Music Trade Review

Issue: 1893 Vol. 18 N. 2

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published Every Saturday.
VOL. XVIII. No. 2.
OUR EUROPEAN
*
Yoi% /lugust 5, 1893.
and elsewhere know him, apart from this, as
the author of a host of bright compositions in
the small forms.
Riviere's " Recollections " are full of amus-
ing anecdotes. One tells of a pugilistic en-
counter he had with Offenbach, during which
both pummelled one another in the most undig-
nified fashion. Of this our author says : " Ex-
cept that we had to look for our hats that had
rolled upon the floor, to set our collars in order
and pick up the spectacles that each had lost,
no serious results ensued." Both became friends
later on.
Jules Riviere was born in France in 1819. He
came to England in 1857.
WELCH SINGERS FOR CHICAGO.
THE DKURY LANK THEATRE DOOMED—AN IN-
TERESTING AUTOBIOGRAPHY — THE
WORLD'S FAIR EISTEDDFOD —
THE VISIT OF IRVING—
GENERAL FACTS.
LONDON,
July 23d, 1893.
The Welch musical world is taking a deep in-
terest in the Eisteddfod, which is to be one of
the features of the World's Fair. The Principal-
ity has subscribed $5,000 to send over one of the
best female Welch choirs. On August 10th,
Mrs. Mary Davies will cross. She will sing in
Chicago during the first week in September,
and, I have no doubt, will be favorably received,
for she is a conscientious and effective artist.
DEAR MUSIC TRADE REVIEW :
The doom of historic old Drury Lane Theatre
is the chief topic of conversation in literary
and artistic circles just now. Who, in the Eng-
lish speaking world, has not heard of this fam-
ous play house ? It is the property of the Duke
of Bedford, who has refused to grant a renewal
of the lease, as he has decided to demolish it. It
has represented a loss of $15,000 and interest
ptr annum to the Duke, who is not a sentiment-
alist. At a general meeting of the proprietary
recently, with Mr. J. C. O'Dowd in the chair,
the decision of his Grace of Bedford was warmly
discussed, and regret was expressed that after
a career of 266 years the world renowned theatre
should cease to exist. It was then resolved to
wait upon the owner and try and urge him to
reconsider his purpose, but it seems that the
chances in favor of the maintainance of the house
aie vtry slight. The Duke is a sharp up-to date
business man and will not stand further loss in
this direction.
RIVIERE'S MEMOIRS.
I am informed by an American friend that the
name of Jules Riviere is not very generally
known on your side of the ocean, and think it
strange. At any rate, he is a distinguished
and popular figure in British music, though he
has not scintillated very much in the public eye
during the past few years. Riviere has now
published a charming volume of memoirs
through Sampson, Low, Marston & Co., and
everybody is talking about it. It is entitled
his "Musical Life and Recollections," and
forms a handsome book of 226 pages. Riviere
will be remembered by Americans who have
visited London, ten or twelve years ago, as the
conductor and chief spirit of the Covent Garden
Promenade Concerts, but musicians in America
A SONG IN COURT.
The value of a really popular song can be
estimated to some extent by the pains which are
taken to enforce the legal rights of its owner,
says the Telegraph, A few months back the
law courts were listening to lengthy conten-
tions as to the authorship of '' Ta-ra-ra-boom-
de-ay," and now the sprightly ditty, " Margue-
rite of Monto Carlo," which Miss Letty Lind
" introduces " nightly at the Shaftesbury Thea-
tre, has had an injunction leveled at its devoted
head in the interests of an opposition air enti-
tled " Margarita." The case was heard, appro-
priately enough, by Mr. Justice Chitty, who,
being one of the most ardent musicians on the
bench, should be as capable of analysing a tune
as he is of deciding a knotty point of equity.
But Mr. Edward Cutler, Q. C, argues he never
so wisely, failed to persuade the learned judge
that an interim injunction would settle the ques-
tion in a satisfactory maner. No doubt Mr.
Justice Chitty realized that the lightsome melo-
dies of our modern civilization never catch the
ear of the crowd unless they contain material
which has already done duty in a hundred dif-
ferent forms. A popular song, nowadays, is not
composed—it is arrived at by an ingenious pro-
cess of evolution.
HENRY IRVING'S TOUR.
The details of Henry Irving's coming
American tour have been published. These are
the facts : During the month of September, be-
ginning on Sept. 4th, the Lyceum Company
will visit the following towns : San Francisco,
Portland, Tacoma, Seattle, Minneapolis, and
St. Paul. Five weeks will be spent in Chicago,
from Oct. 2d to Nov. 4th-, followed by eight
weeks in New York. The New Year will com-
^4.00 PER YEAR.
SINGLE COPIES, 10 CENTS.
mence in Boston, at the Tremont Theatre, with
a visit of four weeks ; then, from Jan. 29th to
Feb. 17th, three weeks will be occupied in
Philadelphia, and one week—Feb. 19th to Feb.
24th—in Washington. The remainder of the
tour will be divided between Boston and New
York. March 17th will be the last night of the
Lyceum performances on your side.
Mr. Irving, Miss Ellen Terry and their excel-
lent support look forward to a very successful
trip, and there is no reason why they should
not draw as well as formerly .unless it is that they
will have more competition this season than be-
fore.
OPERA FOR ROYALTY.
The recent performance of " Cavalleria," at
Windsor Castle is now known to have cost Sir
'Gus Harris a big sixpence. An estimate has
been published in one of the dailies on the
authority of Harris himself, which gives
the figures : For the three performances some-
thing like 550 persons were engaged, with-
out counting artisans and mechanics, and
among them were 28 leading artists, 120 choris-
ters, 50 ballet dancers, and 250 instrumental-
ists, from which an idea of the expenditure
may be deduced. However, Sir Augustus is
wearing his ornamental mantle and he has to
pay the donor somehow.
A POTENT WORD.
" Did you ever notice," said an old actor the
other day, " what an immense amount of humor
lies in the word ' d
n ? ' It used to shock
our forefathers, but now, I have known the
word to carry a whole scene. An audience will
let a man call himself or somebody else a fool
without a smile, but let him put the word d
n
before fool and they'll laugh, laugh loud. Why ?
It's not very wicked to say that word. It used
to be, but it isn't any more. It has become
rather commonplace. It does not seem to lose
any of its dramatic force. It's a strange word.
It makes people laugh in comedy, and it is one
of the most effective words in a melodrama.
You know when the villain drags the heroine
all over the stage and says, ' Now, you shall be
mine ! ' the hero steps out from some convenient
shelter, and says, 'I'm
if she will,' and
down come the thunders of applause. If he
didn't put that word in, it would fall flat. Yet
it's perfectly meaningless. It's only an explet-
ive ; but I suppose there's something in the
short, sharp, decisive sound of it. Ah, famili-
arity ! We'd grow familiar with the devil if he
didn't keep in the background all the time."
The death of Mr. John McKinley, the husband
of Anoinette Sterling, must be a severe blow to
that estimable lady and devoted wife. Between
the two a perfect attachment existed.
The silver wedding of Mr. and Mrs. Edward
Lloyd will be celebrated at their residence,
Hassendean, Tulse-hill, on August 1st. The
popular tenor is expected home from America
for the event.
The music trade is absolutely fiat at present,
but next week I shall endeavor to say something.
NIRVANA.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
building, for there is surely a splendid display
of superb instruments." That is true, but our
contemporary does not know what the exhibit
might have been.
exceedingly popular manager of the
New York warerooms of F. G. Smith,
Walter F. Holmes, will shortly start for the
World's Fair on a vacation trip. Walter will
not disdain the Midway Plaisance, but the chief
point of interest with him will be the Liberal
Arts division, where, amid the musical exhib-
its, his trained and experienced eye and ear will
find food for thought and study.
3 EAST 14th STREET, NEW YORK.
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ADVERTISEMENTS, $2.00 per inch, single column, per
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Entered at the New York Post Office as Second Class Matter.
Henry F. Miller piano shared the
honors with Carl Stasny, the eminent
virtuose, at a symphony concert on July 25th,
which was given under the direction of Theo-
dore Thomas. In the Hungarian rhapsody, it
responded to every lightest wish of the per-
former, said the Inter-Ocean. The exhibit of
Miller pianos, in the southeast corner of the
Lriberal Arts Building, is attracting much favor-
able comment, according to the same source.
fjj|T has been remarked by several of the
<$w Chicago papers that one of the most won-
derful inventions on exhibition in Liberal Arts
Building, section I, is the Phelps Harmony at-
tachment in the Malcolm Love pianos. It is a
pedal arrangement which reduces the possi-
bility of discord, as each key of the piano when
struck silences any other key with which it
does not harmonize. It purifies the tone and
produces a wonderful legato effect.
CONTEMPORARY states that the pianos
which have been made by the many firms
exhibiting at the Fair, would, if placed end to
end, extend around the world.
BLUMENBERG'S backers and solicitors
were unable to gain the judgeship for
him ! Alas ! everything is not as easy to get
as the friendship and aid of the reconstructed
ones.
MULNEAUX, the French pianist,
gives a musical recital on the Sohmer on
Tuesdays, Thursdays and Saturdays, at the
New York and New Jersey Buildings, and in the
ladies' parlor at terminal station at the Fair.
Sohmer & Co. are wise in thus attracting the
attention of the ladies. That's the point.
WESTERN paper remarks: "Where,
now, are those New York piano firms
that kicked over the traces and withdrew ?
' They never will be missed ' by the casual ob-
server of the big exhibit in the Liberal Arts
lines, constructed by first-class workmen, and
made of the best material obtainable. The
manufacturers of such an instrument deserve to
prosper, and it is accordingly a grateful task to
be able to give the following extract from a
communication received from J. N. Merrill this
week. "We are pushing along and running
full time and am happy to say, are doing a nice
little business. Orders are coming in very well
indeed." Meantime, outside of the Merrill
factory there is ample evidence of the way in
which the Merrill piano is fast building up a
strong following.
A. B. CHASE PIANO COMPANY, of
Norwalk, Ohio, whose main exhibit is in
section I, block TJ, Liberal Arts Building, are
gratuitously giving to the public musicales in
fifteen or eighteen of the State buildings where
their pianos are located, says the Chicago
Inter-Ocean of July 26th. One of the most at-
tractive features of their entertainments is the
playing of George Eugene Eager, director of the
Lake Forest University, and his tiny 5 year old
pupil, Master Rubinstein Demarest. The next
musical treat by this company will be given in
the Assembly Room of the Ohio State Building
on Saturday afternoon. On Tuesday of last
week a reception was given to Hon. John G.
Carlisle and Mrs. Carlisle at the Assembly Hall
of the Woman's Building, which numbered
among its delightful features a recital on the
A. B. Chase piano.
£j|f) ROB ABLY Marc Blumenberg never realized
G%TS quite so painfully what an infinitesimal
part of the universe he was until he was sat
down upon at Chicago. This man stood the in-
is from The North American Review halation of vanity to such an extent that his
advertiser for August: '' The Fischer flimsy covering exploded, burst, went all to
Piano is the Banner Piano. 53 years the Stand- pieces. But there is a powerful adhesiveness in
ard. 95,000 in use. Why ? Because the the atoms, and they will join themselves later.
Fischer Piano is Always a Leader. Because its Any one with a modicum of modesty would have
Motto is Forward. Because it is Pre-eminently awaited the decision of the officials in a matter
First in Tone—Delightful in Action—Superb of this kind. Not so with Blumenberg. He has
in Workmanship—and, in fine, in the Foremost been on the ground laboring hard for months to
Ranks always." That is a concise and intelli- secure this appointment, when he knew that
gent summary of the qualities for which Fischer there were many who simply detested him.
pianos are noted, and the trade will concur in With all his faults, we have previously given
him credit for the possession of an ordinary
it.
amount of common sense, but his actions since
in the Manufacturers' Building the his defeat causes us to think that we have mis-
nicest place to stop for a few minutes' judged the man, that, after all, he is a vulgar
rest is the Lyon & Healy pavilion, section I. conceited ass, whose admiration for himself is
While there you can hear Aptommas, the fam- so great that it blinds him.
ous London harpist, render one of his grand
harp fantasias. This is the way one of the
N O T W I T H S T A N D I N G the extreme dullness
Chicago papers advises musical visitors to the
of business everywhere, there always
Exposition, and we fancy our contemporary is
seems
to be evidence of trade at the Everett
about right. All the trade pilgrims who return
Piano
warerooms,
,180 Tremont street, says the
from Chicago speak of the Lyon & Healy
Boston Times. Especially is this the fact when
pavilion as a big section of the Fair in itself.
that wonderful invention, the "automatic at-
tachment," is being exhibited ; and judging by
is only a few months ago, so to speak, the large number seen within the rooms it must
since the Merrill piano materialized, and be in operation much of the time. Every one
to-day it is known to be an instrument of high should see it, as it is certainly one of the wonders
musical character, built on the most advanced of the age. It can be placed upon any upright,

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