Music Trade Review

Issue: 1892 Vol. 16 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
IN
EUROPE.
(FROM OUR SPECIAL CORRESPONDENT ABROAD.)
THE LONDON AGENTS OF MR. ALFRED DOLGE—
A FRIENDLY DISCUSSION ON PROTECTION
AND FREE TRADE—AN ILLOGICAL FREE
TRADE ARGUMENT — CHAPPELL &
CO.—MR. KEMP—THE CHICKER-
ING PIANO IN ENGLAND—
CLOUGH & WARREN
ORGANS.
CHAPPELL'S BAND INSTRUMENTS IN THE UNITED
STATES—THE TANAKA ENHARMONIC ORGAN
—THE " VOCALIAN " ORGAN AND MR. A.
RAMSDEN—THE CLAVI-HARP—COCKS
& CO. AS THE NEWMAN BROS.'
AGENTS—MR. JACK HAYNES*
MOVE—STANLEY LUCAS
& CO.—FACTS ABOUT
MUSIC PUBLISH-
ING.
NEW BALLADS AND COMPOSERS.
HAD a most interesting conversation re-
cently with Mr. Gerdes, of Qnitrnan & Co.,
the British representatives of Mr. Alfred Dolge.
The conversation, or rather discussion, was on
the well-thrashed subject of protection. Quit-
man & Co. operate a very extensive connection
throughout the trade here. They are agents for
sounding-boards, felts, wire actions and a host
of materials produced on the continent, in addi-
tion to many of Mr. Dolge's celebrated special-
ties. They have represented the latter house
for many years, and are great admirers of that
worthy member of the American trade, though,
if Mr. Gerdes' own personal views can be taken
as the opinions of those constituting Quitman
& Co., they differ with Mr. Dolge on the ques-
tion of maintaining a tariff on American imports.
One, however, can easily understand their posi-
tion in that connection.
Mr. Quitman was absent when I called at their
place, 91 Queen Victoria street, but Mr. Gerdes,
his representative, placed himself at my disposal
with the greatest courtesy.
I found him a most intelligent gentleman,
well read and rather a formidable antagonist
when we drifted into a talk on the ethics and
economic uses of protection. Mr. Gerdes ad-
mitted that most American manufacturers are
right in advocating the maintenance of laws
which tend to benefit the industry or industries
in which they are interested, but he thought the
policy is most injurious to the United States as
a whole. To prove this, the familiar analogy of
Great Britain's rapid industrial and fiscal devel-
opment under free trade was brought forward ;
an old and time-worn, though respectable, argu-
ment I must admit. To make it logically use-
ful, however, is another matter.
*
*
*
* •
*
Great Britain owes its wealth chiefly to its
commerce and industries. It cannot feed itself
and cannot provide itself with the raw materials
used in manufacturing. Since the chief stable
necessaries of life and a large proportion of raw
materials employed for industrial purposes have
to be imported into Great Britain, it did not
require a wonderful amount of political genius
in Cobden 's time to see that an indiscriminate
protective tariff was a suicidal policy. Any tyro
in political economy can, therefore, readily com-
prehend the wonderful development which fol-
lowed the removal of an indiscriminate tax on
British imports in past years. Modern develop-
ments, however, have made it plain to the sub-
jects of Queen Victoria that it will be necessary
for them to place a tariff on a host of imported
manufactured articles, in order to be able to hold
their own in the home market. But—here is
the point—what has the foregoing to do with
the tariff question in America ? Where is the
logical force in the analogy ?
*
*
*
*
*
Most persons forget that the United States,
with the wonderful variety of its natural re-
sources, cannot be compared with Great Britain,
in the manner I am contending against, for
reasons already given. And yet American and
English free traders are never weary of using an
argument which, on examination, is found to be
entirely misleading and illogical in its premises.
Your correspondent attempted to meet Mr.
Gerdes' views with a few of the above, in a
"give and take " spirit, which resulted in pleas-
ant feelings on both sides. We "agreed to
differ '' finally, and then followed a return to
music trade and kindred topics. Mr. Gerdes
reported that Quitman & Co. are enjoying a
brisk business at present, especially in sounding-
boards and actions. I then looked over some
specimens of German-made actions with con-
siderable curiosity, for Mr. Gerdes told me the
figure at which they were supplied to the trade,
and I smiled inwardly as I thought of the argu-
ments with which he here supplied me in favor
of American protection. At the end your cor-
respondent parted from Mr. Gerdes with a warm
invitation to call again.
*
*
*
*
*
I had the pleasure, a few days ago, of meeting
Mr. Kemp, manager of Chappell & Co.'s exten-
sive piano and organ departments. Chappell &
Co. rank among the leaders of the London music
trade, as you know, and at their splendidly ap-
pointed showrooms, in New Bond street, may be
seen an extensive stock of pianos, American
organs, harmoniums and miscellaneous musical
goods of the highest class. But it must be
especially interesting to readers of THE MUSIC
TRADE REVIEW to know that Chappell & Co.
are, and have for many years been, the British
agents for the sale of Chickering pianos and
Clough & Warren organs, of which they carry a
large stock. As music publishers they occupy
an equally prominent place in England. They
are known on both sides of the Atlantic as pub-
lishers of some of the best ballads of Tosti,
Pinsuti, Wellings and other composers of that
calibre, apart from what they produce in the
shape of high-class instrumental works in the
smaller forms. Mr. Kemp recognized and wel-
comed your correspondent immediately on ap-
proaching his desk, and promptly placed himself
at my disposal.
* -
*
*
*
#
Among the facts elicited during my conver-
sation with Mr. Kemp, I learned that Mr.
Rogers, their principal tuner, had just returned
from America, where he had been traveling on
business. Accordingly, I set myself the task
of discovering that gentleman, for the purpose
of getting his impressions of that much misun-
derstood country, the United States, and shall
make these the subject of a future paragraph in
one of my letters. In speaking of the Chicker-
ing piano, I ascertained that Chappell & Co.
have made preparations to push these instru-
ments on an unusually aggressive scale during
the coming season. In fact, they contemplate
carrying on a small campaign with these cele-
brated products of the United States, which are
regarded among the finest instruments in the
European market. I believe that a few special
styles are being prepared for the British trade.
The severe blow sustained by Mr. George H.
Chickering, through the death of Captain Rux-
133
ton, was referred to, mingled with expressions of
sympathy and regret on both sides, and I may
remark that in nearly every conversation held
with representative members of the London
music trade, during my present trip, Chickering
& Sons have been spoken of in the most kindly
and sympathetic terms in connection with Cap-
tain Ruxton's sad death. In that respect the
men constituting the British trade harbor the
most fraternal feelings towards American piano
houses and their members. I think that they
lose none of their patriotism, which is as mtteh
the right of Englishmen as it is of Americans,
by cultivating the goodwill that they unques-
tionably cherish towards their brethren in the
United States. This they manifest in a hundred
ways.
*
*
*
*
*
Clough & Warren organs are handled with
eminent success by Chappell & Co., and I find
that they push them among British dealers with
an energy which in itself betrays a marked and
positive appreciation of their sterling value and
musical character. It must not be forgotten
that Chappell & Co. will not, under any circum-
stances, assume the agency for any musical
instrument or article of a mediocre or second
grade. They have labored to win the high re-
putation they hold, and they labor steadily to
sustain and deserve it. To be represented by
them is, therefore, something of which Clough
& Warren may well feel proud. Detroit also
may share in their pride, for it is not an insig-
nificant honor for that city to be able to turn out
organs which occupy such a place in musical
circles in the British islands, and throughout
Europe, as that held by those produced by the
factories of that firm. Beyond assuring me of
the fine prospects which these instruments enjoy
for a good fall trade, Mr. Kemp said little.
What he did say was to the point. He clearly
did not think it necessary to make superfluous
or studied statements on behalf of his house, or
about organs which they, Chappell & Co., re-
gard as an established selling success. Mean-
while I made a note of the fact that a large con-
signment of instruments is shortly expected,
and among them will be several new styles.
*
*
*
*
#
Last Summer Mr. Kemp took some pains to
illustrate to me the scientific principles embodied
in the "enharmonic organ" invented by the
Japanese philosopher, Tanaka, which Chappell
& Co. hold the agency of. The instrument met
with considerable success in scientific circles at
the time, owing to the manner in which the in-
ventor attempted to bridge over the chasm
which divides musical art as it is from '' Scien-
tific Music." One, however, cannot consistent-
ly use such a term as the latter, for, apart from
the physical origin of sound, music, in its modes
and forms, is distinctly an art, and its laws are
purely those sanctioned by the artificial and es-
thetic senses. Tanaka, meantime, carried the
experiments of Poole, and a host of other mu-
sical acousticians, to a very remarkable con-
clusion in his key-board system, a fact Mr.
Kemp pointed out during my visit last year,
but, as I anticipated, his " enharmonic organ "
has achieved no useful place in musical art, be-
ing merely regarded as an interesting experi-
ment like its precursors.
*
*
*
*
*
After leaving Mr. Kemp, I passed into the
apartment set aside by Chappell & Co. for their
brass and orchestral instruments, and presented
my card. An acquaintance with Mr. Davis, the
gentleman in charge, followed. He reported
their American trade as very satisfactory, de-
spite the McKinley tariff, a condition which is
largely due to the house of C. Howard Foote, of
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
'34
Maiden Lane, their chief agents on your side of
the ocean. After a casual look through the
stock, I parted from Mr. Davis and proceeded
elsewhere.
*
*
*
*
*
At Novello, Ewer & Co. 's, where I went to
elicit some facts about the international copy-
right test case, which is soon to come off on
your side, there was a curious amount of
" hedging " indulged in when I presented my
card. Did I come about an advertisement ?
What was the exact nature of my business ?
What questions did I want to ask ? etc., were
put to me in a half-frightened manner by the
good looking and responsible gentleman to
whom I addressed myself. Alas ! thought I,
certain popular and able representatives of the
Chicago music trade press have been recently
trying to " hustle " through the dignified and
sedate repose of that splendidly appointed music
house, and orders have been issued not to admit
future visitors of the same profession and na-
tionality, without knowing their exact business.
I assured my examiner that I wasn 't an adver-
tising man, that I harbored no such desperate
design on the firm as the solicitation of an
advertisement, and, in short, that my purpose
was purely respectable and peaceful. He
thought his way slowly. Then he smiled and
asked me to call again (mentioning a time),
when I could obtain an interview with the chief
representative of the firm. I ascertained, how-
ever, that the New York branch had been giving
great satisfaction during the past year.
*
*
*
*
*
The piano show-rooms of Alexander Rams-
den, on New Bond street, are the most taste-
fully decorated and handsomely furnished in
London. The walls are covered with valuable
oil paintings, representing the bright and cheer-
ful things of nature, and the ' • art divine '' is
of course given due prominence, in keeping
with the character of .the business carried on.
To the visitor the whole would immediately
indicate the intelligence and excellent artistic
taste of the presiding genius, Mr. Alexander
Ramsden. I dropped in there on Wednesday
to inquire about the " vocalian " organ, for
which he has accepted the agency, and was
much impressed with the refined and dignified,
without being stiff, atmosphere of the place. Mr.
Ramsden was most genial to your representa-
tive. He puts a very high estimate upon these
splendid instruments, and believes that they
can be pushed to considerable advantage in the
United Kingdom. An elaborate example of the
skill of Mason & Risch is to be seen in the prin-
cipal show-room, and it could scarcely be exhi-
bited to better exterior advantage. Musically,
it is an instrument that is creating considerable
attention in professional circles, as I remarked
in my last letter.
*
*
*
*
*
The clavi-harp, invented by M. Christian
Dietz, of Brussels, has not been well received
in Rngland after all. People are very slow to
purchase instruments of that class, particularly
when they cost as much as the key-board harp re-
ferred to, which I inspected with much curiosity
last summer in Mr. Ramsden's show-rooms.
On inquiry I learned that the rights of the clavi-
harp had been taken up by a Brussels manufac-
turing firm some time ago. Though the
instrument has, so far, fallen flat in this country,
I believe it could be made and sold in the
United States with excellent financial results.
*
*
*
*
*
Robert Cocks & Co., of 6 New Burlington
street, have formally announced that they have
become wholesale agents for the Newman organs
in the United Kingdom. Mr. Jack Haynes did
an effective stroke when he succeeded in mak-
THE MUSIC TRADE REVIEW.
ing that important connection. Cocks & Co.
are an old and responsible firm, whose name
lends a dignity and status to any musical arti-
cle they represent, and I need not say that they
never add any instrument to their stock without
first assuring themselves that it is up to the
mark. Newman Bros, can therefore be compli-
mented on the consummation of such an im-
portant move, which they will find of no little
benefit also in the United States.
*
*
*
*
*
Though there is a decided tendency on the
part of the average of the London piano manu-
facturers to complain about the stagnant condi-
tion of trade, Brimsmead & Sons do not seem
to feel like their competitors. About the mid-
dle of next month they will commence removing
their warerooms in Wigmore street, upon the
site of which they will erect a new and improved
structure. They occupy temporary quarters at
present at 104 New Bond street.
*
*
*
*
*
"When I went into the music publishing
business, years ago,'' remarked Mr. Stanley
Lucas to your correspondent on Tuesday, dur-
ing a short conversation at his place in New
Bond street, '' the custom of paying vocalists to
sing a song was unknown. On the contrary,
singers were only too anxious to find a good
song to include in their repertoire." The fact,
however, remains, that to bring a vocal work
under the favorable notice of the public, a pub-
lisher must pay a good singer to introduce it.
It must not, meanwhile, be forgotten that good
s ongs were comparatively scarce thirty years
ago, and therefore vocalists had to hunt around
for original works. At present the market is
glutted with songs and ballads of merit. Stan-
ley Lucas & Co. are informally represented in
New York by Schirmer. I further ascertained
that they are the agents here for the publica-
tions of the Rofhlings, of Milwaukee.
*
*
*
*
*
For the benefit of a class of the readers of THE
MUSIC TRADE REYIEW, I took some pains to
find out what new ballads of more than ordinary
merit are out. Boosey & Co.—to give a few
particulars here—have achieved something of a
hit with '' The Carnival,'' by the popular Irish
composer, Molloy, whose position among modern
song writers of the high-class is already fami-
liar to the American musical public. "Come
Dance the Romaika " is equally successful.
Boosey & Co. are also satisfied with Hope Tem-
ple's latest song, " Rory Darlin', " which the
American contralto, Belle Cole, is singing with
good results. The most recent thing from the
clever pen of Frank Moir, composer of '' Best of
All, " is " Bonny Machree, " of which Boosey &
Co. are also the publishers. Kellie's song,
"The City of Night," and Mascheroni's new-
est, " Thou Art My Life, " published by Cocks
&Co., are equally well received in musical cir-
cles. Mascheroni made a great hit last year
with " For All Eternity," and his name conse-
quently draws. Kellie has also won a place
among English composers of that order, and I
think he deserves it.
DANIEIV SPILLANE.
LONDON,
Sept. 3d, 1892.
MR. JOS. BOHMAN, of 306 State street, Chica-
go, 111., manufacturer of pianos, has caused the
arrest of one of his employees, Paul Ferdman,
who left last February with $1,500 worth of
samples of musical instruments belonging to his
employer. Mr. Bohman located Ferdman in
Portland, Oregon, last week and caused his
arrest.
MR. E. E. MAGEE, piano dealer, Bridgeport,
Conn., has been attached.
B.
J r N any industrial exhibit of New Haven B.
*-' Shoninger Company should occupy a very
prominent place, it being one of the largest con-
cerns in its line of production in the United
States, as being one of the oldest of New Haven's
industrial enterprises. Few, if any, concerns
have done more to call attention to this city as
an advantageous site for the prosecution of in-
dustrial endeavors, and as the products of this
Company are shipped to all parts of the country
as well as abroad, it is continually calling atten-
tion to New Haven.
The foundation of this extensive business was
laid in 1850, when Mr. B. Shoninger began in a
small way the manufacture of melodeons in a
store on Chapel street. Year by year the demand
increased for his instruments, induced by their
peculiar excellence, until, in 1863, a larger fac-
tory was erected. The business soon outgrew
the facilities, and in 1865 it was removed to the
present plant, which, however, has been con-
stantly added to, until at present mammoth
dimensions have been reached. The buildings
cover a large area on both Chapel and Chestnut
streets, are chiefly six stories in height, and are
substantially built of brick, presenting a hand-
some architectural appearance, and are an orna-
ment to the city, indeed. One of the features of
their large establishment is the office, which is
the finest in the city, being finished in cherry,
mahogany, walmtt and maple, relieved with
delicate tracery and inlaid wood and rich hand
carvings.
The mechanical equipment is of the most com-
plete and modern character, and represents an
investment of many thousands of dollars, and
employment is furnished in their many depart-
ments to over three hundred skilled workmen.
The weekty disbursements of this company are
very large, showing the part taken by them in
promoting the general thrift of this community.
From the start, this company have always made
a feature of making superior instruments, in-
stead of making a large number. In 1876 they
began the manufacture of pianos, producing
about one hundred pianos the first year. The
pianos having given general satisfaction, their
business increased yearly until at the present
time they produce over two thousand annually.
This company is noted for using the finest and
best materials that money can purchase, their
lumber being well seasoned for years before be-
ing kiln-dried, and when finished the wood is
done so thoroughly that no changes of weather
or climate have any effect on it whatever. The
sounding-boards of all their products are made of
three kinds of wood, glued together crosswise,
which prevents all cracking, shrinking or swell-
ing, and they are the only manufacturers in the
world using this system. Everything is made
right on the premises, and every piece of work
is under rigid supervision from first to last.
Nothing but the supreme excellence satisfies
these critics, and as a result the company guar-
antees every instrument they send out. No
pianos have ever been returned to them on ac-
count of inferior workmanship or materials.
Their instruments have received many kind en-
dorsements from bona-fide purchasers, which
may be regarded as really more valuable than
many of the high-sounding endorsements of
" a r t i s t s " whose "opinions" are frequently
sold to the highest bidder. This company have
deservedly prospered, because they have always
made a first-class article, treated their custo-
mers fairly, and sold at reasonable prices and
liberal terms. The company also have hand-
some offices and warehouses in New York city
and Chicago, and export a large number of in-
struments to Europe, South America and other
countries.— Palladium, New Haven, Conn.

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