Music Trade Review

Issue: 1897 Vol. 25 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
among the standard compositions for that
instrument. For the rest, Leonard may
be taken as a fair example of Belgian
composers for the violin, and, while his
music does not do violence to the capaci-
ties of the instrument, it does not rise
often above the level of operatic fantasias.
Wieniawski has written some beautiful and
brilliant works, but they are without so-
lidity.
Of late, however, the Belgians
have followed the lead of the French in
cultivating a more serious taste in regard
to violin music, and the result is a closer
devotion to the works of the great masters
than was formerly the rule.
©
FARED BETTER THAN LONDON.
We had disappointments in the course
of the recent grand opera season in this
town. But they were the exception and
not the rule. For the most part when a
production was advertised the public was
not disappointed. London has had a differ-
ent experience. Changes at the last mo-
ment have been the order of the day.
Those who bought tickets expecting to
hear "The Meistersinger " or ''Tristan"
or "Siegfried," would find on arriving
that they were to be put off with "Travi-
ata," or " T h e Huguenots," or "Faust."
For the most part their disappointments
were due to M. Jean de Reszke. The result
is such protests as the following by Mr.
Runciman: "That Jean is the whole
Covent Garden Company, that Wagner
cannot be given successfully without him,
that Covent Garden cannot go on without
him —these are propositions to which no
critic in his senses will assent. If Jean
is not in fit state to play 'Walther,' or
'Tristan,' there cannot be the slightest
doubt that Van Dyck could do the parts
excellently ; some years ago the whole
' R i n g ' was given with the most surpris-
ing success by a German company withont
a tenor to compare with Jean De Reszke,and
if the truth should happen to be that Jean
thinks Covent Garden cannot* do without
him, Jean might be reminded that he was
not here in one of the most successful of
Sir Augustus Harris' seasons—that of 1895.
It is indeed ridiculous that we should have
to wait so long for the operas we chiefly
want to bear because a mere tenor has a
sore throat." Commenting on the forego-
ing the Sun says we may indeed congratu-
late ourselves that the members of the
great company which appeared last winter
at the Metropolitan showed greater consid-
eration for New York audiences than they
have for those of London. Of course, we
pay more for our opera, but that does not
explain everything.
MENTAL VIBRATIONS.
Gottfried Klein, a St. Louis artist, has
thrown away his palette and his paints to
devote the rest of his life to teaching arid
practising "mental vibration." He thinks
that the world is on the verge
of a new and important era—
an era in which mind will
dominate matter.
"The power of mind over
matter," he says, "will be the
power that will govern in
the coming century. People
laugh at us because we be-
lieve in the power of mental
vibration. It is not new.
What is it that soothes a child
to sleep? The music of the
mother's crooning songs ?
No; it is the vibration of the
musical chords,in the absence
of other sounds, that soothes.
Fast, lively music excites by
its vibrations, while soothing
music produces quietude.
"A man forms a dislike for
another whom he doesn't
know. Why? The mental
vibrations caused by the
other man do not harmonize
with his own, and there is jar
and discord. I can sit down,
close my eyes and concen-
trate my mind on my brother, who is far
away, and the vibrations of my mentality
meeting the vibrations of his form a me-
dium of communication that tells me where
and how he is."
Klein says he and his brother, who is
also an artist, will spend the rest of their
lives teaching people the wonders of men-
tal vibrations.
What next!
O
nR. WOLFSOHN'S LISTS OF ARTISTS.
Henry Wolfsohn arrived from Europe
last Saturday. He comes direct from the
summer home of Rosenthal, the pianist,
in the Tyrol. The latter has fully re-
covered his health, and will return to
America under Mr. Wolfsohn's manage-
ment in November. Herr Roseuthal re-
cently wrote to the German newspapers
denying the published reports that he had
married or intended marrying the lady
who nursed him during his illness here,
adding that he did not intend committing
bigamy, as he is still wedded to his piano.
He will open his season here with a recital
at Carnegie Hall on November 17.
Other artists whom Mr. Wolfsohn will
bring over next season are Mr. and Mrs.
Georg Henschel, who will give a series of
0
The musical season of 1897-98 will begin concerts, beginning in San Francisco in
with the first of a series of Sunday night October; Julius Klengel, who plays the
concerts at the Metropolitan Opera House Paganini violin concerto on the 'cello;
on November 7. Mr. Seidl, fresh from Henri Marteau, the violinist who has just
his European triumphs, will have his completed his three years' military service
orchestra, and distinguished soloists will in France ; Ffrangcon Davies, the bari-
appear. The list from which these artists tone; Mme. Barna, an American dramatic
will be drawn includes Marcella Sembrich, soprano, who may be heard with the
Pol Plancon, Nordica, Ysaye, Pngno, the Damrosch company; Mme. Brema, the
French pianist, Josef Hoffman and Jean contralto, who will give song recitals, and,
possibly, Mme. Sedlmair, who sang Isolde
Gerardy, the 'cellist.
in London this season. Mr. Wolfsohn
before leaving England arranged for a
series of concerts to be conducted by
Mr. Seidl at (Queen's Hall, London, next
spring.
HENRI MARTEAU.
We take pleasure in presenting herewith
the latest portrait of Henri Marteau, the
distinguished French violinist, who will
make his appearance in this country next
fall. Competent authorities who had the
pleasure of hearing this artist recently
state that he has made wonderful advance-
ment in bis art, notwithstanding that he
has spent a considerable portion of the
past three years in the army fulfilling his
duty as a citizen of the French Republic.
As a youth we acknowledged his suprem-
acy over the violin; now, that he is a man,
may we not expect the artist in his ma-
turity?
o
The music teacher who has something
to say can utter no complaint about the
absence of vehicles to convey his ideas
these days. With local and national con-
ventions and numerous assemblies in all
parts of the country opportunities for an
exploitation of his views are numerous,
and a respectful hearing is afforded him
whether he be an every day worker, a
mild reformer or a revolutionist.
The only wonder is that these multi-
farious gatherings are not more productive
of results. At all kinds of conventions
those in attendance are apt to enthuse and
approve of the ideas expressed, but forget
them once they get back to the usual
routine of work. In the union of thought
can be found strength and advancement.
Along these lines only can success be won.
o
American composers have reason to feel
hopeful. American operettas are becoming
quite the thing in Germany. This recog-
nition is certainly a compliment. It may
be the entering wedge to a more serious
consideration of the meritorious works of
our high-class composers.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE fl T. N. A. CONVENTION.
(Continued from
Page j>.)
Stanley, of Ann Arbor; Prof. George Cole-
man Gow, and others.
In the evening there was a large attend-
ance at the concert. The interest centered
principally in the first production of Harry
Rowe Shelley's symphony in E flat major,
tinder the direction of Arthur Claasen.
Mr. Shelley's composition must be set down
to his credit as showing a distinct develop-
ment of melodic gifts. It is a strong, con-
vincing work, which will unquestionably
add to the reputation of the composer. The
audience was in a sympathetic mood, and a
genial reception was given the symphony.
WOMEN'S DEPARTMENT.
In the afternoon in the auditorium was
held a conference on "Women's Work in
Music," under the direction of Mrs. Theo.
Sutro, president of the Women's Depart-
ment.
Mrs. Sutro delivered an address in which
she said: "Many men, great and little, have
denied the possibility of original musical
composition to women until this came to
be an almost generally accepted axiom.
Prejudice has stood in the way of all pro-
gress. I am glad of the opportunity to
demonstrate what women have already ac-
complished in composition."
Other addresses were made by Miss Fan-
nie Morris Smith on "The Value of Wo-
manhood in the World's Work;" Miss Char-
lotte W. Hawes, on "Science in Music;"
Mrs. Donald McLean,on "Patriotic Music,"
and Mrs. Mary Gregory Murray, on "The
Principles of Expression." An elaborate
musical program was rendered.
THIRD DAY
SATURDAY.
The Conventionjwent bravely to work
to-day with a business session in the con-
cert hall, when Prof. C. G. Gow of Vassar
College read the new constitution as adop-
ted by the Committee on Revision, of
which he was chairman, and after consider-
able discussion it was adopted. One of the
new provisions is that members of the as-
sociation shall consist of representatives
from State and county associations, char-
tered music schools, music faculties of col-
leges and universities, and choral organi-
zations of one hundred members or more;
also of supervisors of music in public
schools and professional men and women
of good standing as teachers and journalists.
Persons not musicians, but who are inter-
ested in music, may be elected associate
members.
After a discussion as to the holding
of the next convention, the following offi-
cers were nominated: Herbert W. Greene,
president; J. F. Keough, secretary, and C.
W. Langdon, treasurer.
At the conclusion of the meeting a piano
recital was given by William H. Sherwood.
The program was an excellent one, and Mr.
vSherwood was enthusiastically received.
An important conference on "Methods
and Results in Music Schools" was held in
the Lyceum, at 11:30 A. M. Chas. H.
Morse presiding. The first paper pre-
sented was on "Music School Study at
Home and Abroad," by Henry Holden
Huss, who began by speaking of the study
of Bach's music. He urged that teachers
should pay more attention to the poetical
side of that composer, and not teach
students to play his works in a mechanical
sort of way. The general assumption that
schools in Europe were better than those
in the United States, he characterized as
false, and declared that it was not too
much to hope that students would be com-
ing to America from Europe within a
decade.
Other papers were read by E. D. Hale
of Boston, Louis C. Elson, Harrison M.
Wild of Chicago, and by the chairman.
In the afternoon a conference on "Musi-
cal Journalism" was held in the concert
hall, presided over by Louis C. Elson of
Boston, who made an opening address in
which he said that American musical
journalism, while still young, had some
things to its advantage over European
writings. It was free from the dullness
of the English musical criticism, free from
the rigidity of the German, and from the
venality of the French and Italian.
Papers were also read by W. J. Hender-
son, Arthur L. Manchester and in behalf
of a number of others who were absent.
In the afternoon, piano recitals were
given by Wm. H. Barber, Leopold Godow-
sky; both artists were assisted by promi-
nent vocalists. In the evening Victor
Herbert and the Twenty-second Regiment
Band entertained the visitors with a popu-
lar concert on the roof garden, assisted by
the Arion Society of Brooklyn.
WOMEN'S DEPARTMENT.
The second session of the Women's De-
partment of the Convention was devoted
chiefly to the scientific side of music, and
it was so interesting that t the salon was
crowded to its utmost capacity for three
hours.
The program was arranged by the Com-
mittee on Methods of Teaching and the
Committee on Musical Lectures, and was
devoted mainly to methods.
Few of these methods have been devised
by women, but, as women outnumber men
so largely as teachers of music, they make
most use of them, and it was therefore
thought entirely appropriate to have them
demonstrated in the women's department.
A few of the most approved ones were
chosen, and fifteen minutes were devoted
to each, an explanatory talk by a teacher
of the system being illustrated by her best
pupil.
Miss Amy Fay, the exponent in this
country of the Dieppe method of teaching,
gave a five minutes' talk on the ethics of
the system.
Miss Fay was largely instrumental in
pushing the method in Germany, and
sketched entertainingly its central idea as
well as the personality of its creator.
Miss Fay, in her address, attacked the
Virgil method, which she claims is only a
new presentation of the Dieppe method.
She said, "Mr. Virgil learned the latter
from me, and I am delighted with the use
he has made of it, but I think he ought to
have acknowledged his indebtedness to
Dieppe."
Later Mrs. Virgil spoke in behalf of the
Virgil method, and alluding to Miss Fay's
remarks said "that there were those in the
room who could testify that the Virgil
method was substantially the same twenty-
five years ago as it is to-day. "
One of the most delightful numbers was
furnished by the children of Primary School
No. 16. Under the direction of Miss Mc-
Caffery they sang the intervals, major and
minor, of the scale with a precision that
was wonderful.
Mrs. Gustav Becker, Mme. Cappiani and
Miss Kate Chittenden talked of various
methods, and some excellent music was
given in illustration.
FOURTH DAY.
This being Sunday, the members of the
Music Teachers' National Association car-
ried their melodious art into the churches
and temples, where special programs had
been prepared and sermons were preached
for their benefit.
FIFTH AND CT.OSINC DAY
MONDAY.
The session opened with a joint meeting
with the elocutionists. President Greene
said that the two professions had much in
common, and the vocal branch of the
musical profession especially near to that
of the elocutionist. President Chamber-
lain pointed out the close relationship be-
tween voice culture with singing in view.
Rhythm, he said, was common to vocal
music and spoken poetry, and even prose.
"Enunciation in Singing," by Alexan-
der Melville Bell, of Washington, was read.
Other papers were: " Some Causes of Vo-
cal Catastrophe," by Dr. Frank E. Miller;
" T h e Mental and Physical Tone," by
Mme. Florenza d'Arona; "False Ideals
Antagonistic to Artistic Singing," by
Charles Davis Carter; "Opera Considered
as Music and Drama Combined," by Mme.
Louisa Cappiani, and "The Relationship
of Singing and Oratory," by Louis C.
Elson.
ELECTION OF OFFICERS.
The business meeting for the election of
officers and selection of the next meeting
place, held in the Lyceum, was exciting.
Not only did the location of the next con-
vention provoke a hot discussion, but an
independent ticket for officers, headed by
Arthur Foote, and supported by Prof.
Goodrich and Western members in oppo-
sition to the regular one nominated by
the vice-president, was nominated.
The regular ticket won after a fight. It
names H. W. Greene again for president;
James P. Keough, of New York, for secre-
tary, and Alexander S. Gibson, of Connec-
ticut, for treasurer. The Executive Com-
mittee named is: A. J. Wilkins,of Bridge-
port, Conn.; Carl G. Schmidt, of Morris-
town, N. Y., and F. A. Fowler, of New
Haven; and the Program Committee:
William C. Carl, of New York, William E.
Mulligan, of New York, and John Tagg,of
Brooklyn.
New York was selected as the next meet-
ing place for the annual gathering. There

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