Music Trade Review

Issue: 1893 Vol. 18 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
such future contract, and not leave any of them
to be agreed on in the future.
2. A certain contract to enter into a future
contract considered, and held to leave material
terms for future agreement.
Shepard v. Carpenter, Supreme Court of Min-
nesota, July 13th, 1893.
REPLEVIN—WHEN LIES—BY MORTGAGOR
AGAINST MORTGAGEE.
brought replevin for some of the property mort-
gaged, on the ground that the mortgagees had
collected sufficient to pay their claims and ex-
penses, which they denied. Held, that, as
plaintiffs had no legal title, replevin would not
lie, and he must proceed by a bill to redeem and
for an accounting.
Holtzhausen v. Parkhill, Supreme Court of
Wisconsin, June 21st, 1893.
Plaintiff mortgaged his stock in trade, credits
F. A. PIPER, the piano dealer of Concord,
and accounts to secure certain creditors, and, N. H., lost a very valuable instrument by the
after the latter had been in possession for some burning of the Phenix Hall, November 10th.
time, making sales and collecting accounts, he The piano was rented and not insured.
MERRILL PIANOS
THE KEYNOTE.
THERE are about 6,000 men in New York who
make a living at the manufacture of pianos.
Five hundred belong to this order, of whom 400
are out of work at present. Nearly 5,000 of the
total 6,000 are not at work. Some shops have
lately reopened. They ranged formerly from
$10 to $18 a week, but have recently been cut
from ten to twenty per cent, and in some shops
some of the men get only $7 a week. The con-
tract system and the introduction of piece work
has had much to do with this. A labor leader
among the piano makers, who does not want to
give his name, attributes the present demoral-
ization to over production.— The Press.
The trade are invited to inspect the pianos at
165 TREMONT STREET, BOSTON,
or at Messrs. WILLIAM A. POND & CO..
25 UNION SQUARE, NEW YORK.
OOLZB^T ZPI^ILSrO C O . ,
The HOME Musical Journal of America.
HARUFACTURBRS OF
ART, LITERATURE, DRAMA.
Grand and Upright Pianos,
From One to Two Dollars worth of Music with each Issue.
Subscript ion, $1.50 per Year.
EDWARD LYMAN BILL,
NO. 3 EAST 14TH STREET,
NEW YORK.
ERIE, PA.
NEW YORK OFFICE: 18 East 17th Street, with G. W. HERBERT.
A STANDARD ARTICLE
Should not be confused with faulty imitations of i t !
S. S. STEWART'S
opened the way for Piano-Style Organs, made them the popular dtsne
and as a
SEVEN-OCTAVE
ORGAN
occupies pre-eminence not only in variety of style, appearance, finish
tune and many improved qualities, but has a larger sale than ail other
makes combined. Progressive dealers find it often sells in competition
with pianos, though it only costs one-third as much. Made in Walnut.
light Qt. Oak, dark Qt. Oak, Mahogany and Rosewood.
SEND FOR PRICES AND HANDSOME NEW CATALOGUE.
H. LEHR & CO., EASTON, PA.
World Famous Banjos
have no equals for beauty of finish and musical qualities of tone.
The Stewart Banjos are useJ by all leading professional players.
Send stamp for Illustrated Price List and Book of Information. A
specimen of the BANJO AND GUITAR JOURNAL will be
sent free to all who send 5 cents in stamps for Price List. Banjo
Music and Songs in great variety. Send for Catalogue. Address
S.
S.
STE'WAET,
831 and 333 Church St.,
Set. Market and Arch Sts.,
PHILADELPHIA, PENNA.
Piano Manufacturers,
F. MUEHLFELD £ CO
FINE
PIANO
ACTIONS,
Seaverns Piano Action Go
511-513 E. 137th St., NEW YORK
MANUFACTURERS OF
Nos. 113-125 BROADWAY,
ESTABLISHED 1851.
THE OLD STANDARD
1833.
CAMKKIDfiKPOKT, MASS.
MARTIN GUITARS
Manufactured by C. F. Martin & Co.
THE ONLY RELIABLE
1893.
NO CONNECTION WITH ANY OTHER HOUSE OF THE SAME NAME.-**
For over sixty years the MARTIN GUITARS were and are still the only reliable instruments used by all first-class Professors and Amateurs throughout the
country. They enjoy a world-wide reputation, and testimonials could be added from the best Solo players ever known, such as
Madame DE GONI,
I
Mr. WM. SCHUBERT,
I
Mr. S. DE LA COVA,
|
Mr. H. WORRELL,
I
Mr. N. J. LEPKOWSKI,
Mr. J. P. COUPA,
I
Mr. FERRER,
|
Mr. CHAS. DE JANON,
[
Mr. N. W. GOULD,
|
LUIS T. ROMERO,
ana many others,
but deem it unnecessary to do so, as the public is well aware of the superior merits of the Martin Guitars. Parties have in vain tried to imitate them, not only here in the
United States, but also in Europe. They still stand to this day without a rival, notwithstanding all attempts to puff up inferior and unreliable guitars.
Depot at C. A. ZOEBISCH & SONS, 19 Murray St., near Broadway, New York.
Importers of all kinds of MUSICAL INSTRUMENTS, STRINGS, etc., etc., etc
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
ro
THE MUSIC TRADE REVIEW.
•'THE HIGHEST TYPE."
OUR REVIWING
DEPARTMENT,
WHITE-SMITH PUB. CO., BOSTON.
Christmas Roses, Waltzes.
C. A. White.
Greenhalge's March.
F. E. White.
Norwegian Mazurka.
F. Mullen.
Tarentelle Italienne.
F. Mullen.
Petite Polish Mazurka.
F. Mullen.
Dance of the Butterflies. Theo. Bonheur.
Supplication.
R. H. Phippen.
Our Boys Shoulder to Shoulder.
D. L. White.
1. A tuneful and pleasing composition from
the pen of this world-wide favorite. The ar-
rangement is simple, consequently it is within
the scope of the home musician who loves a
good waltz.
2. The merits of this march can best be esti-
mated when its martial strains helped Mr.
Greenhalge to the Gubernatorial chair.
3. 4, 5. Three very interesting studies. Mr.
Mullen has succeeded in investing his numbers
with a tone color that gives each a national
characteristic, and shows a wide versatility in
composition. They are effectively arranged and
not over difficult.
6. This is a " fantastic dance " for four hands.
The composer is an old favorite and he main-
tains his reputation for originality and merit.
7. A graceful gem for church or reed organ.
It opens with an andante movement leading up
to the theme, '' Pass Me Not, O Gentle Saviour.''
The arrangement is excellent.
8. A good vigorous march. It is evident that
the martial spirit has enabled Mr. White to add
another to his many successful compositions.
It has a handsomely illustrated cover page of
the " boys in blue. "
HANDS
1.
2.
8.
4.
5.
6.
7.
8.
1. Forget Thou Me.
Victor Allen.
2. She Answered With Her Eyes.
T. G. Boettger.
3. Will They Answer If I Write.
J. St. George.
4. Love Me Dear As I Love You.
1). L. White.
5. Serenaders.
D. L. White.
6. This My Best Girl.
J. St. George.
7. Once More In The Dear Old Land.
F. McGlennon.
8. I'm Going To Be a Professional.
F. McGlennon.
9. Recruiting.
Fred. Eplett.
All of the foregoing are of the popular order.
No. 1 is a pleasing and well written song for
mezzo-soprano or baritone. The words are by
Miss M. E. Van Hise. 2. A sentimental song
with chorus. The musical setting and words
are above the average. 3. One of R. J. Jose's
great successes. It has a pretty melody, and
MANUFACTURED BT
171 AND 173 SO. CANAL STREET,
CHICAGO.
THE
Sterling Company,
MANUFACTURERS OF
Pianos and Organs,
FACTORY :
DERBY, CONN.
It is admitted by all thai; no piano ever put upon th?
market has met with such success as THE STERLING
and thousands will testify to their superiority of work-
manship and durabilhy. Why ? Because they are made
just as perfect as a piano can be made.
, T H E STERLING ORGAN has always taken the lead, and
the improvements made this >ear puts it far ahead of
all otheis.
E^~Send for Cdtalogue.
Hallet & Davis Pianos
the words are full of homely sentiment. 4. A
catching song in waltz tempo that is sure to be
popular. The words are by the composer. 5.
Another of D. I v . White's serio-comics which is
up to the average. 6. Mr. St. George evidently
got his inspiration for this song from that
classic, "Annie Rooney." 7, 8. Two English
reprints. 7. Is a sentimental Irish ballad with
waltz refrain, and 8 is of a class of "comic"
which our legislators should put a tariff on.
Mr. McGlennon always writes pleasing melody,
and these are no exception. 9. A good comic
song that has music and words to commend it.
OLIVER DITSON CO., BOSTON.
1. On Dancing Waves, Waltzes.
John Weigand.
2. Wald-Geister, Waltzes.
Max Zach.
3. Editha Valse.
C. Lamar.
4. La Senorita, Waltz.
J. W. Moore.
5. Magnesium Flashes, Gavotte. A. J. Davis.
6. Evening Bells, Gavotte.
E. S. Phelps.
7. Resignation, Morceaii.
E. S. Phelps.
8. Mountain Cascade, Scherzino.
Tli. W. Davis.
!). Hermione, Mazurka.
.1. C. Macy.
10. Equestrian, Polka.
H. Maylath.
1. A pretty and catchy set of waltzes, effect-
ively arranged by L,eo. Koesler.
They are
bound to be popular.
2. A capital set of waltzes, after the Strauss
school. Not difficult for amateurs.
3. A pleasing valse, which, shows good con-
structive taste throughout.
4. A valse Espagnole that is sure to become
known before long. It possesses elements, of
unusual merit.
5. Another of Mr. Davis's many compositions,
which displays decided originality and effective-
ness in treatment.
6. A dainty and finished composition of a very
graceful character. It is well arranged. His
"Resignation " (7) is a poetic and expressive
morceau that will force its way into popularity.
8. A descriptive musical setting of a " Mourft-
;iin Cascade." It bears out the title in general
contour and coloring.
9. Another graceful mazurka that contaisn
all the elements of popularity from the pen of
this prolific composer.
10. Anything from Mr. Maylath's pen is
bound to be meritorious. This trifle is no ex-
ception. It is a pleasing and finished compo-
sition.
1. When Love Was Young.
Kate Ockleston-Lippa.
2. As Of Old.
L. Denza.
ii Just For To-Night.
F. Collins.
4. Spring Song.
Robt. Tempest.
5. Serenade.
Celeste D. Heckscher.
(i. Gypsy Lullaby.
Celeste D. Heekscher.
7. May I Love Thee I Celeste 1). Heckscher.
8. Dream of Joy.
Joseph Pizzuti.
J). Thou Art A Friend.
Tlios. O'Neill.
10. If Slumber Sweet,
F. M. Singer.
11. The Maiden and The Shepherd.
Horace Ellis.
1. A composition of more than ordinary
merit. It shows decided originality in its con-
structive form, and will invite close inspection
if not criticism, from that standpoint. This
s >ng took first prize at the Pittsburg Art Society,
and was sung several times at the World's
Exposition. The words are by the noted Eng-
lish poet, Alfred Austin.
2. A poetic and expressive song of the Eng-
lish school. It is a concert ballad that should
GRAND, SQUARE AND UPRIGHT.
Indorsed by Liszt, Gottschalk, Wehli, Bendel, Straus, Soro, Abt,
Paulus, Titiens, Heilbron and Germany's Greatest Masters.
Established over Half a Century.
BOSTON. MASS.

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