Music Trade Review

Issue: 1892 Vol. 16 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
439
time employes of Kimball, and Ernil Liebling,
are to have a reminiscent supper at the Welling-
ton to-night. Those who know this trio need
not be told that they will drive dull care away
while living over old times and swapping recol-
lections.
Yours, &c,
HARRY MANNING.
CHICAGO.
CHRISTMAS TRADE—LARGE CAPITAL INVESTED
IN THE MUSIC BUSINESS IN CHICAGO—
KIMBALL AND LYON & HEALY—F.
CONNOR IN TOWN—MANAGER
NORTHRUP DINED AT
THE WELLINGTON.
CHICAGO, I I I . , Dec.
EDITOR MUSIC TRADE REVIEW :
27th, 1892.
I regret to say that my brilliant predictions
for the holiday trade, based on the hopes and
calculations of those more directly interested,
were not fully realized. True, there was a vigor-
ous and satisfying demand in some quarters
and a not unpropitious inquiry in others, but
altogether the outcome was not what was in
good reason expected. However, there is a
balm for every wound, and it was found in this
case in the fact that the round up for the year
shows excellent results, albeit the excess over
1891 was not as large as predicted. Upon com-
parison of notes and cursory examination of
books it is agreed that a business of thirteen
million dollars was done this year, and the
ratio of losses was less than one per cent., and
one large house recorded only about one-fourth
of one per cent. There are somewhere between
eight and nine millions of dollars invested in
the music trade in Chicago, and I question if
any branch of trade can make a better showing
as to the amount of business done and the small
losses sustained for the same capital involved.
Of the business done three houses do nearly
half, or about six millions, and these are Lyon
& Healy, the Kimball Company and the Chicago
Cottage Organ Company. The latter does less
than either of the others, but the trio combined
foot up the grand total named.
We had '' glorious Christmas weather,'' with
lots of snow and a temperature oscillating be-
tween zero and seven either way, above or below,
which made everything and everybody active.
With such a propitious season the disappoint-
ment at the result of the holiday trade was all
the more keenly felt.
I regret to hear that Mr. W. H. Leckil, one
of Lyon & Healy's faithful and popular staff, is
confined to his home with an attack which,
though not serious, is annoying and liable to
keep him away from business for some days.
The first American presentation of Gounod's
great opera, Philemon and Baucis, was given at
the Auditorium last night by the Duff Opera
Company. It bids fair to be the musical event
of the season.
Christmas was becomingly celebrated in all
the churches and some rare good music was
heard by several of the older and wealthier con-
gregations.
Mr. F. Connor, a piano manufacturer of your
city, was here this week selling his instruments
and did quite well. He has made a good start, as
Lyon & Healy gave him an encouraging order.
The late fire in the Pease factory has inter-
fered but little with their house here.
Jno. W. Northrup has severed his connection
with the Kimball Company and will start in next
week as the western manager of the Emerson
Piano Company. He and his old friend and con-
frere, Edgar C. Smith, likewise one of the old-
THE greatest year known in the history of Blas-
ius & Sons, of Philadelphia, was 1892. On Christ-
mas eve every Blasius piano in the 1101 and
1103 Chestnut street warerooms was sold. Not
one left The big line of Smith & Barnes, Pease,
Kurtzmann and Strich & Zeidler, which this firm
handle, dwindled down to nothing, like melted
snow. The Blasius warerooms presented the ap-
pearance of a large, empty ball room on Monday
morning. The immense organ room looked as
if a cyclone had struck it. The familiar faces of
Clough & Warren, Packard and Weaver organs
were things of the past.
A BRASS band of 25 pieces has been organized
at Falmouth, Mass.
A NEW music store has been opened at Cadil-
lac, Mich., by George S. Ketchum.
J. TROXELL, a traveler formerly employed by
Charles Bobzin & Co., was tried on a charge of
embezzling $50 belonging to the firm. Troxell
was acquitted on Mr. Bobzin's testimony.
J. W. STURTEVANT, one of the most efficient
salesmen at Chickering & Sons' New York
warerooms, has joined the Steinway forces and
will be connected with the Steinway retail estab-
lishment at Steinway Hall.
Anton Seidl and his Metropolitan Orchestra
will give a grand combination concert Sunday
evening, January 1st, at the Lenox Lyceum.
Miss Emma Juch, prima donna soprano, and
Joseph Hollman, violoncello virtuoso, will be
the soloists.
Paderewski's first piano recitals will be given
at Music Hall, January 2d, 7th, 14th, and Feb-
ruary 18th, respectively. These recitals will
take place in the afternoon at 2.30 o'clock.
Arthur Foote is the conductor of the chorus
organized to appear in conjunction with the
Boston Symphony Orchestra.
Carl Schurz is a good pianist.
The Duke of Edinburgh is busily engaged
composing an opera. The Duke is a violinist
and musician of no mean ability.
Signor Mascagni, the composer, is said to be a
devoted husband and the father of three sons,
each of whom was born just before the produc-
tion of each of the father's operas. Mascagni's
favorite is his eldest child, whom he puts to bed
every evening himself. No matter what the
composer's tasks are he never neglects his wife
and children.
The instrumentation of Sousa's New Marine
Band is as follows : Twelve Bb clarinets, two
flutes, two oboes, two Eb clarinets, one alto
clarinet, one bass clarinet, two bassoons, three
saxophones, four trumpets, four horns, three
trombones, two euphoniums, three basses,
drums, tympani, cymbals, etc.
WASHINGTON.
[FROM OUR SPECIAL CORRESPONDENT.]
D. C, December 28th, 1892.
entirely destitute this week of any-
thing original, except original sin, I send
three items, recently published in the columns
of the local press.
Messrs. PfeifFer & Conlieff do not admire the
tuneful strains which are ground out from the
street pianos at one cent a yard. They object to
having the alleged music in front of their place
of business and appealed to the District Com-
missioners for surcease of sorrow. The firm was
told that these street venders of second-hand
tunes paid for the privilege of making life a
burden to the public and they could not inter-
fere. They promised, however, to call in the
assistance of the police.
One of the most persistently recurring of the
tunes of these street musical pests is, as a matter
of course, '' Ta-ra-ra-boom-de-ay.'' Oh, Lord !
oh, Lord ! how long ! how long !
However, since Miss Lottie Collins is playing
at one of the theatres and is creating a furore
with the song, as accompanied with kick, her
kick, and dance, the tune bids fair, like Tenny-
son's brook, to " g o on forever." Yet this from
one who knows :
"The notes of 'Ta-ra-ra ' have been whistled,
bassed, tenored and sopranoed by Southern
negroes for possibly a hundred years past. The
original words were in the semi-barbaric patois
of the rice fields owned by French planters. The
words were fully as broad as those which you
hear to-day from the mouths of people of ques-
tionable reputations. They concerned the mis-
fortunes of a young mulattress who was not
proof against the wiles of a suitor.
'' As for the tune itself, it used to form one of
the main -inspirers at the African dances on
Congo Square, New Orleans, immortalized by
George W. Cable. There were wilder leg-flings
and more complicated acrobatics at those ex-
hibitions than are dreamed of in Miss Collins'
philosophy. The undoubted merit of the air,
its rhythmic measure and inherent jollity, are
proven by its long survival. The English
actress is fortunate to have secured and revived
it at a time when it had passed from the recol-
lection of all save those from the far South.''
Mr. A. L. Salzstein, Jr., of 605 7th street,
northwest, issued invitations to his friends and
the public to be present, last evening, to listen to
the playing of a number of Paillard's mammoth
music boxes. Large numbers of persons were
present from 4 o'clock until 8 enjoying a rare
treat. An interesting programme was arranged,
selections from popular operas predominated,
but the ear of the great public, was also enter-
tained with less pretentious compositions and
current popular airs.
None present but who was charmed and en-
lightened as to the perfection to which musical
mechanism is evolved by Paillard.
WASHINGTON,
WM. E. Me ARTHUR.
Danko Gabor's Royal Gypsy Band has made a
pronounced hit at the Eden Musee.
A grand annual Banjo, Mandolin and Guitar
Concert will be given by the Dore Brothers,

Saturday evening, January 28th, at Association
PIANO SALESMAN WANTED in Prominent
Hall, Fulton and Bond streets, Brooklyn, N. Y. Ware Room in NEW YORK CITY.
The Brooklyn Citizen says : '' What Gustave
Address
" B. B.,"
Dore has done for Art, Dore Brothers have done
Care of " The Music Trade Review,"
for the banjo."
3 East 14th Street.
SALESMAN WANTED.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
44O
THE
*
*
®
ITS DEVELOPMENT UP TO DATE.
ARTICLE II.
SOME FEATURES OF THE PIPE ORGAN—REED AND
PIPE ORGAN MAKERS—INTERCHANGE OF
IDEAS—THE MASON & HAMLIN—FEA-
TURES OF CONSTRUCTION—IMPROVE-
MENTS IN REED STRUCTURE—
THE CHOUGH & WARREN
QUALIFYING TUBES—
THE "PACKARD."
CHAMBERED REED CELLS—A PIPE ORGAN TONE
THE AIM—THE STORY & CLARK.
of bent wire (e) with stop-lever (X) by the link its tone character, although otherwise con-
y) ; brass incline (g) on stop-lever (X); also structed on the most improved lines. The pipe
connection of stop with valve (P) at the back of quality of tone has meantime been what all
tube-board (J?). Figs. 21 and 22 represent rela- voicers and acousticians have been striving to
tive parts according to exemplification.
copy as closely as possible.
Not only in the interior principles of construc-
The Fort Wayne Organ Co. also employ a
tion do the instruments of the leading firms patent " Chambered Reed Call " in the " Pack-
vary from one another but in exterior features. ard, " another valuable and noteworthy special
In that respect, though on an average much feature of that class treated on. Independent
cheaper than the piano, organ makers have of their method of adjusting the reed the Foit
beaten out makers of the piano in the application Wayne have, need it be remarked, introduc-
of decorative art to case-work. Meanwhile, the ed various other original features in their
form of the organ, the method of case building, instruments. The '' Packard Grand Orchestral
and the wood and plant employed, have per- Organ," in particular, is replete with novelty in
mitted of greater progress in exterior embellish- all its departments.
ments, at an expense commensurate with its
*
*
*
*
*
*
price relationship to the piano.
The Story & Clark furthermore contains in-
*
*
*
*
*
*
genious and intelligent acoustic contrivances
A gradual improvement has taken place in the for the production of superior tone in the nature
structure of the reed since the discovery of the of those referred to. Mr. Melville Clark of that
present method of voicing. In that direction firm has introduced a great many patents from
alone a large number of patents have been taken time to time in his efforts to give the " Story &
out since 1862, especially in relation to methods Clark " a musical character equal to the best of
for adjusting and fastening the heel of the reed. its competitors, but it would be quite a task to
The outcome has been the slot-cutting machine describe all of them or even those of especial
and several patent heel fastening systems. These value in detail. The best illustration of the
led up to the establishment of a distinct auxiliary mechanical and scientific genius of this firm is
branch of the organ industry, namely, reed man- evident in the Mozart organ, an instrument
ufacturing. I think it will be admitted that, capable of very beautiful and manifold combin-
although this assisted the production of cheap ations of tones, some of them exceedingly semi-
organs it helped the evolution of the instrument orchestral in character.
very materially. The Munroe reed was among
A study of some modern organs of the class
the first notable achievements in this direction. treated on has convinced the writer that piano
Metals and compositions were meantime experi- tone regulators and experts could get many
mented with to improve tone, and a general all wrinkles from organ tuners and voicers in the
round development resulted. The reed once nature of tone and its various phases of quality.
brought to an appreciable point of perfection, Indeed in the matter of quality, and it is with
this the piano tone regulator has to do, the
organ voicer is called upon to display incompar-
ably greater capacity and finer musical instincts
than his piano relative. Nowhere is this more
Fio. 19.
evident than in an instrument such as the
" Mozart " organ, or any other leading style of
those produced by Story & Clark. These opin-
ions, it is scarcely necessary to say, are appli-
cable to first-class instruments of every make.
-cfN the larger pipe organs the disposition of
^ the huge body of pipes, which enter into
their composition so as to get them under con-
trol of the keyboard pedals and general stop-
action, is a revelation of ingenuity and mechani-
cal skill. Many .of these instruments contain
over six thousand pipes. Reed organ improvers
doubtless owe much to their brethren of '' the
fraternity of Pan, " as some one styled the pipe
organ builders, for the idea of a multiplication
of manuels, pedals, and the general arrange-
ment of the stop-action originated with the
latter. But it may be also asserted that the pipe
organ men have in turn appropriated many valu-
able ideas from their kinsmen in craft. The
first instruments of the parlor organ family con-
sisted simply of a set of reeds somewhat similar
to those in use in an
ordinary German concer-
/ ^^-^^^^^^ s
tina or accordion of the
/
familiar species, while
the action was very sim-
FIG. 17.
ple. The multiplication
of reeds and the introduc-
tion of stop effects and
other auxiliaries within
the limited compass of
case, taxed the ingenuity
of organ makers and
inventors to no inconsid"
FIG. 23
erable degree, and con-
Fio. 18.
sequently their achieve-
ments represent remark-
able labor and experi-
ment. In that sense the
organ shown here will
serve to give another il-
-e-
. lustration of the wonder-
ful development which
Fiii. w.
has taken place in the
CONSTRUCTIVE PRINCIPLES OF A MASON & HAMLIN ORGAN.
structure of the instru-
ment within the past forty years, and of the in- inventors and practical acousticians—of which
tricate mechanical principles which have been the reed organ business has produced many of
introduced in line with the general extension of remarkable genius—soon found that there was
tone and artistic facilities. Annexed is an still room for further tone development through
exemplification of the Mason & Hamlin system the adjustment of this medium. Accordingly
of construction and will repay study.
"qualifying tubes," "chambered reed cells"
To explain the above : Fig. 17 shows position and various other valuable principles appeared.
of reed ; Fig. 18 represents in sectional elevation In fact each of the leading firms employ a, to
part of one end with reed-valves and stop-action ; an extent, special method of placing the reed to
Fig. 19 shows auxiliary mutes; Fig. 20exhibits augment tone.
method by which the stop-valve is mounted :
*
*
*
*
*
*
wind-chest (U), reed-valves (/), stop-valves (7"),
The records of the Patent Office recruited a
swell-cap (V) with the swell-lids attached (W), goodly part of their number from inventors of
stop-lever (X), transverse roller-lever (<$'), roller- ideas of that character, but like piano patents
board (c'), name-board (a'), draw-stops (a and b), and patents for various other improvements in
and the tube-board {R). Some connections of the organ only a very small proportion have
the parts are indicated thus : The inner end of survived.
stop-valve (T) attached to tube-board (R) by
In the Clough & Warren, for instance, the
butt-hinge (c) ; similar hinge (d) fastened to Scribner system of "Patent Qualifying Tubes "
outer end of tube-board ; stop-valve (7) joined to is in adoption. The makers of that excellent
half hinge (d) by the bent wire (e); connection organ find that to that system it owes much of
DANIEL SPILLANE.
Tail piece for banjos or violins, No. 487,879,
H. C. Middlebrooke.
Apparatus for turning over the leaves of
music, No. 487,769, C. Pittrich.
Music rack attachment for guitars, etc., No.
487,820, P. Benson.
Impervious case for containing musical instru-
ment strings, No. 488,005, F. H. Griffith.
Organ, No. 487,716, J. Chilleen.
Pneumatic action for organs, No. 487,767, J.
Peloubet.
Musical instrument, No. 488,482, R. W. Pain.
Electrically-operated stringed musical instru
ment, No. 488,520, W. H. Gilman.
Piano case, No. 22,079, Strich & Zeidler.
A tenor, whose name was McB,
Tried to reach up one day to high C.
His voice gave a crack
And it never came back,
Now his neighbors are filled^with high glee.

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