTH AND CT.OSINC DAY
MONDAY.
The session opened with a joint meeting
with the elocutionists. President Greene
said that the two professions had much in
common, and the vocal branch of the
musical profession especially near to that
of the elocutionist. President Chamber-
lain pointed out the close relationship be-
tween voice culture with singing in view.
Rhythm, he said, was common to vocal
music and spoken poetry, and even prose.
"Enunciation in Singing," by Alexan-
der Melville Bell, of Washington, was read.
Other papers were: " Some Causes of Vo-
cal Catastrophe," by Dr. Frank E. Miller;
" T h e Mental and Physical Tone," by
Mme. Florenza d'Arona; "False Ideals
Antagonistic to Artistic Singing," by
Charles Davis Carter; "Opera Considered
as Music and Drama Combined," by Mme.
Louisa Cappiani, and "The Relationship
of Singing and Oratory," by Louis C.
Elson.
ELECTION OF OFFICERS.
The business meeting for the election of
officers and selection of the next meeting
place, held in the Lyceum, was exciting.
Not only did the location of the next con-
vention provoke a hot discussion, but an
independent ticket for officers, headed by
Arthur Foote, and supported by Prof.
Goodrich and Western members in oppo-
sition to the regular one nominated by
the vice-president, was nominated.
The regular ticket won after a fight. It
names H. W. Greene again for president;
James P. Keough, of New York, for secre-
tary, and Alexander S. Gibson, of Connec-
ticut, for treasurer. The Executive Com-
mittee named is: A. J. Wilkins,of Bridge-
port, Conn.; Carl G. Schmidt, of Morris-
town, N. Y., and F. A. Fowler, of New
Haven; and the Program Committee:
William C. Carl, of New York, William E.
Mulligan, of New York, and John Tagg,of
Brooklyn.
New York was selected as the next meet-
ing place for the annual gathering. There
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
was a fight made for Omaha, but friends
of this city were too strong.
WOMEN'S DEPARTMENT.
There was a good attendance at the
women's meeting, which was held prelimi-
nary to the formation of a Federation of
"Women's Musical Clubs. Mrs. Theodore
Sutro opened the meeting with an address.
The other speakers were Mrs. Charles Vir-
gil, " The Woman's Club as a Factor in
General Music Culture;" Mrs. M. C. Mer-
rick, "Women in Musical Literature;"
Mrs. Bertha von Schroeder Fletcher, of
Minneapolis, "Philanthropic Side of Mu-
sic Club Work;" Miss Mary Burd, "Wo-
man's Relation to Egyptian Music; " Mrs.
Arthur Smith, "Music in India;" Mrs.
Chandler Starr, of Rockford, 111., and Miss
Amy Fay.
Mrs. Russell Dorr presided at the form-
ing of a federation of women's musical
clubs. Fifty clubs were represented from
all over the United States, and circulars
will be sent at once to all other clubs of a
similar nature, asking co-operation in form-
ing the organization and electing perma-
nent officers.
ORATORIO OF
SOUSA "THE MARCH KING."
John Philip Sousa, who has gained for
himself the sobriquet of the "March King"
by the virile military quality which he
puts into his music, has composed a new
march which awakens a spirit of rampant
American enthusiasm wherever it is
heard.
The new march is called "The Stars and
Stripes Forever." Nightly at Manhattan
Beach it brings the audience to their feet
at its close, men cheering and women wav-
ing their handkerchiefs in a delirium of
enthusiastic patriotism.
At the grand climax of the march thir-
teen members of the band with their instru-
ments march to the front of the stage and
play a repetition of the last part, and an
onlooker observing the faces of the audi-
ence instead of watching the men who are
supposed to represent the thirteen original
States, will be struck with the manner in
"ELIJAH."
An immense audience gathered at the
Auditorium in the evening to listen to a
very creditable singing of the oratorio of
" Elijah," under the direction of Walter
Henry Hall. The Oratorio Club of Brook-
lyn, augmented by members of various
New York choruses and by the Allentown
Choral Society, participated, with a full
orchestra and organ. The soloists were
Miss Eleanore Meredith, soprano; Miss
Fielding Roselle, contralto; Theodore Van
York, tenor; Ericsson Bushnell, bass, and
Robert A. Gayler, organist.
During the performance R. Huntington
Woodman, Chairman of the Executive
Committee, made an appeal to the audience
to help the association make up a deficit of
$r,6oo, which represented the excess of ex-
penses over the amount received from
admissions. About $100 was collected
among the audience, and Mr. Woodman,
Louis A. Russell of Newark, and F. H.
Tubbs each subscribed $100. H. S. Perkins
of Chicago, the former Secretary, gave $500
of the amount due him as salary and ex-
penses toward making up the deficit.
So ended the greatest and most success-
ful convention in the history of the
organization.
©
Albert Gerard Thiers, the well-known
teacher, will spend the months of July and
August at Grand Rapids, Mich., where he
will conduct a school for voice culture.
The Metropolitan Permanent Orchestra
is giving a series of really excellent and ad-
mirable concerts at the Madison Square
Roof Garden this summer. The music in-
terpreted is neither too classical nor too
popular—a happy medium being displayed ;
hence this resort has become one of the
most popular in town. Adolph Neuendorff
has evidently a thorough comprehension of
the kind of musical diet the public can di-
gest when old Sol gets excited.
"The best national anthem is undoubt-
edly the French, the Austrian is second in
merit, and the Russian Hymn is a good
third. England comes fourth with its 'God
Save the Queen,'and the rest come trailing
along in the rear. 'God Save the Queen,'
by the way, is the national anthem of
several nations, the melody being used
with special words composed for it.
"A composition in march tempo, which
I .have largely leaned to, must have the
military quality if it is to make a mark; it
must have the absolute military instinct.
That is one reason why so few of the
great composers have written successful
marches. They lived in an atmosphere
of peace, away from the barbaric
splendor of war and the clash of swords.
The roll of the musketry had no meaning
for them, and so that quality is entirely
absent from their work.
"Patriotism is not in the music but
in the feeling it conveys. The military
spirit is necessary. I have lived all my
life in the atmosphere of the army. I
might say that even while a baby I was
near camp, and I understand just the
effect of all the pomp and splendor of war
when it is introduced in a musical com-
position. 'The Stars and Stripes For-
ever' has this quality perhaps in a more
marked degree than my former com-
positions."
O
Dr. Stocks Hammond, organist of St.
James Cathedral in Toronto, who was well
and favorably known to musicians in this
country and Canada, died at his home in
Toronto on June 18th.
JOHN PHILIP SOUSA.
which the feeling of patriotism irradiates
the faces of both the young and the old.
' 'The march was written, "said Mr. Sousa,
"when I was in Europe last summer, and
finished on board ship coming home. One
never feels so patriotic as when under a
foreign flag, you know. I have often
heard people say that when in a foreign
country the sight of the Stars and Stripes
seems the most glorious in the world.
"My idea was to climax the march with
three themes—one representing the North,
a broad, sweeping theme; the South, with
its languorous beauty and romance, and
the West, a strong, pushing melody carry-
ing all before it. These themes were to
blend harmoniously, but were to be used
independently if necessary.
"I am of the opinion that military
music, that which has the drum and the
military swagger in it, is the kind that
wakes patriotism in the soul. You see
that if there were patriotism in music the
'Star-Spangled Banner,' which serves us
for a national song, would possess it. But
that melody was originally a drinking song,
and was written by Samuel Arnold in
1750, to an ode to 'Anacreon in Heaven.'
William H. Sherwood has severed his
connection with the Chicago Conservatory
and has arranged for the opening of a new
institution to be named the Sherwood Piano
School, which will be located at Steinway
Hall, Chicago. Mr. Sherwood has sur-
rounded himself with an able faculty, and
it is the aim of all concerned to make this
school one of the foremost institutions of
its kind in the great West.
French musicians are becoming alarmed
at the increasing number of foreigners
(chiefly Belgians and Italians) who find
places in the Parisian orchestras, and have
organized a protective society to counter-
act this dreadful evil.
Anton Seidl's appearance in London as
conductor of German opera has been 'a
great triumph. The critics without ex-
ception have been most enthusiastic in
praise of his excellent work.
Evan Williams, whose portrait appeared
in this department last month, has been en-
gaged to sing the tenor roles in the "Re-
demption," "Hora Novissima," and the
"Swan and the Skylark" at the Worcester
Festival.
TEACHERS WANTED!
Over 4,000 vacancies—several times as many vacancies as members. Must have more members. Several plans ; two
plans give free registration ; one plan GUARANTEES positions. 10 cents pays for book, containing plans and a Jsoo.co
love story of College days. No charge to employers for recommending teachers.
SOUTHERN TEACHERS' BUREAU.
(Rev. Dr. O. M. Button A.M. I
SUTTON TEACHERS' BUREAU.
S. W. Cor. Main & 3d Sts., Louisville. Ky.
Northern vacancies Chicago Office.
f
PRSSIDINT AND MANAGER
| 69-71 Dearborn Street, Cnicago, III.
Southern vacancies Louisville Office.
One fee registers in both offices.

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