Music Trade Review

Issue: 1896 Vol. 21 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
"rumors," can there be any possible claim
for damages in that?
The intent of the individual is considered.
That word "intent" enters largelyinto
a libel case.
We most heartily and emphatically con-
demn the publishing of "rumors" which
are presumably printed to injure—not to
benefit.
We hold that it only exhibits a certain
spite, malicious or otherwise, which that
paper holds against the individual or firm
against whom the slur is cast.
No man advances materially in the esti-
mation of his fellow man by casting slurs or
innuendoes upon a man who is seeking to
gain an honorable livelihood in the same
field as himself. Personal dislike should
not influence the editorial utterances of a
paper.
We are really at a loss whether to take
Mr. Harger seriously in this or not.
If seriously, then he should confine his
own references to the affair to brief digni-
fied sentences, or else his actions in the
matter might be construed by some to
mean a bid for notoriety, including a bid
for sympathy as well.
Neither of which would be dignified or
typical of American journalistic independ-
ence.
Again, when considering the matter
do we have to dip far, into the depths of
the musty past to bring to mind a series of
articles which appeared in the Times, which
were far from complimentary to the Indi-
cator?
Let us repeat, if serious, let us be fair.
Consistency and fairness, as well as im-
partiality, is the rightful heritage of the
American people.
*
J
he took it up with a feeling of awe that was
not unmixed with horror, for it proved to
be a rude imitation of a fiddle made of
human skin. The pores are distinctly visi-
ble, and the human hide has become yellow
with age. The barbarous instrument was
presented to Livingstone by a powerful
negro chief as a token of friendship, and
was probably fashioned out of the skin of
some enemy taken in battle.
The celebrated missionary forwarded the
gruesome violin to the British capital,
where, after the lapse of years, it found its
way into the auction rooms, and finally to
this country. The front and back of the
violin were' made of human skin which
was evidently stretched over forms of some
kind and carefully dried, before being
stitched with leather thongs at the sides.
The tail-piece consists of leather, but
the head and neck are of some kind of
tropical wood. In place of the holes,
there are square openings, and the head is
quaintly carved. Some adventurer must
have given the chief a notion of a modern
violin, for the relic greatly resembles that
instrument, but the music that may be
elicited from it by means of the rude bow
that goes with it, is in no wise like the
heavenly strains that are drawn from a
Stradivarius. At any rate, the strange
thing is worth the inspection of every vio-
linist and lover of violin music,
* *
*-
Chas. H. MacDonald, vice-president of
the Pease Piano Co., and manager of the
Western branch of that house, arrived in
town Wednesday morning. Mr. MacDonald
was accompanied by his family, including
his talented young son, Charles Wilbur Mac-
Donald. He will remain in town over a
week, attending the annual meeting of the
company, and arranging with the other
officers of the firm the business details for
the present year. Mr. MacDonald is a
thorough type of the American business
man; a philosophical reasoner and a logical
thinker. He takes a very optimistic view
of the business situation. In a pleasant
interview which I had with him Wednesday
morning, he said: " I find an entirely better
feeling prevailing among the business com-
munity, and unless the money affairs of the
Government seriously interfere, I am con-
fident that we are entering upon an era of
prosperity which will not be short lived.
Our business in Chicago for the past year
has been in many ways peculiar. It has
been spasmodic, so to speak; trade coming
in waves at irregular intervals, for instance:
October and November were decidedly
good months, while December in many re-
spects was disappointing. Yes, I shall re-
main here for a little over a week, after
which I shall go directly home again "
. ADOLPH KRUG, violin maker at 16
Champlam street* Detroit, Mich., is in
possession of a curiosity that is said to have
been the property of David Livingstone,
the great African explorer, and that now
.* *
belongs to a wealthy gentleman of th.at
The council of the city of Leipsic, Ger-
city, who purchased it in London many
years ago for 50 guineas. The relic has not many, shows its appreciation of the value
an equal in the world, and even the price- of American trade by advertising in some
less collections of the British museums are of our most widely circulated papers that
the annual spring fair for manufacturers'
without its counterpart.
When a reporter inspected the curiosity, sample exhibits and sample collections will
take place there from March 2 to 14 in-
clusive, and call special attention to the
fact that manufacturers of certain classes
of goods always select this spring trade sale
as the best time for showing their samples.
Among the instruments to be on exhibition
are musical instruments and musical mer-
chandise.
,
* *
*
.
From a statement made by Mr. Spofford,
the Librarian of Congress at Washington,
it appears that Uncle Sam is making a
handsome profit out of his copyright busi-
ness. Mr. Spofford reports "an immense
development in publishing activity." The
number of books on historical and bio-
graphical subjects is steadily increasing;
but, oddly enough, there has of late been a
heavy decrease in works of fiction, and the
cheap paper libraries, once so familiar on
the other side of the Atlantic, are disap-
pearing. Much of the copyrighting done
during the last year was for newspaper
syndicate articles. Mr. Spofford does not
say to what cause the falling-off in fiction
is attributable.
* •
Charlie Sisson left for home last Wednes-
day, in order to recuperate preparatory to
starting out on his spring visit to his many
friends in the trade. "Charlie" is having
decided success with the 'Shoninger."
* *
The most interesting item at a recent
auction of violins, in London, was one be-
longing to Mr. Corrodus, dated 1741, by
Guarnerius del Jesu. There was much
competition for this instrument, which was
finally sold for $1,850. Among other lots
were a violoncello, by Foster, formerly in
the possession of George IV., bearing the
Royal Arms on the back, which went at
$600; an Ajitonius Stradivarius, dated 1720,
which fetched $230, and one by Francesco
Ruggeri, of Cremona, 1694, which was sold
for $270.
• • -

*

I had the pleasure, under the guidance
of Henry Behr, of examining some new
pianos which Behr Bros, are preparing for
the spring trade. In the designing of
these cases, the firm have made a radical
departure from anything heretofore made
by them. They are artistic and handsome
in appearrance, and will be appreciated by
dealers. Mr. Behr will leave on the 20th
of the month for about a two months' trip
West. "This," said Mr. Behr, "is the
first trip I have made for ten years. I pro-
pose to make rather a thorough tour of the
country, going by the Southern route,
which will be a very good time to visit the
Southern States up to Los Angeles, San
Francisco, thence to Portland and Tacoma."
* *
Herman Leonard, big, husky, hustling
Leonard, of Dolge faith and fame, left
yesterday for one of his extended Western
trips. Mr. Leonard will journey out visit-
ing the principal cities on the Northern
route. His trade in Chicago has grown to
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIFW
such an extent that it now necessitates his
remaining" there a large portion of his
time. Notwithstanding the fact that Her-
man is a great hustler, yet he finds that the
Chicago trade has developed to such an ex-
tent that it takes a good deal of his time to
attend to it. He has a host of friends in
the Windy City, who are always glad to
welcome him within their gates, and always
have a hat full of orders ready for him.








.
*

"



"Is there any truth in the report that you
have taken hold of the electric self-playing
attachment which was manufactured by
the Electrical Self-Playing Piano Co.?"
asked THE REVIEW man of Mr. W. H.
Heins, manager of the Farrand & Votey
Organ Co., 131st street and Park avenue,
a few days ago.
"No, there is not," he said, "and there
are no negotiations under way at the pres-
ent time. Mr. Davis, who is a clever
man, has simply entered our employ as an
electrical expert, and is going to do some
experimenting for us.
"No, I cannot say whether we will take
hold of the Davis Attachment at some
future time or not."
* *

' Oscar Hammerstein pays Yvette Guilbert
$16,000 for her engagement of one month
at the big new Olympia. Hillary Bell was
thrown into a spasm of arithmetical calcu-
lation by his discovery. These figures re-
present the cold facts of the contract, and
here are a few of his conclusions:
"During her last season in this country
Adelina Patti received $4,000 a night, the
highest salary ever paid to an operatic artist
since the world began. But Patti had to
sing for about four hours every evening in
order to earn her money. On the other
hand, Yvette Guilbert will sing, say at the
outside, twenty minutes every night.
Seven appearances a week will occupy one
hundred and forty minutes, or two hours
and twenty minutes in all. We may thus
observe that Guilbert receives a higher
salary for the time she is actually employed
on the stage than is demanded by Adelina
Patti. Now consider Jean de Reszke, the
famous tenor of the Metropolitan. His
salary is $1,500 a night, and he must sing
for nearly twelve hours in order to earn as
much money as is paid to Yvette for one-
sixth of that time. Mme. Nordica, the
greatest of Isoldes in the greatest of music
dramas, whose appearance in this role will
draw from $10,000 to $12,000 into the Met-
ropolitan box office, must sing for sixteen
hours to gain the amount paid to the French
woman for a little over two hours of effort.
Emma Eames one of the most celebrated of
modern prima donnas, spends four hours
in earning the sum paid to Guilbert for
twenty minutes' work. Herbert Kelcey, the
leading actor of the Lyceum company, has
to act for three months to receive the
salary earned by Guilbert within a period
of about two hours. At the honorarium,
which Olympia gives her, Yvette is paid
for eight days, computing the day at twelve
hours of continual work, more than the
President of the United States receives for think it funny to move the wandering min-
his four years in office. Her income a strels. Actuated by the former motive,
minute is about $75, or, in other words, an eminent scientist paid a boy a quarter
Yvette Guilbert can earn within sixty to go and suck a lemon in front of the flut-
seconds the amount that an honest day ist and French-horn players, and the man
laborer would have to work two months with the oboe, who had located in front of
for. Her nominal salary amounts to $208,- his office; and no sooner had the bandmas-
000 a year, but computed by her actual ter caught sight of the boy than he removed
time on the stage, Yvette Guilbert's income his artists to the next square. The boy
is larger than that of the Astors, Vander- followed, and again the band moved. The
third time the lemon-sucking boy faced the
bilts or the emperor of Russia."
wind instruments, the bandmaster, who had
* *
gradually grown infuriated, struck the
Referring to the advertisement which lemon from his mouth. The boy howled,
Chickering & Sons are now running in the and a policeman who arrived inquired the
daily papers, the Press in its issue of last cause of the disturbance. The bandmaster
Tuesday says: "It is with justifiable pride said he was standing there sucking a lemon,
that Chickering & Sons point to the instru- which the officer explained the boy had a
ments that now bear their name as the best right to do; so the leader proceeded to other
in all respects that they have ever produced, parts. Hence the scientist is convinced
great as have been their achievements. that it is a fact that it is impossible for per-
Their constant purpose has been not only formers to blow into wind instruments if
to hold themselves in line with their most they see any one sucking a lemon. This
worthy competitors, but to keep in advance is the starting point for an essay which the
with the introduction of every improve- scientist is preparing on the subject of the
ment that incessant study and ripe experi- impossibility of falling in love with any
ence can suggest."
one while whistling.


/

'
The chairman of the Finance Committee
A NEW wareroom has been opened in Red
of the Atlanta Exposition says that when-
Wing,
Minn., by A. J. Case.
the debts are paid the enterprise will have
cost Atlanta about $200,000, or less than 10
per cent, of the money expended on the
fair. This includes the original stock
subscription and the appropriation of the
city, which is regarded as satisfactory. " I t
is estimated that the immediate benefit to
Atlanta in money expended here by Expo-
sition visitors amounts to $5,000,000, and
that the ultimate benefits to the city and
Cotton States are immeasurable."
HE exports'of organs, pianos and musi-
cal instruments from the port of New
Quite a number of factories closed part York to foreign countries during the period
of last week for the purpose of taking an of four weeks ending Nov. 26th, 1895,
inventory of stock. It is too early yet to amounted to $80,535, distributed as follows:
get the results, but manufacturers feel that
GERMANY
a good substantial increase will be shown, AFRICA, SOUTH
Organs . . . $6,962
Organs . . . $ 4,537
resulting in the figures on being the right
450
Pianos .
1.795
Pianos . . .
100
Musical Insts.
side of the ledger.
ARGENTINE
GUIANA DUTCH .
T
171
Geo. E. Chamberlain, who is looking
after the interests of the McCammon Piano
Co. on the road, is meeting with well
merited success. He is aided no doubt
by the fact that the pianos which he repre-
sents have attained a deservedly high rep-
utation, thus it is not a difficult thing to fill
up an order book. The McCammon pianos
for 1896 will be right up-to-date, both in
appearance, tone and finish, and their out-
put is destined to be accentuated.
* *
*
It seems that at business and other places
where the playing of a street band is annoy-
ing, it is customary to send a boy out to
suck a lemon, facing fhe men who play the
wind instruments. These men cannot play
on their instruments at all if they see the
boy's mouth puckered up by the sour lemon
juice, which fact is utilized by those who
are disturbed by the street music; also by
others who want to try the experiment, or
Organs. . .
700
152
Pianos . . .
Musical Insts.
994
AUSTRALIA
300
Organs. . .
Musical Insts.
500
AUSTRIA
Organs . . .
750
BELGIUM
38
Organs. . ."
2,090
BRAZIL
425
Organs . . .
Pianos . , .
580
Musical Insts.
311
CENT. AMERICA
134
Pianos . . .
Musical Insts.
325
CHILI
23
Organs . ;• *
CHINA
250
Organs. . .
Musical Insts.
385
CUBA
1,129
Pianos . . .
COLOMBIA
367
Organs . . .
Pianos . . . 43.633
DENMARK
2,300
Organs . . .
2,623
ENGLAND
Organs . . .
Pianos . , ;
Musical Insts.
FRANCE
Organs. JU}
Musical Insts.
4
HAYTI
Pianos . . .
3'5
HOLLAND
1,407
Organs.
3OO
Pianos . , .
HONDURAS BRIT.
Organs.
85
Musical Insts.
11
IRELAND
Organs .
162
MEXICO
Organs. . .
127
Pianos . .
640
Music Box
"5
NEWFOUNDLAND
Organs . . .
30
NEW ZEALAND
Organs. . .
160
NORWAY
Organs . . *
150
SCOTLAND
Organs . . .
765
SWEDEN
Organs . . .
10
SWI'I ZERLAND
Organs. . .
150
Pianos . . .
400
VENEZUELA
Organs. . .
205
W. INDIES, BRIT.
Organs . . .
207
Pianos . . .
925
Musical Insts.
616
W. INDIES, DAN.
;; . O r g a n s . . .
77

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