Music Trade Review

Issue: 1897 Vol. 24 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
With which is Incorporated THE KEYNOTE.
VOL XXIV.
No. 14.
Published Every Saturday, at 3 East Fourteenth Street. New York, April 3,1897.
THE VIOLIN.
Before the listening world behold him stand,
The warm air trembles with his passionate play;
Their cheers shower round him like the ocean
spray
Round one who waits upon the stormy strand.
Their smiles, sighs, tears are all at his command:
And now they hear the trump of judgment bray,
And now one silver note to heaven doth stray.
And fluttering fall upon the golden sand.
But like the murmur of the distant sea
Their loud applause, and far off, faint and weak.
Sounds his own music to him, wild and free—
Far from the soul of music that doth speak
In wordless wail and joyful ecstacy
From that good viol pressed against his cheek.
Richard Watson Gilder.
MYTHICAL ELEMENT IN TANNHAUSER.
The music-dramas of Wagner possess a
great deal more interest than the mere
stories of their plots, effective staging, and
musical interpretation of the emotions and
events represented.
In the legend of Tannhauser, Frigg-—
Wagner's "Fricka" in "Siegfreid"—is the
mother earth, wife of the god of heaven,
who is called in Anglo Saxon "Woden,"
High-German "Wotan," Norse "Odin.' 1
She appears under the name of Holda, the
blithe, propitious goddess, who may be
identified with "Ostara," Anglo-Saxon
"Eostre," the goddess of spring whose
name survives in "Easter." Her charac-
ter is given in the spring song of the shep-
herd boy in the opera.
bodiment of feminine virtue, that cardinal
quality for which the Latin writers admired
the "barbarous" Teutonic tribes, and held
them up as examples to their degenerate
Roman world. The change from this to a
malignant spirit was in accordance with
the familiar practice of the early mission-
aries, who themselves believed in the exis-
tence of the heathen gods, but either called
them demons and devils, or else identified
them with some saint of the church, as
Freya was often identified with the Virgin.
There were Venus mountains in other
parts. This goddess is the life-giving
power of the earth. But she also had her
high dwelling in Asgard, the Teutonic
Olympus; and in her great hall, called in
the Norse "Folkvangr," it was believed
that lovers separated on earth would meet
once more, nevermore to part till the world
shall perish. She was the goddess of love;
but Teutonic love was not like Latin, Freya
not like Venus. The ancient Teutons be-
lieved that in the springtime the gods trav-
eled over the earth unseen, blessing the
fields and orchards, and calling the dor-
mant forces of nature to action. This
belief is recalled in the shepherd's song.
H. E. O. Heinemann.
POPULAR WAR SONGS.
Much of the music now known as war
songs was not written until the war was
almost ended. The most popular writers
of music at that period were Dr. George
•< Queen Holda forth from the mountain came,
F. Root, Charles Carroll Sawyer and Hen-
O'er field and meadow she hovered,
Enchanting sounds
ry C. Work, and the most famous of the
Bewitched my ear,
few great war songs was Dr. Root's "Bat-
But longing eyes night covered.
Then dreamt I many a blissful dream,
tle Cry of Freedom." It was written in
And, scarce awake, beheld the gleam
1861 and sung first at a big "rally" held in
Of golden sunshine round me.
Union Square, New York, just after the
And May, fair May had found me,
Sounds piping merrily my lay,
first call for 75,000 men. It was sung by
For May has come, beloved May."
a male quartet and took the loyal throng by
Elsewhere the same deity appears under storm.
All the songs made for the period cover-
the name of Bertha (Berchta, Beorhte,
bright), perhaps the Nerthus whom Taci- ing the war were not sad by any means.
tus mentions. The name "Holda" is the One of the most notable comic songs writ-
word "hold," one of the sweetest, most ten by Henry C. Work in 1862 and sung
tender words in the German language, one on every concert stage in the North was
of those untranslatable terms meaning "Babylon Has Fallen," and it marked the
gracious, kind, loving, propitious, all in first general participation of the negroes in
one. She was most emphatically a divin- war.
ity friendly to man, and nothing could be
Everybody who can remember anything
further removed from her character than about the war will recall the desolate
that of Venus. In fact, she was the em- Thanksgiving of 1861. The Federal
^3.00 PER YEAR-
-SINGLE COPIES, 10 CENTS
troops had met with repulse and disaster
in every direction. The South was acting
under its new government, and the breach
was growing wider each day. Then was
born a song worthy of the time and topic.
It was not sectional and was sung in South-
ern homes as well as Northern. Dr. Root
composed and dedicated it to the homes
made desolate by the war, and it was sung
at a great Thanksgiving demonstration in
.New York on that day, "We Shall Meet
But We Shall Miss Him."
Then on July 1, 1862, came the call for
300,000 more men. Hearts that beat high
with hope that the war was about to end
almost broke under the stunning blow.
Right bravely the boys tramped away and
loyally they sang, "We Are Coming, Fa-
ther Abraham, 300,000 More."
In 1863, thinking that the war was about
over, and looking to the end, the whole
North was singing, "When Johnnie Comes
Marching Home Again."
"When This Cruel War Is Over" was a
much-sung song both North and South and
was particularly fruitful in parodies.
One of the grand old favorites written
in 1864, "We're Tenting To-night on the
Old Camp Ground," has been growing in
favor with the years, and half a hundred
grizzled old veterans will sing it all night.
0
THE MANUSCRIPT SOCIETY'S PUBLIC CON-
CERT.
The next public orchestral concert of the
Manuscript Society, which will occur on the
evening of April 22, will be of exceptional
interest. Among the compositions will be
the Suite in D Minor, for grand or-
chestra, opus 36, by Arthur Foote, of
Boston, which was set down for per-
formance at the second public meeting.
The Suite is in four movements. It
is intended to give the songs by Mrs.
Gaynor that were announced upon the pro-
gram of the first concert, but which
were not sung on that occasion. At the
close of the last season Dr. Gerrit Smith
offered a prize of $50 for the best composi-
tion for organ, and Mr. John L. Burdett
offered a prize of the same amount for the
best song. The competition closed on
February 1, 1897, and the successful pieces
will be performed at this concert. A violin
concerto by Homer N. Bartlett is also
scheduled for this event.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TELEPHONE NUnBER, 1745—EIGHTEENTH STREET.
The musical supplement to The Review is
published on the first Saturday of each month.
The past season has evidently been an
"off" one in the matter of grand opera.
With the exception of New York, the West-
ern and Southern cities have been as chary
in their welcome as they have been in
monetary support.
This applies to both
the Abbey, Schoeffel & Grau and Damrosch
companies.
The services of a seer are not necessary
to understand the why and wherefore of
this. The fact of the matter is the schedule
of prices must be changed and at once unless
opera is for the " exclusive few." We have
gone through a severe commercial depres-
sion in this country which compelled most
everyone to be economical in expenditures.
Grand opera managers must have been
aware of this. Then why wail because the
public failed to pay an unreasonable tariff?
The proof that prices are at the bottom
of the unsuccessful tour of the Grand Opera
Co. was demonstrated in Chicago. At reg-
ular prices the season was an appalling fias-
co.
When prices were reduced to a popu-
lar basis, the Auditorium was crowded to
the doors. The managers did not, however,
make the change soon enough. That was
one of several lessons they have learned
recently.
The popular success of opera in this city
or elsewhere in the future depends on giv-
ing opera at prices that will not be extrava-
gant. In this connection we are entirely in
sympathy with the views of Mr. De Koven,
who said recently : "Were the Abbey-Grau
syndicate to cut prices in two, pay their
artists accordingly, engage the best artists
they could under the circumstances, not
losing sight of the fact that the public is be-
ginningto show an interest in native talent,
and put themselves frankly and unreserved-
ly into the hands of the public on whom
they must depend for support, the present
rather precarious operatic situation would
be solved and an era of success both finan-
cial and artistic inaugurated at the Metro-
politan."
Q
The Board of Education is contemplat-
ing appointing a director of music for the
public schools of this city. An excellent
move truly. In this connection there is a
movement on foot to further the candidacy
of Mr. Frank Damrosch for the position.
A number of prominent men have ad-
dressed a communication to President
Hubbell, of the Board, in which he is
highly commended as a musician and as a
teacher.
Mr. Damrosch is certainly well fitted for
the position, and we trust that the Board
will see fit to appoint him. He has splen-
didly demonstrated his ability as conductor
of the People's Singing Classes. Out of
raw material—composed almost entirely
of the wage-earning classes of this city—
he has obtained marvelous results. Mr.
Damrosch's success in this connection has
been frequently commented on publicly.
At the last public concert of the People's
Singing Classes and Choral Union, the
chorus numbered two thousand voices, and
the manner in which all concerned acquitted
themselves was the best possible evidence
of their conductor's skill.
There is immediate need for such a man
as Mr. Damrosch as director of music for
the public schools; the present system is
an absolute failure and needs thorough re-
vision.
o
The problem involved in the popularity
of the music halls is no new one. Mme.
Bernhardt expressed the opinion some time
ago, that the public was driven to variety
houses by the excessive prices charged in
the homes of the legitimate. In spite of
her claims to respect as an authority, she
does not explain everything. A musical
authority writing upon this question seems
to come nearer to the facts of the case. He
says: "The popularity is due to the pre-
vailing freedom, to the absence of conven-
tional respectability, to the determination
of the artists to please, and of the audiences
to enjoy themselves." But he goes fur-
ther: "The skill of the gentleman who jug-
gles is not very unlike the technical skill of
Paderewski or Rosenthal; and when Rosen-
thai and Paderewski play to astonish and
are not interpreting they are on precisely
his level. Rightly to estimate the piano
virtuoso it is absolutely necessary to have
seen and considered the virtuoso on such in-
struments as a set of ivory balls, the silk
hat of commerce, the candle and the candle-
stick, the lighted cigar and cigar holder, and
so forth." But itispossible to go even fur-
ther than this. There is no telling what effect
the problem play,withitseternal wearisome-
ness, has had in driving sensible persons to
the music hall. There, at least, it was not
necessary to analyze motive, or dissect con-
duct. There is nothing ethical in the flight
from a trapeze into a net, or the chorus of a
good song. When the theatre takes on
the aspect of a matter of serious thought,
the crowd will take its ease at a variety en-
tertainment.
0
A personally conducted study tour of the
old world will be undertaken next June
under the personal guidance of Mr. W.
Waugh Lauder of Chicago. The tour,
which will cover a period of sixty-eight
days, is for the advantage of the young
graduate, professor, music student, singer,
pianist and amateur hungry for knowledge.
Musical amateurs or college clubs can join
the pilgrimage; in fact many are already
interested at this early day. All of the
great art centers of the old world will be
visited and every opportunity afforded for
viewing places of interest to musicians.
A stay of sufficient length will be made in
Bayreuth to permit of attending the per-
formances of the second cycle of Der Ring
des Nibelungen. Mr. Lauder, assisted by
others, will deliver a series of lectures en
route on the different places to be visited.
Such an interesting vacation trip will no
doubt be eagerly taken advantage of.
M. Alexis Chavanne, doctor of medicine
and maker of verse, has emitted a thin vol-
ume of maxims. Here are a few:
The social instinct finds its expression
among us in words, among the Americans
in works.
History is the product of two factors:
First, the eternal law of things; second,
man, who eternally misinterprets it.
Inequality of condition among men comes
of inequality of powers. Bring these to
equilibrium and you have the state of
rest; there is neither movement nor life.
Meditate this point: Liberty and equal-
ity are two opposite, irreconcilable terms
of thought. The only possible condition
of equality is that of equal servitude.
Happiness? Stick to your aim and get
there.
And afterward? Afterward begin over
again.
©
There is a romantic story going the
rounds about Rosenthal, the celebrated pi-
anist, which could be utilized effectively by
some of our light novelists, opera librettists
or dramatists. It seems that when Rosen-
thal was taken ill in Chicago, a young wo-
man of rare beauty answered the call for a
nurse, and she performed her duties with
such solicitude and extreme devotion that
through her efforts he was nursed back to
life from what seemed to be an almost fatal
illness. The fair young nurse accompanied
Rosenthal to California during his conval-
esence and it is now rumored that the pi-
anist and his good nurse are engaged to be
married. Furthermore, it appears that the
young woman is not only pretty but the
daughter of a Western millionaire. She
was a steady attendant at Rosenthal's re-
citals and was so smitten with his charms
that she adopted this romantic means of
proving her affection. Verily, this is "just
too sweet for anything."
Minnie Maddern Fiske has found in Stod-
dard's dramatization of Hardy's novel
" Tess of the D'Urbervilles " which is still
running at the Fifth Avenue Theatre, a
medium through which to reach all sorts of
people from the critical to the careless.
Mrs. Fiske is an actress possessing abilities
that amount to genius, and in no play
does she demonstrate her gifts and accom-
plishments as in the title role of this
drama. Her characterization is so human,
so real, so truly artistic that it will not
soon be forgotten. Were a foreign actress
to acquit herself as capably as Mrs. Fiske
in this role, our critics would devote col-
umns instead of inches to praise, but that
is the way of the world. The company
supporting Mrs. Fiske is a strong one, Mr.

Download Page 3: PDF File | Image

Download Page 4 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.