Music Trade Review

Issue: 1897 Vol. 24 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
From the Editor's Note Book.
HE visit of the distinguished
body of Latin Americans to
our metropolis brings up the
possibilities of extending our
trade with those rich countries
that lie south of us.
One of the chief obstacles to the exten-
sion of our trade with the South American
republics is to be found in the condition of
the banking interest in those countries.
The great trade operations of those nations
are controlled entirely by foreign influ-
ences, and exchanges are regulated alto-
gether by European bankers. Under this
order of things European manufacturers
who sell their products in the South Amer-
way out of this species of commercial slav-
ery is direct and practical, and would be
enormously profitable. Our trade ex-
changes with South America should be
emancipated from the control of European
capital. This could be done promptly and
effectively by the founding of a great
international American bank, having
branches in New York, Rio Janeiro, Buenos
Ayres and other cities, its operations and
policy to be directed with the purpose of
developing the trade interests of the Ameri-
can republics. Such a scheme would enable
the manufacturers of this country to enter
the South American markets and give
credits as attractive as those now offered by
Yrs.
the Europeans. It would also strengthen
the shipping interest, broaden the benefi-
cent effects of the reciprocity system soon to
be restored, and hasten the commercial in-
dependence of the continent.
*
*
*
*
An idea of the volume of business trans-
acted by the Grand Rapids Veneer Works,
Grand Rapids, Mich., and its evolution
from insignificant proportions can be esti-
mated from the following statement of the
amount of logs cut by this concern for the
past ten years.
.
.
.
.
600,936
1,247,383
1,713,232
1,534,189
1,918,645
Yrs.
1892.
1893.
J894.
1895.
iS96.
Feet
. .
. .
. .
...
. .
.
.
.
.
.
2,180,360
2,532,158
3,109,434
4,322,597
4,572,150
Thisis absolutely on native stock and does
not include figured woods. These figures
may seem incredible, but they are taken
from the company's books and are vouched
for by sworn affidavits of the bookkeeper
and Z. Clark Thwing, vice president and
manager.
Z. Clark Thwing, vice president and manager of
the Grand Rapids Veneer Works,being duly sworn,
deposes and says that the above statement is true
in every particular to the best of his knowledge
and belief.
Z. Clark Thwing.
Miner H. Parton, bookkeeper for the Grand
Rapids Veneer Works, being duly sworn deposes
THIS SHOWS THE LOGS PILED IN THE BOOM AT THE GRAND RAPIDS VENEER WORKS.
ican markets enjoy a tremendous advantage
over those of the United States. They are
favored by the banks, and thus, by receiv-
ing better rates of discount and other ac-
commodation, they are enabled to offer
longer credits to the buyers of their goods.
Our interests are wholly dependent upon
the favor of English and German capi-
talists, who control the whole system of
discount and exchange, and thus enable
the manufacturers of the Old World to
monopolize the markets by granting longer
credits to the buyers of their wares. The
Feet
1887
1888. . .
1889. . .
1890. . .
1891. . .
3,000,000
FEET ON HAND.
and says the above figures are correct to his best
knowledge and belief. Sworn and subscribed to
before me this 22nd day of May, 1897.
F. S. Tarney, Notary Public Kent Co., Mich.
M. H. Parton.
It is safe to say that the Grand Rapids
Veneer Works take the lead to-day as the
largest producers of veneers, veneered
panel and dimension stock, pin block maple,
frets, etc., for musical instrument manu-
facturers in the world. No other conclu-
sion is possible from the above figures.
*
*
*
*
The action of the Music Publishers' As.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
12
sociation in regard to the "Canadian pi-
rates" who are flooding this country with
spurious editions of the latest copyrighted
popular songs, as reported in The Review
last week, has been widely commented on
by newspapers all over the country.
It is claimed that the legitimate music
publishing business in this country has
fallen off fifty per cent, in the past
twelve months, as the result of copyright
violations. Recent investigation has re-
vealed that all of the most popular pieces
have been counterfeited, despite the fact
that they are copyrighted, and by unknown
publishers are sold at from two to five
cents per copy, though the original com-
positions sell at from twenty to forty cents
per copy. Fully 5,000,000 copies of these
spurious songs were printed and sold in the
month of May.
A committee has been appointed to fight
the "pirates," consisting of T. B. Harms,
Isidor Witmark and H. W. Gray.
The modus operandi of the offending
publishers is in part worked through the
newspapers which publish lists of music to
be sold at say ten cents a copy. The Post
Office box given belongs to the newspaper,
and it takes half of all the money sent as
pay for the advertising, and the other half
goes to the "pirate," who sends the music
by mail.
If the Post Office authorities stop such
mail matter because it infringes the copy-
right law, it is returned to the publisher,
after thirty days, under our law, and the
only one who is out is the person who sends
the ten cents. The Canadian law is less
lenient, as it provides for the destruction
of contraband matter sent over the line by
American violators of copyright law.
*
*
*
"The Stars and Stripes Forever" is the
breezy title of the new march with which
Sousa opens the season at Manhattan
Beach to-day. This composition, as recent-
ly noticed in The Review, is published by
the John Church Co. When it was first
played at the Washington Monument dedi-
cation, in Philadelphia last month, it dis-
turbed the Quaker quiet of that place so
abruptly that one reviewer exclaimed in
cold type: "It is stirring enough to rouse
the American Eagle from his crag and
set him to shrieking exultantly while he
hurls his arrows at the aurora borealis."
*
*
*
*
The worry-cow might have lived till now
If she hadn't lost her breath—
But she thought her hay wouldn't last all day,
So she worried herself to death.
all day, and that there will be more hay to-
morrow?
*
*
*
*
The Mexican people are very fond of
good music, and as far as good band music
goes this liking can be frequently gratified.
The military authorities of Mexico believe
in military bands and they believe in mak-
ing use of them. There are from six to
eight, and even more, free open-air band
concerts in Mexico City every week in the
year. On Thursday mornings some one of
the fine bands always plays in the Alameda
for the benefit of the children, principally.
Again on Sunday, from 10 o'clock to 1, you
may always enjoy good music as you sit
under the canvas canopy erected over the
main thoroughfare and watch the fashion-
able throng promenade back and forth. In
the Zocalo, or main plaza, bands play sev-
eral times a week, both mornings and
evenings. There is a band-stand at the
first glorietta in the Paseo, and here on
Tuesday mornings and Sunday afternoons
and evenings, as the handsome turnouts
drive by, they are treated to lively airs.
The picture shows that the inclosure in
which the poor worry-cow is confined con-
tains several stacks of hay, enough to last
her for months. But that didn't make any
difference; she worried herself to death,
just the same.
The worry-cow and the worry-man live
A large poster is being displayed in the
in the same town, says Brains. The worry-
cow belongs to the worry-man. The worry- window of the Wissner warerooms, 23 East
man is afraid that the money he spends in Fourteenth street, representing- the Seidl
advertising won't come back. He is afraid orchestra, under the baton of the distin-
that the business will go to smash if he guished director, while upon the stage is a
spends a dollar. So he starves his busi- magnificent concert grand piano with Mme.
Julia Rive-King at the keyboard. The
ness to death.
What shall we do with the worry-man? poster is not only a splendid advertisement
How shall we convince him that a few dol- for the Seidl organization but an equally
lars spent to gain a great many dollars is effective one for the Wissner piano. It
money well spent—that the hay will last will be used during Seidl's concert tour.
A POINTER
To rianufacturer - Dealer - Tuner
You need flusic Wire, Piano Hardware,
Piano Casters, Tuning Pins, Tuning Kits,
in fact, everything in
ft
ft
ft
ft
PIANO riAKERS' SUPPLIES
Recollect t h a t . . •
C. F. GOEPEL 81 CO.,
i37East
Make a specialty of everything that pertains to building
or repairing a piano. Having made study of this branch
of the music trade industry for years, we anticipate the
needs of the trade.

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