Music Trade Review

Issue: 1893 Vol. 18 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
t^yHIS is, from an advertisement of Lyon &
ST» Healy, and commends itself to us as being
of very dignified character, and in harmony with
the traditions of the Hazelton firm :
" A home without the sunshine of a piano is
a poor sort of home at best, and a home without
a musical piano is but little better off. There
is one make of piano that is so pre-eminently
musical that it needs but to be heard to be re-
membered long after most makes of pianos have
been entirely forgotten. Since 1850 this piano,
the Hazelton, has been gaining in its hold upon
the musical world, and from the first it possessed
a clientage embracing many of the best Ameri-
can families. To-day its position as a leading
piano among the leaders cannot be questioned.
1
' The cases of the Hazelton uprights are mar-
vels of elegance in design ; every fancy wood
employed being used with consummate skill and
judgment. Several sizes and styles of the
Hazelton upright offer a considerable choice in
the matter of cost, and in every Hazelton the
purchaser is assured of obtaining the highest
possible value for the amount invested.
Monthly payments may be arranged when
desired. Make a note to visit our special
Hazelton salesroom to examine this superb
piano."
J||ZHE day previous to the repeal of the Silver
<»T» Bill, \he,Eveni7ig World remarked editori-
ally : '' The Silver Bill is going to be repealed !
Hurrah!
Rosy joy stands jocund on the
mountain tops of our hopes. Hard times are
getting ready to ' fly the coop ' and good times
are coming. Soon we will all be eating cake
and drinking wine. A peri peeping through the
gates of Paradise has no more glorious vision
than we are now blessed with as we look for-
ward to the treasure-teeming days that will fol-
low the doom of the Silver Bill.
HOW MANY CAN YOU MAKE ?
our last issue we called attention to a
unique offer made by the Schubert Piano
Co. The offer made is to the one making the
largest number of correctly spelled English
words out of the word "Schubert, " there will
be awarded one of the regular stock pianos from
their wareroom, No. 29 East 14th street, made
by the Schubert Piano Company. The rules
governing this contest are :
betters can be used more than once.
1. Words containing letters not in Schubert
excluded.
2. Words with apostrophies and words abbrev-
iated excluded.
3. Words misspelled excluded.
4. Words not found in Webster's Dictionary
excluded.
5. In case of a tie list first received will be
awarded the piano.
6. Anyone eligible as a contestant.
7. Contest closes 6 p. M. December 24, 1893.
F. E- McArthur, the manager of their ware-
rooms, has charge of the whole matter; there-
fore, perfect fairness is insured. The proposi-
tion is eliciting much interest, and although the
announcement was made by us so short a time
ago, the mails are replete with enquiries for
further particulars regarding the contest.
is a man on our block who has
created no small interest in his welfare
and belongings. He has been here for several
years. He has grown to be a familiar figure to
the throng that sway up and down 14th street.
The man is a beggar, and he tempts the charity
of passers by through the seductive strains of
an accordion. The poor old fellow who wears
side whiskers like a Vanderbilt—though he
1
' That bill brought us all our woes. It was
isn't one—is accompanied by an aged com-
rammed tight with calamity, but the country
panion, and she sits on an unreliable camp
didn 't know it was loaded. Now that it is all
chair by his side, holding a tin cup, and the
up with the mischievous measure, we expect a
change. Rents will probably come off their pennies that chink on its resonant bottom form
perch, and wages will begin to soar. Harlem a fitting accompaniment to the alleged music.
grocers will quit asking four times as much for And were other accompaniment necessary it is
family supplies as the grocers of Murray Hill furnished by a curious and startling piece of
demand. The worm in the damask cheek of the mechanism tortured by the ample foot of the
roasted chestnut will not turn when crushed. aged musician.
Those who have studied the habits of this
Apples will be the same size all the way down
well
sorted pair marvel at their success, for that
the barrel, and Fourth Ward votes will bring a
they
are successful in their line is evidenced by
higher figure than they have brought at any
certain
changes in costume and musical outfit.
time since the war.
Often, when passing, we have stopped in
'' There will be more beer concealed under the
front of the old blower and tried to get an idea
foam in a five cent schooner than there is now,
of what air he was so industriously trying to
and hair tonic will yield happier results than it
draw from his instrument, and, as often as we
has heretofore. Husbands will not have to
have paused the strains have paused also. He
smoke so few cigars and get such light lunches
will not play at all if you stop to listen. With
in order that their wives and children may see
a wave of the hand he will cause the small boys
a world's fair. Capital and labor will lie down
to move on. The cuckoo under his spreading
together like the proverbial lion and the lamb.
pedal is made to utter warning or plaintive
Money will be so plentiful that bonfires made
of it will blaze in the streets. Hearts will be notes during these interludes. Not long since
light and homes happier. The heavens will we, accompanied by a friend, gave the old
shower blessings as yet undreamt of, and there fellow a call. He didn't like to have us stop,
said, '' Who is he ? He's a hum-
will be bliss immeasurable for everybody whose though.
constitution is so sturdy that he can escape bug ! What's his name ? '' and we had to ex-
plain that he was a good old fellow, and that
being talked to death about the tariff.''
from the boys we had learned his name was
Harry—a rather boyish name for such an old
hero; still he wore his years well, and, as we
dropped a coin in the extended cup, we remark-
ed to
, " Harry is a good fellow. We have
known him for years, and we have to help him
a little, you know." 'Andsome 'Arry : Don't
'cher know.
THE HOUSE OF FISCHER.
years ago the Fischer flag was un-
furled, and it still continues to wave
triumphantly in its honored place. During this
half century the Fischer piano has been before
the public until thousands of homes in the
United States are familiar with the name of
Fischer, as applied to our art industry.
In this cold, matter-of fact age, few are senti-
mental enough to do business, or grant favors,
on the grounds of age alone. But age and the
reputation of a product or firm will surely com-
mand confidence and respect when the product
in itself is possessed of modern and progressive
attributes.
This brief dissertation aptly applies to the
house of J. & C. Fischer.
Since the day when, in collaboration with
William Nunns—the leading piano maker of his
time—the firm of J. & C. Fischer was organized,
the name has been a synonym of progress and
improvement in piano building.
That is why the Fischer piano occupies such
a foremost place in the piano world to-day.
There is a sound and substantial reason for
this condition of things. The Fischer piano is
an instrument honestly constructed by well-paid
and skilled workmen.
All operations are
superintended by the proprietors, every one of
them, being practical piano makers and masters
of the art.
Is it not reasonable to expect good pianos
from such a house ?
J. & C. Fischer have brought forth meritori-
ous improvements in piano mechanics and struc-
ture during the past half century that have
served to popularize and individualize their
pianos, while, in the meantime, they have
adopted all standard ideas of merit from time to
time.
It is not surprising, therefore, that out of all
the five points selected at the Columbian Expo-
sition for testing the grade, character and stand-
ing of pianos, the instruments of J. & C. Fischer
should have received the remarkable commen-
dation in the award granted ? To those who
have followed and watched the progress of the
Fischer piano, this remarkable and justly merit-
ed tribute is not surprising.
Over five thousand pianos cannot be sold
yearly without possessing exceptional and in-
trinsic merits. The great victory achieved by J.
& C. Fischer is emphasized by the exceptionally
high place taken by the Fischer grands in this
award. These instruments—small, parlor and
concert—were constantly praised by the best
judges, and they have, in no small measure,
further fixed the standing of this celebrated
house among musical people.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
OUR
EUROPEAN BUDGET,
{Continued from page j.)
in action of Russia coming to the rescue of
France in distress, France being represented by
Sarah Bernhardt, who has already impersonated
Joan of Arc.
MR. FERD. W. HILL.
Mr. Ferdinand Weist Hill, elder son of the
late principal of the Guildhall School of Music,
has just completed his studies under M. Ysaye,
and will make his first appearance since his
return from Brussels at the Westminster Orches-
tral Society's concert on December 20th, playing
Vieuxtemps' fourth violin concerto. At the
second of the Society's concerts, on March 7th,
Sir Charles and Lady Halle will play the
" Kreutzer " sonata, and at the final concert a
new orchestral entr'acte by Madame Dora Bright,
and a new orchestral suite by Mr. C. Lee Wil-
liams, of Gloucester, will be produced for the
first time.
A NEW OPERA BY FERD. HUMMEL.
Since Mascagni's " Cavalleria Rusticana "
and Leoncavallo's " Pagliacci " most living
composers are ambitious of composing an opera
in one act. Last summer at Gotha a number of
such operas were produced, the late Duke Ernest
having offered a prize of £250 for the best work.
None of these operas, however, had a lasting
success. Now at the Royal Opera House at
Berlin an opera, "Mara," by Ferdinand Hum-
mel, has been given which, as regards the music
as well as the libretto, almost equals the works
of the above mentioned Italian masters. The
•story is short and full of interest. It takes place
amongst the Circassians in the Caucasus. The
composer has succeeded in setting an intensely
passionate and dramatic scene to music which
kept the audience entranced up to the last note.
It was a very great success in every respect in
which the singers, especially Madame Pierson
and Signor Sylva, had their full share.
SIR ARTHUR SULLIVAN CONDUCTS.
The musical festivals at Cheltenham and
North Staffordshire were brought to a close last
night, October 20th. At the former Mr. Ben
Davies rendered the cavatina, " Salve Diruora, "
from Gounod's "Faust, " securing him the first
encore of the week ; whilst his subsequent efforts
in Tosti's " My Dreams " and the selection from
" Lohengrin, " in which he took part with Miss
Maggie Davies were also highly appreciated.
At Staffordshire Sir Arthur Sullivan conducted
the band in its accompaniment of "The Tem-
plar's Soliloquy," from "Ivanhoe," admirably
sung by Mr. Ffrangcon Davies. The first part
was brought to a close by Mackenzie's "Pib-
roch" for violin and orchestra. The second
part was given up to Smart's " Bridge of Dun-
kerron." The principals were Miss Esther
Pallister, Mr. Edward Lloyd and Mr. Ffrangcon
Davies. At the evening concert " Elijah, " con-
ducted by Dr. Swinnerton Heap, was sung to an
overflowing house. The choruses were magni-
ficently rendered.
OPERAS IN REHEARSAL AT THE ROYAL ACADEMY
AND THE GUILDHALL.
At the Royal Academy of Music the opera
class have now taken into practice " Pagliacci,"
"Philemon et Baucis," the first act of "Die
Meistersinger, " and Gounod's " La Colombe, "
a rather ambitious scheme, but one which is
also being put to practice at the Guildhall
School of Music, where '' Cavalleria Rusticana ''
and " Carmen " are in rehearsal.
MESSRS. FRANCIS GETS AN INJUNCTION.
Mr. F. Moses applied, on behalf of Messrs.
Francis, the music publishers, at the Vacation
Court, a few days since, to restrain Mr. Ingram
from infringing the copyright of the well-known
torture songs, "Rowdy-Dowdy-Boys," "The
Miner's Dream of Home "and " Daddy Wouldn't
Buy Me a Bow-Wow." It was explained that
the defendant had published and sold a book of
songs, on the cover of which was the name and
title of the plaintiff's songs, but neither the
music nor the songs were in the book. On the
outside of the cover, however, was a parody of
one of the songs. It was contended that this
was an imitation of the plaintiff's book, and an
injunction to restrain the defendant's publica-
tion, so far as the name and title were concern-
ed, was granted.
THE PIANO TRADE.
There is no use denying that the condition of
trade is bad—deplorably so. Manufacturers
have been accumulating stock during the sum-
mer in anticipation of a good autumn and win-
ter business, but the orders so far are few and
small. Over in the States you have had your
silver question, and we have had our miner's
question. It is hard to tell which will have the
worst effect. Business is at a complete stand-
still, and there will be practically no season this
year. You can easily understand the condition
of trade when one piano house had eighty
pianos, which were sold on the instalment plan,
thrown on their hands. In my next letter I
hope to have better news.
NIRVANA.
A SEWING MACHINE
PIANO,
What is to become of the sewing women who
have to work for a living if every conservatory
of music is turned into an undergarment, trous-
ers, cloak or linen factory ? It may be that this
new invention will bring about a complete
change in our civilization. But the sun of that
morning will not rise until the inventor of this
new piano sewing machine invents a barrel
organ that will always cause sudden death to
the hotel chambermaid who will persist in put-
ting a man's toothbrush in his shaving-dish.
MUSICAL BEDSTEAD.
Upique pieee of puncture Ou/Qed
by ag East
v$CC BOMBAY man has constructed a bedstead
^TT^D priced at 10,000 rupees, and the Iron-
monger appends the description as follows : " It
has at its four corners four full-sized gaudily-
dressed Grecian damsels, those at the head
holding banjos, while those on the right and
left foot hold fans.
" Beneath the cot is a musical box, which ex-
tends the whole length of the cot, and is capable
of playing twelve different charming airs. The
music begins the moment the least pressure has
been brought to bear from the top, which is
created by one sleeping or sitting, and ceases
the moment the individual rises. While the
music is in progress the lady banjoists at the
head manipulate the strings with their fingers
and move their heads, while the two Grecian
damsels at the bottom fan the sleeper to sleep.
There is a button at the foot of the cot which,
after a little pressure, brings a cessation of the
music, if such be the desire of the occupant."—
Oakland County Post, October 20, 1894.
inventor has partly atoned for the
§ FRENCH
invention of the piano by—according to a
writer in Kiihlow—constructing an ingenious
contrivance which is fitted under the key-board
of the piano, whereby sewing is done while
sounds, musical or otherwise, are pounded out
of the innocent wires. This invention will have
its disadvantages in thickly-settled communities.
Hereafter it will not be a question of how many
sewing machines are fun in a cloak factory or a
tailor's shop, but how many pianos. Musical
talent will be at a premium when it is generally
known that the National Anthem will sew a
baby's bonnet, that the waltz in " Faust " will
run up a flannel vest, the intermezzo of '' Caval- \/
leria Rusticana " will turn out a complete suit,
and the "Battle of Prague" not fewer than
three overcoats. Doubtless this invention will
also be applied to church organs, for why not
turn out. clothing for the heathen while the
strains of " From Greenland's Icy Mountains "
swell to heaven ? facetiously adds our contem-
porary. It is said it costs nineteen shillings to
send a pound to the heathen. Why not send
that nineteen shillings for cloth and spend the
odd shilling for freight to heathendom when the
church organs have turned out the tea gowns
and other things not in the masculine clothes
chest or vocabulary ? It is estimated that one
of Wagner's operas will furnish a complete wed-
ding trousseau. When one thinks of how many
Hottentots an average British trousseau will
clothe, it cannot be doubted that Wagner will
become more popular for organ music. But
what is to become of people with sensitive ears ?
It may be necessary for the Legislature to take
up this matter and enact a law controlling the
use of the piano sewing machines. What is to
become of matrimony if every bachelor can have
in his room a piano with which he can sew on
his buttons as fast as they leave their moorings ?
Music chart, No, 506,971, J. H. Brady et at.
Machine for making parts of pianoforte actions,
No. 507,020, E. B. Mansfield.
Automatic musical to) T , No. 507,014, J. P.
King.
WORTHY Of
PRESERVATION.
KEYNOTE for October is at hand, and,
as usual, is well filled with matter relating
to music, art, the drama and literature. The
editorial is all timely, pithy, interesting and
instructive. The several departments are well
filled with matter worthy of preservation. Con-
siderable space is devoted to the remarkable or-
gan recitals of Alexander Guilmant. These
performances seem destined to be more than a
nine days' wonder among musical people. There
is a generous amount of paragraphed informa-
tion about well-known musicians that will be
found of much interest. Letters from corre-
spondents and articles on special topics add
much to the excellence of this number. The
music consists of a brief work of Corelli, born
1653, died 1713, edited and arranged by Her-
mann Eisoldt, and " I Shall Have Had My
Day," by A. H. Behrend, words by Tennyson.
—Saturday Evening Spectator, Minneapolis,*
Minn.

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