Music Trade Review

Issue: 1895 Vol. 21 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
ment, hence the business announcement of
the Automaton Piano Co. has never ap-
peared in the columns of THE MUSIC TRADE
REVIEW.
T
HE Keeley Motor is again coming be-
fore the public, Mr. Keeley having
interested, it is stated, Mr. John Jacob
Astor in his scheme. It is not generally
known that there is a member of the music
trade who is also a stockholder in the
Keeley Motor Co. Mr. Geo. H. Hastings,
the well-known varnish man, and member
of the firm of Hastings & Winslow, Mont-
clair, N. J., has a nice little block of stock
in this enterprise which may at some future
day pan out in a larger and more paying
vein than Al Weber's silver mine.
*
At the great Marlborough-Vanderbilt
wedding-—that golden band which united
mere firmly the two great English speaking
nations—among the list of society people
who attended I noticed that Mrs. C Frank
Chickering was one of those who witnessed
the ceremony at St. Thomas' Church.
Walter Damrosch had the musical arrange-
ments in charge, which were carried out
with much satisfaction and exceeding taste.
In a recent issue of Presto there is an
article relating to the Automaton Piano
Co., and the writer in an interview with
Mr. Emil Klaber says:
But the most remarkable statement made
by Mr. Klaber was one that reflects with
telling force upon the Eastern music trade
press. It is that the Automaton Piano Co.
has not a single contract in force with the
trade papers, and that no money is paid
for the very liberal space given up to the
Automatic pianos in those papers. To be
explicit, these were Mr. Klaber's words:
"The papers are printing these adver-
tisements with a view to what we may do
after the new company is organized. They
consider it a good investment, and so do I. "
This is a severe statement in view of the
stand taken by some of the papers against
"dead wood" and free blows.
I wish to say that this is in substance
what Mr. Klaber stated to me last spring;
when I was having a business conference
with him, he offered me an advertisement
on precisely the same terms which the
other papers, as he said, were carrying the
advertisement of the Automaton Piano Co.,
viz., on not a cash basis but simply "pav-
ing the way for future business."
I re-
fused the contract on such a basis. As
THE MUSIC TRADE REVIEW is run on busi-
Of late I have been in receipt of many
letters from possible piano purchasers re
gardmg the comparative merits of pianos
of different makes, asking me to grade
them, and all that. Now, I do not grade
pianos, I prefer to leave that to other
parties. I usually incorporate this in sub-
stance in my reply: Buy of your local dealer
of good and well-established reputation.
Buy such makes as he recommends and
your pocketbook permits. Do not buy of
itinerant venders of instruments; those
men have nothing at stake, they have no
reputation to maintain, and are nine times
out of ten simply piano sharks. If you
cannot afford to buy the highest price piano
there are plenty of medium instruments
which are fully worth what value the relia-
ble dealer places on them.
* *
*
William Sohmer, brother of Hugo Soh-
mer, was elected Register of this city last
Tuesday by 25,000 majority. He led the
candidates on his own ticket by some
thousands of votes, whi^h furnishes an ex-
cellent idea of his popularity. The enthu-
siastic reception given his picture, which
was shown on the Herald bulletin board on
election night, demonstrated that his elec-
tion was the popular choice.
Egomania is certainly an awful affliction.
It seems to make the victim insensible to
the fact that he is an unmitigated nuisance.
We have an "example" right here in our
midst. This great big " I " would have us
believe that he is the corner stone upon
which is built the great structure called
the music trade industry. He dispenses
gratuitous advice upon public questions,
and discusses the views of public men with
the confidence so peculiar to this disease.
Leading men await his utterances with
trepidation, and he can make or unmake
governments—the disease acts that way.
"Take my advice," he says, "and )'ou will
wear diamonds; if not you go in rags."
What a magnificent study for Nordau!
Much as that distinguished writer has been
abused, there are characters to be found
that prove how well founded are his con-
clusions. "The State! I am the State,"
was the dictum of Louis of France. "The
music trade! I am the music trade," is the
dictum of our local egotist. But somehow
or other the people of France dispensed
with Louis, and it is possible that the
people of the United States and the music
trade industry can get along without our
local egotist. He cannot see it, however.
He isn't built that way.
ness principles, I could not see my way
clear to the acceptance of an advertisement
* *
*
on such conditions or with such an under-
F. L. DREW, with the Vose & Sons Piano
standing. I like business, and we are not
rejecting good contracts, but on such a basis Co., Boston, is making a trip through the
I would positively refuse any advertise- West.
O. C. KLOCK, who recently became con-
nected with the Chase Bros. Piano Co., as
traveling representative, has resigned that
position and is now connected with the
Braumuller Co., of this city, in a similar
capacity.
He left last Saturday for a
Western trip in the interest of the Brau-
muller Co.
R. C. SHELLY, formerly with Smith &
Nixon, of Cincinnati, is now connected
with the Bradbury warerooms in Washing-
ton.
GARDNER & OSGOOD have opened ware-
rooms at 156 Tremont street, Boston, and
are handling the Chas. M. Stieff pianos,
which they will represent in New England.
GEO. H. JONES, JR., musical instrument
maker, Chelsea, Mass., has confessed judg-
ment to the amount of $1,700.
IN connection with the extension of the
Oliver Ditson retail business, rumors have
been common in Boston that they have
purchased, or are about to purchase, the
piano business of J. E. Lothrop & Co.,
Dover, N. H., and E. V. Emilio, of Salem.
J. D. DUSSAULT, music trade dealer, Os
wego, N. Y., vas in town last week, and
left orders for Gordon pianos, which he
represents in that city.
HORACE WATERS & Co. are making pre-
parations to celebrate the fiftieth anniver-
sary of their business, and in this connection
have prepared a very handsome twenty-
page souvenir containing the histor}' of
th^ir house. Horace Waters & Co. now
occupy the entire building at 134 Fifth
avenue, consisting of four spacious floors
with elevator service. They will have a
formal "opening" in a week or two.
THE Levassor Piano Co., Cincinnati, O.,
are transacting a splendid business with
the Lindeman & Sons pianos, which they
speak of very highly.
H.
P. ECKER & Co., the well-known
Pittsburg dealers, placed a large order with
Jacob Doll for pianos last week. By the
way, visitors to the Doll warerooms on
Fourteenth street will notice that these
quarters have been made still more attrac-
tive by decorators.
GEO. N. GRASS is having a royal time out
West, where he has a wide circle of friends.
He is sending in some substantial orders
from admirers of the Steck piano, which
proves that George can have a good time
and yet build up trade for his house.
SOHMER & Co. report such a demand for
their styles No. 5B and No. 7 that they
are completely out of stock in these special
instruments. There is also a run on their
baby grands, and business in general is in
every respect excellent.
A SERIES of invitation recitals will oe
given every Monday afternoon in the New
York warerooms of the Mason & Risch
Vocalion Co., 10 East Sixteenth street.
H. R. Fuller, of the Church of the Re-
deemer, will presides at the Vocnlion
keyboard.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
From A Traveler's
Note Book.
HEARTY ENDORSEMENT OF THE " N E W YORK
NUMBER"
CREATED
COMMENT
ECHOES OF A CALIFORNIA TRIP.
WILEY B. ALLEN
SONALITY
;
AN AGGRESSIVE PER-
LYON & HEALY HIS "FOUR
LEAF CLOVER"
APOLIS
NO END OF KINDLY
GROWING MINNE-
THE GREAT
HOUSE OF
DYER — A BIG BUSINESS CON-
CERN—FOSTER & WALDO—R.
O. FOSTER
that THE MUSIC TRADE REVIEW has been
appreciated by its readers. I have received
a willing and generous support from the
trade in all parts of America. I have been
most hospitably entertained. I have been
enabled by a generous support in all sections
to produce numbers which I think have re-
flected some credit upon music trade jour-
nalism, and have helped to dignify the
music trade before the world.
FLANNER, OF
MILWAUKEE, CONTROLS
AN EXPANDING
The visitor to California, particularly in
the winter, must be charmed, and the trip
from San Francisco up to Portland is one
which affords an unusual variety of scenic
beauty from the car windows.
Almost
every city in the United States has one firm
TRADE.
R. O. FOSTER.
HE many kind words said anent
the "New York Number" of
'THE
MUSIC
TRADE
REVIEW,
which are constantly received
at this office, cause a continu-
ance of that satisfaction which
springs from having perform-
ed an honorable task and being warmly ap-
plauded for same.
It is a physical impossibility to reply in
person to all those who have sent congratu-
latory words to this office regarding that
great issue. I only say that it is with feel-
ings of the deepest gratitude that I express
my thanks to my friends who have ma.de
all of the Special Numbers possible.
THE MUSIC
TRADE REVIEW,
while not
posing as the greatest trade publication on
earth, has given incontrovertible evidence
of its national character and national sup-
port.
Having visited every city of note
from Portland, Me., to Portland, Ore.,
from Quebec to Vera Cruz, I can say with-
out that attempt at egotism, which seems
to characterize the writings of my imitator,
that THE REVIEW has been received warmly
and heartily endorsed by the greatest men
engaged in either manufacturing or retail-
ing American musical wares.
To repeat all of the kind words that have
been said to me would require a greater
number of pages than are embodied in the
New York Number. I for one do not think
it adds to the dignity or standing of a
music trade journal or of a music trade edi-
tor to reprint in cold type everything which
is said in favor of the journal or any pleas-
ant greeting extended to the editor.
It
seems to me to be an exhibition of decidedly
poor taste as well as the possession of egot-
ism of the most glaring character to print
" I tell you that's a great paper you're get-
ting out;" 1 " Your Specials have been the
finest thing the trade has ever seen;"
"There is no question of the standing
of your paper with the trade;" " I t is the
trade paper of the country;" "What
monster editions you are bringing out,"
and scores of congratulatory sentences of a
like character. The whole matter I sum
up in the tollowing brief words:
I have traveled much, have been received
a manner which justifies me in saying
WILEY B. ALLEN.
which stands at the head of the list. Per-
haps travelers can better recognize the posi-
tion which certain firms occupy in the trade
than local residents. There is one strong
personality which permeates the music
trade of the Pacific-Northwest and the
strength of that personality must be appar-
ent to every traveler in that favored section.
I refer to Wiley B. Allen, head of the
great music firm which bears his name in
Portland, Ore. Like Lincoln, Mr. Allen
first saw light in a log hut, and like Lincoln
again, he has shown the possession of a
wonderful amount of perseverance backed
by a strong element of Americanism which
has made him a strong force in the music
trade of the Pacific Coast.
The sketch of Mr. Allen's life is interest-
ing. When he started in San Jose, Cal., in
1877, he had a cash capital of $600. He
purchased a Pease piano with this, and a
small stock of sheet music.
When he
moved to Portland in 1880 things were
lively. That city was in the midst of what
in the West is termed a "boom." Mr.
Allen attributes much of his success in life
to the advice ^-hich he received from Lyon
& Heah T , the members of which firm he
classifies as "his four-leaf clover."
first visited Minneapolis, in the fall of 1880.
I was then on my way to the far Northwest.
It was some three years before I returned.
The progress of the town during that time
was simply amazing. It had then become
a vast manufacturing as well as a distribut-
ing city for the entire Northwest. Music
was then beginning to take a still firmer
hold upon the infant settlements further
West, and great houses had sprung up in
St. Paul and Minneapolis, which controlled
a vast trade in Northwestern Minnesota
and Dakota.
The house of W. F. Dyer & Bro. occupied
then as it does to-day the greatest reputa-
tion of any concern in any section of the
country.
I recollect seeing pianos sold
from the house of Dyer as far North as
Winnipeg. Winnipeg in those clays was a
good hustling city of some eight or ten
thousand.
Prominent among the newer concerns of
the Northwest is the enterprising firm of
Foster & Waldo. The gentlemen compos-
ing this firm arc both Westerners, and are
imbued with all the hustle which the word
implies. R. O. Foster is, I think, the only
leading member of the music trade in Min-
neapolis who can claim that city as his
birthplace, he having been born there in
1859, and since early boyhood has been
connected with the music business. This
concern have fairly won their spurs, and
* *
*
Minneapolis is a town which must assur-
'edly charm all visitors. It is a cit}' which
has developed at a rate which has been be-
yond compare almost. I recollect when I
JOSEPH FLANNER.

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