Music Trade Review

Issue: 1897 Vol. 24 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
The Frick Piano Case Co. Assign.
The Frick Piano Case Co., of Farley,
Mass., made an assignment on Wednesday
last. The company was chartered in 1893
with a capital stock of $12,000. An authen-
tic statement of assets and liabilities is not
to hand at time of writing.
The /Eolian in Cincinnati.
Active preparations are in progress for
developing the Western trade for ^Eo-
lian products. Mr. Perkins, as the firm's
representative, has left town for Cincin-
nati with Mr. Baldwin, of D. H. Baldwin
& Co. The present plan is to have a spe-
cial ,/Eolian department with a complete ex-
hibit and expert attendants, in connection
with the Baldwin establishment. Mr. H.
B. Tremaine intimated recently through
The Review that Western territory was to
be more largely cultivated.
The present plan of co-operation will
admit of a thorough test being made. If
it produces favorable results as predicted,
it will encourage the ^olian firm to still
further extend operations in this promis-
ing section of the country.
H. M. Brainard Injured.
The home [of Mr. H. M. Brainard in
East Cleveland, O., was completely des-
troyed by fire last Saturday afternoon.
Mr. Brainard, who is president of the H.
M. Brainard Co., was seriously burned
as the result of a gas explosion in the base-
ment of the house and was taken to the
Huron street hospital.
Members of the family detected the odor
of gas and concluded that there must be a
leak in the pipes in the basement. Mr.
Brainard went into the basement to find the
leak. As it was rather dark he lighted a
match near the meter and an explosion im-
mediately followed. Mr. Brainard's cloth-
ing was ignited by the flames and he was
badly burned. The flames spread through
the upper part of the house and the entire
structure was destroyed. The loss is esti-
mated at $15,000.
A Strong Music Firm.
There is probabty no better array of
business men associated with any music es-
tablishment in the country than that pro-
duced by the Wiley B. Allen Company, of
Portland, Ore. Mr. J. E. Whitney, George
A. Heidinger, Rudolph Wangeman and
Mr. Frank Anrys have been associated with
the company for years past, and among the
recent acquisitions is Mr. O. E. Pettis,
Professor E. Stebinger and Mr. L. M.
Stanley, formerly of St. Joseph, Mo. Pro-
fessor Stebinger will be associated with
Mr. Pettis in the management of theirnew
up-town Washington-street store.
Some Recent Music.
Among the latest publications which
have reached us from the Oliver Ditson
Co., are "First Sight" and "Thy Realm,"
two high class compositions for medium
voice by Marquis de Leuville; "Sad Are
They Who Know Not Love," Thomas
Bailey Aldrich's beautiful poem, which is
given two admirable musical settings by
M. A. Fisher. Two other songs which
are very meritorious are "This Would I Do"
by Wm. R. Chapman, and "I Cannot Leave
the Old Folks" by J. W. Wheeler.
Among the instrumental numbers are a
series of piano pieces for teaching purposes
by Leander Fisher and three catchy two
steps, possessing the essential swing and
melody to win their way into popularity—
"Commencement," Herman Babson; "The
Victors," Henry R. Bailey, and "Class Day,"
Mattie H. Ailman.
"Debezies" is the title of a grand valse
de concert by Lucius Lescale which has
been sent us by Thomas Goggan & Bro. of
Galveston, Tex. The melody is unusually
pretty, the arrangement effective; it is
having a big sale throughout the country.
The Hatch Music Co., Eighth and Locust
streets, Philadelphia, Pa., have just pub-
lished a patriotic song and chorus by Dr.
Henry Cook, entitled "The Fourth of July."
Songs of this character are the surest
means of inculcating patriotic sentiments.
New Scale Krells.
The Geo. C. Crane Co., 97 Fifth avenue,
have just received a magnificent assort-
ment of new scale Krell uprights, which
are not only handsome in design and well
finished, but acoustically they are maivel-
ously satisfying instruments. The scale is
certainly a perfect and creditable specimen
of the drawers' skill, not a semblance of a
break being evident. When The Review
called at the warerooms on Wednesday,
Albert Krell, Jr., who by the way possesses
the rare knack of being able to " show off"
a piano like an artist, discoursed on the
merits of these instruments modestly but
confidently. The line of instruments now
in the warerooms is well worthy the inspec-
tion of musicians and the trade.
Unwise to Handle Too Many
flakes.
The unwisdom of handling several makes
of pianos of a similar grade is the subject
of a communication to our esteemed Lon-
don contemporary Music. The writer
dwells upon this all important subject as
follows: " Orders are often given toamaker
or his representative merely because he is
a good fellow, and not because the dealer
really needs the class of piano he has given
the order for. The result of this com-
plaisancy on the dealer's part is that his
showrooms get blocked with goods so much
of a muchness as to quality and price that
he is at a loss to know what to do with
them. They clash in price, and there is
so liberal a choice for his money, that the
customer is bewildered and can't make up
his mind which make to select. The
dealer cannot do justice to himself or to
the makers if he stocks the products of all
and sundry, whereas he can do justice to
himself and to those whose goods he deals
in, provided he puts reasonable limits to
his purchases. In my opinion the dealer
is wise who restricts himself to one or at
most two makes of the same class. He
must in these days keep at least four classes
of pianos and two classes of organs. Pianos
are, of course, more graduated in regard to
merit and cost than organs. There is the
maker who especially devotes himself to
instruments of the most perfect type.
Then there are those who claim to make a
really " high class " instrument and others
who frankly call their goods "medium"
class and " cheap " class. I have proved
by experience that it is better to have one
instrument of each class that one can
honestly recommend than to confuse a
customer by praising three or four, and
leaving him to make his own selection.
It is sometimes asserted that the sole
agency system is all in favor of the manu-
facturer and that he has often been known
to act shabbily with the dealer by with-
drawing the agency after the latter has
spjnt much time and money in populariz-
ing the maker's wares. I do not deny that
such unworthy treatment is on record,
but I hold that our best firms may be
relied on to treat their agents in an
honorable manner, and that one or two
good agencies properly worked are far
more remunerative for the dealer than an
ill-managed general business."
William F. Tway of the Tway Piano
Co., local agents for the Hallet & Davis
piano, is quite optimistic about trade con-
ditions. He reports a steady betterment
as far as his house is concerned, and con-
siders the outlook for improved conditions
unusually bright.
The Bendix Music Publishing Co. have
opened up offices at 145 Austin street,
Boston.
The John F. Stratton Co. have removed
from East Ninth street, to the fourth floor
of 52 Grand street this city.
Joseph Allen, for many years salesman
with the Dearborn Co., Philadelphia, is
now with James G. Ramsdell of that city.
The President sent a message to Congress
this week recommending the appropriation
of a large sum for proper participation in
the international exposition to be held in
Paris in 1900.
Daniel F. Treacy was in Boston last
week looking over trade in that section.
Professional and other musical people of
New York city have quickly discovered the
location of the new Wissner warerooms.
The callers are increasing in numbers, and
their visits are of a satisfactory character.
Emil E. Gabler and J. Bareuther, repre-
sentives of the Gabler products, left town
this week on a two-weeks business trip.
Among the callers this week at the Soh-
mer warerooms was Mr. Hugo Worch, of
Washington, D. C.
E. W. Furbush, of the Vose Piano Co.,
was a visitor to this city this week.
Melbourne A. Marks, superintendent of
the Everett Piano Co.'s factory, Boston,
was in town yesterday.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
From a Traveler's Note Book.
PIANO MANUFACTURING BY SECTIONS SCATTERED FROM MAINE TO CALIFORNIA —NEVER HAS
THRIVED ON THE PACIFIC SLOPE CONFINED IN THE MAIN TO THE GREAT CITIES OF
NEW YORK, BOSTON AND CHICAGO I9OO WILL BE THE PROPER TIME TO TELL HOW
FAR WESTWARD THE STAR HAS MOVED — WHY PIANO MAKING WOULD NOT
SUCCEED IN MEXICO—MANUFACTURERS CONTROL TH E TRADE THEM-
SELVES IN THE GREAT CITIES PROFITS ARE STEADILY BEING
•*
/'
v
CUT WILL A TRUST BE THE OUTCOME OF CLOSE
COMPETITION ? ^ A QUESTION WHICH SHOULD
INTEREST
TRADE
HE manufacture of pianos in
America is carried on over
widely-separated territorial
areas. In Maine—in the far
East—in California—in the
far West, pianos are manu-
factured. In Minnesota, which extends to
the Northern border of the United States,
pianos are manufactured, while Tennessee
to-day marks the Southernmost point.
There is talk of a piano manufacturing con-
cern starting up in South Carolina. I un-
derstand Mr. Dustonsmjth is at the head of
it. If this is the same Dustonsmith who
was in business in northern New York a
few years ago I question whether the enter-
prise ever assumes the prominence to de-
serve serious consideration from the trade
at large.
The three great piano producing States
are New York, Massachusetts and Illinois.
Piano and organ making is carried on in
every New England State save one, and
that is the land of clam bakes and Steinert
fights—Rhode Island.
In New York piano factories are to be
found the entire length and breadth of the
State. In Ohio there are a number of im-
portant manufacturers, principally at Cin-
cinnati and Norwalk. Outside of these
points the factories are small and unimpor-
tant. In Indiana there are two well-known
factories, at Fort Wayne and at Richmond.
Michigan has factories at Detroit, Saginaw,
Grand Rapids and Ann Arbor. In Illinois,
outside of that great piano making center,
Chicago, and its environments, the indus-
try is comparatively unknown, and as
Omie Houghton would say, figuratively
speaking, amounts to but little.
Piano making has never seemed to
thrive in Wisconsin, although there have
been a number of attempts, most of which
have languished by the wayside of pro-
gress. Minnesota seems to be another of
these States that has not been conducive
towards expanding the interests of piano
manufacturing. A number of firms have
started there under seemingly favorable
conditions but have been unsuccessful.
There is one, however, located at St. Paul,
PUBLISHERS.
which apparently is doing well. Throw
in Maryland, which can boast within
its State limits of two well-known facto-
ries, and the State of William Penn, which
contains a number, and there you have
really the piano belt of the United States.
Denver, too, has made one or two at-
tempts to fall in line as a piano manufac-
turing city, but these have not been suc-
cessful.
I do not wish to except California in this
resume, but piano making has not seemed
specially adapted to the Pacific Slope.
Manufacturing in San Francisco has never
reached the stage where it has threatened
to interfere seriously with the demand for
Eastern pianos.
I recollect many years ago when I first
visited California, Tom Antisell was doing
a fair business in San Francisco, and on
the entire Pacific Coast as well. He had
really created quite a demand for his pi-
anos and had acquired quite considerable
notoriety for them at New Orleans in '83
and at Melbourne later, and incidentally
had accumulated considerable wealth. The
field was too limited for him there and he
decided to come East, where he could
reach out and capture the trade of the mil-
lions rather than the few thousand of the
Pacific Coast.
However, things do not go at all times
just to suit us in this world, and Tom An-
tisell's case was no exception. He came
East and, with a nourish of trumpets, lo-
cated at Matteawan, N. J., where he suc-
ceeded, not in piano manufacturing, but
in dumping his hard-earned California dol-
lars in the Jersey swamps.
In other words, the man whose star as a
piano maker shone on the Pacific Coast,
sunk in the gloom of defeat on the Atlan-
tic seaboard. Antisell. his patent wrest
plank, novel tuning pin, and his Califor-
nia ideas were stuck in Matteawan mud
amid the halo formed by Jersey mosquitoes.
Piano making, as a whole, seems to
flourish best in large cities. There are spo-
radic cases, which form notable exceptions,
in outlying towns. Take New York, Bos-
ton and Chicago, and since the inception
of the industry, the two former cities have
been enormous producers of musical in-
struments. The growth of the industry in
Chicago has been phenomenal. In fact, it
might do well to wait until the close of the
century, and then we can better class Chi-
cago in her proper place as a producer of
musical instruments.
In 1900, provided I shall notduring thein-
terim have taken exclusively to harp play-
ing, I shall be much interested to see if the
star of piano making as well asof the empire
has moved westward in the astonishing way
that some of our oftentimes over-sanguine
enthusiasts would cause us to believe.
*
*
*
*
There are excellent reasons why piano
manufacturing has lemained in close prox-
imity to the great cities. In the first place,
it is easier to secure skilled artisans quickly
in those localities without undergoing the
breaking--in process. Again, the matter of
materials—in fact, everything which enters
into the piano, from case to the metal parts,
is easily obtainable in those localities.
I recollect when I was in Mexico some
wealthy gentlemen called upon me at Hotel
Iturbide to gain my opinion regarding
the manufacture of pianos in Mexico. I
told them without much deliberation that
as long as the Mexican Government im-
posed a duty upon the weight of imports it
would be much cheaper for the Mexicans
to ship in the manufactured article than it
would be to purchase the parts, paying the
same duty on all parts thereof as they did
upon the completed pianos. Naturally
there would be a good deal of waste, and in
the completed instruments there could be
none; and au that country had only ad-
vanced in a limited way in manufactures,
it was impossible to produce in the Repub-
lic everything that was needed to enter
into the different parts of the instrument.
Again, the labor question there would be
an important one, there being but compara-
tively few skilled mechanics in the Re-
public. With all far-away points, even in
the United States, the questions of labor
and material are important factors.
*
*
*
*
If we look in the great cities of New
York, Chicago, and Boston, we will find the
fact apparent that manufacturers them-
selves have pre-empted certain trade van-
tage points, which have made it almost im-
possible for the ordinary dealer to advance
to a position of prominence in those respec-
tive cities.
What a small number of dealers there are,
outside of the ranks of manufacturers them-

Download Page 6: PDF File | Image

Download Page 7 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.