Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
4. A composition of average merit. It
is simply but carefully arranged, and
should meet with favor from march lovers.
5. Mr. Watson has given us a tone pic-
ture of an Alpine "outing" which is very
pleasing.
The pastoral atmosphere pre-
vails, and if played with expression and
due regard to phrasing should prove a popu-
lar parlor piece. The cover page is hand-
somely gotten up in colors.
• ;-' ;
WHITE SMITH MUS. PUB. CO.,
BOSTON.
1.
2.
3.
4.
5.
6.
Erste Liebe Waltz,
Boston School Regt. Harch,
Altamont Waltz,
La Rosette, Morceau,
Mizpah Qavotte,
Boston Templar Harch
floritz Pflueger
R. W. Shaffer
Loren Bragdon
Theo. Bonheur
Theo. Bonheur
Rich'd Ferber
1. A very excellent set of waltzes skill-
fully edited by Carl Pflueger. The themes
are melodious if not strikingly original.
Not difficult.
2. A rattling good march in six-eight
time, which should become a favorite with
others besides the Boston school boys. It
has a catchy melody, and a rhythmic swing
that is irresistible.
3. A tuneful and intelligently constructed
waltz de salon in G, with short introduction
in six-eight time. Not over difficult.
4. 5. Two graceful, dainty and poetic
compositions from this well known writer
which should become very popular.
6. An inspiriting grand inarch in G. It
is dedicated to the Boston Commandery
Knights Templars, and possesses the ele-
ments of popularity. The cover is a work
of art. This march is also published for
two pianos and orchestra.
1. Ripling Rill,
1. In My Dreams,
3. Come Back,
Frank E. Sawyer
Louis Campbell Tipton
Eduard Hoist
1. A high class ballad suitable for parlor
or concert. As might be expected from
Mr. Sawyer, the melody is charming and
the setting most effective. This , poetic
and expressive composition is dedicated to
Mrs. A. G. Thies. The pretty words are
by Louisa B. Flanders.
2. A capital ballad, which affords oppor-
tunities for an intelligent singer. The ar-
rangement shows the hand of a musician.
Not too high for medium voice. It is also
published as a duet.
3. Mr. Hoist has wedded very pretty
melody to verse taken from Miller's novel
"The Strike of a Sex."
It is in B flat.
Should meet with favor.
Rosalinde, Qavotte,
Eldorado, flazurka,
The Goblin, Fantasie,
The Cadets, March,
Alpine flemories
Bruno S. Huhn
H. Darlington
Wm. Papp
O, R. White
Jl Jay Watson
1. A graceful and well "written Gavotte
de Salon which should win a large con-
stituency of admirers.
2. Mr. Darlington's mazurka is melodi-
ous and "catchy," and the arrangement is
simple enough to make it" a favorite with
learners.
3. An excellent teaching piece in three-
quarter- time, of medium difficulty. Effec-
tively arranged with pleasing theme. ,
1.
2.
3.
4.
J. Edgar Birch
Robt. Atkinson
Robt. Atkinson
Edalia Scalia
Mattie Woodcock
A Silent Song,
Love, Stay by and Sing,
Bagatelle,
Do You Forget?
' .
5. Heart so True,
1. An expressive and charming ballad for
soprano or tenor-in F. It is in three-
fourth time, and the words are by the
Waldtern Pegg
In Cupid's Court,
Marie Millard composer. This song should find many ad-
All Life is Love,
H. Millard
After,
mirers in parlor or concert.
The accom-
A. M. Cohen
Baby's Twinkling Star,
paniment is not over difficult. It is in
Otis R, White
every respect a song which merits a large
1. Mr. Pegg is the composer of many degree of success.
• .
.{
excellent songs, and this composition is no
2, 3. Mr. Atkinson has given us two high
exception. It is melodious, and the arrange- class songs which should prove most ac-
ment is very effective. It is in F, and the ceptable to concert singers. The words of
words are by that popular song writer, Ed. number 2 are by T. R. Sullivan, and num-
Oxenford.
" I n Cupid's Court" would ber 3 is by T. B. Aldrich. Both are wedded
prove a worthy addition to the repertoire of to pretty melody, and the accompaniment
any of our concert singers.
displays pleasing originality.
Bo;h songs
2. Frank L. Stanton's graceful verse is are suitable for baritone or mezzo soprano.
set to charming melody, and skillfully ar-
4. This is a dignified and well written
ranged by Miss Millard, who gives ample ballad. The air is most pleasing, and the
proof of inheriting her father's talents. A arrangement is singularly effective. It is
good song for concert or parlor.
written for soprano or tenor. The words
3. .A new edition of one of Millard's are in French, with an excellent translation
delightful songs. It is written for soprano into English by Mrs. O. L. Fox.
of tenor and alto or baritone. Deserves a
5. A refined and tender song of the senti-
new success.
mental order for medium voice in B flat.
4. A pretty sentimental song with words Geo. Cooper furnished the verse.
by W. H. Gardner.
Mr. Cohen has added
another to his many graceful compositions.
EDWARD SCHUBERTH & CO., NEW
It is in common time with A\altz refrain.
YORK.
5. A meritorious song in F. The verse
Alfred Remy
1. Schlummerlied,
is by .R. S. Hichens.
2. Erinnerung,
f ; Alfred Remy
1. Merry flaud the Milkmaid,
A. M. Cohen
2. All nixed Up,
Percy Gaunt
3. Two Lit' Cullud Boys,
Rose M. Eversole
1. Of the popular order, and not a bad
one of its kind.' It is in F, with waltz re-
frain and dance ad lib.
2. Not quite- up to Gaunt's previous
efforts. May "take," but the words won't
help it. They are truly "all mixed up."
- 3. • A capital Ethiopian song which should
become popular with all who admire these
"classics."
The words are by Anna S.
Reynolds.
, a> .^. .'...^-". ,.• .
OLIVER DITSON CO., BOSTON
1.
2.
3.
4.
5.
Edward Hoffman
Rondo Caprice,
Edward Hoffman
In the Convent Garden,
Pierre Muller
Boston Valse,
Pierre Muller
Reves de Jeunesse, Valses,
Harry Brundrett
Ye Olden Tymes,
HAMILTON S. GORDON, NEW YORK.
1.
2.
3.
4.
5.
dainty and clever imitation of the "an-
tique," and is well arranged. There is no
reason why it. should not become a favorite.
1, 2. Two chafming etudes by this well-
known composer, which ate high class in
every respect. They should prove effective
either as solo or teaching pieces.
* 3, 4. ;Mr. Muller has written two sets of
waltzes whicli are "of unusual excellence.
The melody has the merit of not being
hackneyed, and the arrangement through-
out displays musicianly treatment.
These
numbers are not over difficult, and should
become popular with all lovers of a good
waltz.
5. This is a quaint musical conceit which
reflects credit on: Mr> Brundrett. - It is
termed a "Dance Gracieuse." It is a verv
1. A graceful and dainty berceuse in
three-fourth time. It is cleverly arranged
and displays fertility of musical expression.
2. This composition is carefully harmon-
ized, and if played with due discrimination
makes an interesting musical number.
1.
2.
3.
4.
Better,
^ •
Perfect Security,
The Sad Evening,
The Serenade,
r
't"
*
Alfred
Alfred
Alfred
Alfred
Remy
Remy
Remy
Remy
Mr. R e m y h a s given vis aq'uartet of songs
which p r o v e h i m to be t h e possessor of
m a r k e d ability in t h e field of song writing,
also as a w r i t e r of p l e a s i n g verse. H i s
melodies a r e e x c e e d i n g l y pleasing, while
the a r r a n g e m e n t s d i s p l a y t h e handicraft of
a t r u e musician. T h e s e very m e r i t o r i o u s
ballads deserve m u c h success, a n d we trust
Mr. R e m ) ' will follow his first opiis with
further proofs of that talent which h e un-
m i s t a k a b l y possesses.
T h e s e songs are
suitable for m e d i u m voices.
• .«•
We have also on our desk two songs of
the popular order, by John J. Mclntyre,
which are named "When Roses Bloom
Again" and "When Cissy Fitzgerald
Winks." They are both waltz songs, and
the words are 1^ the composer.
They are
clearly written to catch the popular taste,
and there is no reason why they should not
succeed. The music of both songs is very
tuneful and quite "catchy."
They are
published by the composer at Port Rich-
mond, vS. I.
.- .;, •
;