Music Trade Review

Issue: 1893 Vol. 18 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
ing, of Chickering Bros., V. S. McCord, and
W. W. Burns. Mr. Todd has received the
heartiest encouragement from several of the
principal Chicago, houses, offering visiting
tuners every courtesy and attention. For in-
stance, Mr. Kimball said to Mr. Todd : " Tell
the tuners that we shall not only be delighted
to receive them, but will do all in our power to
make them feel ot home. Our reception rooms
and our spacious hall are open to them, and
anything we can do to make their visit to Chi-
cago pleasant and profitable will be a pleasure
to u s . " We are also pleased to know that the
John Church Co. made a similar tender. Mr.
John Fea, of the New York State Association,
24 East Main street, Amsterdam, or Mr. E. E.
Todd, Chicago, will be pleased to reply to all
inquiries concerning the Congress, or the Asso-
UNOSTENTATIOUS, yet marked evidences ciation at large.
of a steady output of Shoninger pianos
are apparent in the factory and warerooms of
A LESSON FOR PIANO MAKERS.
the B. Shoninger Co. Their style 50 is the
always look out for the technical essays
atest development in uprights. This instru-
printed in a certain source of opinion.
ment has been enthusiastically received upon Teaching piano makers how to make pianos is
its merits, and the manufacturers are about to outside of our province and we, accordingly,
anticipate a large fall demand by producing a watch the efforts of our brother with some
stock equal to any emergency. The B. Shonin- pardonable curiosity, and frequently with not
ger Co. are noted for one thing among the a little amusement.
dealers who handle Shoninger pianos. It is
The last essay is an awfully scientific thing.
this : that a new style Shoninger is never put The learned writer in it rails at the present
on the market unless it is worthy of the estab- method of drilling pin blocks as crude and a
lished reputation of the firm. Produced with waste of labor. Deploring the contention ot
such careful supervision and foresight, there are the piano maker and practical manufacturer
very few faulty instruments ever returned to that '' these holes have to be carefully laid |out
the Shoninger factory.
by an expert and drilled one by one to insure
exactness," the expert of 19 Union Square
cries, '' Nonsense ! '' That settles it. Bring
7 of the Malcolm Love pianos is a
on the Lumtidograph now and do away with
winning card. It is an instrument of
antiquated processes. Why will our piano
very fine proportions exteriorly, handsome and
men refuse to recognize the superior teachings
striking, but better still, it possesses musical
of the Edison of 19 Union Square ? It is
resources which are winning enlogiums and
true that without him we couldn't have any
tributes of praise from all critics who happen to
improvement in our pianos. Yet the manu-
test that particular style. One of these pianos
facturers ought to go further.
may be seen at the booth of the Waterloo Organ
Here is another point from the essay in
Co. by all members of the trade who visit the
question. ' l Take the sewing machine for in-
Fair. It contains that invaluable aid to the
stance, '' the sage exclaims, '' once a high
pianist and amateur, the '' Phelps Harmony
Attachment," which adds somewhat to its priced luxury it is now a common article in
value as an object of inspection. In the mean- every home throughout the land. This was
time, all the other regular catalogue styles of brought about by improved manufacture."
Malcolm Love pianos are also possessed of in- That point is well taken, and is a forcible
dividual qualities of merit which dealers and illustration of what manufacturers could accom-
their customers appreciate. Malcolm Love plish if they were only up to the level of the
pianos are forging ahead with unmistakable sewing machine experts.
Then he adds : " S o w e might cite the mow-
certainty in the trade.
ing and reaper works. All these inventions
have educated the farmer and increased his
E. E. TODD, the capable Secretary revenues. The piano is out of the reach of
of the N. A. of P. T., has been many estimable people, and it can be so pro-
securing the endorsement of some of the prin- duced as to bring it within the possibility of
cipal firms for the association, and in the ful- acquirement by these people. For this enor-
fillment of the effort which he has been very mous trade some smart manufacturer will
successful. Members of the association are strive eventually and make his everlasting for-
looking forward with deep interest to the out- tune. But he will have to begin by introduc-
come of the Congress which is to meet in Chi- ing machinery into piano production."
cago on August 7th. Last week our city asso-
Yes, we must have machinery in piano
ciation elected John Fea, A. H. Mangold and shops instead of doing everything by foot and
C. A. Hallquist as delegates to the event, while by hand. There is the Lumtidograph, for in-
Chicago will be represented by C. C. Chicker- stance ! What a saving that could effect.
name of Estey has been before the
public of America so long, and has as-
sumed such a place in that section of American
musical history devoted to improvement in
organ construction, and more recently in piano
manufacture, that it is but meet that it should
be represented in a fitting manner at the
Columbian Exposition. Estey pianos and
organs at this period are, in their numerous
characteristics of excellence, indicative in an
eloquent and expressive degree of the effort of
those controlling their production to make
them second to none. The Estey World's Fair
exhibit is satisfactory in the highest degree to
the friends of this honored name, and it is
only proper that it should be so.
OUR FIFTEENTH YEAR.
| | | H E MUSIC TRADE REVIEW has now
GT» entered upon the fifteenth year of its ex-
istence as a paper. For fourteen years this
journal has been closely identified with the
growth and expansion of our musico-industrial
affairs, and it may not be egotistical in us to
say that we have assisted in the expansion of
music trade business in every section of this
country. We are not given to frequent revels in
self-glorification, but this we can say, that we
have faced facts and described truths and
realities, and have exposed misrepresentations
and frauds where, they have existed in the music
trade and music trade journalism, with a per-
sistence and fearlessness which has now given
this paper an independent position among the
great class journals of this country.
We never prostituted the dignified calling of
journalism to selfish and unworthy ends. We
have never hesitated, even at a pecuniary loss,
to antagonize unworthy men and motives. We
have never attacked firms or individuals simply
because they were non-advertisers, and we
never have hesitated to make our fight in the
open,
1
' For the cause that lacks assistance,
For the wrong that needs resistance."
We never have desired to occupy the time
and attention of readers by the publication of
untruths and personal abuse. The policy which
has characterized this publication for ten and
four years has been one of fearless independ-
ence, and of manfully protecting and advancing
the best interests of the legitimate trade. By
an honest and conscientious pursuance of these
principles, we have won for this paper a posi-
tion of respect throughout all America and
Europe. Its utterances carry a legitimate
value for the business man, while its advertis-
ing columns have the value of an ever increas-
ing circulation and influence.
The business man of to-day knows that a
permanent newspaper institution controls an
influence and a prestige which years of success-
ful management bring to it. They know that
a paper which, for fourteen years has never
missed an issue, has always paid it's bills, has
never gone into temporary retirement, has al-
ways moved steadily ahead, controls a vast and
far reaching power which only can be acquired
by years of toil concentrated in the direction of
a newspaper property.
After all, the permanency of a business
recommends it. Some of our competitors have
watched the growth of this paper with jealous
eyes. When we saw the time opportune and
announced the change from a semi-monthly to
a weekly publication they were offering bets
that a purely trade publication could not suc-
ceed, and that in a month or two we would be
in the graveyard of the past. Well, we knew
what our possibilities were and made no mis-
takes. T H E MUSIC TRADE REVIEW continued to
grow and recently the management of this
paper saw the time ripe for the further exten-
sion of this business, hence the purchase of
The Keynote, a high class journal which is well
known on two continents and which may now
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
be classed as America's great home musical theory of acoustics as applied to mechanics ?
The booth of Wessell, Nickel & Gross, piano
action
manufacturers in the Liberal Arts De-
journal. Thus we have arrived at a point to-day As for a finely attuned ear for delicate modula-
partment,
excites no little wonder and admira-
where we control a greater weight and influ- tions of sound, exquisite gradations and fan-
tion and a constant throng of interested people
ence than that controlled by any trade paper in tastic reverberations, why, the North American
is about, inquiring into every detail. They have
the world. We seek for further and greater Indian is'nt in it with Marc. He never applied one grand and one upright action complete on
conquests, and from past experiences our his ear to mother earth to catch the sound of exhibition, as well as four upright and one
friends will rightly conclude that this state- the approaching wagon train, with a more acute grand models, showing the mechanism and
ment is pregnant with meaning. We can and delighted sense of sound than Marc has movements of the action. They are all finished
truthfully say that, notwithstanding the general always manifested when the silvery cadence was in highly polished and ornamented silver and
brass, the whole inclosed in glass cases save
depression of the times, business with us has heard in the distance, which betokened the ap- the pedals and keys. The latter arrangement
not only maintained its old standard, but has proach of a metallic substance. Marc can, with is obvious, as it enables people to try the actions
shown a very handsome increase each month absolute certainty, tell the difference of vibra- and see how they operate. In this the concern
over the preceding one. This will demon- tions per second between piano wire and a sil- has a decided advantage over other actions
strate with an incontrovertible force that THE ver dollar. Then again, he is not affected with shown, as in most cases the entire models are
inclosed. The booth is finished in mahogany
MUSIC TRADE REVIEW has not only main- myopic astigmatism regarding his own quali-
with brass pillars, and the stands on which the
tained, but increased its reputation as the fications. He has exhibited no desire to con- models rest are of highly polished and richly
leading representative organ of the trade. We ceal his own knowledge of how to run the uni- chased mahogany, the whole forming a very
verse and direct the course of comets. He has, striking and beautiful ensemble.
are with you
Mr. Henry Schorbach, one of the trusted em-
however, of late, been afflicted with a new
" For the future in the distance
ployees
of the firm's factory, is in charge of the
And the good that we can do."
species of disease, which we must characterize
exhibit, and so well posted is he in all the
as modesty. Possibly readers will doubt this.
minutia that no visitor goes away uninformed.
We again emphasize it as a truth. Were it not
The jury on musical instruments, as finally
is from the World of Thursday :
so, would he not circulate in person the petition agreed upon, consists of Mr. Gaston Bodart,
There is trouble in the piano factory of
asking for his appointment as Judge of Awards ? Max Schiedmayer, V. J. Hlavac, M. Dumal,
Gildemeester & Kroeger, 21st street and 2d
Would he not be at the Fair gates portfolio and Baron G. Pilar Von Pilchau.
avenue, over a reduction of 12 per cent, in the
It seems highly probable now that Sir Joseph
wages of the fifty men who are employed there. in one hand, a bundle of Couriers and a pencil Barnby will be named as judge. If so it is given
This reduction is made to bridge off the locking in the other, praying for signatures, were it out by those authorized to speak for him that
out of the employees, and is the outcome of a not for the fact that he has been attacked by he will accept and serve faithfully.
The outcome of all this will be a bitter pill
strike some time ago over the apprenticeship modesty ? Prevented as he is by extreme
for
one Blumenberg, who has labored long, late
question. It is said that women may be em- modesty from taking an active part, he employs
and
earnestly to have a jury named to his liking
ployed by the different piano firms in their others to act for him, while in the guise of the as well as to have himself made judge, in both
action department. They have been tried, and wise owl he blinks all day looking wise.
of which particulars he has signally failed. He
He is the kind of individual of whom Horace is reported as saying to-day that he cared noth-
were successful in everything but the long
hours, which they couldn't stand. Lodges 4, Greeley once said : " Yes, he looks wise ; but, ing about the position, but congratulates him-
6 and 10 of the International Piano-Makers' confidentially, let me assure you, God Almighty self on the strong backing he had, and the mag-
nificent showing he made. Shades of Col.
Union, which controls 842 men, will hold a never made anybody half as wise as that fellow Sellers ! Alas ! and alack, for Jack, who could
meeting in a few days to consider the situation. looks."
uot eat his supper. Shame on Foxy, who re-
They left the union because they said there was
fused the grapes. Jests aside, however, he did
accumulate quite a respectable show of endorse-
too much hocus-pocus about passwords and
ments, but there are those mean enough to inti-
grips." The World writer evidently mixes up
mate that he sandbagged most of it, and some,
the trouble of Gildemeester & Kroeger with
even of his backers, acknowledged that notices
other fights of the Piano Makers' Union. The
given and promised accounted for their being in
personal organ of Mr. Gildemeester, writing
line. At least, one concern who was lately the
recipient of a flattering notice declined to be
this week on the rumored strike in the Gilde-
cajoled or bullied into endorsing him. The
meester & Kroeger factory and their closing
notice was shown and the price asked was an
down, says: ' 'When full time is resumed the men
endorsement. It was rejected with scorn.
can return if they wish to, but must be content
For some weeks Presto has been issuing a
with the scale of wages paid by firms making
daily edition devoted principally to Section /
pianos of the Gildemeester & Kroeger grade.''
matters at the World's Fair. It has been re-
CHICAGO, July 26th, 1893.
The italics are ours. Now are we to infer from
ceived with great favor by the exhibitors, as it
keeps them posted as to all musical doings in
this that " The Gildemeester & Kroeger grade " EDITOR MUSIC TRADE REVIEW :
and out of the Exposition. The genial Dr.
is inconsistent with former wages ? Is the cut-
Four compositions were presented to an ap- Falkes, the editor, is omnipresent in Section /.
ting down being done to put the Gildemees- preciative audience in Music Hall yesterday
A benefit concert for the fire sufferers was
ter & Kroeger wages on a level with the scale of afternoon, which included Beethoven's Seventh given in the New York State building- last
wages paid by firms making the Gildemeester & Symphony, Tschaikowsky's overture, "Romeo night, which proved a great success, and was
and Juliet," Saint Saen's C minor piano con- the occasion of considerable enjoyment alike
Kroeger grade of pianos ? If this be so what
certo, (No. 4,) and Liszt's Hungarian Fantasia to volunteers and audience.
about the consistency of a firm's attempt to for piano and orchestra. The two last intro-
There are strong rumors of the early organi-
put their pianos on a level with the Steinway duced Mr. Carl Stasny, a German pianist, who
zation
of a strictly Chicago Opera. The fact
came
to
us
with
high
testimonials,
the
justice
and the Chickering, because its members
that
Jessie
Bartlett Davis and Eugene Cowles
happened to be employed by those firms at one of which he has amply demonstrated. His work have withdrawn from " The Bostonians, " and
was admirable and evoked warm praise. The
time?
instrument he used was a Henry F. Miller art- Lillian Russell has terminated her contract
ist grand, a superb instrument in every partic- with Manager French is taken as evidence that
ular. Mr. Stasny brought out all its beautiful some such move is in contemplation. Other
MODESTY.
Chicago favorites, such as W. H. Clark, Ada
^
of the Fair and things, why points, and Mr. Hart, the World's Fair manager Somers and George H. Broderick are said to be
5§p should not Blumenberg be appointed of the Henry F. Miller pianos, received many in the proposed combination. The outcome is
congratulations on the outcome of the perform-
Judge of Awards ? Is'nt he the only man who
awaited with no little interest by opera artists
ance.
can distinguish the difference between a piano
The formal dedication of the big Exposition and opera patrons here.
and a threshing machine ? Hasn't he for years organ will take place in Festival Hall this after,
Yours, etc.
labored assidiou?]}*, teaching manufacturers the noon.
HARRY MANNING.
CHICAGO.

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