Music Trade Review

Issue: 1892 Vol. 16 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
174
a religious ballet, a divertissement given on a
grand opera night at the Metropolitan Opera
House, and I was struck by his high-bred and
scholarly expression of face. The ballet, as
remarked, was a religious or transcendental one,
in which various spiritual and beautiful maidens
represented angels and other heavenly bodies.
Cherubim, sprites and lots of other characters
were depicted, and the whole business led up to
the essential triumph of good over evil. Inci-
dentally there was considerable capering around
to Seidl's baton, indulged in by an angel of
doubtful years, during which there was vehe-
ment applause. I have frequently admired the
reverence which the Chinese bestow on the
drama, but there was just as much earnestness""
evidenced in the applause of the Caucasian
element on that occasion. The '' only American
music trade editor '' was moved to the depths of
his being. His face expressed his feelings. The
whole scene called to mind many of the allegori-
cal religious paintings of the old Italian masters,
and I could not help thinking how much better
and nobler such art makes men. But to return
again to trade matters.
*
*
*
*
*
*
The Automaton Piano Co., of New York, have
brought to the notice of American musicians
and the music trade the chief features of instru-
ments of that nature, and I believe with some
success. Grob & Co., of London, have a me-
chanical piano at the exhibition referred to in
the opening paragraph. It is largely in the
lines of the American invention which the
Automaton Piano Co. handle. The hammers
are operated by means of a sheet -of perforated
paper, the perforations of which allow the ham-
mers to connect with the roller. The instrument
is also furnished with a keyboard so that it can
be played either by manual or mechanical means.
Grob & Co. also exhibit a '' patent piano player ''
of short or extended compass which may be
easily adjusted to any instrument. The various
inventions, though not in the abstract original,
represent considerable ingenuity and intelli-
gence. Grob & Co. furthermore apply their
mechanical system to harmoniums. They have
only lately established themselves in London,
and are looking around for a New York place, if
I am correctly informed.
*
*
*
*
*
*
Wallis & Co., of 133 and 135 Euston Road,
London, are the British representatives of the
Fort Wayne Organ Co., manufacturers of the
celebrated '' Packard.'' Among British musical
instrument houses Wallis & Co. rank deservedly
high. Their connection with the trade of the
United Kingdom is a very extensive one. They
were consequently able to make the '' Packard ''
a distinct success in a comparatively small space
of time. I need not expatiate upon the tone
qualities of these fine instruments. Suffice it
for the Fort Wayne Organ Co. that they control
a large and lucrative trade in the British islands,
and their instruments are used and admired by
eminent musicians. To the excellent material
facilities which the "Packard" factory enjoys
at Fort Wayne, Ind., must be attributed the
ability of the manufacturers to compete, class
for class, and price for price, with the other in-
struments of reputable American shops in the
European field, a fact, however, which might as
well have been left unsaid.
I met Mr. Standish, secretary of Wallis & Co.,
in his office during a recent visit, and had a
short conversation with him relative to the
"Packard." Much of what transpired on the
occasion may be gleaned from the foregoing
remarks. I learned that business is opening up
exceedingly bright just now, and a very large
trade is anticipated during the coming months.
It may be pointed out, though perhaps already
THE MUSIC TRADE REVIEW.
announced in these columns, that the Empress
of Germany has honored the Fort Wayne Organ
Co., recently, by providing a " Packard " for her
private apartments. This will give the instru-
ment an undoubted status in Germany and
Austria.
*
*
*
*
*
*
In my previous remarks about the pianos now
on view at the Musical Art Exhibition at the
Royal Aquarium, I intended to refer to a "trans-
posing piano " which I examined. And that
reminds me that Mr. Andres Holmstrom, the
clever inventor of the James & Holmstrom
"transposing piano " (which is, unlike others,
a distinct success), and member of that firm, was
in London a short time ago, accompanied by his
wife. Mr. and Mrs. Holmstrom were after
"doing the continent," and I am told enjoyed
it very much. From London they ran across to
the French capital, and will, doubtless, be back
again in Gotham by the time this will be
printed.
*
*
*
*
*
*
Mr. Alexander Dow, manager of the musical
interests of Murdoch & Co., 91 and 93 Farring-
ton Road, is one of the most affable, as well as
one of the most cultured men in the London
trade. His acquaintance with literature is very
large. He also understands American journal-
ism, and knows nearly every prominent Ameri-
can journalist by repute, and he exhibits a most
intelligent knowledge of America and Ameri-
cans. Murdoch & Co. were at one time connect-
ed with publishing, and to this Mr. Dow doubt-
less owes much of his acquaintance and apparent
sympathy with most things of a literary nature.
His knowledge of the ins and outs of the music
trade is equally large and effective. The best
proof of this is furnished us in the manner in
which ^Murdoch & Co. have pushed American
instruments, apart from their general business
prosperity. They are sole agents for the Car-
penter, Farrand & Votey, and Peloubet reed-
pipe organs, which Lyon & Healy are sparing
no pains to popularize on this side, and have
done business with American firms for many
years, Mr. Dow could not obviously make
statements discriminating in favor of any one
instrument, but he assured me that all of the
above were doing well. The general business of
Murdoch & Co., he also said, was very satisfac-
tory, everything considered.
*
*
*
*
*
*
Mr. Jack Haynes did not sail after all on
August 31, owing to the illness of Mrs. Haynes.
He sailed, however, on last Saturday. Mean-
while, I am told, he put the time to unexpected
advantage and scored well by it. Not only did
he do "the handsome thing " in bringing the
Newman Bros, organs to the notice of the
British-Irish trade by liberal and intelligently
conceived advertising, but he also managed to
do a little with the Starr piano.
*
*
*
*
*
*
What American organ did Signor Mascagni,
the now celebrated composer of " Cavaleria Rus-
ticana " and " L'Amico Fritz," single out for
honor at the Vienna Exhibition last Monday ?
It seems Mascagni visited the Exhibition
theatre, where he is conducting performances of
his works, on that day, the first day of his
arrival from Italy, and upon hearing the har-
monium in the orchestra he expressed his dis-
pleasure, and proceeded to the Rotunda of the
Exhibition, where he selected "an American
organ " to be used instead. Now what Ameri-
can firm received this great tribute ? That is
something worth knowing. They will be heard
from in due time, without doubt. The incident
is, however, very significant.
DANIEL
LONDON,
Sept. 17th, 1892.
White-Smith Music Publishing Co., Boston.
Voice- "Not Unto Us, O Lord," "Thou, O
Lord, Hast Been My Help," two noble sacred
songs for contralto voice, by C. P. Morrison ;
" H a r k ! 'Tis The Midnight Bell," by C. A.
White, a splendid quartet for mixed voices ; " Up
In The Moon," a pleasing honeymoon song;
"Six Modern Beau Brummells," a very lively
and catchy song and dance. Piano: "Peacock
Waltz," " Peacock Mazurka," " Peacock Schot-
tische " ; "Flemish Dance"; " Camille Daub-
ert's New American Barn Dance " ; " Up In The
Moon Waltz," all excellent dance music. Par-
lor Organ : " Heart Song," by C. C. Stearns, a
superior instrumental piece.
James Stillman, New York. Voice: "My
Dear Old Happy Home, " sweet and melodious ;
"The Old Easy Chair By The Fire," full of
feeling, well expressed; "My Home When A
Girl," or "My Home When A Boy," tender
and touching; "Send For The Wanderer,"
graceful and expressive ; " Our Noble Fire Bri-
gade, ' a noble descriptive song; "Whenever
There's A Woman In The Case," a very humor-
ous song and refrain.
Willis Woodward & Co., New York. Voice:
"The Rendezvous," (The Meeting), a waltz
serenade, words by Stella Wilson, music by C.
J. Wilson. This is one of the best of this class
of songs, the words are appropriate and the
music rich and charming. It was written ex-
expressly for Miss Bertie Crawford, the Tennes-
see nightingale, and the talented composer and
his gifted wife have produced a song worthy of
their well-known abilities.
Novello, Ewer & Co., New York. The
"Monthly Bulletin of Music" published by
this popular firm contains a pre-eminent selec-
tion of vocal and instrumental compositions.
The catalogue includes vocal pieces that are
fresh, charming and of excellent musical quality,
and the instrumental pieces are decidedly effect-
ive and desirable. Novello, Ewer & Co. are
among the foremost publishers and importers of
music in the United States, and their '' Bulletin,''
which is distributed gratis, should be in the
hands of every lover of music.
la Sottisi?.
Bright eyes gleaming in tenderest passion,
White hands gliding o'er sounding keys,
Fragrance of summer roses' sweetness
Mingling soft with the summer breeze.
Light sinks dim as the music lingers,
Hopes rise high as the fancies stray,
Heart to heart in the falling cadence,
Beating soft as it dies away.
Tell me, dearest, what means the music !
Tell me, dearest, and tell me true,
All seems gone with the last faint sound,
My heart, my being, lost in you.
Sweetest one, 'tis a dream of madness—
Strike the keys in a nobler vein ;
Love with white lips drawn tight in silence,
Life and Love—'tis a dream of pain !
—J. A. T. L.— r/ie Week.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
I PATRICK SARSFIELD GILMORE. I
JpjATRICK SARSFIELD GILMORE, the
• ^ r world-renowned bandmaster and musical
leader, died at St. Louis, Mo., Saturday, Sep-
tember 24, of heart failure due to a sudden and
acute bilious attack. For about two weeks pre-
vious to his death he had not been in his usual
health, but his condition was attributed to over-
work, and no serious results were apprehended.
Gilmore's Band was filling its usual fall engage-
ment at the St. Louis Exposition, at the con-
clusion of which the great leader intended tak-
ing a much-needed rest. He has gone to his
long, last rest, however, and his death is mourn-
ed and his memory is revered throughout Ame-
rica and Europe, for the able and warm-hearted
master musician was beloved by the people of
both continents.
Patrick Sarsfield Gilmore was born December
25, 1830, in the County Gal way, Ireland. Being
an uncommonly bright boy his parents at first
intended him for the priesthood, but decided to
give him a business education, and placed him
in a large mercantile house in Athlone. He had
from childhood, however, displayed a great
fondness for music, and giving up his business
situation, he became a pupil of a retired band-
master and noted musician named Keating, who
instructed him in harmony and instrumentation.
Young Gilmore did his instructor great credit,
and not only became an excellent cornet player
but also composed music for the Athlone amateur
band, of which he was a prominent member.
At the age of nineteen Mr. Gilmore came to
America, and accepted a situation in the music
store of the Messrs. Ordway, Boston. He was
in great demand as a cornet player, and soon
obtained an engagement as leader of a band.
He led successively the Suffolk and Boston
brigade bands, and having received a liberal
offer he went to Salem and successfully led the
band there for four years, thereby greatly adding
to his reputation. Returning to Boston he or-
ganized Gilmore's Band, and soon made it
famous throughout the country. At the begin-
ning of the war he and his band went to the
front with the Twenty-fourth Massachusetts
Volunteers, and in 1864 he was at New Orleans
in charge of all the bands of the military depart-
ment. Here he organized a grand national con-
cert, in which five hundred musicians and ten
thousand school children participated, and the
effect of which was heightened by infantry and
artillery accompaniments. The loyal element
of New Orleans loaded him down with gifts after
this great fete, one of the gifts being a silver
goblet filled with gold, presented him at a com-
plimentary dinner given by one hundred gentle-
men previous to his return to Boston.
At the close of the war, Mr. Gilmore returned
to Boston, and resumed his musical vocation
there. He organized the mammoth peace jubi-
lees of 1869 and 1872, in which over twenty
thousand people and two thousand musicians,
together with the best bands of Europe, partici-
pated. To accommodate these stupendous fes-
tivals, buildings holding 30,000 and 50,000
people, respectively, were erected at an expense
of nearly $1,000,000. Mr. Gilmore's services
were rewarded by the committee and citizens of
Boston, with presents amounting to over $50,000.
In 1873 Mr. Gilmore came to New York, and
became bandmaster of the Twenty-second Regi-
ment. During the succeeding three years he
gave over six hundred concerts in Gilmore's
(now the Madison Square) Garden. In 1876 Mr.
Gilmore and his band were one of the attrac-
tions in the Centennial Exhibition in Philadel-
phia. He played daily in the main building.
During the next two years he gave hundreds of
concerts in cities all the way from Bangor to
San Francisco. In 1878 he took his band to
Europe, gave concerts in the principal cities,
and won a medal from the World's Exposition
in Paris.
For fourteen consecutive seasons Gilmore's
Band played to huge audiences at Manhattan
Beach, and, during the winters for the past
eight years, has had marvellous success in en-
gagements at the Louisville, Ky., and Kansas
City, Mo., expositions, as well as at St. Louis,
Mo., where he died.
The reputation of Gilmore's Band was na-
tional and international. Its wonderful state of
efficiency demonstrated his masterly abilities as
a conductor, and enabled him to give the works
of the greatest composers a thorough interpreta-
tion. As a player, a conductor, and a composer,
he won well deserved renown, and, by not only
successfully catering to the musical taste of the
people, but by delightfully developing it, he ren-
dered effective aid to the cause of musical progress.
Mr. Gilmore was buried last Wednesday in
Calvary Cemetery. The funeral procession was
grand. It was headed by a platoon of police,
which was followed by a volunteer band of more
than two hundred musicians. After the band
came the superb floral tributes, arranged on
floats and in open carriages. Then came the
hearse, followed by the military escort, consist-
ing of Sergeant Mara and sixteen files of the
Twenty-second Regiment, which was to fire the
salute at the cemetery.
The honorary pall-bearers walked beside the
hearse. They were Alexander Bramer and
John Hunt, of the Musical Union ; Jacob Hem-
merschmidt and John Beck, of the G. A. R.; J.
D. Desmond and James P. Farrell, of the Catho-
lic Club; John A. Cockerill, Joseph Howard,
Jr., Congressman Cummings, T. H. Evans,
Frank Angovine, E. P. Weston, O. W. Price,
of the Press Club. The hearse was also followed
by P. J. Donohue, of the Clan-na-Gael; Chandos
Fulton, of the Lotos; Edward Schultz, of Gil-
more's Band; Col. John T. Camp, Lieut.-Col.
William V. King, and Major Franklin Bartlett,
of the Twenty-third Regiment; Edward O'Ma-
hony, the bass singer; Nahan Franko, the vio-
linist ; several hundred members of the Musi-
cal Union, Lotos Club, G. A. R., Irish National
League, Press Club, Catholic Club, and thirty-
two officers of the Twenty-second Regiment in
fatigue uniform, and a large body of members
of the regiment. A long line of carriages com-
pleted the cortege.
The services at the church of St. Francis Xa-
vier were deeply solemn and impressive. At
the conclusion thereof the march to the ceme-
terj' took place. There the honors of war were
paid the deceased by a triple volley by the firing
party, and the body was placed in a receiving
vault to await burial.
All that is mortal of the great bandmaster is
hid from sight forever, but so long as music is
heard on earth the memory of Gilmore will
survive.
MR. WILLIAM STEINWAY has sent to the Em-
press Frederick 10,000 marks for the memorial
church to Emperor Frederick, and 10,000 marks
for another church. The Dowager Empress re-
plied in an autograph letter of thanks.
CHAS. A. PIERCY has retired from the firm of
Piercy & Co., music dealers, Troy, N. Y. The
business will now be conducted under the name
of The Piercy Co., and will be managed by H.
G. Harris and Fred. Mercer.
A Chicago man has sued his doctor for $20,000
for breaking the drum of his ear. From the
general tenor of the man's allegation we should
say that he was at least entitled to a hearing.
175
U/itl? tl?e Travelers.
A meeting of traveling men was held in the
Sherman House, Jamestown, N. Y., September
27th, in the interest of the movement to secure
the location of the Commercial Travelers' Na-
tional Home in that city. A local post was or-
ganized, with nearly one hundred members.
When the annual meeting of the Commercial
Travelers' Association is held at Rochester, Octo-
ber 1 ith, a strong effort will be made to have the
committee to select the site come to Jamestown.
The proposed home will cost about $200,000.
The St. Louis Globe-Democrat tells the follow-
ing story about a model drummer, which must
be believed for several reasons :
" I write no letters to my wife, when I am
away, and I get none from her,'' said a commer-
cial traveler to a reporter. '' Correspondence by
mail is too slow, and telegraphing costs too
much money.
" We have hit upon a plan that saves stamps
and telegraph tolls, and is much more satisfac-
tory. No matter what part of the world I am
in, I go home at ten o'clock every night and re-
main half an hour, sometimes longer.
" How do I manage it? Easy enough. At
that hour my wife goes into the sitting-room,
closes the doors, places two easy chairs vis-a-vis,
sits down in one, closes her eyes, and concen-
trates her thoughts upon me. I go to my room
at the hotel, turn out the light, close my eyes,
concentrate my thoughts upon my home, and
especially upon my wife, and, presto ! I occupy
the easy chair in our little sitting-room, directly
in front of her.
" A perfectly intelligent conversation ensues
between us, although not a word is spoken.
She tells me how things are going on at home,
whether the children are well, about her own
health, which has been delicate for years, her
trials, hopes and fears.
1
' We have had this mental telegraph in suc-
cessful operation for two years past, and the
service is constantly growing better and more
satisfactory. We have verified its accuracy a
thousand times, and rely upon it as implicitly
as others do on the written page.
" Neither of us is a spiritualist, and we dis-
covered our ability to communicate in this man-
ner purely by accident.''
A SITE has been selected for the music hall to
be erected at Boston, Mass., and work will be
commenced as soon as the plans are completed.
MR. C. M. CONGER, of the Des Moines Piano
Co., Des Moines, la., will locate in Adel, la.,
and represent said company. He will carry a
large stock of musical instruments, among which
will be the Rice-Macy piano, the Farrand and
Votey organs and many other musical instru-
ments.

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