Music Trade Review

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THE MUSIC TRADE REVIEW.
I 2
4
POINTS OF SUPERIORITY
OF THE
Celebrated
"Conover
Pianos.
OUR REVIEWING
D£PARTM£NT,
AND SWEETNESS of TONE.
CONSTRUCTION.
(THE ONLY STRICTLY
DURABILITY.
HIGH GRADE PIANO
MANUFACTURED
IN CHICAGO.)
WHITE-SMITH PUB. CO., BOSTON.
1. June Roses, Morceau.
F. W. Meacham.
2. Cupid's Reign. Gavotte.
E. S. Phelps.
3. Priscilla, Dance.
J. T. Clark.
4. pawn, Galop.
0. R. Blum.
SOLE FACTORS.
1. An effective composition on pretty themes.
The embellishments are very graceful; octaves
(The Largest Dealers in Pianos aod Organs in the World.)
are dispensed with throughout.
2. A melodious, well written little work,
WHOLESALE AND RETAIL WAREROOMS,
within the capacity of most players.
3. This is a quaint dance with a character-
215 WABASH AVE.,
istic title. It has a strong flavor of original- (SECOND FLOOR.)
ity.
CHICAGO.
4. Mr. Blum's composition is very graceful.
While ostensibly in the structure of the dance,
it is ambitious enough to merit the title of a
Concert Galop.
Enterprising dealers all over the Country are
5. Cosmopolitan, March.
J. C. Chandler.
6. Yictory, March.
J. Weigand.
fast securing the agency for the wonderful
7. Shoulder to Shoulder, March.
D. L. White.
8. Commercial Travelers, March.
R. Williams.
5. This has a handsomely illustrated title
•descriptive of the Cosmopolitan Magazine, after
which the composition is named. Musically,
the piece is very meritorious.
6. A spirited work. Not difficult and yet
melodious and taking.
7. Mr. White's march is entitled in full " Our
Boys Shoulder to Shoulder." There is an ar-
tistic title, and the piece itself is in the com-
poser's fluent and easy vein.
8. Commercial travelers are an important
body, and Mr, Rounseville Williams has dedi-
Wonderful in Tone Quality.
cated a very excellent composition to them.
Wonderful in Selling Qualities,
Their pace is such, however, that a galop would
seem to be more in order.
Style, Finish, Strength,
1>. Blighted Love.
E. B. Felton.
Action, Durability and Popularity,
10. Song of the Little Gnome.
L. Campbell-Tipton.
and
11. The Song Divine.
W. H. Kiinball.
9. Spanish in spirit and structure. It is a Improvement of Tone by Age and Use.
fine song, capable of excellent effect if carefully
studied and well rendered. The movement is The Company Scrupulously protect their
3-4, and the style is patterned after the bolero.
agencies,
10. A quaint song opening in C. minor, which
and
runs into a 3-4 refrain in C. major. The
Never change when it can be avoided.
fundamental tempo is 2-4. Mrs. Frazer sup- Hence the agency becomes more valuable
plied the words.
every year.
11. Melodious and sympathetic. Mr. Kim- If you can, you should secure it at once,
ball wrote both the words and music.
by writing to
12. I Had To See It All.
L. Henley.
13. Rich and Poor.
F. McGlennon.
14. The Jap.
G. Le Brun.
15. If You Were Only Here. J, R. Rutledge.
12. A humorous song of the topical order.
NORWALK, OHIO.
CHICflGO COTTAGE ORGAN COMPANY,
A.
B.
CHASE
PIANOS.
THE A. B. CHASE CO.,
Used Exclusively in Seidl,
Thomas and Gilmore Concerts
at Madison Square Garden,
New York.
13. One of McGlennon's motto songs after
the familiar London pattern.
14. A comic take-off on the Japanese and
their national foibles.
15. A pretty waltz song of the popular cast.
OLIVER DITSON CO., BOSTON.
1. Forsaken.
H. Millard.
2. The Shadow Of The Sword.
M. H. Piccolomini.
3. Only a Love Letter.
G. Ziehner.
4. Dolores.
T. H. Northrnp.
5. In Lovers' Lane.
T. H. Northrnp.
0. Wit and Wine.
E. M. Chesham.
1. Mary C. Preston supplied the words for
this song, which is somewhat reminiscent of
Wallace and Balfe, yet marked by Millard's
original style. It is dedicated to Jane Stuart,
the actress.
2. A dramatic and vigorous song apostroph-
izing the sword. It has depth and character,
and cannot be readily appreciated by tyros. A
work worthy of study.
3. Already a popular song. George Cooper
has supplied the English words.
4. The title suggests the Spanish character of
the song. It tells the beauty of a maid of old
Seville in pretty verse and excellent music.
5. By the same composer as the foregoing.
The words were written by Eugene Field, the
Chicago poet. Mr. Northrup has interpreted
their essence very creditably.
6. This tells an old-fashioned story in an
effective manner. It is a showy and pretent-
ious song, requiring a dramatic instinct in the
singer to do it justice. The words are by Philip
Day son.
7. Silver Chimes, Morcean.
0. D. Wilson.
8. Boston Belles, Morceau
R. Goerdeler.
9. American Belles, Two Step. L. Gr. Jacoby.
10. Enchanted Valley, Morceau.
J. J. Gallaher.
11. Playful Rondo.
C. W. Greene.
7. Brilliant and musical. It is carefully fin-
gered, and constitutes an excellent study.
8. This has an ambitious title. Boston belles
are not rated second to the belles of any of our
cities. Mr. Goerdeler, however, has given us a
very meritorious composition.
9. Another significant title. A very pretty
piece, easily arranged.
10. A moderately difficult composition, based
upon pleasant and musical themes. Mr. Galla-
her has a good idea of thematic elaboration.
11. An effective piece, very refined in spirit.
HAMILTON S. GORDON, NEW YORK.
1. Crossing The Bar.
H. S. Cone.
2. Oh, No Mama!
A. Rosenberg.
3. Little Sighile.
H. PhildiusHunt.
1. Tennyson's poem is too profound and
spiritual a work to be consistently set to music.
It transcends the art of the composer, though
apparently simple. Its outward simplicity,
however, is but an expression of its depth. Mr.
Herbert Stanley Cone has written it up very
acceptably.
2. This is a German song which Annie Pixley
sings in capital fashion. George Cooper sup-
plied the English words. It is a pleasant work
in waltz tempo.
3. A quaint and sweet little rustic song. Mr.
L. C. Maxwell wrote the verse.
5. 0, Love Divine.
U. C. Burnap.
0. In Heavenly Love Abiding. U. C Burnap.
7. Jesus, These Eyes Have Never Seen.
I'. C. Burnap.
8. Dear Refuge of My Weary Soul.
U. C. Burnap.
130 Fifth Avenue, corner x8th Street, New York.
BOSTON,
NEW YORK,
CHICAGO.