Music Trade Review

Issue: 1897 Vol. 24 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
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From the Editor's Note Book.
I recollect some months ago I was talk-
with Chas. H. Steinway upon this same
subject. He said: "Mr. Bill, I had rather
do business with a man worth nothing, but
who had good character as a ground work,
than to do business with a man worth a
million and whom I distrusted. In other
A business concern to be successful to- words it is confidence in each other, the
day must attack the stronghold of indif- confidence which one business man has in
ference and overthrow the bastile of fogy- another that is the real basis of credit."
ism.
-P
•!•
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Again the successful business man does
Speaking of strikes I learn that Smith
not wear his heart upon his sleeve, neither
does he cackle over the eggs he is about to & Barnes have adjusted the recent strike
in their factory satisfactorily. It seems
lay.
peculiar that men do not consider the
We hear a great deal in the papers nowa- slackness of times, and the hard work which
days reminding us that it is the strike sea- business men have to engineer their crafts
son. In other words that we may expect on these days without adding to their discom-
top of the business depression to which we fort by bringing about a strike,
have been subjected for the past three or
Take a cool, level-headed business man
four years that we have the usual diversion likeC. A. Smith and he doesn't fool around
afforded by strikes during the coming sum- a great while in an uncertain way. I knew
mer of our discontent.
Mr. Smith years ago in the Northwest, long
There are no doubt grievances on the before he thought of drifting into the piano
part of the workmen, but the sober, indus- business. He was then a man of force and
trious, faithful, prudent workingman has as energy and those same early characteristics
good a chance for his faculties as the sober, have become accentuated with the years.
industrious, faithful, prudent employer, A man, broad and generous in his instincts
be he capitalist or lawyer. He cannot ob- and having all the necessary essentials in
tain as much personal comfort, but he ob- the way of business acumen and energy,
tains more in many ways. He has his he has forged ahead, and by his indomit-
work directly outlined for him, while his able merit and will power he has built up
employer may be racking his brain, day a tremendous business. Mr. Smith is a
and night, worrying over the possibilities tireless worker, and like that great man in
of raising sufficient funds here and there the supply trade, Alfred Dolge, he goes
to pay the workmen, who as a rule are dis- ahead undaunted, nothing stops him. He
satisfied.
saw years ago the wonderful possibilities
As long as the distribution of brains and in the piano trade and he has improved
energy is unequal there will exist a corres- every opportunity; not only improved but
ponding discrepancy regarding the distri- he has created opportunities. He is a man
bution of wealth.
who has not adhered to the old lines of
piano building. He realized that there
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After all, the man who succeeds, succeeds was a tremendous demand in this country
for the most part through character and for commercial pianos and that the firm
fixed results. Character is the keynote who built what the people desired could
to everything. Not only are all religions maintain a large and busy factory.
and philosophies really meant to build it
Well, just take a look at that huge fac-
up and sustain it, but so also are all our tory on Clybourne avenue and see if you
social arrangements in hiring, and con- think the man who built and operates it
tracting, and lending and crediting based lacked energy.
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upon character.
No matter how much wealth a man may
The old Roman Christians who buried
possess, unless there be character behind it their dead in the catacombs used to have
credit is refused him. How many men in an awful time looking for tombs because
this trade and in all other trades I may say, neither directory nor guide book was avail-
look first to the character of the man rather able for their purposes.
than to his pecuniary resources before as-
If those old fellows had only lived in our
signing him liberal credit.
day how they would have welcomed the
In nearly every transaction of life it is on
character rather than on law that we place guide books and directories which are so
our faith. Why we are not governed better rampant in this trade.
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is, that in politics we pay too little atten-
tion to character.
A distinguished linguist informs me that
POWERFUL FACTORS IN BUSINESS SUCCESS — A PADLOCKED PURSE DOES NOT CONTRIBUTE TO
COMMERCIAL TRIUMPHS WHAT DRY ROT MEANS—HOW TO PRONOUNCE THE WORD
ADVERTISE THE STRIKE SEASON IS HERE WORKMEN KAIL TO ACT
PRUDENTLY THE SMITH & BARNES STRIKE SETTLED
C. A. SMITH IS A MAN OK CHARACTER
AND DETERMINATION.
HE un pad locked purse of every
great business concern in this
trade, or any other trade for
that matter, is a most power-
ful factor in contributing to
its success.
Someof the firms in the music trade, how-
ever, have not learned the lesson yet, and
they think by maintaining the closest
guard upon their strong boxes that their
wares by sheer force of merit will forge
themselves to the front.
A fallacious belief, truly.
Every firm that bases its future upon the
belief that its past prestige alone will merit
for it continued success when times grow
better, is resting upon a very unstable
foundation.
There is no surer indication of dry rot
than for a firm to simply rest,relax and fancy
that the tide will once more carry them out
into the broad sea of prosperity.
The phenomenon of dry rot is peculiar.
It is a slow and insidious process of disin-
tegration by which the once vitalizing sap
of a vigorous tree becomes a destructive
agent in the seasoned timber—pulling to
pieces and destroying that which it once
built up and made strong, it proceeds un-
noticed and even unsuspected. Beams and
girders afflicted by it retain their outward
shape and form, and look as stout and sub-
stantial as when first put in place. But at
heart they are dust and ashes.
That is dry rot, and it has its exact
counterpart in business.
Old men cannot defend what as young
men they created.
The old motheaten methods must go, and
the longer a firm adheres to them just so
much harder it will be for them to get out
of the rut. And ruts are bad—and more's
the pity—so many people seem to find such
comfort in them that they follow them
throughout an entire career. If we are to
attain our end, make our task successful,
we must leave the ruts, not stick to them.
It is a weakness, however, of the average
man to get into ruts easily, and to hold to
them tenaciously.
It is one of the greatest reasons why the
average man is not more successful, for it
is proverbial that nine men out of every
ten fail. No capital is large enough to
carry a business along unless it keeps step
with progress.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JO
THE MUSIC TRADE REVIEW
the proper pronunciation of the word "ad-
vertisement" is undoubtedly with the ac-
cent on the third syllable tise. He marks
the exceeding difference of opinion in re-
gard to the pronunciation of this word in
the following way:
When the colonists from England came
to this country they brought their language
with them as it was spoken in their mother
country. Americans have adhered closely
to the original forms of pronunciations,
and according to this authority, who for a
long time resided in England, now speak
the purest English.
People of England on the contrary have
made constant efforts to improve on the
language, though not always with good
reasons for making such changes.
The word advertisement, which at the
time of the Mayflower was undoubted-
ly pronounced ad-ver-/"wr-ment, seems to
have been the subject of such a caprice in
England, and is now commonly spoken in
that country with the accent on the preced-
ing syllable. The American way of accent-
ing the third syllable is according to this
gentleman the only correct method.
Poole Piano Co.'s Upright Grand, Style 97.
Strich & Zeidler as Leader.
An instrument that has sprung into im-
mediate popularity is the style 97 made by
the Poole Piano Co. of Boston, a cut of
which appears herewith. This is not alone
due to the general good proportion in
Strich & Zeidler consummated arrange- shape and gracefulness of outline, which
ments on Saturday last whereby their at once wins for this instrument no little
piano will be handled at retail by the new attention, but in exterior and interior finish,
firm of Wigand & Wedgefuth at 8 East tonal quality and other distinct features pe.
Eighteenth street. The Strich & Zeidler culiar to this product, it equals the expec-
will of course be their leader. Its essen- tations of the most critical dealer.
tial merits in the way of artistic case,
This style instrument is made in fancy
thorough finish in all its parts and a tone figured walnut, mahogany or other woods
quality that has won encomiums from and contains hard wood back, double ve-
musicians in all sections of the country, neered hard wood case, improved compos-
enable it to take its place in this respect ite stringing frame—three strings to a note
with credit alike to manufacturers and the —three pedals, overstrung bass, patent re-
dealer handling it.
peating action, action flanges, elaborately
The new scale Strich & Zeidler pianos are hand carved front pilasters, moulding and
in many respects marvelous instruments. A extra raised hand carved panels, carved
finer or more musical tone one could not
expect to hear in a piano. It is a high
grade instrument right through and Wig- Death of George E. Dearborn.
and & Wedgefuth are to be congratulated
Geo. E. Dearborn, the well-known piano
on securing such an admirable product as
dealer of Philadelphia,died at hishome, 644
their leader. With such instruments they
North Fifteenth street, on May 7. Although
cannot fail to build up a business that will
in poor health for a number of years he at-
help their reputation and advance their
tended to business until recently, when he
interests.
was obliged to liquidate on account of in-
ability to look after affairs.
Mr. Dearborn was born in Kensington,
A Fine Line of Mahogany
N. H., on April 16, 1825. He was the son of
Veneers-
Some special shipments of very fine a farmer, and up to his twenty-fifth year his
mahogany logs for veneers have just been time was devoted to agricultural pursuits.
received at the yards of Isaac I. Cole & In 1853 he engaged in general trading and
later became traveling salesman for a New
Son. When The Review called on Tues-
York varnish house. It was in this occu-
day it was stated that some highly satis- pation that he first came in contact with
factory results have already been secured piano dealers and manufacturers. The ac-
from these recent arrivals. The effects quaintance was augmented during the Cen-
obtainable are surprisingly rich—in fact, tennial )-ear. At the close of the World's
this present line of mahogany veneers, Fair in 1876 he associated himself with
which is limited in quantity, promises to Henry F. Robelin, of Robelin Bros., Wil-
surpass anything of the kind yet secured. mington, Del., in the purchase of a dozen
THE NEW FIRM OF WIG AND & WEDGEFUTH WILL
HANDLE THIS EXCELLENT INSTRUMENT
IN THEIR WAREROOMS AT 8 EAST
EIGHTEENTH STREET.
trusses, continuous hinges, ivory keys, solid
ebony sharps, extra heavy steel bearing bar,
patent damper blocks, plated mouse-proof
pedals and guard, and new improved music
wrest and fall. It is seven and a third oc-
taves. Height, four feet ten inches;
length, five feet two inches; depth, two
feet three and one-eighth inches.
The following pertinent excerpt from
the Poole catalogue is of interest: Every
piano ought to be judged as to the quality
of its tone, its touch and workmanship; if
any one of these is wanting in excellence,
however good the others may be, the in-
strument will be imperfect. It is the com-
bination of all these qualities in the high-
est degree that constitutes the perfect pi-
ano, and it is such a combination as has
given the Poole piano its prominent posi-
tion with competent judges.
or more pianos which had been exhibited
at the Centennial. Renting a store in the
Young Men's Christian Association Build-
ing the new firm opened up for business in
Philadelphia December 1, 1876.
Two years later the firm moved into its
present quarters, 1508 Chestnut street, and,
in 1879, Mr. Deal born bought his part-
ner's interest and continued the business
alone. About the same time he became
interested in another line of business at
1 216 Chestnut street, under the firm name
of Geo. W. Smith & Co. In addition to his
Chestnut street store he conducted a large
business at 515 Shipley street, Wilmington,
Del. He leaves a wife, two married daugh-
ters and four grandchildren.
R. B. Hoffman Incorporated.
[Special to The Review.1
Chicago, May n , 1897.
The R. B. Hoffman Co., of Chicago, cer-
tifies to a change of name to the Hoffman
Piano Co. and increase of capital stock from
$2,000 to $10,000.

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