Music Trade Review

Issue: 1894 Vol. 19 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
Twenty=five Dollars
for an Idea.
S^
ANN ARBOR ORGAN COMPANY,
'S
of Ann Arbor, Mich., sole agents for the
Clifford piano, are willing to buy ideas and pay
cash for them. They offer $25.00 in cash for the
most desirable catch line for the Clifford piano.
Competition is open for everybody, and ideas
are solicited. If there be a second catch line of
special merit, the sum of $10.00 will be given for
it. The following are the conditions : By catch
line is meant a phrase such as '' You press the
button, we do the rest " of the Kodak Company ;
or '' Good Morning, have you used Pears Soap ? ''
These lines should be not less than five, and not
more than ten words. The following ideas are
offered : ' • Keep your eye on the Clifford Piano '';
" Best because built best " ; " The Clifford tone
is the tone you have looked for." Any person
can submit as many lines as they choose. Each
catch line must be enclosed in a separate envel-
ope and signed by a fictitious name, and address-
ed to the Ann Arbor Organ Company, Ann Ar-
bor, Mich. Another envelope containing the
fictitious name and the correct name and address
of the sender should be addressed to the Clifford
Piano Company, Ann Arbor, Mich. The envel-
opes containing the fictitious names will first be
opened, the others remaining sealed. When
the best line has been chosen, the second envel-
opes will be opened and a draft sent to the
author of the best line. A two cent stamp
.should be enclosed in each envelope for return
icply.
A few facts regarding the Clifford piano may
be of interest. The Clifford piano is manufac-
tured by the Clifford Piano Company, of which
Mr. Clifford C. Checkering, for twelve years em-
ployed in the factory of Chickering & Sons, of
Boston, is general superintendent. Among the
stockholders of the Clifford piano are certain
stockholders of the Ann Arbor Organ Company,
which latter Company are sole general factors
for tbe sale of the Clifford piano. The piano is
of artistic design, is made of the very best ma-
terial, and is destined to make a place for itself
among the high grade pianos. Its beautiful
tone is a source of favorable commeat from all,
and on its tone, more than, perhaps, any other
point, do the manufacturers base their claim for
superiority.
4?HRISTIAN L. O. AI/TKNBURG has just
**> patented what he terms a "treble bridge
for pianos." It is thus described: This is a
bridge supported at one end in such manner that
the treble strings pass over its free, vibrating
end, the bridge being fastened at one end on the
string frame and its free end extending into a
recess of the frame. It is designed that, with
this arrangement, the short treble strings when
struck by the hammer will give a full and sweet
sound.
A Novel Display of a Piano.
New Wood Stains.
-E saw in a thoroughfare of a neighboring
city recently an arrangement for a win-
dow which seemed to us both novel and bene-
ficial to the dealer who wishes to display a piano
in his window.
This dealer did not have a very large store nor
a very large window, and yet he wished to have
a piano in it. So he took out the window floor-
ing as it is generally built and ran his carpet
Into the alcove formed by the window (which
was a projecting one), and in this alcove placed
his piano.
However he dealt not only in pianos, but in
sheet music as well, so he put a little shelf
sloping down to the frame all about the lower
part of the window where the glass meets the
frame, and on this placed some of his most
attractive-looking music, making a very attrac-
tive display of both music and piano.
This could not be used in a store which was
raised much above the sidewalk ; but under
proper circumstances it has a most pleasing
effect.—Strings.
Jgj& SOLUTION of fifty parts of commercial
® S alizarin in one thousand parts of water, to
which solution of ammonia has been added,
drop by drop, until a perceptible ammonia odor
is developed, will give to fir and oak a yellow-
brown color, and to maple a red-brown. If the
wood is then treated with a one per cent, aque-
ous barium chloride solution, the first named
become brown, and the latter a dark brown. If
calcium chloride be used instead of barium
chloride, the fir becomes brown, the oak red-
brown, and the maple a dark brown. If a two
per cent, aqueous solution of magnesium sul-
phate be used, the fir and the oak become dark
brown, and the maple a dark violet-brown.
Alum and aluminum sulphate produce on fir a
high red, and on oak and maple a blood red.
Chrome alum colors maple and fir reddish
brown, and oak Havana brown. Finally, man-
ganese sulphate renders fir and maple a beautiful
dark violet-brown, and oak a dark walnut-
brown. All the colors are said to be very fine.—
Scientific American.
Treble Bridgej;for Pianos.
•Y0UATSHORT-N0T1CE
"BROCHURE
C|JTS-1O"RADVERTI5EMENTS- ARTISTIC-OH-COWC

fi.EGANT?RICE-LJST5 -MENU-QRDS-etc.,etc.
fiNEWOODENORAVING- OFRANO-5 ORGANS&MACHINERV-
MUSIC-TITLES-BRASS DIES • FOR-ALL-PU(TFOSES
PHOTO-ENGRAVING HALFTONES £
—-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
i5
THE MUSIC TRADE REVIEW.
New riethods of
Casting Iron.
American Architect and Builder copies
from La Revue Industrielle a description of
a new method of casting iron. It is well known,
the editor adds, that iron castings are very
liable to "blowholes," "cinders" and so on,
which occur in the middle of the mass and
destroy its strength, or at least its appearance.
These defects are caused by particles of scoriae,
oxide or other impurities, which flow out of the
melting furnace into the ladle, or are formed by
the contact of the hot metal with the air or with
the sand of the mould ; in fact, if the molten
iron is watched as it is drawn from the furnace,
the surface is soon seen to cover itself with dull
lumps of scoriae and impurity, which rise to the
surface. It is usual to fill the moulds more
than full so that the lighter substances may
float to the top and collect in the portion to be
subsequently cut off; but this does not entirely
remove them. M. Van Riet, to give the impuri-
ties time to separate from the melted iron before
it runs into the mould, sets on top of the flask a
sort of little bath tub, lined with some refractory
substance, and presenting three cylindrical hol-
lows of different sizes, communicating with each
other by tangential channels. The iron is
poured from the ladle into the larger hollow,
where it whirls around for a time and then
escapes into the second basin, where it revolves
in the opposite direction. From this it reaches
the third compartment, which is a hole in ihe
bottom, and, as this hole is set over the pouring
hole in the flask, the iron then runs out into the
mould. When the metal is poured into the
large end of the tub, it is seen to whirl around
until the surface is covered with the larger
pai tides of impurity, which collect near the
middle, the centrifugal force developed'by the
whirling serving to separate the purer and more
liquid iron from the light and spongy scoriae,
very much as cream is separated from milk by a
centrifugal churn, or molasses from sugar in the
centrifugal tanks of a refinery. By the tangential
channel the purer iron passes into the second
division, where the same process is repeated, the
scoriae, which are now in fine particles, collect-
ing in the middle, while the liquid metal keeps
to the outside. The third canal, also tangential,
leads this twice purified iron to the third com-
partment, from which it runs into the mould, a
few particles of dross floating up from the mould
and collecting at the top. On cooling, the first
division of the "bath tub," or " poche interme-
diare," as its inventor calls it, is found to con-
tain the large lumps of cinder, while the second
compartment contains a spongy mass of impur-
ity, in the shape of an inverted cone, the base of
which occupies the whole area of the compart-
ment, the pure metal having escaped around the
sides below. In the third compartment nothing
appears but a little ring of particles, the last
to rise to the surface out of the mould. The
castings made from iron thus purified are
extremely sound and solid, and there is no loss
of metal, all the pure and liquid iron escaping
into the mould. The "bath t u b " is easily
cleared out, and is relined for a second operation
by plastering with fire clay mortar.—Scientific
American.
THE Banjo and Guitar Journal for December,
1894, and Jauuary. 1895, published by S. S.
Stewart, 221-223 Church street, Philadelphia,
contains much of inttret>t to banjoists, both in a
literary and musical way.
Sustained Tones in the Piano.
MJft MEANS of obtaining more sustained sounds
®-=s from the piano is thus described in the
Musical News, London : The device consists of
a set of metal disks, suspended from the sound-
board of the piano, and vibrating in sympathy
with the sounds produced from the strings by
the hammers in the customary way. So far as
it has been tried the plan does seem to increase
the volume and sustained power of the tone.
When our mechanicians can fully succeed in
getting a piano to sustain the tones evoked, and
yet to possess all the grades of dynamic force (it
would to a great extent then resemble a fine
harmonium with the expression stop employed),
we shall get a perfect instrument. But will it
be a pianoforte proper ? One great charm of the
piano is the purity of its tones and their evanes-
cent character; these features will disappear if
the timbre is altered by being made completely
sostenuto, and the effect of the blow of the
fingers is not allowed to fade away into com-
parative silence.
THE Indicator says that Col. Dan. F. Treacy,
of the Davenport & Treacy Company, illumi-
nated the dark corners of the trade in Chicago
for three or four days last week. He has made
a trip to several of the leading points in New
York and Canada and finds that business is
moving along in a satisfactory manner.
THE Hallet & Davis Company, Boston, have
sold all of the very handsome line of instru-
ments which they had on exhibition at the
World's Fair, with one exception, a white satin-
wood, inlaid with pearl.
SUl

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