Music Trade Review

Issue: 1895 Vol. 20 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
EDWARD LYMAN BILL
Editor and Proprietor.
PUBLISHED
EVERY
SATURDAY
3 East 14th St., New York
SUBSCRIPTION (including postage) United States and
Canada, $3.00 per year; Foreign Countries, $4.00.
ADVERTISEMENTS, $2.00 per inch, single column, per
insertion. On quarterly or yearly contracts a special dis-
count is allowed.
REMITTANCES, in other than currency form, should
be made payable to Edward Lyman Bill.
Entered at the New York Post Office as Second- Class Matter.
THE BUSINESS MAN'S PAPER.'
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For % wroflg tbil seeds

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T
HERE seems to be a slight interrup-
tion in the onward march of Mr.
Wm. F. Boothe just at the present time.
Mr. Boothe, however, promises to have all
obstacles removed in the very near future.
He is a wonderfully resourceful man.
W
E are pleased to learn that the il-
lustrations and descriptions of
patents which appear from week to week in
this paper, are appreciated by the trade.
Judging from letters received in this con-
nection they have proven of assistance and
value to many.
A
S can be seen in our regular month-
ly report of exports and imports,
which appears in another part of this paper,
the gratifying improvement in export trade
which has been noticeable for the past two
months, still continues. The increase is
substantial and encouraging.
E
VIDENCES continue to multiply of
returning prosperity in all branches
of trade throughout the country. Among
the most reassuring features of this im-
provement is the marked increase in the
circulation of money. The latest Treasury
statistics mark a change in the course of
the circulation, showing a net increase for
the month in the total amount of money
among the people, as well as an increase in
the circulation per capita, the net increase
for the month amounting to $9,649,867.
The chief item of increase was in gold coin,
amounting to $10,925,799; the next of im-
portance was an increase of $7,207,900 in
the amount of Treasury notes, and, lastly,
there was an increase of $3,201,960 in na-
tional bank notes.
This is a good showing.
P
RACTICAL men with practical ideas
mean practical results. This is well
illustrated by that busy triumvirate of
piano action makers, Wessell, Nickel &
Gross. In the progress of their business
they have been imbued with one aim, to
keep in touch with the times in all that is
latest and best and apply it to their busi-
ness, with the object of manufacturing a
piano action that would reflect credit on
themselves and on the piano manufacturers
using it. That they have succeeded in ac-
complishing their ideal is best illustrated
by the popularity of their wares, the excel-
lence of which is now recognized at home
and abroad. It is not surprising to learn
that Wessell, Nickel & Gross are experienc-
ing an excellent business, times considered.
They are keeping their full force of em-
ployees at work, and when their number is
considered, it speaks eloquently for the im-
proving condition of trade throughout the
cou n try.
T
HE annual report of Mr. Spofford, of
the Congressional Library, reveals a
steady though not a rapid progress of the
extension of international copyright. From
this document we learn that during the
year 62,762 copyrights were entered, as
against 58,956 in 1893, and that 40,208
copyright publications of all kinds were re-
ceived. Of the publications received about
14,000 were books, 15,000 musical composi-
tions, 10,000 periodicals, and 5,000 photo-
graphs, while the remainder were made up
of dramatic compositions, engravings,
chromos, prints, designs, maps and charts.
As the law compels all taking out copy-
right to deposit with the Librarian of Con-
gress copies of books, maps, descriptions of
works of art, etc., these figures have a
special value because they keep the people
of this country in touch with the latest
achievements of workers in these depart-
ments of mental activity.
INCOME TAX.
T
HE income tax decision rendered by
the Supreme Court last Monday is
unsatisfactory for many reasons. Instead
of wiping out this obnoxious law in its en-
tirety, it creates a situation which is sure to
be followed by further and lengthier litiga-
tion.
The provisions of the law declared un-
constitutional are unjust and unfair. They
exempt the large incomes from invest-
ments, and tax the incomes from industry.
The capitalist whose money is invested in
real estate, or in municipal, county or State
bonds is free from tax payments, while the
man whose income is derived from trade,
transportation, manufacturing or a salary,
has got to step up right away to the desk
and make himself square with the Govern-
ment.
The term applied to the income tax some
time ago that it was a "tax upon industry,"
has been,fully confirmed by the recent de-
cision of the Supreme Court. Instead of
being a tax upon accumulated wealth it is
a direct tax upon all that tends to the pros-
perity and progress of the country.
The loss of such a large proportion of the
revenue expected from the income tax will
undoubtedly prove a serious embarrass-
ment to the Treasury, and it is said that
the President is seriously considering the
advisability of assembling Congress in
extra session so that the law may be read-
justed and its burden imposed upon all
American citizens alike.
This legacy from the Fifty-third Con-
gress is so un-American in principle, and,
in its present form, so partial in its effects,
that it should be speedily obliterated from
the statute books of the United States.
The purpose for which this Income Tax
Law was introduced—of making up the
deficit in revenue—is now practically nul-
lified, and if the new Congress meets it
should take steps to repeal this law and
pass such a measure as will make up the
revenue origimilly expected from the tax
without compelling citizens to pay for the
privilege of being industrious.
Notice of Foreclosure.
A
NOTICE of foreclosure w r as served
last week on Napoleon J. Haines,
and also on F. C. Train, as trustee for the
Creditors' Committee, by the Manhattan
Life Insurance Co., which hold a mortgage
on the factory of Haines Bros. At the ex-
piration of twenty days from the period of
service, provided the interest due is not
paid up, the usual course of foreclosing and
selling the factory will be proceeded with.
The second mortgage on the factory is held
by the committee, for which F. C. Train
acts as trustee.
AMONO the callers to our sanctum during
the week were O. L. Fox, editor of the In-
dicator, and C. B. Harger, editor of the
Musical Times. Our Chicago confreres are
"stirring up" things in this easy-going city
of ours.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
A
SELECT and enthusiastic audience
listened to the farewell song recital
of Mr. and Mrs. de Konschin, at Steinway
Hall, on Friday evening-, April 5th.
Both artists were in good voice, and were
warmly applauded and encored in each
number.
Mr. de Konschin's voice dis-
played its ringing full notes to the greatest
advantage in the Romance from Gioconda,
and the serenade of Tschaikowsky was
given with true Russian fervor.
Mrs. de Konschin has a clear, rich so-
prano voice, and sang with much sentiment.
All her selections were either Russian
folk-songs or ballads.
Mr. Diaz Albertini and Sig. Pizzarello
assisted on the program, and Miss Nettie
Fay, who accompanied on the occasion,
showed a thorough comprehension of her
work.
The following was the program:
who is considered the Steinway of that
city."
He continued: "This particular
piano was especially made for the World's
Fair.
The price of the instrument in
Vienna is 6,000 florins, and in this country
its value is placed at about $4,000."
This grand piano is certainly a beautiful
specimen of case work. The wood is Vernis
Martin, with artistic paintings on the sides
and on the top and inside of cover. The
legs and case are hand-carved and heavily
gilded.
Two separate stools with hand-
somely embroidered covers and gold carved
bottoms, go with the instrument. While
the piano is not as powerful in tone as our
American instruments, the quality is re-
fined and sweet, and the scale is even and
pleasing. It would repay local manufact-
urers who have not seen this instrument to
call at R. & J. Horner's and examine it.
An idea of the difference between high-class
instruments of foreign and domestic manu-
facture can be gleaned.
Speaking of expensive pianos brings to
mind the valuable instrument which is the
property of Henry Marquand, of this city.
The price of the piano above referred to is
a mere bagatelle when this instrument is
considered. It cost something in the region
of $50,000, and is undoubtedly the finest
and perhaps the costliest instrument in the
world. The plan and general outlines of
this king piano of the world, were the con-
ception of Alma-Tadema, and it shows the
classic characteristics of much of that
1—Nocturne .Chopin
master's work. The body of the case is
Valse Chromatique
Godard
MONS. J . PIZZARELLO.
ebony,
and the piano in general presents a
2—Russian Song
solid and massive aspect.
Inlaid and
Oriental Song
Rimsky Korsakoff
Spring Fancies
'.
Rubinstein
mosaic work, carried all around the edges
MRS. DE KONSCHIN.
and corners, is a marked feature of the
3—Romance, Gioconda
Ponchielli
MR. DE KONSCHIN.
case. In striking contrast with the sombre
4—Nocturne
Chopin-Sarasate
ebony of the case is the rich old ivory let in
Mazurka
Zarzieki
SENOR DIAZ ALBERTINI.
here and there, but it is only in the strong
5—Russian Folk Song, "Little Birch Torch,"...
light of day that the exquisite ultramarine
Be Not so Coy
'Rubinstein
Morning Song
(
blue of the lapis lazuli stands out. This
MRS. tIF. KONSCHIN.
semi-precious stone, of which there are
6—Romance from Harold
Napravnik
Serenade Don Juan
Tschaikowsky
many slabs in the Marquand piano, looks
MR. DE KONSCHIN.
black at night. Interspersed with these
7—Romance
Svendsen
Habenera
Sarasate
beautiful and costly materials are gold,
SENOR DIAZ ALDERTIN1.
turquoise, mother-of-pearl and precious
8—Duett, "Angel"
Rubinstein
MR. AND MRS. DE KONSCHIN.
stones in the designs on the case. Alma-
Mr. and Mrs. de Konschin sail for Europe Tadema's paintings on the piano, especial-
this week, having an important engage- ly that over the keyboard, would fetch
ment to fulfill in Italy, but they expect to many thousands of dollars if sawed out and
return to this country next year and will be put up separately at auction. They are
warmly received by their many friends.
signed with his name.
* *
*
* *
For the past few months R. & J. Homer,
*
The New Yorker would be very narrow
the artistic furniture makers, have been
displaying their magnificent exhibit which indeed who could not admire the enter-
secured the first gold medal at the World's prise, progressiveness, the faith in them-
Fair in their warerooms, 61-65 West selves and their native city, which is pecul-
Twenty-third street. Their exhibit at the iar to Chicagoans and Westerners in gen-
World's Fair was a reproduction of the cel- eral. Some there are who call this section-
ebrated Princess Metternich's salon, and alism. We rather think it is a spirit of
part of the amcublancnt is a magnificent municipal pride worthy of emulation. We
grand piano, which has attracted consider- wish such a feeling prevailed to a larger
able attention. We were curious to know extent in New York.
the maker of this instrument, and our curi-
* *
osity was satisfied by a member of the firm
*
who courteously informed us that "the
I had my piano tuned yesterday by an
piano was made by Bossendorfer, of Vienna, old man with long white whiskers, said a
chatty writer in the Press. He looked like
the same old fellow I met in a small
Pennsylvania town some years ago, engaged
in the same business. When he had finish-
ed the job I thought I would touch him up
a trifle. Looking quizzically at him, I said:
" I won't strike a note on it for two hours."
He seemed surprised, and asked, "Why?"
"The old story," I said. "Do you mean
to say you never heard it?"
"Well, I guess you've got me. Where
did you learn that trick? It was invented
by the old time tuners who traveled through
the country picking up a job here and there.
Most of them tuned very badly. They left
a piano in worse shape than they found it,
and were always in danger of a thrashing.
They started that idea about letting the in-
strument alone for two hours after tuning
so that they would have time to get out of
town before discovery. I confess that I did
give similar advice in those days, and gen-
erally drove pretty fast when I left the
house. But you need not be afraid now. I
am not going to leave New York for several
days."
"Count" Cavalli is devoting all his spare
time nowadays to his feline gymnasium.
He is imparting Delsarte to his celebrated
Maltese cats so as to enable them to bring
credit to their master and incidentally cap-
ture first prize at the National Cat Show to
be held in a few weeks at Madison Square
Garden. We are willing to bet they will
"take the bakery" for variety of accom-
plishments.
"You would be surprised," said a mu-
sical composer whose name you may see on
scores of song-sheets, and whose composi-
tions are to-day being ground out by piano-
organs all over the country, "how ignorant
of music nineteen out of twenty of the
highly-paid people in the music halls are.
"At one time, when they brought me a
set of words for which they required music,
I would, in their presence, sit down and
compose the air at once, while the words
were still in my head; and some of the
best airs I ever wrote were provided in this
way; but they, thinking I did the work too
easily, I suppose, would have none of these,
or wanted to pay a ridiculously small price
for them, and I soon gave it up, and said
that I should 'require time for such a
splendid set of words,' and so on. I often
have the melody written before they have
gone fifteen blocks, but I always keep it a
few days.
"One thing does seem ridiculous. I
often write the piano copy on a mere scrap
of paper, but, dear me, I should get no
price at all for an air so written if I were to
show it in that state. I have it copied out
on a big double sheet; for once, when I
asked a certain price for one of the scrappy-
looking pieces I showed, the intending- pur-
chaser (a man who earns $75 to $100 a week
now) said:
' ' ' Wh-a-at ?—ten dollars for a bit of music
like t h a t ? ' "

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