Music Trade Review

Issue: 1895 Vol. 20 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
WASHINGTON, D. C, May 15,
1895.
HE following statistics regarding the
imports and exports of musical insiru-
ments have just been obtained from the
Treasury Department:
The dutiable imports of musical instru-
ments for March amounted to $84,998, as
compared with $38,847 worth in March,
'94. The total for the nine months ending in
March footed up $645,616 worth, as com-
pared with $535,268 worth during the same
period of the year before.
The dutiable re-exports of musical instru-
ments amounted during March to $318,
against $329 for the preceding March. The
nine months' total amounted to $7,315,
against $4,512 fcr the same period during
the previous year.
The total value of the domestic exports
of musical instruments amounted in March
to $83,262, against $102,510 during March,
'94. The nine months' values amounted to
$880,532, as compared with $752,356 for the
same period during the previous year.
Of this total were organs to the number
of -807 exported in March, valued at
$51,492, against 783 organs exported in
March, '94, valued at $51,487. The nine
months' total footed up 8,518 organs ex-
ported, valued at $523,176, as compared
with 6,704 organs, valued at $418,615, ex-
ported during the same period of the pre-
vious year.
Of this total also were pianofortes to the
number of 60 exported during March,.
valued at $14,307, against 59 pianofortes
exported during the previous March,
valued at $16,718. The nine months'total
amounted to 683 pianofortes, valued at
$186,131, against 466 pianofortes, valued
at $135,432, for the same period during the
previous year.
All other, and parts of, musical instru-
ments in the above total, amounted to
$17,463 in March, against $34,305 during
March of the preceding year. The nine
months' total footed up $171,225, as com-
pared with $198,309 worth for the same
period during '94.
Remaining in customs warehouse dur-
ing March were musical instruments to the
value of $72,764, against $120,111 worth
during March, '94.
.. •
T
A New Style Taber Organ.
I. I. Cole & Son's Veneers.
HIS is a counterfeit presentment of one
of the latest styles of organs made by
the Taber Organ Co., Worcester, Mass.,
which are receiving a great deal of praise
from the many dealers handling them, not
alone for their attractive case designs, but
for their tone, which is rich and satisfying.
The Taber Organ Co. are meeting with a
special demand for their new style organ,
of which an illustration is shown. It is a
ready seller, and a money maker.
IANO manufacturers desiring a select
and varied line of veneers should not
fail to visit Isaac I. Cole & Son's factory
and warerooms, at the foot of Eighth street,
E. R. Here will be found a general stock
of veneers equal to, if not excelling, that
of any house in a similar business. They
have made veneers a specialty, and their
reputation in this line is unequalled. They
have a number of the leading piano manu-
facturers on their books, and they are al-
ways enlarging their list of patrons.
T
P
The Awards Souvenir.
Gorgen & Grubb.
NDER the title of "Musical Instru-
ments at the World's Columbian Ex-
WHILE Gorgen & Grubb, of Nassau,
position," Mr. Frank D Abbott, of Presto,
N. Y., are among the oldest piano action
has given to the trade a very comprehen-
firms in the United States, their products
sive volume. It is a book of over three
are modern and up-to-date in every re-
hundred pages, which contains, aside from
spect. Their grand, square and upright
a list of the awards, a vast amount of mat-
actions are being extensively used, and
ter germane to the Columbian Exposition;
wherever known are appreciated—hence
that is, that part which pertained directly
business with this concern is very fair, in-
to the music trade in Section I. Mr. Ab-
deed.
bott must have devoted a great deal of time
to. the compilation of this work, as it shows
SECRETARY M. B. GIBSON, of the Weaver
Minnesota flortgages.
••-, evidence of great care throughout. It Organ and Piano Co., of York, Pa., is mak-
seems to us that Mr. Abbott's work will be ing friends in Western New York and
The Supreme Court of Minnesota held, in. appreciated more and more as time rolls Northwestern Pennsylvania, and is also
the recent case of Zelch vs. Hirts, that on, as it is a condensed souvenir of the paying his respects to the host of old
where the question as to the consideration music trade exhibit at the great Chicago friends who are located in that locality.
for which certain notes and a chattel mort- Fair. The illustrations and references are The organ trade with this Company is in-
gage were given is in issue, and there is all timely, and will be found convenient at creasing quite rapidly, and they are work-
no written contract upon the subject of many times in the matter of looking up ing to their fullest capacity at present.
what constituted the consideration, evi- data concerning the Fair. The work is They feel highly encouraged with the busi-
dence tending to show that the testimony carefully indexed, which makes it very ness done at their warerooms, which were
of one party is more reasonable than that convenient in tracing any matter, whether opened at Lancaster, Pa., about a month
official or historical.
of the other is admissible.
since.
U
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
EARLY 40,000 tests by the Forestry
Division of the Department of Agri-
culture'have established these facts: Sea-
soned timber is twice as strong as green,
but weakens with absorption of moisture;
large and small timbers have equal strength
per square inch if equally perfect; knots
weaken a column as well as a beam; long-
leafed pine is stronger than average oak;
bleeding does not impair timber. And still
one fellow told me the other day that his
boy swept up a half bushel of acorns, where
an oak piano of a certain make had stood
over night, and that was in Philadelphia.
*
There appears to be no market for old
wood cuts in London at the present day.
At a sale held recently several lots of them,
including the original blocks used in the
earliest editions of Bunyan's "Pilgrim's
Progress," and a collection designed and
engraved by Thomas and John Bewick,
went for not much more than the price of
firewood. Brother Thorns will not like to
learn this, because it lessens the value of
that collection of his which has been ac-
cumulating some s'teen years, more or less.
* *
"During a conversation with a leading
piano manufacturer," says a writer in the
World, " I mentioned the names of several
men whose instruments have become
famous all the world over, and was in-
formed, much to my surprise, that but one
"of these men could have ranked as a player.
The manufacturer spoken of died some
time ago, and was a skilful pianist. In the
firm surviving him there is no one who can
play. Another strange fact is that some of
the most expert tuners in this city cannot
read music, although their exactness in
tone harmony is the first necessity of their
profession." It does not necessarily fol-
low that to build a good piano a man
must be a musician, neither is it necessary
for a tuner to read music; and the same
could appropriately apply to the music
trade journalist. To succeed in a legitimate
way in either of the vocations, and in all
others, the grade of intelligence is the great
factor—that is a necessary qualification.
* *
*
This was told me by one who knew: A
New York physician, who numbers among
his patients many of the most fashionable
women in town, is an ardent lover of a
"gobd bottle'of old wine.
His dinner was
interrupted one evening last week by a call
to attend a lady living in a fashionable
street in the upper part of the city. The
physician*responded,*but*when"he"felt"[the
pulse of his patient the fumes of the wine
so addled his brain that he could not count
the beats. Provoked with himself, he ex-
claimed under his breath, as he thought,
"Drunk, by gad." The next morning the
full force of his dilemma dawned upon
him, but while he was deliberating as to
the best course to pursue, a note, nicely
perfumed and sealed, was handed to him.
To his astonishment he read: " I t grieves
me more than I can tell that you should
have discovered my sad condition last even-
ing; but I trust, for old friendship's sake,
it will remain a secret with you."
It was
from his patient of the night before.
The making of a piano a hundred and
more years ago was a very slow process,
says The Pianist: " I t was usually done by
contract, often allowing six months or even
a year's time, the purchaser paying so much
cash and the remainder in grain, geese or
chickens, and sometimes even cord wood.
They were made by musicians, schoolmas-
ters or those interested in playing the in-
strument, with no regular order, but each
according to his own idea. When a piano
was finished it was the occasion for a grand
festival. A procession was formed consist-
ing of a band of music, the w r agon bearing
the wonderful instrument gaily decorated
with garlands of flowers and bright stream-
ers, the maker of the instrument and' his
assistants bringing up the rear. When the
house of the purchaser was reached, the
burgomaster would make a speech, the
priest would bless the instrument, other
speeches would follow, and a banquet and
dance wind up the momentous occasion."
It sounds very pretty, doesn't it? and sup-
pose it were really true.
Great guns!
wouldn't it keep the boys busy if that plan
were in vogue nowadays? But soberly, we
question very much of the ancients ever
adopted this plan. Perhaps our exchange
may turn on a little more light.
Musical shots are the latest thing out in
the sensational line. A sharp-shooter of
the name of Pardon fires at the metal bars
of a series of bells. The ball, in striking
the bar, sounds the notes, and the shots fol-
low each other in such rapid succession and
with such accuracy that Pardon is capable
of "shooting" any tune required. This
will fill a long-felt want. A great deal of
new music deserves shooting.
We can all
agree upon that, and we would all favor a
Pardon surely. Truly, the right kind of a
Pardon.
* *
Some startling results, stated Lord Ray-
leigh the other day in a lecture at the Royal
Institution, London, have been obtained in
investigating the sensitiveness of the ear
to sounds. By one method he found that
the ear is capable of responding to an
amount of condensation and rarefaction in
the air equal to one twenty-millionth of an
atmosphere, though by other experiments
the amount seemed to be a tenth less. A
point of some difficulty is, how do we know
the direction of sounds? By trial he found
that pure sounds, such as those of a tuning
fork, tell their direction with certainty only
when at the right or left; while with other
sounds, such as those of the voice or of
clapping the hands, the ear could easily
judge the direction, wherever it was.
We
have always noted how easily encores were
heard. The recipients have no trouble in
telling which direction they proceed from.
* *
Mme. Modjeska, the Polish actress, who
was expelled from Russia, is still in Berlin.
She says the Government's refusal to let
her tour Russia means to her a loss of more
that 50,000 roubles. Through Mr. Breck-
inridge, United States Minister in Russia,
she has requested that her deposit of 2,000
roubles, deposited in Warsaw, be returned.
She says the United States Government
will support her suit for damages. She
says the speech which she made in Chicago
last year was quoted incorrectly in the
newspapers, on whose reports the order of
expulsion was based. Now the Modjeska
resembles others in this: how often do
some people find it to their advantage to
claim that they were misquoted? When she
was here scooping American dollars she
never found time to refute the report.
Now, when she desires to possess some of
Nicolas' roubles, why he is a much nicer
fellow than she said he was. . . . ,. .
*
*




-
*
Smithville, Ga., in the live and liberal
County of Lee, has a brass band of several
years' standing, and this is the story the
local paper of that place tells of it: " A
flagman, almost out of breath, rushed into
the Academy of Music here the other night
while the Smithville brass band was prac-
ticing, and asked to see the leader. He
said that when the south-bound passenger
train, which is due here at 7.15 o'clock
p. M., got near enough to hear the band,
the engine pulling the train suddenly be-
came unmanageable, and stopped dead
still, listened a moment, gave a short and
unearthly shriek, reversed itself, and took
the back track for Macon in regular Nancy
Hanks style. As soon as it got out of hear-
ing of the band, it stopped, and a flagman
was sent ahead to ask the boys to cease
playing until they could get through the
town. Now, any engine that won't pass
through the city while our band is playing
is a freak of the first water, and should be
side-tracked and left for the rust to devour.
For sweet, heavenly music, give us brass
bands and bullfrogs. "
,
* •
*
The spectacle of two well-known trade
editors embracing each other the other day,
would have been more affecting if the by-
standers could have overlooked the fact that
a knife hilt was plainly visible protruding
from the top of the New Yorker's boot,
and that the Chicagoan's sinewy fingers
evinced a strong disposition to tighten
around the swan-like neck of his dear
friend.
Listening to a discussion among his offi-

Download Page 4: PDF File | Image

Download Page 5 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.