Music Trade Review

Issue: 1895 Vol. 21 N. 11

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8
THE MUSIC TRADE REVIEW.
we think the business end of the proposi-
tion should be looked to from now on."
I clip the following from the American
Netvsman: "Every store ought to get a
thorough cleaning, painting, and general
repairing at least once a year. This is the
time to do it. Then take a vacation and
you will find yourself a new man with a
new store."
Not a bad idea. If many of our music
trade men took this to heart, neat and at-
tractive piano warerooms would be the rule
and not the exception, as is the case in
many of the towns and even some of the
leading cities throughout the country.
Sir Arthur Sullivan is a short-necked,
thick-set, beetle-browed man with curly
black hair, mustache and side whiskers,
and is somewhat stilted as to manner. He
is one-and-fifty years of age, and has been
composing during five-and-thirty of them.
In his song-writing, which is extensive, his
popularity has been greater perhaps than
that of an) T other English composer. In
addition to his ballads he has composed
some of the best known of modern hymns.
His oratorios, too, have been uniformly
successful; but he is perhaps best known
to fame as the joint author with Gilbert of
that long line of comic operas cut of which
thay made about $450,000 apiece. His
enemies say thac he is rarely civil to any-
body who has not a handle to his name, yet
withal he is not utterly destitute of humor,
and he can tell a good story on occasion.
He has hitherto failed to marry, but he has
been decorated with degrees and orders
innumerable. He was improved into a
knight some few years since, and, having
amassed a comfortable competence, passes
a pleasant life, and is tolerably popular.
A German composer and savant has fig-
ured out that it requires more force to
sound a note gently on a piano than to lift
the lid of a kettle. He says that the mini-
mum pressure of the finger playing pianis-
simo, is equal to n o grams—a quarter of a
pound. Few kettle lids weigh more than
r
two ounces.
"
*
The German's calculations are easy to
verify if one takes a small handful of coins
and piles them on a key of the piano. When
a sufficient quantity is piled on to make a
note sound they may then be weighed, and
these figures will be found to be true.
If the pianist is plaj'ing fortissimo, a
much greater force is needed. At times a
force of six pounds is thrown upon a single
key to produce a solitary effect. With
chords the force is generally spread over
the various notes sounded simultaneously,
though a greater output of force is un-
doubtedly expended. This is what gives
pianists the wonderful strength in their
fingers that is often commented on. A
story used to be told of Paderewski that he
could crack a pane of French plate glass
half an inch thick merely by placing one
hand upon it, as if upon a piano keyboard.
and striking it sharply with his middle
finger.
Chopin's last study in C minor has a pas-
sage which takes two minutes and five sec-
onds to play. The total pressure brought
to bear on this, it is estimated, is equal to
three full tons. The average "tonnage"
of an hour's piano playing of Chopin's
music varies-from twelve to eighty-four
tons.
*
I had an interesting discussion recently
with an advertising man upon the question
of personal organs or circulars versus legit-
imate advertisements in the trade papers,
and he expressed himself so vigorously on
the subject that I think it worthy of re-
counting. He said: "The manufacturer
who depends upon circulars—be they in the
form of a paper or a four or two-page leaf-
let—as a means for business-bringing may
not be a mistaken man, but it is noticeable
that the mistaken men use these mediums
exclusively.
"The wide-awake, progressive and live
business man must admit that a three-inch
advertisement in a good trade paper has
more value than barrels of so-called circu-
lars. In fact, hundreds of successful busi-
ness men will concede that this is the only
key to success.
" I t is true a catalogue well written and
printed is a necessity, and in many cases is
as important a factor in trade as are the
goods themselves, but the catalogue must
be supplemented by advertising in trade
papers, so that it may secure a profitable
distribution.
"Experience has demonstrated that the
sending through the mail of any printed
matter unasked for, unless it be something
unique and of unusual merit, has seldom
brought in adequate returns. The waste-
paper basket could tell its story in this con-
nection—a story which should prove a for-
midable warning to those who depend sole-
ly upon that means of building up trade."
T
HIS department is edited by Bishop &
Imirie, Patent Attorneys, 605 and 607
Seventh street, Washington, D. C. All re-
quests for information should be addressed
to them and will be answered through these
columns free of charge.
545,963. Key Attachment for Stringed
Instruments. J. H. Ling, Detroit, Mich.
A small device to be attached to the neck
of the instrument and provided with a se-
ries of damper plates operated by keys.
The depression of the damper plates ena-
bles an unskilled person to form chords and
play accompaniments.
546,133. Music Sheet for Mechanical In-
struments. P. Ehrlich, Gohlis, Germany.
Patented in Germany Nov. 8, 1892; Eng-
land, May 29, 1893, and Austria-Hungary,
Aug. 1, 1893. The tongues struck up from
the sheet are folded over backward until
^ * \ \ *'
they meet the sheet; when they are soldered
so as to present a solid projection. The
sharp tongues or points which are objec-
tionable in packing are avoided and a
stronger sheet is provided.
546,157. Harmonica. S. Jesselson, New
York, N. Y., assignor to B. Illfelder & Co.,
same place. A reversible casing in one po-
sition covers the blow holes so as to pre-
vent access of dust thereto, and in the
other position permits the use of the in-
strument by exposing the blow holes. The
harmonica'is so constructed as to have a
sliding movement in the casing.
546,174. Metallophone-Zither. F. Men-
zenhauer, Jersey City, N. J. A combina-
tion of the zither and metallophone. The
bars of the metallophone are struck by a
bar in one hand, while an accompaniment
is produced by passing the thumb of the
other hand over the properly tuned strings.
THE KREI.L PIANO CO , Cincinnati, have
under consideration the enlargement of
their factory.
GKO. B. SHEARER, the well known dealer
of Oneonta, N. Y., is in town.
ONE of the best appointed and most mod-
ern music houses in the West is that of
Barnard, Walker & Clewells, of that place,
90 say9 the Hints of Dubuque, la.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
have been turned down, or rather whose Alfred Dolge. Travel where you will, and
instruments have been turned out of the you will find that the work and the theories
of this great modern thinker has extended
Atlanta Exposition, make an exhibit of
their pianos outside the gates? There the far outside of music trade lines, and has
hands of Director General Collier could not been disseminated all over the world.
touch them. It does seem as if every Ex- Small wonder that his tremendous success
ATMOSPHERIC CHANGES
IN THE TRAIL OF A
position must be spiced with a little piano engenders jealousies.
COMET—ALWAYS IN F.VIDKNCK—THE FISCHER.
Siun-f-inesH. This piano sauce is not sa-
RENE GRUNEWAL1) TAUGHT THE STRIKERS
* *
*
vory, but it has to be swallowed.
A LESSON
THEY ARE STRIKING YET.
I ran across a dealer the other day who
I wrote, at the time of my visit to At-
THE TROUBLE AT ATLANTA
DICTA-
lanta last spring, that piano manufacturers had been selling some of the pianos manu-
TORIAL COLLIER HEATS ROOSEVELT.
would do well if they would make exhibits factured by Ilaines & Co., that industrial
WHERE WILL HE HALT? — GREAT

at the Atlanta Exposition. I predicted at institution of which John Haines, Jr., is
IS DOLGE—HA1NF.S & CO. ARE , .
that time that the Fair would be a success, manager. He said: " I am greatly pleased
MAKING PIANOS WHICH ARE
and that it would be a capital opportunity with these instruments. There is a nicety
WARMLY PRAISED
FUR-

to bring the pianos to the notice of all the of detail, a perfection of finish about them
HUSH WHISKS LIKE A
- ,'• \
which I warmly commend. It seems to
South, and of the Latin countries south of
COMET.
me
that Mr. Haines has departed from the
us as well. Also, I made a point of the
old
seasoned paths of piano architecture,
awards, which would be handled on a dif-
and
is now out with something entirely
HE light clothing of the past ferent basis than any Exposition hitherto
new
and
original. He has shown himself
week has been replaced by held. It seems now that there will be
to
be
a
piano
man in the highest sense."
overcoats and thicker woolens mighty few manufacturers who can reach
this week. With such pecu- far enough to knock the persimmons off
liar atmospheric changes a the Atlanta tree. This fellow Collier is
A great traveler is E. W. Furbush. He
traveler must carry, in order fully cognizant of his own importance, and
to be comfortable and to keep he means to exercise his authority with whisks over the country from Maine to
California as rapidly as a comet, and in his
in touch with the weather, several changes despotic sway.
of suits, beginning with light weight tex-
While I believe that non-exhibitors are wake there is always plenty of white winged
ture and run up to heavy chinchilla gar- not entitled to any of the advertising ben- missives flying toward Boston containing
ments. But now that we have escaped con- efits in an Exposition sense- -I mean by orders for the Briggs. The Briggs—the
tact with Faye's comet, why we may that in any of the buildings under direct Briggs—that is Mr. Furbush's cry. He
breathe a little easier, and surely can travel control of the Exposition company—yet to believes in Briggs, talks Briggs, and is a
'
with increased comfort.
assume that an independent building, such part of Briggs.
as
a
State
building
is
supposed
to
be,
has
* *
*
not the right to place a piano of any make
What a difference in the service in the
There is one piano that I always find in in its parlors, is absurd. It is more than
strong evidence in my travels. That is the puritanical, and it out-Roosevelts Roose- two lines of roads which run out of the
Grand Central Depot. The other day I sat
Fischer. What a superb line of dealers velt himself.
this old established firm have in every sec-
Let us take the Maryland Building. In in the buffet car on my way East. I or-
tion of the country, and what a tremendous the State of Maryland there is one great dered lunch shortly after leaving New
record the Fischer firm have made in the firm of piano manufacturers who have ac- York. There were comparatively few peo-
production of instruments. One hundred quired a world-wide reputation. Their pi- ple in the car, and it was only a few mo-
thousand —that is a long way ahead for a anos are known wherever music is taught ments before we reached New Haven that
man who is beginning to manufacture pi- or known or sung. They have been in the I received my, lunch. As I had to change
anos to-day---and, think for one moment, very van of musical progress; have aided cars at that point, I positively refused to
what a tremendous influence those one hun- and assisted it in Baltimore. They have accept or pay for my lunch. An hour and
dred thousand pianos have, scattered as built instruments of the highest artistic ex- a half is just a trifle too long for a hungry
cellence—instruments which have won the man to wait for a bite, and it does not add
they are, throughout all America.
praise of the world's greatest artists. to his sweetness of temper, particularly
* *
*
There is but one such institution in the when the mercury soars in the nineties.
Rene Grunewald, of whose well-appoint- State of Maryland. I refer to that emi- Now, on the New York Central it is differ-
ed guitar and mandolin factory in New nent firm—Win. Knabe & Co., Baltimore. ent. Having traveled on every road of
Orleans I have written previously, showed Maryland is proud of the achievements of note in America, I am frank to say that I
the right kind of spirit the other day with the Knabe firm. The Board of Directors, think the New York Central in point of ser-
strikers. Mr. Grunewald intended to visit who had the arrangement of the State vice and efficiency is excelled by none.
New York to be present at the recent yacht building in charge, or at least supposed They have recently adopted an innovation
races. Orders had been crowding in upon they had, desired to place therein a Knabe in railroading which is worthy of that great
him just before, and he was extremely busy piano the only piano of high repute of system. They now have a corps of uni-
the day previous to his intended departure. which Maryland boasts. But just here is formed attendants to meet all trains at the
A large order was received for mandolins, where their misapprehension occurred. Grand Central and assist passengers in get-
and his men, knowing that he intended to The all-important hand of Collier reached ting street cars, carriages or cabs, etc.
They are attired in costumes as brilliant as
leave town on the following day, thought out and swept the Knabe from the grounds;
worn by the Turks, but they are of unesti-
it would be an excellent time to strike. his giant paw also reached over and scraped
mable value to people not acquainted with
They did, and they are striking yet. Mr. out the Behr Bros, instruments. It now
New York, not only assisting them to land,
Grunewald immediately threw up his pros- is a question whether his agile digits will
but helping them to find the right road in
pective trip, settled right down to busi- reach the Strich & Zeidler, and sweep from
the great metropolis as well. This service
ness, secured a new force of experienced the Atlanta Exposition grounds the pianos
is free, and I think the New York Central
mechanics, and the men who thought they which the directors of the building erected
is the first road in America to adopt this in-
had him just in a position where they could by the State of New York desired to place
novation.
force him to an increase, are still looking therein or not. Great is Collier!
for employment. In Rene Grunewald they
* *
*
found the wrong man.
. . . .
PETER DUFFY, president of the Schubert
There is probably no German-American
who has acquired such world-wide promi- Piano Co.. has returned from his success-
Why not the piano manufacturers who nence in the politico-economic field as ful Western trip.
From A Traveler's
Note Book.

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