Music Trade Review

Issue: 1893 Vol. 18 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
our continent in which their instruments are
established favorites, and the season now opened
will bring them an increased business.
All this success not simply speaks for the
commercial and sterling value of Vose pianos—
which have been always foremost in the march
onward—but also for the business shrewdness
and capacity of the members of the firm, their
able attaches and the effective representation
they have established in every corner of the
Union. The foregoing facts may have been
said before, but good things are always worth
re-telling, and always entitled to emphasis.
SHAW PIANO CO., through its able
Secretary, Mr. Harry Raymore, writes
this week to our ethical contemporary upon the
subject of advertising ethics, a subject on which
Mr. Blumenberg is known to be an authority.
Mr. Raymore asks :
" Now, what are advertising ethics? If The
Musical Courier claims all that is good for the
Shaw piano cannot its senior editor do likewise ?
Do you not personally scan every line that is
intended for publication ?
Are you not aware of the many good things
you have said about the Shaw piano ?
Are they true or are they merely ' advertising
ethics? ' "
Mr. Raymore is then reminded that every-
thing appearing in the Courier represents the
Courier, not its individual editors. This is jus-
tified in the following argument:
4
' Mr. Dana does not sign his editorials, nor
does Chester Lord sign his ; they are Sun edi-
torials. It is impossible to tell when Mr.
Bennett publishes anything in the Herald, if
he ever does, and yet he could have every article
signed with his name if he wanted it. Mr.
Miller's name does not appear under Times
editorials, and we might go on ad infinitum, for
it is the universal custom in America for the
great newspaper to obliterate individuals."
But while C. A. Dana and James Gordon Ben-
nett, Richard Watson Gilder and Mr. Blumen-
berg may represent the highest side of intellec-
tual culture, and constitute a court of appeal on
all important questions of literary precedent
and procedure ; while this notable group may
stand as equals in the republic of letters, Mr.
Blumenberg must be regarded as first in all
questions of advertising ethics and business
morals. Shallow people, incapable of calculat-
ing Mr. Blumenberg's qualities in this respect,
fail in all cases to take him seriously; they
look upon him as a successful humorist, but
they do not comprehend the earnestness and
depth of the man. Perhaps the following may
raise a laugh, but it should not:
'' The Shaw Piano Company asks us what
advertising ethics are : The first law in adver-
tising ethics is the one that refuses to make
advertising the basis of editorial commenda-
tion." That in itself ought to be convincing
to our good friend Raymore. He has been
answered in words full of truth, wisdom and
independence. But he must not laugh. We
repeat that Mr. Blumenberg is a serious and
earnest man, and not a humorist.
THE INJUNCTION.
|N another page we publish particulars of
the injunction which has been applied for
against Mr. John Boyd Thacher and the judges
on musical awards by one of the best known
Western houses. It is, to our mind, a lament-
able action on the part of a firm occupying such
a dignified position in the music trade of the
West and East, and this view is shared by many
of the leading members of the trade at large.
To make vague charges is one thing, and to
prove them is another thing. The petitioners
for the injunction have in their bill echoed the
sensational charges of a certain music trade
editor against the members of the jury. And
what is the basis for the allegations made ?
Where are the proofs ? As for Mr. Carpenter,
he has already answered the Courier Xo the satis,
faction of the large majority of exhibiting
houses. Confidence has been formally express-
ed in his integrity as a judge, he has fully ex-
plained the incidents in his career which have
been so unfairly distorted to injure his personal
character as a citizen. The charges of a notori-
ously untruthful music trade paper, edited by a
man who is himself a bitterly disappointed'
place hunter, amount to nothing. Their very
author is an object of suspicion, and his obvious
spleen against Dr. Ziegfeld, Dr. Clarke, Mr.
Steck, and particularly against Mr. Carpenter,
damns itself.
But here we have an honored and respected
firm taking up these vague charges, and using
them to temporarily paralyze the functions ot
the judiciary on awards. What can be gained
by this course ? It is surely rash and ill-
advised ? We are exceedingly sorry it has
occurred. What is more regrettable still is that
this firm should have, through their status and
their manner of procedure in the courts, given
to these charges an air of support and veracity,
and thus strengthened the hands of a venomous
and disappointed libeler. The whole proceed-
ing is lamentable.
the Courier, or any other paper for that matter.
As to " knocking out the Courier,'' that only
can be done by the combined action of the firms
and individuals who support its advertising de-
partment. While we deprecate, as we have
always done, the methods of Mr. Blumenberg,
we must admit that he has many times proved
himself the superior of Mr. Freund. He may
not be as effective a writer as Mr. Freund—in
fact, he is a poor writer, with no knowledge of
English composition and a limited education—
but in the game of getting the best of dignified
musical instrument manufacturers, by bluff and
bluster, he has played the late editor of the
Dolgeville Herald with his own weapons in the
past and beaten him ingloriously. It is not so
long ago either. We have some pity for the
editor of the Music Trades, because he has been
foolish enough to resign a position for which he
showed capacity, to re-enter a field in which he
left a cemetery full of blighted hopes and buried
failures, and in which he now stands a poorer
chance than ever before.
When Mr. Freund joined fortunes with the
late Mr. Quigg, five years ago, the Courier was
a weakling, compared to what it is now, T H E
MUSIC TRADE REVIEW was a fortnightly, the
Indicator was in an embryo condition, and
Presto was not known. His chances were then
exceptional, yet what was the result ? We are
all familiar with the story of the American
Musician, how it was boomed into a semblance
of prosperous life by inciting business rivalries
for selfish ends, by egotism and the self inflation
of its editors, until the gas which gave it an
apparent but fallacious vitality, burst and shat-
tered it to nothingness. The editors were rent
and torn by the shock.
John C. Freund has not yet quite recovered,
although he has been living in the Adirondacks,
and the half-martyred air of supplication with
which he is now appealing to the trade tells the
tale. Even his pen thrusts at Mr. Blumenberg
are weak and feeble as compared with his mag-
nificent daring of the past.
The truth is—and it has been abundantly
A BACK NUMBER.
HB appearance of another music trade paper proven—that Mr. Freund is mis-placed in music
in our midst within the past few weeks trade journalism. That is his fad, but it has
was not an unexpected event, for it was hinted been a ruinous fad. He is better adapted, and
some time ago that Mr. John C. Freund would very well adapted, for other departments of
cut another eccentric figure for a little time in newspaper work. His abilities could command
the field of music trade journalism. Mr. a dignified livelihood on any one of our dailies
Freund's mission just now is to "down The but as a music trade editor his stock is just now
Courier," and incidentally to have "some fun." very much below par. And as a personality he
As for '' downing '' the Courier, we all have a is almost forgotton. Since the American Musi-
distinct recollection that when Mr. Freund tried cian fiasco Mr. Freund has, in the natural
that game a few years ago, when he had better sequences of evolution, fallen so far behind the
facilities than he now enjoys, or can hope to en- procession that he can never again catch up
joy, the Courier " downed " him in a most un- with it. Again, we have no words of commend-
mistakable fashion.
The Courier, however, ation—and this feeling is largely actuated by
has since then been attempting to '' down '' a regard for business ethics—for a paper which
starts out by flagrantly depreciating legitimate
T H E MUSIC TRADE REVIEW and its other con-
temporaries, but it has failed in all cases. How business advertising values. Mr. Freund can-
is this ? If others succeed where Mr. Freund not claim exemption from censure for violating
has so often failed, what is the logical deduc- business principles which obtain in every de-
partment of the music trades, and in music
tion ? Do the facts prove that Mr. Freund has
trade journalism. Dummy advertising, as now
any qualifications to conduct a successful music
evidenced in the Music Trades, is glaringly in-
trade journal ? And it stands that Mr. Freund
consistent with some of the tenets its editor
should be the last man to talk about'' downing"
preaches.
§
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
CHASE PROS/
INJUNCTION.
5l?ey /ttternpt to Ffestraii) t ^ flu/ards
Judges.
THETR BILT, SPECIFIES NUMEROUS SERIOUS
CHARGES AGAINST THE OFFICIATING JUDI-
CIARY AND JOHN BOYD THACHER.
received a dispatch from Chicago last
Friday informing us that Chase Bros,
had applied for an injunction to restrain the
judiciary on musical instrument awards from
officiating further, but withheld the facts until
fuller particulars could be obtained. The text
of Chase Bros.' bill is now in our possession. It
is a carefully prepared and lengthy document.
After stating the reasons which induced them
to become exhibitors, Chase Bros, proceed to
say that they assumed at the time that an
efficient and competent corps of Judges would
be appointed. The system of judging was not
made public until it was too late for them to
express their dissatisfaction of the Thacher plan,
or withdraw from the Exposition, the rules
making withdrawal at that period an impossi-
bility.
The bill then proceeds to charge that the
Thacher system "has already been the occasion
of great scandal, charges of bribery and corrup-
tion have been made, and in one case, at least,
proved in connection with the same."
Chase Bros, add that they are anxious and
willing to be judged, so far as their goods are
concerned, in competition with the goods of
others in the same line of business, provided
the judges appointed for the purpose of examin-
ing into the respective merits of the goods manu-
factured by each competitor are disinterested
men, who are in no way, either directly or in-
directly, interested in the goods of any of the
competitors.
They, however, charge that "such an exam-
ination could not be had should the judges so
appointed by the said John Boyd Thacher be
permitted to proceed in the premises.'' Then
they proceed to give the reasons. To quote
from their bill :
THE A. B. CHASE co.
"Amongst the competitors for awards among
the manufacturers of pianos is a company known
as "The A. B. Chase Company," and your
orators state that the said Florence Ziegfeld, one
of said judges, conducts a musical college in the
city of Chicago, and through his said position
is able to influence the purchasers of pianos,
and your orators charge the fact to be, that the
said Florence Ziegfeld is under retainer by said
A. B. Chase Company for the purpose of in-
fluencing and recommending to intending pur-
chasers pianos made by said Company, and by
reasun thereof your orator represents that said
Florence Ziegfeld is an unfit and improper
person to act as judge in a competition in which
said A. B. Chase Company are in any way
interested.
" Your orator further states that the scale to,
or by which a piano is constructed must neces-
sarily be taken into consideration in forming
an idea of its merits.
W. W. KIMBAIvL, CO.
" Your orator further represents that amongst
the competitors for awards among the manu-
facturers of pianos is a Company known as the
W. W. Kimball Company, and your orator
states that the scale by or to which the piano
so made by said Company is made, was drawn
by the said George Steck, one of the judges so award recommended by whom would be biased
appointed, and your orator charges that by by their personal interests.
reason thereof, the said George Steck is an unfit
" Your orator further represents that all the
and improper person to act as a judge in any facts herein stated are well known to the said
competition in which W. W. Kimball Company John Boyd Thacher, who has been urged to dis-
are in any way interested, as the said George miss said judges therefore, said John Boyd
Steck would thereby be practically judging his Thacher refuses to do so and said judges are
own hand work.
now proceeding to draw up reports on said
musical goods, and unless restrained by the
CHICKERING & SONS.
order of this Court will present the same to the
" Your orator further represents that amongst said John Boyd Thacher, who under the direc-
other exhibitors at said Exposition in the piano tion of said National Commission to loss and
line is the firm of Chickering & Sons.
detriment of your orator.
Your orator further represents that as an in-
"And may it please your Honors to grant
ducement to get the said firm of Chickering &
unto your orator the people's writ of injunction
Sons to exhibit their said pianos, the said firm
directed to the said Hugh A. Clarke, E. P.
was promised special favors and were practically
Carpenter, Florence Ziegfeld, George Steck,
assured, that, notwithstanding the result of any
V. J. Hlavac and Max Schiedmayer restraining
competition or ruling of any judge thereon, the
them jointly and severally from further proceed-
goods so exhibited by said firm should receive
ing or acting as judges of said musical goods at
the highest award of merit for pianos exhibited
said Exposition, and from making any recom-
at said Exposition, and the said firm have so
mendations or reports, either collectively or
advertised in a large number of the public
severally on said musical goods to the said
prints of the United States.
John Boyd Thacher, or any other person or per-
" Your orator further represents that in many
sons whomsoever, and directed to the said John
of the buildings erected by the various states of
Boyd Thacher, restraining him from delivering
the Union upon the grounds of said Exposition,
or receiving from the said National Commission
pianos have been placed which are manufactured
of said Exposition, or any other person, body
by firms, who are not exhibitors at said Exposi-
or corporation any reports or recommendations
tion, and your orator further charges that the
(if any) which he may have already received
said defendants, other than the said John Boyd
from his co-defendants, and restraining the said
Thacher, in fraud of their powers and duties in
John Boyd Thacher from in any way or manner
that behalf have attempted to judge and pass
receiving any further reports or recommenda-
upon the merits of said pianos as if the same
tions from his co defendants or from any other
were exhibits for competition at said Exposition
person, body or corporation on said musical
to the detriment of your orators.
goods or any part thereof, until the further
'' Your orator further represents and charges order of this Court.
the fact to be, that the said E. P. Carpenter,
" And your orator will ever pray, &c.
one of the judges, is represented as being a res-
" Chase Brothers' Piano Company,
ident of the State of Massachusetts and ap-
By M. J. Chase, Pres't."
pointed as such, when on the contrary the said
E. P. Carpenter is not now, and has not for at
least a period of ten years last past, resided in
said State, but the said E. P. Carpenter is a
fugitive from justice therefrom, and your orator
further charges that since his appointment the
Dr. U/aldt said E. P. Carpenter has used every inducement
to compel exhibitors and competitors in musical
O illustrate the many rare qaulities of Dr.
goods at said Exposition, to ' see him ' in refer-
Waldtern Pegg, the well-known European
ence to said awards, and the said E. P. Carpen-
pianist,
would require much space. It is admit-
ter is now largely in debt for money borrowed,
to many of said exhibitors and competitors, and ted by the leading critics that he has great gifts
your orator states that from the record and of execution and a technique which could not
actions of said E. P. Carpenter, as above set out, well be surpassed. At the close of his univer-
he is manifestly an unfit and improper person sity career Dr. Pegg was not satisfied ; he again
to act as judge, and one in whom and in whose resumed his musical studies under Liszt. He
pursued his art with rare assiduity, under the
decision no confidence can be placed.
instruction of the distinguished master, adopt-
" Your orator further represents that the said
ing Liszt's theories of the functions of the
V. J. Hlavac, one of said judges, is also an ex-
piano-forte, and obtaining from the master his
hibitor of musical goods and attachments for
large and liberal views of music.
pianos thereat and as such will be called upon
Waldtern Pegg learned to treat the instrument
to pass judgment on his own goods in competi-
as
an orchestra, to make it the expression—so
tion with those of your orator and others, and
far
as its possibilities would permit—of his tem-
therefore is an unjust and improper person to
perament
and genius. As Dr. Pegg himself
act in such capacity.
says: "No compositions are regarded by
" Your orator further represents that the other
Liszt's disciples beyond the reach of an aggres-
two judges of musical goods, to-wit: Hugh A.
ive technique.''
Clarke and Max Schiedmayer, are not generally
Dr. Waldtern Pegg is probably most admir-
known as musical experts and are therefore un-
able as a performer of Liszt music—that which
fit for the position of judge of such goods which
aims to reproduce the wealth of the orchestra
require intelligence and experience of the very
on Liszt's favorite instrument. His powers in
highest order.
this direction are such as to compel wonder and
'' Your orator further represents that it has
submission from the most unwilling. Such a
spent a great deal of time and many thousands
rendition as that of his Liszt's " Rhapsodie
of dollars to enable it to arrive at and maintain
Hongroise," and "Fantasia, in M. S. S.", has
its present superior position in the piano trade,
rarely, if ever, been equaled for finish, brilliancy
that an award of merit of said Exposition made
and boldness of effect.
on the judgment of honest, fair, competent and
Passant, the Parisians are eagerly look-
conscientious men appointed for such purpose ing En forward
to the production of Waldtern
could be of great value, but your orators state Pegg's new opera, " The Maid of Perth, " which
that the judges hereinbefore mentioned are in is just finished and promised very shortly at the
every way unfitted for such position and any Opera House, Paris.
A DISTINGUISHED
PIANIST.
f

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