Music Trade Review

Issue: 1896 Vol. 23 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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VOL XXIII.
No. 20.
Published Every Saturday, at 3 East Fourteenth Street. New York, December 5,1896,
Our European Budget.
LONDON, N o v e m b e r 21,
1896.
FTER a very thorough tour of the
music trade in this city, I can in-
form you with some pleasure that business
is phenomenally good. Everywhere manu-
facturers seem to be working overtime in
order to fill orders which they report are
away behind in delivery. In other indus-
tries, as well as the music trade, there
seems to be a complete revival of business
this autumn—so complete in fact that it is
the general impression that it is not here
to stay for any great length of time. But
as far as I can see, there is nothing to pre-
vent its continuance. Labor strikes, which
seem inevitable when times are good, may
crop up, but there is no use in inviting
trouble until it comes along; suffice it that
a big "boom" is now on, and manufactur-
ers really understand what it is to be busy.
A
CASE WORK—ENGLAND VS. GERMANY.
I have been much interested in the new
models and novelties which have been on
view in the showrooms of the different
houses this season. The marked improve-
ment in the exterior appearance of pianos
in general is certainly gratifying and may
be attributed to the competition of the
German instruments, which lately have
taken a "lead" as far as cabinet work is
concerned. In the olden days, the English
makers commanded quite a reputation for
their cabinet work, but as far as pianos and
organs are concerned, there has been little
evidence of artistic efforts in this line dur-
ing recent years. Your country has really
"set a pace"—particularly in the matter of
organs—with which we are unable to catch
up.
The Germans have taken a lesson,
evidently from the United States, and
some of the pianos of German manufacture
which are being sold in this city are cer-
tainly praiseworthy examples of artistic
case work. Rut as I remarked above, the
* 3 .oo PER YEAR
SINGLE COPIES, 10 CENTS
English manufacturers, although consid- augments the tone volume of the piano to
ered proverbially "slow in action," are giv- which it is applied.
ing evidence of not only being able to com-
AN UNIQUE INVENTION.
pete with their Teutonic competitors, but
Another novelty which interested me
I am confident that in due time they will during my recent journeyings was a com-
give them a close run "for place."
bined music cabinet and stand, manufac-
DANIEL MAYER'S PATENT RESONATOR.
tured by H. Zender & Co., Scrutton street,
Among the novelties of the season there Curtain Road, E. C. This is an unique
can be no question but Daniel Mayer's invention and it seems to be a success, for
Patent Resonator is a great "leader." All a large number of instruments have been
the leading pianists, headed by Paderewski, sold during the past twelve months. The
who, in a letter says: "It makes the tone of music cabinets are placed at both sides of
the piano richer, fuller, and adds greatly to the piano simply through a slight extension
its singing quality," and a host of singers, in width of the case. It is hardly notice-
composers and directors, as well as the able, owing to a neat curve in the case
daily press, consider it "the greatest im- which form doors at each side, inside of
provement in pianoforte construction of which are the stands for holding music;
they can be raised over the piano so as
the age."
This is rather a strong expression of to enable soloists to utilize them while
opinion, but after hearing the Resonator, I playing in conjunction with the per-
am convinced that it is an innovation of former at the piano. In the meanwhile,
great merit and utility. This is apparent the symmetry of the instrument is not in
from the fact that over a thousand pianos the least injured and the manufacturers
have already been fitted with this device. claim that the cabinets form air chambers
The headquarters of the Piano Resonator at the side which augments the tone of the
(Daniel Mayer, Patent) Limited, are at 33 instrument.
New Bond street, and their courteous at-
THE "THIBOUVILLK MODE1." CORNET.
tendant seems to be constantly engaged de-
At the showrooms of J. Thibouville-
scribing the merits of this invention to Lamy & Co., 7 to 10 Charterhouse street,
visitors.
E. C, I was informed that they had just
A BAMBOO PIANO.
placed a new cornet on the market called
T. W. Harper, Hornsey Road, W., is the "Thibouville" model. It is one of the
manufacturing a real novelty in the form of most perfect and most elegant instruments
a bamboo piano which seems to be "tak- ever turned out by this distinguished firm,
ing" with the trade, particularly with ship- that is for general use. The assortment of
pers. The case is certain])' both unique instruments carried by this house is varied
and artistic and is well constructed. For and complete, and their business in the
certain household effects this bamboo piano United Kingdom is steadily on the increase.
should be "just the thing."
STORY & CLARK IN LONDON.
STILL ANOTHER RESONATOR.
The union of the house of Story & Clark
The Schrieber Piano Resonator Co. have and F. Kaim & Sohn, under the firm name of
recently secured premises at 80 Wigmore Story & Clark and F. Kaim & Sohn, Piano
street, for the purpose of convincing mu- & Organ Co., Ltd., seems to have infused
sicians and dealers that the Schrieber a new spirit (may I say an American spirit?)
Duplex Resonator is superior to any known of enterprise into this institution. Their
means for improving the tonal quality of business is rapidly growing and the demand
pianos. This Resonator is in the shape for the Story & Clark organs and Wagener
of a sort of platform, or flat box, upon pianos is very satisfactory. The Kaim &
which the piano rests. It is fitted with Sohn pianos—some handsome specimens
sound-posts after the style of a violin, both in uprights and grands, which are on
which connect the top and bottom, making exhibition at their showrooms, 70 Berners
it an effective sound-chamber, and, more- street, Oxford street—are of a high grade
over, utilizes the sound usually lost in the and have won the highest encomiums in
floor or carpet. The Schrieber Resonator Germany, as well as in this country. The
{Continued on Page 16.)
is apparently very effective; and decidedly
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
ICrTRM
EDWARD L\ MAN BILL
Editor and Proprietor.
PUBLISHED
EVERY
SATURDAY
3 East 14th St.. New York
SUBSCRIPTION (including postage) United States and
Canada, $3.00 per year; Foreign Countries, $4.00.
ADVERTISEMENTS, $2.00 per inch, single column, per
contracts.- special dis-
dis
insertion. On . quarterly or yearly contracts.
count is allowed.
REMITTANCES, in other than currency form, should
be made payable to Edward Lyman Bill.
Bnttredat ths New York Post Office as Second Oass Almtttr.
NEW YORK, DECEMBER 5, 1896.
TELEPHONE NUMBER 1745. — EIGHTEENTH STREET.
••THE BUSINESS MAN'S PAPER."
WILLIAM STE1NWAY.
ITH the death of William Sceinway a
great man is taken from the field of
earthly endeavor. William Steinway was
a great man in every way and no matter
from which side we may study his charac-
ter, the fact must impress itself strongly
upon anyone who is conversant with his
life and history, that he possessed not only
all the essential attributes of leadership to
a phenomenal degree,' but he still had that
peculiar and wonderful God-given gift of
swaying men and at the same time being at
all times in touch with the great heart of
the people.
It is seldom indeed that a combination of
such talents as he possessed is found em-
bodied in one human being. William
Steinway was an indefatigable worker from
his early boyhood to the close of his life.
Notwithstanding the fact that he began
to accumulate wealth faster than any man
could spend it, he never relaxed his efforts
W
in gaining, and at the same time his gener-
osity was practically without limit in dis-
tributing it. With him it was toil, toil, to
the end. But it was not vain endeavor, or
for selfish aims—the more rapid the accu-
mulation of properties for him, the wider
became the avenues for their distribution.
While there has been many speculative
theories as to the amount of money which
Mr. Steinway has given for charitable,
benevolent, and friendly purposes, yet the
amount will probably never be even approx-
imately known, because thousands—untold
thousands—were given away by this man,
simply with a desire to do good, and to re-
ceive no reward or notoriety for his gifts be-
yond the kindly expressions of the benefi-
ciaries and the knowledge that their aims
in life would be furthered.
His fame was confined to no land, for it
extended wherever music or art is known.
A German-American, and one of the
noblest types of that race, which has been
embodied to such a material degree in the
development of America. While he could
be called in the truest sense an American,
because he was scarcely more than a boy
when he landed on these shores, yet the
love for the German Fatherland was with
him developed to a large degree, in fact al-
most a passion.
Perhaps no man in America has done
more for the development of German litera-
ture, of German art and German music
than William Steinway. He sought to im-
plant upon these shores the love for those
great products of German intellect which
should become an indestructible part of
American institutions.
The piano trade has aright to feel proud
of William Steinway's record, because he
dignified and adorned that trade in which
his life was worthily spent. His aim was to
elevate—it was the art instinct rather
than the commercial which dominated him.
His business and executive capacity
were of prodigious breadth. His power
of discrimination were such that many a
man would spend hours in weighing this
and that, where William Steinway's power
of analysis was such that his decision could
be made almost instantly and was invari-
ably correct.
Seldom, if ever, has a manufacturer in
any line received such encomiums from the
daily press as have appeared in all parts of
the country concerning the death of Mr.
Steinway. It shows the greatness of his
stature in public esteem.
In this busy, bustling age, when great
men drop from the ranks of the living we
are too apt to forget and too quickly what
they have accomplished, not alone for them-
selves, but for the benefit of their fellow-
men. This we know, that the musical
world of America owes William Steinway
a debt because it was through his vigorous
personality and liberal dispensing of money
—through his time and influence, that
musical art has been fostered and encour-
aged to such an extent in this city. It is
possible that New York would have waited
longer for the initiative, but for his step-
ping into the breach and his generous
encouragement of that artistic spirit which
has been felt in all the musical circles of
this great metropolis, which has had a reflex
effect in all the art centers of the continent.
It was through his influence that the world's
greatest artists have been brought to our
shores, and by their presence have encour-
aged higher musical art.
It was his wonderful business capacity
that enabled him to carry out all his enter-
prises, whether industrial or artistic, to the
highest degree of success. He has won for
himself an enviable place in the musical
history of America. His name can never
be erased from the list of the world's great-
est names.
High up on the scroll of fame will for-
ever be the name of William Steinway.
Should New York easily forget what this
great departed personality has done for her
in an art and industrial sense? By afford-
ing our people opportunities in which to
cutivate a higher art which leads to a high-
er civilization this man was a public bene-
factor.
Should not something be done to per-
petuate in a fitting manner the name of
Steinway in the metropolis of the New
World ?
In the public parks of New York there
are statues of distinguished men. We
would suggest that there could be made to
our collection no more fitting addition
than placing in a prominent position in
one of our parks or public squares a statue
of William Steinway. Then Steinway's
name would be further perpetuated by his
face in enduring bronze which would look
down upon coming generations of Ameri-
cans. His illustrious career should furnish
inspiration to those who come after.
Men of all races would gladly contribute
towards the erection of such an emblem.
The German-Americans would gladly con-
tribute because William Steinway was a
man who loved his ancestral race and home.
Americans would gladly contribute because
William Steinway advanced and has helped
to make distinctive American art.

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