Music Trade Review

Issue: 1895 Vol. 21 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
Recent Legal Decisions.
[PREPARED FOR THE MUSIC TRADE REVIEW.]
" : '
CHATTEL MORTGAGE LIEN—FORECLOSURE*
T
HIS department is edited by Bishop &
Imirie, Patent Attorneys, 605 and 607
Seventh street, Washington, D. C. All re-
quests for information should be addressed
to them and will be answered through these
columns free of charge.
PATENTS ISSUED JULY l 6 , 1 8 9 5 .
the use of which all keys are reduced to two
(C major and A minor) so that the work
required in learning to play is reduced.
542,719. Stringing Musical Instruments.
Emanuel Wahner, Vienna, Austria-Hun-
gary- The end of the string is provided
with a grooved spool adapted to be en-
gaged over the hitching peg of the instru-
ment.
542,533. Musical Instrument.
W. B.
Owen, New York, N. Y., and J. H.
Crowell, Vineyard Haven, Mass., assignors
to the C. F. Zimmerman Co., Dolgeville,
N. Y. The dampers are normally held
—The Supreme Court of Georgia held, in
the recent case of Benton vs. McCord, that
a mortgagee of chattels, whose mortgage has
been duly executed and recorded, though
possession remain in the mortgagor, is
nevertheless entitled to have preserved in
its integrity his lien iipon the mortgaged
property until such time as he may see
proper by foreclosure to enforce the pay-
ment of the debt secured, and that by vir-
tue of his interest as mortgagee he may
maintain an action on the case as against a
third person having notice, achial or con-
structive, of the mortgage, who wrongfully
or fraudulently destroys or impairs his se-
curity, and in such action may recover to
the extent that his security has been thus
diminished damages within the value of
the mortgaged property and not in excess
of the debt secured.
INSOLVENCY —MORTGAGE — EYIDENCE.—
542,788.
Musical Instrument.
Ger-
hard Almcrantz, Chicago, 111. Has a double
neck, thereby increasing the range of the
instrument. The neck and bridge are se-
cured to the body by screw bolts so that
they may be readily detached when it is
desired to clean the body.
from the wires by coiled springs and are
forced against the wires by levers pressing
on their upper sides.
The Banner of Wissner.
S
542.271.
Transposing Keyboard for
Pianos and Organs.
W. S. Moses, Tracy,
Minn. A supplemental keyboard is pro-
vided above the regular keyboard, the keys
of said supplemental keyboard being ex-
tended at both ends and pivoted to a slid-
ing board designed to be moved to the
right or left, a distance equal to the width
of the keys in the extension. Means are
provided to elevate and slide the said
board and lock the same in any desired
position.
542.272. Keyboard for Pianos and Or-
gans. W. S. Moses, Tracy, Minn.
A
different operating mechanism from that
shown in the preceding patent to the same
inventor. The object of these inventions
is to provide an attachment or keyboard by
LOWLY but surely the Wissner banner
is being raised in all sections of the
United States.
The Wissner colors are
planted firmly in Brooklyn, Jersey City,
Newark, and in the great city of Chicago.
Then are branches which are controlled
direct from .the parent house, Wissner Hall,
Brooklyn. Aside from these branches there
are a large number of the leading dealers
who have firmly attested to their belief in
the Wissner by securing the agency.
There are reasons for this success, and in
analyzing the causes which have led up to
the successful business which Mr. Wissner
has established, we must consider first,
that he has manufactured instruments
which in themselves possess intrinsic merit.
It was an inherent faith in his piano,
backed by the strong, energetic and earnest
movements such as have been made by him
in different sections of the country that
have assisted to place the Wissner piano
where it is to-day. With those elements of
faith which are essential to success, backed
up by the qualities- of the instrument itself,
truly the path of the Wissner has been on-
ward—and lies still onward.
In the case of Nicolay vs. Mallery et al.,
decided recently by the Supreme Court of
Minnesota, it appeared that in insolvency
proceedings under the insolvency law of
1881 a judgment was entered releasing the
insolvent from all claims held by the cred-
itors filing releases.
A creditor filed a
claim and a release of the same and took a
dividend. He held another separate and
distinct claim secured by mortgage, which
he did not file and on which he received
no dividend. The court held that while
the personal liability of the insolvent was
released as to this claim, the mortgage se-
curity was not, and that on the trial of an
action to set aside a transfer of property
on the ground tha,t it was made with in-
tent to defraud the creditors of the trans-
fer, the inquiry should generally be allowed
to take a wide range and much latitude
should be allowed on cross-examination.
The Court reversed the judgment for
failure to observe this rule.
WILL—BANK
STOCK—INSURANCE.—The
Kentucky Court of Appeals held, in the re-
cent case of Waters et al. vs. Waters, Ex-
ecutor, et al., that where a testator had by
the second clause of his will set apart cer-
tain shares of bank stock, the dividends
upon which were to be used in keeping in
force a policy of insurance upon the life of
his niece, and then provided by the fifth
clause of his will that upon the death of
his niece the proceeds of the insurance
policy and the bank stock should become a
part of his estate, "to be divided as the
remainder thereof as hereinafter directed to
be divided," neither the insurance policy
nor the bank stock was to be considered as
a part of the testator's estate in estimating
what the widow was entitled to under the
third clause of the will, giving her one-
half the estate, and that a tract of land spe-
cifically devised by the fourth clause of the
will was not to be regarded as a part of the
estate in estimating the share of the widow
as that of the other legatees ordistributees.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
Changing Pianists.
AN
S interesting as anything I've seen
in this town," said a recent visitor
to our city to a Music TRADE REVIEW man,
"was a change of pianists that I saw in a
variety theatre. There was a man on the
stage singing a song, and the pianist was
playing the accompaniment. I happened
to see the pianist glancing to the left once,
and I looked in the direction myself and
saw coming down the side aisle a man that
I judged must be the relief pianist, and so
he was. I imagined that he would sit
down for a moment and wait; but, dear
me, I was very slow.
"He was approaching the piano at the
bass end of the keyboard. When he had
almost reached the corner of the piano the
man who was playing began gently sliding
off the seat to the right, still playing. By
this time the relief was abreast of the bass
keys, and these the first player, who was
still sliding steadily to the right, now re-
linquished to him, and then the newcomer,
still standing, but also moving steadily to
the right, struck in in perfect time and
tune.
"There was a brief time, a second or two,
when both men were playing—the retiring
pianist the treble and the oncoming player
the bass—and for a fraction of a second
they were both standing. But now the
new player is fairly opposite the center of
the keyboard; he settles into the seat, and
now it is his hand that strikes the treble,
and now the whole piano resounds to his
resolute touch.
^ "In fact, there never was a minute when
the piano had anything to say about it;
there never was a minute when the men
were not completely masters of the situa-
tion. There never was an instant from the
time the relief approached until he was
firmly settled in his seat when both men
were not continuously in motion; but the
change was made without a jar or a slur in
the music, and without the omission of a
note."
fcfc
Robert C. Kammerer.
ROP in any time of day to the ware-
rooms of Geo. Steck & Co.., and you
will always be sure to find Robert Kam-
merer, or "Bob," as he is called by his in-
timates, at his post. "Bob" Kammerer
has always been of a retiring disposition,
therefore he is not as well known to the
outside trade as other members of the Steck
corporation. He has, however, in New
York, a host of friends in the trade and out.
A man of genial and affable nature, he not
only makes friends but holds them. He
has been connected with the Steck firm
since 1887 in an official capacity, and as a
salesman he has also developed some re-
markable qualities. Quiet and unobtru-
sive, he has always been able to impress
his sincerity upon those with whom he
qomes in contact, therefore he has suc-
ceeded admirably in effecting many sales
of the Steck piano. In the Liederkranz he
is deservedly popular, and the nights of
t;he "Bachelor Circle" with "Bob" Kam-
merer in the chair have been nights long
t;o be remembered by those present. He
was for many years an active member of
t^he National Guard of this State, and is
now one of the veterans of the Twelfth
Regiment, having devoted sixteen years of
fjaijhful service to that organization, and
in. retiring declined a commission. He is
also a member of the New York Athletic
Club,, is a capital fencer and an all-round
clubbable fellow. His work on the Dinner
Committee of the recent piano manufactui-
ers' banquet is well known. Would that
there were more "Bob" Kammerers in the
music trade.
D
A. H. HUYLRR, manager of the Estey
Organ Co. branch at Atlanta, Ga., was in
town last week.
INTERESTING INCIDENTAL PERFORMANCE
AT A NEW YORK VARIETY SHOW.
A
CASUALTIES
A BUILDING is to be erected at Blake's
Mills, Mass., to be used for the manufacture
of Apollo harps for the Flagg Manufactur-
ing Co., of Boston, of which Mr. G. A. Ful-
lerton is manager. Building to be 54x63
feet, three stories high.
THE Burdett Piano Co. has been organ-
ized at Erie, Pa. -Mr. John R. Brown will
be head of the firm.
THE Ann Arbor Organ Co., Ann Arbor,
Mich., has decided to erect a new factory,
five stories high, of brick.
THE Western Cottage Piano and Organ
factory, Ottawa, 111., destroyed by fire.
Estimated loss $150,000.
FRANK TAFT, the organist, has become
associated in a business way with the firm
of J. H. & C. S. Odell & Co., the organ
builders of this city.
THE Cunningham Piano Co., of Phila-
delphia, have secured a large four-story
building, 1105 Chestnut street, where they
will remove from their present quarters
about August 1 st.
"•''-."
THERE is still another story regarding
the organization of the Burdett Piano Co.,
Erie, Pa. This appears to be about the
tenth time such stories have gained pub-
licity through the Erie papers. We await
developments.
J. H. HUFF will open up a music store at
Griffin, Ga.', in the near future. He will
have a concert hail in connection with it,
and expects to be in shape about Sep-
tember 1st.
GEO. NEMBACH, of Geo. Steck & Co., will
probably arrive in New York to-day.
Russell Moves.
T
HE Russell Piano Co. report a gratify-
ing increase of orders from new cus-
CLEAN-CUT endorsement, direct tomers, which speaks well for the growing
and forceful, is that which Thomas popularity of their pianos. W. H. Evans,
A. Edison, the great electrician, has given for some time past the representative of
to Blasius & Sons. There is none of the the Russell Piano Co., in Iowa and Mis-
useless verbiage about it which we see in souri, has purchased an interest in and
so many endorsements, but it is right to been elected secretary of that company.
the point.
Mr. Edison has used the Mr. Evans will in future, cover the above
Blasius pianos for two years in his labora- territory, and it is safe to say that the in-
tory, and likes them. What is more, he terests of the company will not surfer in his
says so, too, in the following expressive hands.
words:
THE Tourjee Music Co. has been reorgan-
MESSRS. BLASIUS & SONS, Philadelphia.
ized
and is now known as Batchelor, Arm-
Gentlemen: I have been using your
strong
& Co., the firm being composed of
piano for the last two years for experi-
W.
H.
Batchelor, Paul B. Armstrong and
ments on the phonograph at the laboratory.
Thomas
D. Mackay. Mr. Batchelor is the
Of all the instruments tried, my experi-
composer
of the music of "Little Robinson
menters prefer the Blasius.
Crusoe,"
"Ali
Baba," "Sinbad" and works
Yours,
of
that
character.—Musical
Times.
(Signed)
THOMAS A. EDISON.
Edison to Blasius.
A

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