Music Trade Review

Issue: 1893 Vol. 18 N. 17

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THE MUSIC TRADE REVIEW.
W. W, KIM0AUL
W. KIMBALL," says the Chicago
Evening Post, " is a fair type of the
broad-minded, . public-spirited men through
whom Chicago maintains its commercial suprem-
acy and metropolitan character. Knowing the
entire alphabet of his business, quick to seize
upon and improve opportunities of trade, and
strictly attentive to the rules which an exacting
position imposes upon him. Mr. Kimball's
equipment covers a much wider range than is
comprised within the limitations of a business
enterprise. As a result of doing the right thing
at the right time success has come to him. Mr.
Kimball was born in Oxford County, Maine, in
1828, and is of good old New England stock.
After a course of training in district and high
schools he clerked and taught school for a time,
but the bent of his inclination was strongly com-
mercial. In 1857, while traveling for a Boston
firm, he visited Chicago and found something
congenial in the whirl of its traffic and in the
vitality of its enterprises. Next year he located
here and commenced business as a dealer in
pianos and organs. The infinite domain beyond
Chicago was mainly a wilderness then, and in
the clearing of that vast country the material
necessities had to take precedence of the arts.
In 1864 he established Chicago's first wholesale
trade in pianos in the old Crosby Opera House.
The great fire destroyed his entire plant, but
forty eight hours afterward he had converted his
private residence, on Michigan avenue, into a
musical warehouse, with the billiard room for
an office and the barn for the shipping depart-
ment. Eleven years ago the W W. Kimball
Company was formed, and the present location
was adopted during the last presidential cam-
paign. It is not generally known that this city
holds within its borders the largest piano and
organ factories in the world. These Mr. Kim-
ball established in 1881 and 1887. Personally
speaking, Mr. Kimball is not only a man of
quick, comprehensive and commanding intellect,
but of a cheerful, natural vitality and humor
that convert great labors into an invigorating
pastime. He is fond of the drama, society and
club life. While classed among Chicago's
millionaires and known to have been one of the
original promoters of many of its public institu-
tions, to possess great wealth has never been
the quickening principle of his ambition. A
happy faculty of interpreting the peculiarities
of strangers with the rapidity of intuition and
almost infallible accuracy has been one main
secret of his success in mercantile life. The best
evidence of great mental endowment lies in his
work and its lasting imprint on one of the great
art interests of society. Mr. Kimball is some-
thing of a wit and is quite famous for his stories
and humorous anecdotes. His treatment of his
employees brings out some of the best traits of
his character. Men are now working for him
who entered his employ on the day he started in
business in Chicago, and he has the full con-
fidence and respect of all the men under him.
In 1865 Mr. Kimball married Evalyne M. Cone,
of this city, and at present occupies a magnifi-
cent residence at 1801 Prairie avenue. Mr.
Kimball's name is on the membership of nearly
all the city's prominent clubs and social organ-
izations."
R£C£NT UEGAU
_D£CISI0NS,
MORTGAGES—FORECLOSURE FOR INSTALLMENTS
OF INTEREST.—EFFECT.
How. St. § 8498, subd. 4, provides that, in
case of mortgages given to secure the payment
of money by installments, each installment
after the first shall be deemed a separate mort-
gage, and such mortgage for each of such in-
stallment may be foreclosed as if such separate
mortgages were given for each of such subse-
quent installments, and a redemption of any
such sale by the mortgagor shall have the like
effect as if the sale for such installments had
been made on an independent prior mortgage.
Held, that such statute includes installments of
interest, as well as principal, and that where
there was a statutory foreclosure and sale for
installments of interest and a redemption by the
grantee of the mortgagors, the mortgage was
not extinguished. Miles v. Skinner, 3 N. W.
Rep. 918, 42 Mich. 181, distinguished.
Edgar v. Edgar et al., Supreme Court of
Michigan, July 25, 1893.
INSURANCE—PROOFS OF LOSS—SECONDARY EVI-
DENCE—FOUNDATION FOR RECEP-
TION—WAIVER.
1. Upon the trial of an action to recover for a
loss by fire under an insurance policy, notice at
the trial to the defendant's attorneys to produce
proofs of loss, sent by plaintiff to the company
in a distant State, it not appearing that they
were within reach of its attorneys at that time,
is insufficient to lay the foundation for secondary
evidence.
2. Where proofs of loss are shown to have
been properly mailed to the company at their
place of business or the home office, it will be
presumed that they were received in due course
of mail till the contrary is made to appear.
3. Evidence held insufficient to prove a
waiver of the service upon the company of the
proofs of loss required by the policy.
Dade v. Aetna Insurance Co., Supreme Court
of Minnesota, July 31, 1893.
NEGOTIABLE INSTRUMENTS—ACTION BY INDOR-
SEE—EVIDENCE.
1. The indorsee of a promissory note may
maintain an action thereon against the maker,
although others are beneficially interested with
the plaintiff therein.
2. An indorsee of negotiable paper, taken
before maturity as collateral security for an
antecedent debt, in good faith, and without
notice of defenses, such as fraud, which might
have been available as between the original
parties, holds the same free from such defenses.
3. Evidence held sufficient to show that the
note in suit was thus taken in good faith, and
without notice of the fraud alleged in defense.
Rosemond v. Graham, Supreme Court of
Minnesota, July 26, 1893.
NEGOTIABLE PAPER—ALTERATION—FORGERY.
According to the decision 01 the United
States Circuit Court of Appeals, in the case of
The Exchange National Bank of Spokane vs.
The Bank of Little Rock, Ark., the rule of
caveat emptor applies to the purchaser of nego-
tiable paper to such an extent that he must bear
the loss resulting from a fraudulent and un-
authorized alteration in the terms or amount of
a draft made by a third person after its issuance
and before its purchase, even where the drawer
or maker writes it so carelessly that the forgery
may be committed without exciting any sus-
picion thereof.
CONTRACT—CERTAINTY.
1. An agreement to enter into a contract in
the future, in order to be enforceable, must ex-
press all the material and essential terms of
A N • ILLUSTRATED %ROCU UR E
fiEGANT?f?ICE-L[5T5 -MENU-CARDS- etc.,efc
FINE -WOOD 'ENGRAVING • OF-PIANO-;
MUSIC TITLES -BRASS -DIES • FOR ^ a,
PEW- DRAWINGS • BUILDIHGS- LANDSCAPES • PORTRAITS
PHOTO-ENGRAVING HALFTONES £ C
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
such future contract, and not leave any of them
to be agreed on in the future.
2. A certain contract to enter into a future
contract considered, and held to leave material
terms for future agreement.
Shepard v. Carpenter, Supreme Court of Min-
nesota, July 13th, 1893.
REPLEVIN—WHEN LIES—BY MORTGAGOR
AGAINST MORTGAGEE.
brought replevin for some of the property mort-
gaged, on the ground that the mortgagees had
collected sufficient to pay their claims and ex-
penses, which they denied. Held, that, as
plaintiffs had no legal title, replevin would not
lie, and he must proceed by a bill to redeem and
for an accounting.
Holtzhausen v. Parkhill, Supreme Court of
Wisconsin, June 21st, 1893.
Plaintiff mortgaged his stock in trade, credits
F. A. PIPER, the piano dealer of Concord,
and accounts to secure certain creditors, and, N. H., lost a very valuable instrument by the
after the latter had been in possession for some burning of the Phenix Hall, November 10th.
time, making sales and collecting accounts, he The piano was rented and not insured.
MERRILL PIANOS
THE KEYNOTE.
THERE are about 6,000 men in New York who
make a living at the manufacture of pianos.
Five hundred belong to this order, of whom 400
are out of work at present. Nearly 5,000 of the
total 6,000 are not at work. Some shops have
lately reopened. They ranged formerly from
$10 to $18 a week, but have recently been cut
from ten to twenty per cent, and in some shops
some of the men get only $7 a week. The con-
tract system and the introduction of piece work
has had much to do with this. A labor leader
among the piano makers, who does not want to
give his name, attributes the present demoral-
ization to over production.— The Press.
The trade are invited to inspect the pianos at
165 TREMONT STREET, BOSTON,
or at Messrs. WILLIAM A. POND & CO..
25 UNION SQUARE, NEW YORK.
OOLZB^T ZPI^ILSrO C O . ,
The HOME Musical Journal of America.
HARUFACTURBRS OF
ART, LITERATURE, DRAMA.
Grand and Upright Pianos,
From One to Two Dollars worth of Music with each Issue.
Subscript ion, $1.50 per Year.
EDWARD LYMAN BILL,
NO. 3 EAST 14TH STREET,
NEW YORK.
ERIE, PA.
NEW YORK OFFICE: 18 East 17th Street, with G. W. HERBERT.
A STANDARD ARTICLE
Should not be confused with faulty imitations of i t !
S. S. STEWART'S
opened the way for Piano-Style Organs, made them the popular dtsne
and as a
SEVEN-OCTAVE
ORGAN
occupies pre-eminence not only in variety of style, appearance, finish
tune and many improved qualities, but has a larger sale than ail other
makes combined. Progressive dealers find it often sells in competition
with pianos, though it only costs one-third as much. Made in Walnut.
light Qt. Oak, dark Qt. Oak, Mahogany and Rosewood.
SEND FOR PRICES AND HANDSOME NEW CATALOGUE.
H. LEHR & CO., EASTON, PA.
World Famous Banjos
have no equals for beauty of finish and musical qualities of tone.
The Stewart Banjos are useJ by all leading professional players.
Send stamp for Illustrated Price List and Book of Information. A
specimen of the BANJO AND GUITAR JOURNAL will be
sent free to all who send 5 cents in stamps for Price List. Banjo
Music and Songs in great variety. Send for Catalogue. Address
S.
S.
STE'WAET,
831 and 333 Church St.,
Set. Market and Arch Sts.,
PHILADELPHIA, PENNA.
Piano Manufacturers,
F. MUEHLFELD £ CO
FINE
PIANO
ACTIONS,
Seaverns Piano Action Go
511-513 E. 137th St., NEW YORK
MANUFACTURERS OF
Nos. 113-125 BROADWAY,
ESTABLISHED 1851.
THE OLD STANDARD
1833.
CAMKKIDfiKPOKT, MASS.
MARTIN GUITARS
Manufactured by C. F. Martin & Co.
THE ONLY RELIABLE
1893.
NO CONNECTION WITH ANY OTHER HOUSE OF THE SAME NAME.-**
For over sixty years the MARTIN GUITARS were and are still the only reliable instruments used by all first-class Professors and Amateurs throughout the
country. They enjoy a world-wide reputation, and testimonials could be added from the best Solo players ever known, such as
Madame DE GONI,
I
Mr. WM. SCHUBERT,
I
Mr. S. DE LA COVA,
|
Mr. H. WORRELL,
I
Mr. N. J. LEPKOWSKI,
Mr. J. P. COUPA,
I
Mr. FERRER,
|
Mr. CHAS. DE JANON,
[
Mr. N. W. GOULD,
|
LUIS T. ROMERO,
ana many others,
but deem it unnecessary to do so, as the public is well aware of the superior merits of the Martin Guitars. Parties have in vain tried to imitate them, not only here in the
United States, but also in Europe. They still stand to this day without a rival, notwithstanding all attempts to puff up inferior and unreliable guitars.
Depot at C. A. ZOEBISCH & SONS, 19 Murray St., near Broadway, New York.
Importers of all kinds of MUSICAL INSTRUMENTS, STRINGS, etc., etc., etc

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