Music Trade Review

Issue: 1896 Vol. 23 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
8
MONG recent changes in the represen-
tation of the "Knabe," as arranged
by Mr. Win. Knabe in his recent trip, may
be mentioned Robert L. Loud, of Buffalo,
and Messrs. Lent & Moore, Ithaca, N. Y.,
who will in the future handle these well-
known instruments.
* *
A
Time was when an old established busi-
ness of a quarter of a century or more was
looked upon as a secure one. The older
and the longer established, the stronger the
foundation, it was thought. And this ought
to be true. But it is not. A long experi-
ence, and a good name for good goods and
fair dealing, ought to be worth something
in the market. And so it is to a certain
extent, but there are evils, or diseases, so
to speak, which attack old firms, just as
they do the human frame when it is ad-
vanced in years. Old blood moves too
slowly for the aged, the younger firms are
more energetic and move more rapidly.
New blood, new life needs to be taken in.
It is a wise old firm that understands this
need in time to save themselves from being
shelved. Another evil which besets an old
firm is old credits, says "Art Trade." It
is n® easy task to cut off old customers
who have been buying for years, and who
have been good pay in the past, but are not
so any more. It is hard to refuse them
credit, but such a refusal must in some
cases be made or the books will soon show
too much money out and nothing to pay
bills due. It is just this danger of being
too lenient with old customers that has
brought disaster to many an old established
firm.
*
When we consider the amazing advances
made in the inventive and mechanical
fields during the past three hundred years,
it is a somewhat curious, as well as a won-
derful fact, that the violin as to form and all
essential details, continues to remain un-
changed and unaffected by the progress of
the age. The foregoing fact stands out in
a remarkably strong light and speaks elo-
quently of the wisdom and knowledge of
the inventors and makers of this magnifi-
cent instrument, particularly when the
wonderful improvements and developments
in the majority.of musical instruments are
considered.
* *
In his correspondence from Canton, O., to
the "World" of this city, James Creelman
relates the following pleasant story of
Major McKinley: "A few evenings ago,
ous, more so, in fact, than any produced
on organ, piano or harp, and would often
be repeated once a minute or so for an
hour or more. Their origin was, of
course, attributed to some abnormal cere-
bral condition, but what that condition
was I am unable to even conjecture, and
leave it, hoping an autopsy may shed some
light that may benefit the profession, and
thereby humanity at large."
Parties who have visited Dr. Foote
claim that he is not, as one would expect, a
typical crank with lots of spare "wheels,"
but an intelligent and venerable philoso-
pher. Truly the world is moving when
nature equips human beings with musical
Clement B. Shaw, A. M., of the Athe- attachments.
mtum Building, Chicago, is the author and
publisher of a very concise treatise on
THE grand upright scale used in the
General Theory in question form, for vocal pianos made by Paul G. Mehlin & Sons,
and instrumental teachers, whether in class which is on exhibition in the window of
or private study. The Socratic method is their wareroom on Union Square, is an in-
employed, and the book is really a valuable teresting as well as unique and effective
assistant in practicalizing and simplifying means of drawing public attention to their
the teacher's work. It also combines a dic- new quarters, and to the handsome line of
tionary of eight hundred forms of direc- new styles which are to be found therein.
tion. It is neatly printed. In cloth, 250 It is not unusual any day to notice an ad-
pages, by mail, post paid, $1.00.
miring crowd in front of the window.
* *
supposing that the coast was clear and
knowing that the day's speech-making was
over, Mr. McKinley walked into the draw-
ing-room. He was feeling in fine spirits
and sat down to the piano, upon which he
thrummed the few chords at his command.
He had overlooked the fact that the shades
were not drawn, and as he finished with a
flourish he was greeted with hand-clapping
and cheers from every window, where
hundreds of faces were peering in. The
dignified nominee for the Presidency was
for once embarrassed, and, jumping from
his seat, ran to cover."
The employees, as well as the members
A new system of organ blowing which
will be found useful where a constant water of the firms of the piano and supply trade
supply cannot be had has been devised by in this city and locality, are practically
an Englishman, F. W. Durham. It consists unanimous for McKinley and sound money.
* *
of an ordinary hydraulic engine set in mo-
*
tion by means of oil or water and glycerine,
The fall season is with us and is being
which is drawn from a tank and driven
through a force pump by a small gas (or felt just now at the warerooms in this city.
oil) engine, the latter being placed at a Retail business is picking up all around and
convenient distance from the organ. The in some warerooms quite an active trade is
exhaust from the hydraulic engine is car- being transacted. Rentals have been es-
ried back again to the tank, thus prevent- pecially brisk for the past week—much more
ing any waste of the liquid used. No so than in previous years, and in fact it
has been either sales or rentals; sales
water service or main is required.
on installments not being as active as
usual. There is something in this. It
The popular lines of the poet who sings means that the people with spare money
about "the man who hath not music in his prefer to buy for cash, and those who
soul," etc., can now be placed "on the haven't got the money consider it wiser to
shelf," as it were, for we read of a Kansas rent than to purchase on the installment
physician who is destitute of "music in plan.
his soul" but has apparently considerable
Carreno's Triumphs.
quantities of it in his stomach.
Dr. I. N. Foote is- the individual thus
ERMANN WOLFF, of Berlin, the
endowed. He is a graduate of a New
widely known European impresario,
York medical college and is well known in
Argentine, Kan. The phenomena is so in- wrote Mr. Ferdinand Mayer, of Knabe &
explicable that he has already made his Co., in a letter dated Oct. 12, as follows:
" Before Madame Carreno commences
will bequeathing his body after death to
science for the purpose of investigation. her American Tournce it will be absolutely
In his last document which he has pub- necessary to cancel a number of concert
engagements, both in Germany and Rus-
lished he says:
"For a period of eight years a noise re- sia.
" Madame Carreno could easily fill the
sembling the interrupted escape of steam
from a locomotive was heard with every entire winter in Germany alone, applica-
pulsation of my heart, which led me to tions are so numerous.
"As evidence of her great success in
suspect thrombosis cerebri and greatly an-
noyed me, but during this time I was fre- Russia, she has been re-engaged by the
quently entertained after retiring by hear- Kais. Musikgesellschaft to appear in both
ing two soft and musical notes of about St. Petersburg and Moscow. "
one second's duration each, commencing
Madame Carreno opens her tour on Jan.
on G of the middle scale and ending on D 8 and 9, in this city, when she will appear
below.
with the New York Philharmonic Society.
"These sounds were peculiarly melodi- She will use the Knabe grand exclusively.
H
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
SPECIALTY TALK5.
MR. BOOTHE—Lots of them. It isn't what
the pianos cost on your floor, or what it
costs to sell them alone that manufacturers
QUESTIONS PROPOUNDED BY THE " REVIEW " UPON THE. LIVE MATTERS OF THE DAY AND must take into consideration—it's June,
July and August—accidents that cause de-
ANSWERED BY LEADING MEN IN THE TRADE.
lay, and add unforeseen expense and
numerous other expensive contingencies.
The only man who is safe in estimating
cost, is the manufacturer who can figure a
hundred dollars gross margin on paper, but
T TNDER the above head THE REVIEW making the buying public believe that they
believes in but ten dollars net.
y^J proposes to give weekly the expressed are giving vastly superior goods to the
REVIEW—Can a manufacturer make and
views of some members of the trade upon other fellow, quality taken into considera-
matters which are of live interest.
It tion, at lower figures. The commercial sell pianos, selling for $100 or less, and
should be understood that the answers to piano, however, is a great, big, assured make any headway, unless he is manufac-
these inquiries will be published in every fact, and has come to stay—by the com- turing at least fifty pianos a week?
MR. BOOTHE—That's another question
instance without editorial criticism.
In mercial piano, understand, I do not mean,
other words, every "specialty talk" will strictly speaking, the cheap piano, but a that you asked before. I infer you want
fairly express the sentiment of the individ- piano sold strictly on its merit at a fair ad- to know if a good piano can be built under
a hundred dollars at a profit. 1 say again,
ual under whose name it appears, rather vance over cost.
than the editorial belief of THE REVIEW.
REVIEW—Mr. Boothe, to get right down no, not at a profit.
REVIEW—Mr. Boothe, some of the trade
There will be no distortion; no boiling to the discussion of solid matters, is the
down. The answers will be published with- hundred dollar piano profitable for those papers have accused you of manufacturing
what is known in trade vocabulary as
out change or comment, and in every case engaged in its manufacture?
"rattle boxes." What say you to this
the individuality of the one whose opinions
MR. BOOTHE—Have you ever heard of
are expressed will be preserved. We pro- anyone becoming a Jay Gould from the charge?
pose in this way to build one of the most profitsof | i o o pianos? No; then I haven't
MR. BOOTHE—What have I to say ? Well,
interesting features which a trade paper can either, and for the simplest of all reasons— really, you surprise me. I, accused of
offer to its readers. This week Mr. Bcoihe
making "rattle boxes" ? Those are things for
favors us with a talk.
babies, are they not? I'm not in the rattle
box business. I am making pianos—you
don't
see any sign over this door that indi-
REVIEW—Mr. Boothe, as your rise as a
cates
that this is a rattle box factory, do
manufacturer during the past three years
you?
However, if you mean that certain
of unusual business depression has been
papers
have said that we are slaughtering
somewhat phenomenal, your opinions re-
prices,
and
could not therefore make a reli-
garding present and future piano conditions
able article at the figures, then I have to
will be of interest to the readers of THE
say in answer, that every dealer in the
REVIEW. In the first place, Mr. Boothe, do
United States knows why any trade paper
you consider that the "cheap" piano has
attacks
a manufacturer, and attempts to in-
come to stay? In other words, do you not
jure
his
business by the publication of ma-
consider it an emergency piano?
licious statements. Further comment is
MR. BOOTHE—If you mean by "cheap''
superfluous.
pianos, the poorly constructed affairs made
REVIEW—What do you consider next year
to sell for five dollars less than the other
will
be the average price for an alleged
fellows, no, decidedly no. If, on the con
"rattle
box"?
What for a cheap piano?
trary, you mean a commercial piano that
what
for
a
medium
or a commercial instru-
will stand ordinary wear and tear, made to
ment?
sell solely on its merits without any charge
MR. BOOTHE—By "rattle boxes" I sup-
for name, I should say, yes.
pose
you mean pianos; well, for "rattle
REVIEW—Having once fairly bridged
boxes"
anything you can get. For commer-
over the hard times, do you not consider
cial
pianos,
anywhere from the lowest
WM.
F.
BOOTHE.
that the cheap piano will become both ad-
figure
to
$250;
for the medium, anywhere
to
make
pianos
profitable
at
this
figure
they
vanced in price and quality?
from the highest figure down to $250. I
would
have
to
be
constructed
in
much
larger
MR.'BOOTHE—Those cheap manufacturers
think that the average piano will retail from
who have managed to bridge over the quantities than any factory at present can
$275
to $350, on installments; any dealer
tight times will, if they remain in business, produce, and would have to be made up so
should
know therefore what he can afford
of necessity advance prices. In proof of cheaply that no dealer .would handle them.
to
pay
for
pianos. Pianos will never again
this statement, call to mind the manufactur- Mind you, I don't say that there are not
see
the
low
figures of the year past; the
ers who have failed this year from the mere good pianos made for $100, but those
good
times
for
the close buying dealer with
fact, as shown by their final statements, manufacturers who are offering a good
a
pocket
full
of
ten dollar bills and heart
that they were selling goods at less than piano at this figure, do so simply as a bid
full
of
gall,
is
a
thing
of the past.
cost; for instance, Keller, of Bridgeport, for their other styles on which perhaps
REVIEW—You have read, no doubt, of the
Prince & Son, Apollo piano, Shaeffer, they may clear some profit; but depend
Russell, Muehlfeld & Haynes, and others. upon it, the fellow who has not other styles agitation of the "$75 box." Do you con-
With very few exceptions have losses had to help out his $100 piano, must either lose sider that it exists to any appreciable ex-
anything to do with these failures' As to money or make a very poor affair, in order tent save in the minds of imaginative
editors?
quality, how can the cheap piano advance to show any profit at all.
MR. BOOTHE—There is a miniature piano
in quality, unless it advances in price?
REVIEW—In your opinion, can a manu-
made
for $75, I think by the firm of
facturer
sell
pianos
costing
$100
or
less
and
REVIEW—Do you consider that the cheap
. What you want to know is, if
make
headway?
piano will become merged in what we may
there
is
any regular 4ft. 6 piano being
MR.
BOOTHE—Have
answered
that
ques-
term the great,mass of commercial pianos?
made
at
this
figure. No, and every trade
tion
before.
No—decidedly
no.
MR. BOOTHE—I think you will find the
editor
who
says
so lies, and every dealer
REVIEW—Do
you
not
think
that
there
piano trade of the future about the same as
who
asks
for
them
is a fool. Friend Bill,
are
manufacturers
to-day
who
really
do
not
in the past—certain enterprising and ener-
let
me
tell
you
something
about the $75
know
the
actual
cost
of
a
piano?
getic manufacturers will always succeed in
Interview XIX.~Wm. F. Boothe.
J

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