Music Trade Review

Issue: 1896 Vol. 23 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
SPECIALTY TALKS.
QUESTIONS PROPOUNDED BY THE
"REVIEW"
UPON
THE LIVE
MATTERS OF
THE
DAY AND
ANSWERED BY LEADING MEN IN THE TRADE.
Interview XIII—Chas. N. Post.
T TNDER the above head THE REVIEW
yj proposes to give weekly the expressed
views of some members of the trade upon
matters which are of live interest.
It
should be understood that the answers to
these inquiries will be published in every
instance without editorial criticism. In
other words, every "specialty talk" will
fairly express the sentiment of the individ-
ual under whose name it appears, rather
than the editorial belief of THE REVIEW.
There will be no distortion; no boiling
down. The answers will be published with-
out change or comment, and in every case
the individuality of the one whose opinions
are written will be preserved. We propose
in this way to build one of the most inter-
esting features which a trade paper can offer
to its readers. This week Mr. Post favors
us with a talk.
REVIEW—The wonderful development of
the Lyon & Healy "small goods" trade, Mr.
Post, and your experience on the road in
connection with this particular branch of
your business, would fully warrant your
speaking very authoritatively on any mat-
ters pertaining to the manufacture or dis-
tribution of what are commonly desig-
nated "small goods."
MR. POST — I have spent over thirty years
of my life in this house. The last twenty
years have been devoted entirely to the
small goods part of the business in selling
and manufacturing, ten years of which was
spent in traveling in the interests of the
house.
REVIEW—With the "turn of the tide" in
business conditions, which is "so devout-
ly to be wished," do you think the small
goods business will receive a decided
"boom ?"
MR. POST — I can see no reason why, upon
the return of general prosperity, the small
goods business should not feel the effects
at once. While I look for no boom in any
line, I do think that sound money is a
sure winner, and that confidence will be
restored almost immediately after election.
That, to my mind, means that business will
take an upper turn, but capital that begins
to move at the top, must percolate |^ell
down through the body commercial before
it raises the mechanic's wages, or makes
the farmer's wheat or potatoes worth more,
both of which conditions must exist before
genuine prosperity is assured, and which
will take time to bring about.
Mr. Healy said to me in July, 1893, just
after the panic had struck us: " I t takes
five years for a panic to run its course in
this country.' We will not recover from
this one short of that length of time, I am
sure."
As it was in its early stages then, I dif-
fered with him, as we all did here in the
house. We know now that he was right,
as he usually is on such questions. That
would mean that it will be the fall of '98
before it has spent its course.
REVIEW—Competition in your special de-
partment, Mr. Post, is, we presume, as se-
vere as in the majority of other depart-
ments in the music trade industry?
MR. POST—While competition in small
goods is always with us, it does not cut so
important a figure in our small goods bus-
iness as it does with the other departments.
The reason is probably easily found in the
unique position that this concern occupies
as the largest manufacturers and jobbers
of this class of goods in the world, which
gives a strong prestige and attracts trade
from many countries.
We are not con-
fined to any locality or class with the
goods we manufacture, as our banjos sell
CHARLES N. POST.
in England, while this trade has passed its
zenith here; our bandurrias in Mexico,
while there is no demand for them as yet in
the United States; our harps in Germany,
England and other foreign countries, and
so on. Our Washburn instruments, now
so well known all over the world, practically
have no competition, and such slight falling
off as there may be just at present in their
sales, is due only to the hard times.
REVIEW—In point of absolute popularity,
would you consider the mandolin, guitar,
banjo, bandurria, zither or autoharp (in-
cluding the various instruments of the
autoharp family) the greater favorite?
MR. POST—I should place the relative
positions of the instruments you mention,
in regard to popularity, just as you have
above, except that the zither should come
before the bandurria. As for the autoharp
it cannot be really classified as one of that
family, and while its sales are considerable
yet it is sold to an entirely different class of
people, and should be considered more in
the light of a musical novelty which has
scored a wonderful success.
REVIEW—We believe, Mr. Post, your
house has worked up a very considerable
trade with the "Washburn" instruments
in Mexico and South America. Have you
found business in that quarter to turn out
satisfactorily, and is the outlook good for an
increased trade in these localities?
MR. POST—The small instrument trade
in Mexico and South America so far as our
experience goes is largely overdrawn. In
the latter country what business we have
secured has cost us more thus far than the
profits have amounted to. In Mexico I did
some business during my visit there last
winter, but most of the instruments have
to be made 3specially for that trade and
differ very materially from standard styles
required here. Besides, there are only a
few towns in the whole country where
goods of this class can be sold, even if one
has just what is wanted. Free silver is ex-
emplified to its greatest extent in business
in Mexico. A mandolin that we retail here
at $2.50, must be sold there at $10.00. I
sold, while there, a harp that retails here
at $700 gol(/, as they would say, which they
must sell for $2,200 in silver for the same
instrument.
REVIEW—Of the merits of the Lyon &
Healy harp we presume you could dilate at
considerable length. Is the harp, as a
home instrument, increasing in popularity
in this country?
MR. POST—Space would not be allowed
me, I presume, except at so much per
line, to say what I would like concerning
the merits of the Lyon & Healy harp. As
a home instrument it is slowly but surely
increasing in popularity, and with the re-
turn of good times the sales for these in-
struments must rapidly increase. It is an
instrument that will always appear to be
high in price, as purchasers seem to "size it
up " with the piano, and cannot understand
why it should cost so much more. If those
who desire this information will write us,
I will see that they receive a prompt ex-
planation and plenty of literature bearing
upon this subject.
REVIEW—You consider, do you not, Mr.
Post, that the Lyon & Healy harp is, in
point of tone, workmanship and general
appearance, equal to any similar instru-
ment of domestic or imported manufacture ?
MR. POST—No harp ever made can com-
pare with the harps we are now producing,
in quality or quantity of tone, in beautiful
workmanship and perfect finish. The fact
that we are shipping harps constantly to
Europe, the last one a few days ago to Herr
Ohme, the harpist at the Stadt Theater,
Hamburg, Germany, should be conclusive
evidence that they are considered even
there, where prejudice must first be over-
come, superior to those produced elsewhere.
Of all professional musicians a harpist
seeks the best instrument that he can buy,
and the Lyon & Healy harps, with their
many important improvements, appeal
instantly to a person who thoroughly under-
stands this instrument. A player who has
at times almost given up in despair at the
impossibility of keeping his old style harp
in repair, sees at a glance the remarkable
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
simplicity and perfect mechanism combined
in the Lyon & Healy harp, which complete-
ly remove all annoyances.
REVIEW—The Presidential campaign, we
presume, accelerates your business in cer-
tain lines?
MR. POST—Except in the band instrument
and drum part of our business the campaign
usually hurts our trade as it does most oth-
ers. At least we have always imagined so.
In this campaign thus far the business in
instruments and drums is not nearly up to
the mark of past campaigns. I suppose
this can be accounted for largely by the
hard times, and also from the fact that this
seems to be a fight of education rather than
excitement, and people demand literature
rather than quicksteps.
in connection with other lines, such as book
stores, jewelry, drug stores, etc., they are
usually sold by their looks; unless the cus-
tomers themselves are able, to try them.
In the latter case, carefully made instru-
ments with perfect scales, where much at-
tention has been given to stringing the in-
strument properly before sending it out,
and other details that go to complete a per-
fect instrument, are apt to be at a great dis-
advantage by reason of the fact that playing
can only bring out their strongest points.
REVIEW—Is the export trade in "small
goods" in a prosperous condition? Do
you consider it capable of great develop-
ment?
MR. POST—Our foreign customers com-
plain of hard times about as much as do
those at home. Especially is this so with
the trade we have in Argentine Republic,
Mexico and Australia, not to mention New
Zealand, South Africa, British India and
other foreign outlets that we have for these
goods. We have a large customer for our
goods in London, but as the English mer-
chants depend largely upon such countries
as I have mentioned for their sales, the
above condition reacts upon us, and busi-
ness is contracted in that direction. I can
hardly believe that this business is capable
of any wonderful developments abroad,
under the most favorable circumstances, as
our prices must always be higher than
those of Germany and France, and we can
only compete upon the ground of quality,
which is not fully appreciated by the
masses generally.
MR. POST—"Well-up" small goods men
are scarce the country over, and a thorough-
ly reliable, well-posted man never need be
out of a position. The only trouble is that
many would-be salesmen in small goods
consider that if they play a little on two or
three instruments, and possibly have played
a violin in an orchestra, or a B flat cornet in
a brass band, that they are perfectly ca-
pable of going behind the counter in any
music store and-selling instruments. Nine
times out of ten such men are a failure from
the start. A good salesman requires as
much ability and tact, as good address,
and as polite a bearing in the small goods
business as in any other I know of. He
must know just when and how much to
play and learn to sell a customer a $30.00
instrument when perhaps that customer's
original intention was to buy one at about
$8.00. Such a salesman is a success.
REVIEW—Do you not honestly think, Mr.
Post, that, notwithstanding the enormous
strides made in this country relative to the
advancement of musical education, and
a consequent heavy demand for musi-
cal instruments, that the next few years
will inaugurate a period of further enlight-
enment in matters musical, resulting in a
good impetus to the musical industry?
MR. POST—I believe that musical educa-
tion in this country is ever on the increase,
and that there will be as rapid advance-
ment in the next quarter of a century as
there has been in the past (barring the bi-
cycle craze, which I hope has reachtd its
zenith, and which has been an incalculable
injury to the small instrument trade). A
piano no longer fills the bill for music for
an entire family, and while it is, and al-
ways will be probably, a necessary article
of furniture, the young people long for a
variety, and the violin, guitar, banjo and
other stringed instruments are required to
satisfy these different tastes. Therefore
the demand for them must steadily increase.
REVIEW—Are the majority of competent
"small goods" salesmen adequate perform-
ers on the instruments they handle?
MR. POST—In the retail branch of the
business in the larger cities, yes. In the
smaller towns where the business is done
Brig. Gen. James A. Guest.
J
AMES A. GUEST, the well-known and
poptilar music dealer of Burlington,
la., and colonel commanding the Second
Regiment, I. N. G., has been commis-
sioned Brigadier General commanding the
First Brigade.
Col Guest's election has
REVIEW—Does the "small goods" de-
partment afford good opportunities for ad-
vancement of those employed, and does the
minimum of failures among retailers com-
pare favorably with other departments of
the music trade industry?
As for the opportunities afforded men of
his kind, they are as favorable as in any
other line of business and will command
as good pay. It has been my observation,
and it has been that of many others, and I
am sorry to be obliged to state it, that the
young men who possess the natural musical
ability for learning a variety of instruments
are apt to be content with that inherited
advantage and therefore remain "short"
on other necessary qualifications for good
businessmen. Consequently they can ad-
vance to about a certain point, where they
usually stop.
It would be hard for me to say concerning
the failures of retailers in the small goods
business, as there are very few concerns
in this whole country that depend entirely
upon the small goods business for their
trade. The business is almost invariably
carried on by general music stores, or with
some other kind of business, and while fail-
ures of such concerns have been, alas, too
frequent in the last three years, they can
hardly be attributed to the small goods
business.
O. A. THIBAULT, music dealer, doing
business under the name of Thibault &
Smith, in Montreal, Can., has assigned at
the demand of Dame S. S. Fontaine.
Liabilities amount to a little over $4,000.
The principal creditors are A. Collette,
$1,700; Featherston Piano Co., $834; Mrs.
O. A. Thibault, $690.
BRIG. GEN. JAMES A. GUEST.
been disputed by Gen. J. R. Prime, who
claims he will prevent him from exercising
any of the powers of Brigadier General.
But as Col. Guest was commissioned and
directed to take command by the Governor,
it is very probable that Gen. Prime's
"claims" will not amount to anything.
We congratulate Brig. Gen. Guest on his
well-deserved promotion after ten years of
service in the State army. We are proud of
our music trade men, and pleased to record
the honors which are being showered upon
them in their different spheres of activity.
Decker & Son.
D
URING the past week Frank Decker
has on two or three occasions had
the opportunity of demonstrating that he
can handle retail customers as effectively
as dealers, with the result that some excel-
lent sales have been made.
The Zeno Mauvais Music Co., of San
Francisco, Cal., who handle the Decker &
Son piano in that qtiarter, wrote to the
New York firm, in a letter dated Septem-
ber 8, to the effect that indications point to
an excellent fall trade.
Hoerr's Duplex Piano.
H
& F. HOERR, the well-known piano
manufacturers, of Toronto, Can.,
have invented a five string octave duplex
piano, which is attracting much attention
at the exhibition now under way in that
city. They claim it is the best invention
of the century in piano building. The in-
strument is patented by the firm, and can-
not be made by any other manufacturer.
Superiority is claimed on account of its
wonderful power of tone and beautiful sing-
ing quality, combined with an excellent
touch, besides being made of the best ma-
terials and by the most skilled workmen.
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