Music Trade Review

Issue: 1893 Vol. 18 N. 18

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
the market with an identical title. The corres-
pondence which resulted brought forth the re-
ply from the party interested that word had
been received from Washington that a title was
uncopyrightable, the copyright merely protect-
ing the contents. If this decision is correct
and final, a publisher, who has given the best
part of his [life and his means to the building
up of ajperiodical known to the public by its
name or title only, may find suddenly that
some one else has captured his title, and there-
fore his business,
I am of the opinion that whether a title can
be protected by copyright or not, certainly a
title of the same name should not be entered
THE:
more than once. The duplicating of titles, as
is now done to the annoyance and loss of the
publisher, could be easily obviated by an alpha-
betically arranged list at Washington of all
titles entered.
HE finest specimen of typographical art
With the hope that the foregoing, touching
that's been placed on our desk for many
the few points which have occurred to me, may months is the November issue of The Keynote,
be of some value to your readers, I am,
one of Edward Lyman Bill's publications. This
number contains instrumental and vocal music
Very truly yours,
and page after page of choice reading. The best
MOLINEUX.
investment a person can make is to send $1.50
Detective. — •' Why do you suspect your to Mr. Bill at 3 East 14th street, New York, and
cashier. He is not extravagant, although it is get The Keynote for a year. Each number is
true he lives in comfort." Principal.—" That's worth at least fifty cents, and is an ornament to
just it. With the salary I give him he could the finest library or music room.—Sound Breeze,
not possibly live in comfort.''—Fliegende Blatter. L,yme, Conn.
0£ST INVESTMENT.
f
MERRILL PIANOS
The trade are invited to inspect the pianos at
165 TREMONT STREET, BOSTON,
or at Messrs. WILLIAM A. POND & CO.,
25.UNION SQUARE, NEW YORK.
THE KEYNOTE.
The HOME musical Journal of America.
MANUFACTURERS OF
ART, LITERATUBE, DRAMA.
From One to Two Dollars worth of Music with each Issue.
Subscription, $1.50 per Tear.
EDWARD LYMAN BILL,
NO. 3 EAST 14TH STREET,
NEW YORK.
Grand
and Upright
Pianos,
ERIE, PA.
NEW YORK OFFICE: 18 East 17th Street, with G-. W. HERBERT.
A STANDARD ARTICLE
Should not be confused with faulty imitations of i t !
LEHR
opened the way for Piano-Style Organs, rnade them the popular desire,
and as a
SEVEN-OCTAVE ORCAN
occupies pre-eminence not only in variety of style, appearance, finish,
tone and many improved qualities, but has a larger sale than all other
makes combined.
Progressive dealers find it often sells in competition
with piano 1 ;, though it only costs one-third as much. Made in Walnut,
light Qt. Oak, dark Qt. Oak, Mahogany and Rosewood.
SEND FOR PRICES AND HANDSOME NEW CATALOGUE.
H. U H R & CO., EASTON, PA.
S. S. STEWART'S
World Famous Banjos
have no equals for beauty of finish and musical qualities of tone.
The Stewart Banjos are usei by all leading professional players.
Send stamp for Illustrated Price List and Book of Information. A
specimen of the BANJO AND GUITAR JOURNAL will be
sent free to all who send 5 cents in stamps for Price List Banjo
Music and Songs in great variety. Send for Catalogue. Address
S-
S,
STEWAET,
231 and 333 Church St.,
Bet. Market and Arch Sts.,
PHILADELPHIA, PENNA.
Piano Manufacturers,
F. MUEHLFELD £ CO.,
Seaverns Piano Action Co., ™
511-513 E. 137th St., NEW YORE
MANUFACTURERS OF
Nos. 113-125 BROADWAY,
ESTABLISHED 1851.
THE OLD STANDARD
1833.
CAMBRIDGEPORT, MASS.
MARTIN GUITARS
THE ONLY RELIABLE
Manufactured by C. F. Martin SL C O .
NO CONNECTION WITH ANY OTHER HOUSE OF THE SAME NAME.-**
For over sixty years the MARTIN GUITARS were and are still the only reliable instruments used by all first-class Professors and Amateurs throughout the
country. They enjoy a world-wide reputation, and testimonials could be added from the best Solo players ever known, such as
Madame DE GONI,
I
Mr. WM. SCHUBERT,
I
Mr. S. DE LA COVA,
I
Mr. H. WORRELL,
I
Mr. N. J. LEPKOWSKI,
Mr. J. P. COUPA,
I
Mr. FERRER,
|
Mr. CHAS. D E JANON,
|
Mr. N. W. GOULD,
|
LUIS T. ROMERO,
and many others,
but deem it unnecessary to do so, as; the public is well aware of the superior merits of the Martin Guitars. Parties have in vain tried to imitate them, not only here in the
United States, but also in Europe. They still stand to this day without a rival, notwithstanding all attempts to puff up inferior and unreliable guitars.
Depot at C. A. ZOEBISCH & SONS, 19 Murray St., near Broadway, New York.
Importers of all kinds of MUSICAL INSTRUMENTS, STRINGS, etc., etc., etc
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
14
H£UMH0UTZ TO
JSTfclNWAY.
"THE HIGHEST TYPE."
Banjo or similar musical instrument, No.
508,586, J. A. Todd.
Guitar, No. 508,858, J. S. Back.
Guitar, lyro, No. 508,543, W. Hay.
Piano action, No. 508,813, J. F. Conover.
Tuning peg for musical stringed instruments,
Nos. 508,098, L. Iy. Filstrup.
STUCK
HANDS
PIANO OR ORGAN ATTACHMENT.—James W.
Carter, Cisco, Texas. This is a guard device
mounted to slide in a plate having guide ways,
the plate being adapted for attachment to the
under side of the key board, where it may be
locked in either a folded or extended position.
The plate has handle extensions, and by its use
the instrument may be conveniently moved
about without danger of defacing it, or the
doors, rails, etc., of the building.
MANUFACTURED B I
\ PIAMO co.
171 AND 173 SO. CANAL STREET,
CHICAGO.
CUSTOM HOUSE, BOSTON,
Collector's Office, November 20, 1893. j
Exportations of Musical Instruments from the
Port of Boston, Month ending Oct. 31, I893.
To Germany :
-
One (i) Piano -
$5OO
To Netherlands :
-
Thirty-one (31) organs -
1.738
To Sweden and Norwa}^ :
-
Seven (7) organs
4O6
To England :
Two hundred and forty-three
(243) organs
$13,045
Two (2) Pianos
75O
All other and parts ot
2,170
THE
Sterling Company,
#
NE of the greatest tributes ever paid to the
celebrated pianos of the house of Stein-
way & Sons is embodied in the following letter
from that distinguished accoustician, Prof. H.
von Helmholtz:
NEW YORK, October 6, 1893.
HIGHLY ESTEEMED SIR :—I
have availed my-
self of your kind permission to examine a num-
ber of finished grand pianos at Steinway Hall,
and inspect your factory in New York where the
separate parts of the mechanism are adjusted
and fitted together.
Two distinct points have more particularly
interested me, agreeing as they do with the re-
sults of my acoustic studies, viz. : first, the
extended application and more complete division
of aliquot parts of the lengths of strings, thus
augmenting the separate harmonic overtones
and thereby rendering more musical the entire
combined sound of each string.
The present division, by means of a contin-
uous, slightly arched, unyielding bridge, evi-
dently permits an easier transmission of the
aggregate overtone and slower vibrations of
same, both being plainly perceptible.
Secondly, it was highly interesting to me t a
observe your method of creating the arch of the
sounding board, enabling it successfully to sus-
tain the pressure of the strings,
I myself did not realize the special influence
of the arched sounding board surface until after
the completion of my book on " Tone Sensa-
tions, '' and have treated the subject in a smaller
essay on " The Mechanism of the Human Ear,"
which article has since been embodied in the
collection of my scientific works.
In the ear, on the tympanic membrane, there
exists the identical apparatus for the transmis-
sion of the air vibrations to the structural parts
of the organs of hearing, viz., hammer, anvil
and stirrup (with a similar arching of the sur-
face) that you have applied so successfully in
your pianos. It is self evident that through the
compression of the sound board causing its arch ?
the durability of the grand piano in its volume
and power of tone is very favorably influenced.
With best wishes and repeated thanks for
granting me the welcome opportunity to view
your workshops, I remain,
Your devoted
H. v. HEI*MHOLTZ.
•#••
To Nova Scotia, etc. :
Two (2) organs
All other and parts of -
t5»9 5
MR. W. STEINWAY, NEW YORK.
- $2IO
Chesapeake and Ohio Route
193
403
To Newfottndland :
Eight (8) organs
Four (4) pianos
- 480
6OO
I O8O
To Br. West Indies :
One (1) organ -
-
Total -
TO THE
Pianos and Organs,
The Hot, Warm, Healing, and all the Sulphur
Springs of the Virginias.
FACTORY :
-
$: 20,128
Importations of Musical Instruments into the
Port of Boston, Month of October, 1893.
Countries :
Austria
$149
France
.
.
.
.
.
.
204
Germany
4,011
England
- 368
Total
MANUFACTURERS OF
.732
DERBY, CONN.
It is admitted by all that 90 piano ever put upon the
market has met with such success as THK STEALING
and thousands will testify to their superiority of work-
manship and durability. Why ? Because they are made
just as perfect as a piano can be made.
THE STERLING ORGAN has always taken the lead, and
the improvements made this year puts it far ahead of
all otheis. $W Send for Catalogue.
Hallet & Davis Pianos
WEST and SOUTH,
The F. F. V. Vestibuled Limited, composed of Pull-
man Sleepers, Dining Car and Day Coaches, runs
through to Cincinnati and Louisville solid, every day
in the year at 5 P. M. from New York via. Pennsylva-
nia R. R., Cortlandt and Desbrosses Ferries, Brooklyn
by annex, 4:30 P. M.
The Cincinnati Express leaves week days, at 8 A. M.
with Dining Car and Sleepers, Washington to Cincin-
nati and St. Louis. For tickets, Pullman accommo-
dations, or information, apply 362 Broadway, or at any
Pennsylvania R. R. ticket office.
F R A N K IHcCONNELL,
Passenger Agent,
362 BROADWAY, N. Y.
GRAND, SQUARE AND UPRIGHT.
Indorsed by Liszt, Gottschalk, Wehli, Bendel, Straus, Soro, Abt,
Paulus, Titiens, Heilbron and Germany's Greatest Masters.
Established over Half a Century.
BOSTON, MASS.

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